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CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
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DULCIMER
ENGLISH HORN
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HANDBELLS
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HARPSICHORD
LAP STEEL GUIT…
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MANDOLIN
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Not classified
1,095
Piano & keyboards
Piano solo
277
Piano, Voice
184
Easy Piano
80
Piano, Vocal and Guitar
54
Piano Accompaniment
48
C Instruments
47
Organ
35
Piano (band part)
26
Piano Trio: piano, violin, cello
16
1 Piano, 4 hands
10
2 Pianos, 4 hands
8
Big Note Piano
7
Piano Quartet: piano, violin, viola, cello
3
+ 8 instrumentations
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Retract
Guitars
Guitar (band part)
53
Guitar notes and tablatures
28
Ukulele
27
Melody line, (Lyrics) and Chords
26
Guitar
24
Dulcimer
10
Bass guitar
9
Lyrics and Chords
4
4 Guitars (Quartet)
3
Guitar Ensemble
2
3 Guitars (trio)
2
2 Ukuleles
1
Mandolin
1
Mandolin, Guitar (duet)
1
+ 9 instrumentations
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Retract
Voice
Choral SATB
250
Choral 3-part
40
Choral 2-part
27
Choral TTBB
17
Choral Unison
17
Choral Instrumental Pak
15
Choral
9
Choral SSAA
9
Soprano voice, Piano
7
Vocal duet, Piano
7
High voice
5
Vocal duet
3
Alto voice, Piano
2
Choral SSATTB
1
Tenor voice, Piano
1
Voice solo
1
Medium voice, Piano
1
Mezzo-Soprano voice, Piano
1
Voice, Guitar
1
+ 14 instrumentations
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Retract
Woodwind
2 Saxophones (duet)
504
Saxophone, Clarinet (duet)
282
2 Clarinets (duet)
207
Clarinet, Violin (duet)
181
2 Flutes (duet)
169
Saxophone (band part)
147
Clarinet, Trumpet (duet)
146
Flute, Clarinet (duet)
104
2 Oboes (duet)
96
Flute, Saxophone (duet)
94
Oboe, Clarinet (duet)
93
Clarinet and Viola
89
Flute, Violin
89
Oboe, Bassoon (duet)
87
Flute and Piano
87
Oboe, Flute
82
Flute, Trumpet (duet)
73
Clarinet and Piano
66
Flute, Viola (duet)
66
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
62
Oboe, Piano (duet)
61
Clarinet
51
Alto Saxophone and Piano
50
Tenor Saxophone and Piano
45
2 Recorders (duet)
44
Flute
41
Soprano Saxophone and Piano
38
Alto Saxophone
31
Flute (band part)
29
English horn, Piano
28
Saxophone Quartet: 4 saxophones
25
Clarinet Quartet: 4 clarinets
21
Bass Clarinet, Piano
20
Flute, Oboe, Clarinet (trio)
19
Baritone Saxophone, Piano
18
Oboe (band part)
18
Tenor Saxophone
17
Flute, Oboe, Clarinet, Bassoon
15
Descant (Soprano) Recorder
14
Clarinet (band part)
13
Saxophone
12
3 Clarinets (trio)
11
Clarinet, Trombone (duet)
11
Clarinet Ensemble
11
Flute Quartet: 4 flutes
9
Flute ensemble
9
English Horn
9
Clarinet Quintet: 5 clarinets
7
Flute Trio: 3 flutes
7
Clarinet, Guitar (duet)
6
Clarinet, Cello (duet)
6
Flute and Guitar
5
Descent (Soprano) Recorder, Piano
5
Flute, Violin and Violoncello
4
Oboe
4
Recorder Quartet
3
Clarinet, Cello, Piano (trio)
3
Flute, Oboe, Bassoon
3
Clarinet Quintet: Clarinet, String Quartet
3
Flute, Oboe (duet)
3
Recorder
3
Saxophone Quintet: 5 Saxophones
2
Flute, Clarinet, Piano (trio)
2
Flute, Violin, Piano
2
English Horn, Guitar (duet)
2
Saxophone and Guitar
2
Flute Quintet : 5 flutes
2
Flute, Oboe, Piano (trio)
2
Saxophone ensemble
2
Clarinet, Bassoon (duet)
2
Flute, Violoncello
2
Bass Clarinet
2
Flute, harp and violin
2
Treble (Alto) Recorder, Piano
2
Wind ensemble
2
Flute, Clarinet and Bassoon.
