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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Ted
Not classified
19,709
Piano & keyboards
Piano solo
37,463
Piano, Voice
6,481
Easy Piano
3,503
Piano, Vocal and Guitar
2,836
Accordion
2,403
Organ
1,568
C Instruments
1,092
1 Piano, 4 hands
506
Piano Accompaniment
323
Piano Trio: piano, violin, cello
210
Piano (band part)
119
2 Pianos, 4 hands
111
Big Note Piano
74
Organ, Piano (duet)
72
Piano Quartet: piano, violin, viola, cello
62
Harpsichord
34
Piano Quartet: piano, 2 violins, cello
32
1 Piano, 6 hands
30
Piano Quintet: piano, 2 violins, viola, cello
22
Organ, Trumpet (duet)
18
2 Pianos, 8 hands
8
Keyboard
8
Melody line, Piano
6
Solo instrument and Organ
2
Accordion, Voice
1
Accordion ensemble
1
Fake Book
1
Piano ensembles
1
+ 23 instrumentations
-
Retract
Guitars
Guitar
5,655
Bass guitar
3,545
Guitar notes and tablatures
2,784
Melody line, (Lyrics) and Chords
721
Ukulele
655
Mandolin
354
Lyrics and Chords
236
2 Guitars (duet)
193
Piano, Guitar (duet)
148
Guitar (band part)
128
4 Guitars (Quartet)
74
Dulcimer
71
Banjo
69
3 Guitars (trio)
44
Guitar Ensemble
22
Mandolin, Guitar (duet)
10
Electric Bass (band part)
7
Band Scores
6
Baritone Ukulele
6
2 Dulcimers (duet)
5
2 Ukuleles
4
Mandolin, Piano (duet)
4
Guitar, Violin, Cello (trio)
4
Guitar, Orchestra
3
Guitar, Flute, Clarinet
2
Lap Steel Guitar
2
Lute
1
Ukulele Ensemble
1
Dobro
1
+ 24 instrumentations
-
Retract
Voice
Choral SATB
6,522
Voice solo
5,903
Choral 3-part
1,842
Choral 2-part
1,123
Choral TTBB
1,090
Choral SSAA
682
Choral Unison
674
High voice
275
Soprano voice, Piano
264
Vocal duet, Piano
252
Choral Instrumental Pak
172
Tenor voice, Piano
169
Vocal duet
145
Baritone voice, Piano
139
Alto voice, Piano
132
Low voice, Piano
126
Soli, Mixted choir and accompaniment
106
Choral
69
Medium voice, Piano
55
Mezzo-Soprano voice, Piano
55
High voice, Piano
29
Choral SSAATTBB
29
Choral SSATB
18
Choral SSATTB
16
Tenor voice
16
Low voice
13
Soprano voice
12
Voice, Guitar
10
Choral SSAB, Piano
4
Choral SATBB
3
Choral SSAATB
3
Vocal duet, Organ
2
Choral SSAB a cappella
2
Baritone voice
1
Voice, Basso continuo
1
Choral SATTBB A Cappella
1
Soprano voice, Orchestra
1
Choral SSAATB A Cappella
1
+ 33 instrumentations
-
Retract
Woodwind
Saxophone
16,652
Flute
8,395
Clarinet
7,846
Alto Saxophone
1,960
Tenor Saxophone
1,740
Flute and Piano
1,563
Clarinet and Piano
1,402
2 Saxophones (duet)
1,384
Saxophone Quartet: 4 saxophones
1,290
Recorder
1,263
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1,215
Oboe, Piano (duet)
1,184
Alto Saxophone and Piano
1,058
Flute, Oboe, Clarinet, Bassoon
944
Oboe
915
Saxophone (band part)
816
Tenor Saxophone and Piano
813
2 Flutes (duet)
725
Clarinet Quartet: 4 clarinets
714
Soprano Saxophone
686
2 Clarinets (duet)
618
Saxophone Quintet: 5 Saxophones
609
Soprano Saxophone and Piano
439
Oboe (band part)
389
Descant (Soprano) Recorder
365
Baritone Saxophone, Piano
320
Ocarina
302
Clarinet (band part)
301
Flute, Clarinet (duet)
287
3 Saxophones (trio)
287
Flute Quartet: 4 flutes
286
2 Recorders (duet)
281
2 Oboes (duet)
255
Treble (Alto) Recorder
251
Saxophone, Clarinet (duet)
249
Clarinet Ensemble
228
Clarinet, Violin (duet)
211
Harmonica
211
Flute (band part)
206
Flute and Guitar
183
Oboe, Bassoon (duet)
178
Oboe, Clarinet (duet)
177
3 Clarinets (trio)
165
Clarinet, Trumpet (duet)
163
Saxophone ensemble
162
Flute ensemble
148
Clarinet Quintet: 5 clarinets
146
Flute Trio: 3 flutes
140
English horn, Piano
137
Flute, Violin
126
Flute, Violin, Piano
110
Clarinet and Viola
107
Baritone Saxophone
100
Flute, Viola (duet)
95
Bass Clarinet, Piano
94
Flute, Oboe, Clarinet (trio)
93
Flute, Saxophone (duet)
90
Oboe, Flute
90
Flute, Trumpet (duet)
86
Clarinet, Bassoon (duet)
81
Flute, Clarinet and Bassoon.
