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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
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Not classified
1,142
Piano & keyboards
Piano solo
518
Piano, Vocal and Guitar
399
Piano, Voice
96
Piano Accompaniment
55
Organ
50
Easy Piano
29
Piano Trio: piano, violin, cello
24
C Instruments
16
1 Piano, 4 hands
12
2 Pianos, 4 hands
5
Accordion
4
Piano Quartet: piano, violin, viola, cello
4
Organ, Trumpet (duet)
4
Organ, Piano (duet)
3
Piano (band part)
2
Piano Quartet: piano, 2 violins, cello
1
+ 11 instrumentations
-
Retract
Guitars
Guitar
74
Guitar notes and tablatures
34
Ukulele
17
4 Guitars (Quartet)
9
Bass guitar
7
Piano, Guitar (duet)
6
Melody line, (Lyrics) and Chords
6
Lyrics and Chords
5
Banjo
5
2 Guitars (duet)
4
Mandolin
4
3 Guitars (trio)
2
Guitar Ensemble
2
Dulcimer
2
Baritone Ukulele
1
Guitar, Orchestra
1
Guitar, Violin, Cello (trio)
1
+ 12 instrumentations
-
Retract
Voice
Choral SATB
189
Choral 3-part
67
Choral TTBB
46
Choral SSAA
37
Tenor voice
30
Alto voice, Piano
29
Soprano voice
26
Baritone voice, Piano
19
Tenor voice, Piano
16
Choral 2-part
12
Choral Unison
9
Soprano voice, Piano
8
Vocal duet, Piano
5
Vocal duet
2
Medium voice, Piano
2
Choral
1
High voice
1
Choral SSAATTBB
1
Low voice, Piano
1
+ 14 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
120
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
104
Flute and Piano
71
2 Flutes (duet)
64
2 Clarinets (duet)
62
Saxophone, Clarinet (duet)
62
Saxophone Quintet: 5 Saxophones
56
Oboe, Piano (duet)
53
Alto Saxophone and Piano
49
Flute
45
Clarinet
44
Clarinet, Violin (duet)
44
Flute, Oboe, Clarinet, Bassoon
42
Clarinet and Piano
40
Saxophone Quartet: 4 saxophones
37
Saxophone
35
Flute, Violin, Piano
35
Clarinet, Trumpet (duet)
34
Clarinet Quartet: 4 clarinets
29
Oboe, Clarinet, Bassoon (trio)
27
2 Oboes (duet)
25
Flute, Clarinet (duet)
25
Tenor Saxophone and Piano
23
Oboe (band part)
23
Oboe, Bassoon (duet)
22
Flute, Violin
22
Clarinet and Viola
22
Soprano Saxophone and Piano
21
Flute Quartet: 4 flutes
21
Clarinet Ensemble
20
Flute ensemble
20
Oboe, Clarinet (duet)
19
Oboe, Flute
19
Flute, Trumpet (duet)
18
Flute, Saxophone (duet)
16
Alto Saxophone
15
Baritone Saxophone, Piano
14
Tenor Saxophone
13
Flute, Viola (duet)
12
Flute and Guitar
11
Saxophone (band part)
10
3 Saxophones (trio)
10
English horn, Piano
10
Bass Clarinet, Piano
8
Flute, Oboe, Clarinet (trio)
7
Flute (band part)
6
3 Clarinets (trio)
5
Clarinet (band part)
5
Saxophone ensemble
5
Oboe
5
Flute Quintet : 5 flutes
4
Flute, Oboe (duet)
4
Flute Trio: 3 flutes
4
Flute, Cello, Piano (trio)
3
2 Clarinets, Piano
3
2 Flutes, Piano
3
Flute, Violin and Violoncello
3
Soprano Saxophone
3
Clarinet, Harp (duet)
2
Eb Instruments
2
Baritone Saxophone
2
Descant (Soprano) Recorder
2
English Horn, Guitar (duet)
2
2 Saxophones, Piano
2
Harmonica
2
Clarinet Quintet: 5 clarinets
2
Flute, Clarinet and Bassoon.