1
Clarinet, Harp (duet)
1
Flute, Trombone (duet)
1
Flute, Cello, Piano (trio)
1
Flute, trombone and piano
1
Recorder Ensemble
1
Flute, Viola and Piano
1
Oboe, Clarinet, Bassoon (trio)
1
Flute, Bassoon, and Piano
1
Flute, Violin, Violoncello and Piano
1
Clarinet, Tuba
1
Clarinet, Double bass (duet)
1
Oboe, Violin (duet)
1
Tenor Recorder
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
2 Clarinets, Bassoon
1
Piccolo, Piano
1
+ 87 instrumentations
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Retract
Woodbrass
Trumpet, Saxophone (duet)
196
Trombone (band part)
138
Trumpet (band part)
102
2 Trombones (duet)
100
2 Trumpets (duet)
97
Trumpet, Trombone (duet)
93
Trumpet
40
Brass Quintet: 2 trumpets, horn, trombone, tuba
38
Trombone and Piano
37
Trumpet, Piano
36
Trombone
34
Euphonium, Piano (duet)
34
French horn (band part)
31
English horn, Piano
28
French Horn and Piano
27
Tuba (band part)
24
French horn
16
Brass quartet : 2 trumpets, trombone, tuba
16
Tuba and Piano
11
2 Euphoniums (duet)
10
English Horn
9
Brass Quartet: 4 trombones
8
Euphonium
5
Brass Quartet: 2 trumpets, horn, trombone
4
Brass Quartet
4
3 Trumpets (trio)
3
Tuba
3
Horn Ensemble
2
English Horn, Guitar (duet)
2
Brass Quartet: 4 horns
2
Bb Instruments
2
Brass Quartet: 2 trumpets, 2 trombones
1
Trombone ensemble
1
Trumpet and Guitar
1
2 Euphoniums and 2 Tubas
1
2 French horns (duet)
1
Bass Trombone
1
4 Tubas
1
Brass Quartet: 4 trumpets
1
+ 34 instrumentations
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Retract
Strings
Harp
108
Violin and Piano
103
Violin, Cello (duet)
102
2 Violas (duet)
99
Violin, Viola (duet)
96
2 Violins (duet)
95
2 Cellos (duet)
89
String Quartet: 2 violins, viola, cello
60
Cello, Piano
56
Viola, Piano
55
Violin
44
Cello
44
Doublebass (band part)
32
Viola
20
String Trio: violin, viola, cello
18
Violin (band part)
8
Viola (band part)
6
Cello (band part)
4
String Trio: 2 violins, cello
4
Violin, Guitar (duet)
4
4 Cellos
3
Double Bass
3
Viola, Cello (duet)
2
Cello, String Bass (duet)
2
String trio
2
Harp, Voice
2
Double bass, Piano (duet)
2
String quartet: 4 violins
2
String Trio: 3 cellos
1
2 Harps (duet)
1
String Trio: 3 violins
1
String Quintet: 2 violins, viola, cello, bass
1
String Trio: 2 violins, viola
1
2 Double basses (duet)
1
Harp and Piano
1
Harp, Flute (duet)
1
Cello, Guitar (duet)
1
Harp (band part)
1
Piano Trio: Violin, Viola, Piano
1
Flute, Doublebass (duet)
1
Violin, Clarinet, Piano (trio)
1
+ 36 instrumentations
-
Retract
Orchestra & Percussion
Concert band
190
Jazz Ensemble
114
Orchestra
56
Brass ensemble
35
Drum (band part)
27
String Orchestra
27
Handbells
20
Chamber Orchestra
10
Percussion (band part)
9
Jazz combo
7
Percussion Ensemble
5
Drums
4
Timpani (band part)
3
Xylophone, Piano
2
Percussion
1
Timpani
1
Piano and Orchestra
1
Xylophone
1
Marimba
1
Woodwind Quartet: any 4 woodwinds
1
Orchestra, Violin
1
Marching band
1
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Clarinet Ensemble
Sheetmusic to print
11 sheet music found
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1
Comfort Ye My People & Every Valley from The Messiah for Clarinet Choir
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Clarinet Ensemble
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INTERMEDIATE
#
Classical
#
George Frideric Handel
#
Lisa Ochoco
#
Comfort Ye My People & Every V
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Lisa L Ochoco
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.559498 Composed by George Frideric Handel. Arranged b...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.559498 Composed by George Frideric Handel. Arranged by Lisa Ochoco. Baroque,Christmas. 40 pages. Lisa L Ochoco #3092915. Published by Lisa L Ochoco (A0.559498). Comfort Ye My People is a recitative and Every Valley Shall be Exalted is an air from The Messiah for the Tenor voice, but this clarinet arrangement puts the solo into the soprano range. The 1st Clarinet part can be played as a solo or as a section, as long as it can be heard far above the other parts.
$14.00
He Shall Feed His Flock Like a Shepherd from The Messiah for Clarinet Choir
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Clarinet Ensemble
