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Now Hear This!
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1,550
Piano & keyboards
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557
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158
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154
Easy Piano
133
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72
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65
Piano Accompaniment
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Big Note Piano
24
Piano Trio: piano, violin, cello
16
1 Piano, 4 hands
10
Piano (band part)
6
Piano Quartet: piano, violin, viola, cello
3
Keyboard
2
2 Pianos, 4 hands
2
Piano Quintet: piano, 2 violins, viola, cello
2
Piano Quartet: piano, 2 violins, cello
1
Harpsichord
1
Accordion
1
Organ, Piano (duet)
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+ 14 instrumentations
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Guitars
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57
Guitar
33
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12
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Banjo
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3 Guitars (trio)
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2
Mandolin, Guitar (duet)
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+ 11 instrumentations
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Voice
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390
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155
Choral 2-part
83
Choral Unison
81
Choral TTBB
49
Tenor voice, Piano
47
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37
Alto voice, Piano
36
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32
Baritone voice, Piano
30
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13
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10
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9
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1
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Voice solo
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+ 19 instrumentations
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115
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109
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105
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101
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90
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83
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71
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67
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64
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49
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44
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39
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38
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28
Baritone Saxophone, Piano
27
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25
2 Oboes (duet)
23
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18
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18
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2 Recorders (duet)
14
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Saxophone, Clarinet (duet)
11
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11
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10
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10
Soprano Saxophone
9
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8
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8
3 Clarinets (trio)
8
Flute, Violin
6
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6
Baritone Saxophone
6
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6
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6
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6
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5
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5
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5
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4
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4
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4
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4
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4
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4
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3
Clarinet, Cello, Piano (trio)
3
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3
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3
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3
Flute, Cello, Piano (trio)
3
Flute, Oboe, Piano (trio)
3
Recorder Quartet
3
Clarinet (band part)
3
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3
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3
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3
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2
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2
Treble (Alto) Recorder, Piano
2
3 Recorders (trio)
2
Recorder
2
Flute, Viola and Piano
2
Oboe, Violin, Piano
1
5 Recorders
1
Clarinet, Guitar (duet)
1
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1
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1
Clarinet, Trombone (duet)
1
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1
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1
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1
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1
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1
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1
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Oboe, Harp
1
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1
Piccolo, Piano
1
Saxophone and Guitar
1
Treble (Alto) Recorder
1
+ 94 instrumentations
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98
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82
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72
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66
Trumpet
64
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58
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45
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42
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38
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36
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29
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29
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28
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26
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23
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20
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19
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15
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14
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7
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7
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5
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91
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89
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66
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47
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40
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38
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37
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36
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8
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5
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4
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4
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3
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Now Hear This!
Clarinet, Harp (duet)
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1
Bach-Gounod: Ave Maria for Clarinet & Harp
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Clarinet, Harp (duet)
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INTERMEDIATE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Cla
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jmsgu3
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SheetMusicPlus
Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.552194 Composed by Bach-Gounod. Arranged by James M. Guthri...
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Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.552194 Composed by Bach-Gounod. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 11 pages. Jmsgu3 #6265157. Published by jmsgu3 (A0.552194). SchwenckeThere are two popular versions of the Bach-Gounod Ave Maria. Firstly, we have the version that faithfully follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 23. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50. The score is 7 pages long. This version features the Schwencke measure. Ave MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewJohann Sebastian Bach was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. Bach HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Bach StyleIt seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Bach Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
BACH: Wachet Auf BWV 140 for Clarinet & Harp
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Clarinet, Harp (duet)
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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James M
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BACH: Wachet Auf BWV 140 for C
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jmsgu3
#
SheetMusicPlus
Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.552207 Composed by Johann Sebastian Bach. Arranged by James...
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Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.552207 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Concert,Easter,Wedding. Score and parts. 11 pages. Jmsgu3 #6265915. Published by jmsgu3 (A0.552207). Wachet auf, ruft uns die Stimme(Awake, the Voice is calling us) also known as: Sleepers AwakeBach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera.Fourth MovementBach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales.
$24.95
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