2
2 Oboes, Piano
2
Recorder Ensemble
2
Oboe, Violin (duet)
2
Treble (Alto) Recorder
2
Flute, Oboe, Piano (trio)
2
Recorder
2
Clarinet, trumpet and piano
1
Tenor Recorder
1
Clarinet, Bassoon, Piano (trio)
1
Clarinet, Cello, Piano (trio)
1
Clarinet, Cello (duet)
1
Descent (Soprano) Recorder, Piano
1
Piccolo, Piano
1
Recorder Quartet
1
Flute, Viola and Piano
1
Flute, Violin, Violoncello and Piano
1
Flute, trombone and piano
1
Clarinet, Bassoon (duet)
1
English Horn
1
Flute, harp and violin
1
Flute, Clarinet, Piano (trio)
1
2 Recorders (duet)
1
Saxophone and Guitar
1
Bass Clarinet
1
Flute, Bassoon, and Piano
1
Clarinet, Guitar (duet)
1
+ 88 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
89
Brass quartet : 2 trumpets, trombone, tuba
45
Trombone and Piano
42
Trumpet, Saxophone (duet)
42
Trumpet
38
Trumpet ensemble
36
French Horn and Piano
28
Trombone
28
Trumpet, Piano
27
2 Trombones (duet)
26
2 Trumpets (duet)
23
Trumpet, Trombone (duet)
23
Euphonium, Piano (duet)
13
Tuba and Piano
11
Tuba
11
English horn, Piano
10
French horn
9
Brass Quartet: 2 trumpets, horn, trombone
7
2 French horns (duet)
6
Trombone ensemble
5
Brass Quartet
5
3 Trumpets (trio)
4
Brass Quartet: 4 trombones
4
Trombone (band part)
3
Brass Quartet: 4 trumpets
2
French horn (band part)
2
Bass Clef Instruments
2
2 Trumpets, Keyboard (piano or organ)
2
English Horn, Guitar (duet)
2
2 French horns, Piano
2
Bb Instruments
2
Tuba (band part)
1
Tuba ensemble
1
Brass Quartet: 4 horns
1
Brass Quintet: 2 trumpets, horn, 2 trombones
1
Horn Ensemble
1
Brass Trio
1
English Horn
1
Brass Quartet: 2 trumpets, 2 trombones
1
2 Euphoniums (duet)
1
Trombone, Organ
1
+ 36 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
272
Violin, Cello (duet)
154
Violin
149
String Trio: violin, viola, cello
123
Violin and Piano
77
Harp
51
Viola, Piano
44
2 Violins (duet)
44
Cello, Piano
44
String Quintet: 2 violins, viola, cello, bass
40
Cello
39
2 Violas (duet)
34
Violin, Viola (duet)
29
2 Cellos (duet)
29
Viola
21
Violin (band part)
19
String Trio: 2 violins, cello
15
Viola (band part)
12
Double Bass
9
Double bass, Piano (duet)
6
Violin ensemble
6
Doublebass (band part)
6
Viola ensemble
5
Cello (band part)
5
String Trio: 3 cellos
5
2 Violins, Piano
4
2 Harps (duet)
4
String Trio: 3 violins
4
4 Cellos
4
Violin, Guitar (duet)
3
Harp, Voice
3
Viola, Cello (duet)
2
Violin, Organ
2
Viola, Guitar (duet)
2
Harp, Violin (duet)
2
2 Cellos, Piano
2
Cello, Guitar (duet)
2
String quartet: 4 violins
1
String Quartet : 4 violas
1
Cello, Organ
1
Harp, Flute (duet)
1
Piano Trio: Violin, Viola, Piano
1
Cello Ensemble
1
String Trio: 2 violins, viola
1
Harp and Piano
1
+ 40 instrumentations
-
Retract
Orchestra & Percussion
Concert band
529
String Orchestra
448
Orchestra
427
Handbells
233
Chamber Orchestra
145
Jazz Ensemble
68
Brass ensemble
34
Jazz combo
20
Percussion Ensemble
12
Percussion (band part)
6
Marching band
4
Drums
3
Vibraphone
2
Marimba
1
Drum (band part)
1
Flexible Instrumentation
1
+ 11 instrumentations
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Retract
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Musical course - Solfege
2
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Bass Clarinet, Piano
Sheetmusic to print
8 sheet music found
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1
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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Bass Clarinet, Piano
#
INTERMEDIATE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructiona...
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
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Bass Clarinet, Piano
#
INTERMEDIATE
#
Classical
#
Edvard Grieg
#
James M
#
Grieg: Anitra's Dance from Pee
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Roma...
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508013. Published by jmsgu3 (A0.549562). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
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Bass Clarinet, Piano
#
INTERMEDIATE
#
Classical
#
Edvard Grieg
#
James M
#
Grieg: Hall of the Mountain Ki
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Roma...
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511273. Published by jmsgu3 (A0.549585). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
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Bass Clarinet, Piano
#
INTERMEDIATE
#
Classical
#
Edvard Grieg
#
James M
#
Grieg: Ase's Death from Peer G
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Roman...
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506173. Published by jmsgu3 (A0.549541). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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Bass Clarinet, Piano
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INTERMEDIATE
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Classical
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructio...
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Ladybird Romp - Bass Clarinet and Piano
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Bass Clarinet, Piano
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INTERMEDIATE
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Anne Christopherson GRSM ARCM
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Anne L Christopherson GRSM ARC
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Ladybird Romp - Bass Clarinet
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Music-Scores.com
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SheetMusicPlus
Bass Clarinet,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.722202 Composed by Anne L Christopherson GRSM ARCM. Concert,Holiday,Jazz,Weddi...
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Bass Clarinet,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.722202 Composed by Anne L Christopherson GRSM ARCM. Concert,Holiday,Jazz,Wedding. Score and individual part. 3 pages. Music-Scores.com #6029377. Published by Music-Scores.com (A0.722202). There are a lot of ladybugs around here in July: Black with red spots, red with black spots, young yellow ones and the black and yellow larvae. They seem to be having a good time and are doing a great job eating blackflies, so this song is dedicated to these cheerful little beetles. A jazzy swing piece for Bass Clarinet and Piano.Duration: 1 minute.By Anne Christopherson GRSM ARCM at https://www.music-scores.com
$5.95
It's Been A Long, Long Time
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Bass Clarinet, Piano
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INTERMEDIATE
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Contemporary
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.592528 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages....
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.592528 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366325. Published by David McKeown (A0.592528). It’s Been a Long Long Time is arranged as a solo for one Bass Clarinet with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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Bass Clarinet, Piano
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instruction...
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
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