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INTERMEDIATE/ADVANCED
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Classical
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George Frideric Handel
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Lisa Ochoco
#
He Shall Feed His Flock Like a
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Lisa L Ochoco
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.559595 Composed by George Frideric Handel. Arranged b...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.559595 Composed by George Frideric Handel. Arranged by Lisa Ochoco. Baroque,Christmas,Sacred. 16 pages. Lisa L Ochoco #3420421. Published by Lisa L Ochoco (A0.559595). This movement of Handel's Messiah is one of my favorites and lends itself well to a clarinet choir piece. The 1st clarinet gets to shine here, and the part can be done as a group or as a solo, as long as the melody can be heard well above the rest of the choir.
$12.00
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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Clarinet Ensemble
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INTERMEDIATE
#
Gabrieli
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James M
#
Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. ...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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Clarinet Ensemble
#
INTERMEDIATE
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. ...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Bach: Jesu, Joy of Man's Desiring for Clarinet Choir
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Clarinet Ensemble
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INTERMEDIATE
#
J
#
James M
#
Bach: Jesu, Joy of Man's Desir
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.548650 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christma...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.548650 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 32 pages. Jmsgu3 #3407883. Published by jmsgu3 (A0.548650). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for the clarinet choir.1 Eb Clarinet3 Bb Clarinets1 Alto Clarinet1 Bass Clarinet1 Contrabass ClarinetScore: 18 pg. Parts: 2 pg. Duration: 5:00 with optional repeat. Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings and during major church seasons such as Easter and Christmas. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, the St. John Passion and certainly the Christmas Oratorio are the most noteworthy.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV.
$49.95
Do-Re-Mi
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Clarinet Ensemble
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INTERMEDIATE/ADVANCED
#
Richard Rodgers
#
Ralph Raymond Hays
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Do-Re-Mi
#
Ralph Raymond Hays
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.720552 Composed by Richard Rodge...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.720552 Composed by Richard Rodgers. Arranged by Ralph Raymond Hays. Broadway,Film/TV,Musical/Show. 25 pages. Ralph Raymond Hays #3591135. Published by Ralph Raymond Hays (A0.720552). This clever and unique arrangement of the well known Do-Re-Mi distinguishes itself from others in numerous ways, and is certain to captivate performers and audience members alike. Not merely a transcription from the score, the arranger strove to make the work idiomatic to the clarinet choir, and included the do-mi-mi -- mi-sol-sol... strain absent from most other instrumental arrangements. Each voice is featured, and the accompaniment varies from the mundane barrage of downbeats and afterbeats so often mechanically transcribed in other arrangements. The arranger has above all striven to encapsulate the joy and elation he felt many years ago when he was responsible for la while portraying Friedrich Von Trapp in a theatrical production. This arrangement can be combined with Professor Hays' other arrangements to create a SOUND OF MUSIC suite:https://www.sheetmusicplus.com/publishers/ralph-raymond-hays-sheet-music/3002340?narrow_by=the+sound...
