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The Way We Used To Be
Clarinet Ensemble
Sheetmusic to print
4 sheet music found
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Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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Clarinet Ensemble
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. ...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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Clarinet Ensemble
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INTERMEDIATE
#
Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. ...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
We Three Kings Swing - for Clarinet Choir
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Clarinet Ensemble
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INTERMEDIATE
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Christmas
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John Henry Hopkins Jr
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Patrick Glenn Harper
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We Three Kings Swing - for Cla
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Patrick Glenn Harper
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.751199 Composed by John Henry Hopkins Jr. Arranged by Patrick Glenn Harper. Christian,Chr...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.751199 Composed by John Henry Hopkins Jr. Arranged by Patrick Glenn Harper. Christian,Christmas,Jazz,Sacred. 21 pages. Patrick Glenn Harper #3861689. Published by Patrick Glenn Harper (A0.751199). Beginning with a catchy hook, this unique arrangement of We Three Kings will be a holiday concert favorite! It is also a great way to practice 8th-note swing with school ensembles. A 3rd B-flat soprano clarinet part has been included if your ensemble does not have an E-flat alto clarinet. An E-flat Contra Alto clarinet part has also been included to be used in place of the B-flat contrabass clarinet part.
$15.50
Your Favourite Easter Hymns for Clarinet Choir
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Clarinet Ensemble
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EASY
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Sacred music
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Various
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Your Favourite Easter Hymns fo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Woodwind Choir or Ensemble, Clarinet choir, clarinet quartet or ensemble - Early Intermediate - Digital Download Composed by Various. Arranged by Col...
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Woodwind Choir or Ensemble, Clarinet choir, clarinet quartet or ensemble - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise & Worship, General Worship, Easter. Score, Set of Parts. 101 pages. Published by Colin Kirkpatrick Publications
YourFavourite Easter Hymns for Clarinet Choir
Arranged by ColinKirkpatrick
Contents:Amazing Grace (trad); And Can it Be? (Sagina); At the Lamb’s High Feast We Sing(Salzburg); Christ the Lord is Risen Again! (Würtemburg); Crown Him with ManyCrowns (Diademata); Jesus Christ is Risen Today (Easter Hymn); Jesus Lives!(St. Albinus); Love’s Redeeming Work is Done (Savannah); Low in the Grave HeLay (Lowry); There is a Green Hill Far Away (Horsley); Near the Cross (Doane); OSacred Head Now Wounded (Passion Chorale); The Day of Resurrection (Ellacombe);The Strife is O'er, the Battle Won (Victory); Rock of Ages (Toplady); Thine bethe Glory (Maccabæus); This Joyful Eastertide (Easter-tide); To God be theGlory! (Doane); When I Survey the Wondrous Cross (Hamburg); When I Survey theWondrous Cross (Rockingham); Were You There When They Crucified my Lord? (trad);Ye Choirs of New Jerusalem (St. Fulbert).
Thisis an essential collection of twenty-two favourite Easter hymns arranged forclarinet choir or for virtually any combination or number of clarinets. The publicationconsists of full scores for each hymn plus parts for 1st clarinet inB flat, 2nd clarinet in B flat, 3rd clarinet in B flatand bass clarinet in B flat. The 1st clarinet and 3rdclarinets have duplicate parts for E flat clarinet and E flat alto clarinetrespectively. You could of course include alto and tenor saxophones if necessary. There’s a piano part too, so you can also use the arrangements assolos, duets or trios. All the parts are contained in a single 100-page PDFfile. They are intended either as stand-alone pieces that could be used asinterludes in an Easter service, or they could be used to accompany solo,choral or congregational singing. The music has been set in clarinet-friendlykeys and they are compatible with the brass collection of the same name. Thepiano part has been written for with the early intermediate pianist in mind,though some hymns are actually quite easy.
$25.99
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