$12.99
"LEGEND" No.1 from Tryptych For Organ Op.141
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Clarinet Ensemble
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ADVANCED
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Sigfrid Karg-Elert
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Stephen Davies
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"LEGEND" No.1 from Tryptych Fo
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Stephen Davies
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SheetMusicPlus
Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - Digital Download SKU: A0.1311910 Composed by Sigfrid Karg-Elert. Arranged b...
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Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - Digital Download SKU: A0.1311910 Composed by Sigfrid Karg-Elert. Arranged by Stephen Davies. 20th Century,Chamber,Classical,Historic,Multicultural,World. 32 pages. Stephen Davies #900807. Published by Stephen Davies (A0.1311910). The music of Karg-Elert is renowned all over the world and cherished by Organists, his use of unusual harmony, bursts of frantic and passionate passages, with sensuous and vast chordal images never fails to deserve the many plaudits amassed by this composer, and above all never dull a moment.Carefully extracting the strands of music from the original is no easy task, but it does give us mere mortals a chance to view and listen to the music of Sigfrid Karg-Elert from a different angle.
$16.99
Sweet Suite,featuring the music of Alexandre Guilmant for Clarinet Quartet.
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Clarinet Ensemble
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INTERMEDIATE/ADVANCED
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Felix Alexandre Guilmant
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Stephen Davies
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Sweet Suite,featuring the musi
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.891945 Composed by Felix Alexandre Guilmant. Arranged by Stephen Davies. 20th Century,Sta...
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Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.891945 Composed by Felix Alexandre Guilmant. Arranged by Stephen Davies. 20th Century,Standards. 38 pages. Stephen Davies #5755531. Published by Stephen Davies (A0.891945). SWEET SUITE: QUARTET FOR CLARINETS Featuring the music of ALEXANDRE GUILMANT In this delightful suite of 4 movements, I have chosen four very eclectic works by the French Organist and Composer Alexandre Guilmant. In his time (1837-1911) he helped found the Schola Cantorum of Paris, and served as Professor of Organ at the Paris Conservatoire from 1896 until his death. His Wiki entry is an interesting read!! Oh, and don't be fooled by the gentle lilt of the first movement! 1. CHANT DU MATIN This jolly piece has a very memorable theme, with an almost Music Hall 'middle eight' section, littered with grace notes, and ends with a big 'film' finish! 2. FUGUE GRAVE Blessed with beautifully lush harmonies, and with the unusual theme based on the diminished 7th, it quite literally makes the Clarinet Quartet sing. 3. ASPIRATION RELIGIEUSE Despite the religious connotations in the title, this is an almighty vehicle for the Bass Clarinet to shine!The 3 Bb Clarinets hold a singularly static but lovely theme above, as the Bass Clarinet tumbles over the chords with relish from start to finish. A must play for your Bass player! 4. FUGHETTA IN A MINOR This is just a fantastic musical romp for 4 accomplished players! Once one player has the jaunty melody line, everyone wants to be a part of it! ... also includes some well written 'quirky' off-beat rhythms on the Bass part. Good luck!!
$19.99
Can't Stop The Feeling from TROLLS
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Clarinet Ensemble
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INTERMEDIATE/ADVANCED
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Justin Timberlake
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Gary D
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Can't Stop The Feeling from TR
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DR GARY D BELSHAW
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.796738 By Justin Timberlake. By Johan Schuster, Justin Timberlake, Max Martin, and Shellb...
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Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.796738 By Justin Timberlake. By Johan Schuster, Justin Timberlake, Max Martin, and Shellback. Arranged by Gary D. Belshaw (ASCAP). Dance,Pop. 45 pages. DR GARY D BELSHAW #4302777. Published by DR GARY D BELSHAW (A0.796738). For Advanced Intermediate Clarinet Choir. 40 pages, including one sample part page for display here. Duration: 3 minutes.This uptempo, disco- and soul-pop number with punk influences debuted as Justin Timberlake's fifth U. S. No. 1 single and is one of the top 20 longest running No. 1 singles on the Adult Contemporary chart. This arrangement spreads the almost uncontrollable joy among all the players in your ensemble, and its appeal will be to young and old alike. Its Advanced Intermediate difficulty will be sufficient enough to wow and yet accessible enough for an audience filled with pop-music lovers and arts aficionados alike. An optional cut from Rehearsals C to I makes this an ideal encore on a recruiting or publicity tour: short, but...wow!Thank you for considering this work; your reviews of my work are really important to me. Follow Gary D.Belshaw Music on Facebook and Twitter (@GaryDBelshawMus). A like on this Sheet Music Plus page will be deeply appreciated.Take pride in your copy of this work. 1. Avoid cheap 20-lb office supply paper. Invest a couple extra bucks in some 22- or 24-lb. paper. 2. Avoid bright white papers: look for beige, tan, or natural paper. 3. Always use a smooth-finish paper stock. 4. One final thought: if you have access to a printer or copier that will take 9 x 12 stock, your pages will be more like traditional printed music in size. Obtaining paper stock with the other elements listed above will result in music sheets that would look startling similar to products from long-established publishing houses.
$12.99
Overture in the Italian Style D590 for clarinet choir
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Clarinet Ensemble
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INTERMEDIATE/ADVANCED
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Classical
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Franz Schubert
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Bill Malcolm
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Overture in the Italian Style
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Bill Malcolm
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.786298 Composed by Franz Schubert. Arranged by Bill Malcolm. Classical,Standards. 65 page...
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Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.786298 Composed by Franz Schubert. Arranged by Bill Malcolm. Classical,Standards. 65 pages. Bill Malcolm #6425689. Published by Bill Malcolm (A0.786298). This arrangement includes a basset horn alternative part for the alto clarinet. The contralto and contrabass clarinet parts are identical (except for a few octave displacements) and should be played with one or the other to avoid having too heavy a bass line. The overture was transposed from from concert D to concert C to avoid range problems with the Eb clarinet. All parts, with the above exceptions, are crucial for performance.
$20.00
Puttin' On The Ritz
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Clarinet Ensemble
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EASY
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Jazz
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Taco
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Meri Dolevski
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Puttin' On The Ritz
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Meri Dolevski
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 2 - Digital Download SKU: A0.817834 By Taco. By Irving Berlin. Arranged by Meri Dolevski. Jazz. 18 pages. Meri Dolevsk...
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Woodwind Ensemble Clarinet - Level 2 - Digital Download SKU: A0.817834 By Taco. By Irving Berlin. Arranged by Meri Dolevski. Jazz. 18 pages. Meri Dolevski #2036831. Published by Meri Dolevski (A0.817834). Puttin' on the Ritz, arranged for clarinet ensemble, 4 B flat clarinet parts (2nd, 3rd, and 4th have a small amount of divisi), alto (with a tiny amount of divisi) and bass clarinet, with a tiny amount of divisi. First clarinet part requires a late intermediate to advanced clarinetist (goes up to 4 line above the staff G) other parts are suitable for early intermediate clarinetists. Transposed from the original key.If you like this composition or arrangement, please let me know! Find me on Facebook or email me at mdolevskilewis@yahoo.ca
$34.99
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