78
Flute Quintet : 5 flutes
75
Recorder Quartet
74
Clarinet, Guitar (duet)
67
Treble (Alto) Recorder, Piano
65
Flute, Oboe (duet)
62
Oboe, Clarinet, Bassoon (trio)
61
Descent (Soprano) Recorder, Piano
56
Recorder Ensemble
53
Flute, Violoncello
50
English Horn
49
2 Saxophones, Piano
48
Tenor Recorder
47
2 Flutes, Piano
40
Clarinet, Cello (duet)
40
Flute, Clarinet, Piano (trio)
39
Oboe, Cello
33
3 Recorders (trio)
32
Flute, Oboe, Bassoon
32
5 Recorders
27
Oboe, Violin (duet)
25
Flute, Trombone (duet)
25
Piccolo
24
Flute, Bassoon, and Piano
23
Oboe, Guitar (duet)
22
Piccolo, Piano
21
Saxophone and Organ
20
Eb Instruments
19
Clarinet, Cello, Piano (trio)
19
Bass Clarinet
19
Treble (Alto) Recorder, Basso continuo
18
Flute, Oboe, Piano (trio)
18
Flute, Violin and Violoncello
17
Flute, Clarinet, Horn and Bassoon (Quartet)
17
Recorder, Piano
16
Flute, Cello, Piano (trio)
16
Clarinet, Harp (duet)
16
Clarinet, Trombone (duet)
15
2 Clarinets, Piano
14
Clarinet, Bassoon, Piano (trio)
13
Flute, Viola and Piano
13
Oboe and viola (duet)
12
Flute, harp and violin
11
Flute, Violin, Violoncello and Piano
10
Flute, trombone and piano
9
2 Clarinets, Bassoon
9
English Horn, Guitar (duet)
8
4 Oboes
8
Saxophone and Guitar
8
Oboe, Harp
7
Clarinette, Viola and Piano (trio)
7
3 Oboes
7
Clarinet, Double bass (duet)
6
Pennywhistle
6
Oboe ensemble
6
Saxophone and Harp
6
Flute, Organ (duet)
5
Clarinet, Organ
5
Oboe, Clarinet and Piano (Trio)
5
Clarinet, trumpet and piano
5
Oboe, Cello and Piano
4
Flute, Cello, Guitar
4
Clarinet Quintet: Clarinet, String Quartet
4
Flute and Strings Trio
4
Wind ensemble
4
Flute, Tuba (duet)
3
Oboe, Trombone (duet)
3
2 English horns and Pianoforte
3
Flute, Viola and harp
3
Oboe, Bassoon and Piano
3
Oboe, Violin, Piano
3
2 Flutes, 2 Clarinets (Quartet)
2
2 Recorders, Piano
2
Saxophone and Piano
2
Flute, Clarinet, Violin (trio)
2
Clarinet, Tuba
2
English horn, Harp (duet)
2
Pan Flute
1
Oboe and Orchestra
1
2 Recorders, Guitar
1
2 Oboes, 2 Horns and 2 Bassoons
1
Oboe, Trumpet (duet)
1
2 Flutes, Basso continuo
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
Clarinet, Orchestra
1
Saxophone and cello
1
Flute, Oboe, Violin
1
Flute, Harp and Cello
1
Recorder, Guitar (duet)
1
Flute, French horn (duet)
1
2 Flutes and Harp
1
Flute and String Quartet
1
+ 147 instrumentations
-
Retract
Woodbrass
Trumpet
7,085
Trombone
6,328
Brass Quintet: 2 trumpets, horn, trombone, tuba
1,417
Trombone and Piano
1,080
Trumpet, Piano
991
French horn
962
French Horn and Piano
731
Brass quartet : 2 trumpets, trombone, tuba
646
Tuba
640
Trumpet (band part)
567
Trombone (band part)
538
Euphonium
438
Tuba and Piano
416
2 Trombones (duet)
386
2 Trumpets (duet)
380
Brass Quartet
304
Trumpet, Trombone (duet)
283
Brass Quartet: 2 trumpets, horn, trombone
273
2 French horns (duet)
236
French horn (band part)
233
Trumpet, Saxophone (duet)
184
Euphonium, Piano (duet)
172
Brass Quartet: 4 trombones
156
English horn, Piano
137
Tuba (band part)
116
2 Tubas (duet)
101
Brass Quartet: 4 horns
94
Trumpet ensemble
73
Trumpet, Horn (duert)
72
Trombone ensemble
67
Brass Quartet: 4 trumpets
52
English Horn
49
Horn Ensemble
39
3 Trombones (trio)
38
4 Tubas
29
2 Euphoniums and 2 Tubas
27
Brass Trio
27
Bass Trombone and Piano
25
Bass Clef Instruments
23
Bass Trombone
22
3 Trumpets (trio)
21
Tuba and Organ
20
Trombone, Horn (duet)
20
Bb Instruments
19
Horn, Cello (duet)
15
Trombone, Organ
15
2 Euphoniums (duet)
15
3 Tubas (trio)
14
Tuba or Euphonium or Saxhorn
14
French Horn and Harp
12
Trumpet, Cello (duet)
12
Trumpet, Bassoon (duet)
11
Horn, Tuba (duet)
10
Trumpet, Harp
10
Trumpet, Tuba (duet)
10
Brass Quartet: 2 trumpets, 2 trombones
10
3 French horns (trio)
9
Trombone, Tuba (duet)
9
English Horn, Guitar (duet)
8
French horn and Basson (duet)
7
Euphonium, Tuba (duet)
7
Euphonium (band part)
6
Horn and Organ
6
Trumpet, Trombone, Piano
5
Trumpet, violin (duet)
4
Trumpet and Guitar
4
Trombone and Orchestra
4
Cornet
4
2 English horns and Pianoforte
3
Trumpet, Cello, Piano
3
Brass Quintet: 2 trumpets, horn, 2 trombones
3
Trombone, Violin (duet)
3
2 Trumpets, Keyboard (piano or organ)
3
Clarinet, Horn (duet)
2
2 Trombones, Piano
2
F Instruments
2
English horn, Harp (duet)
2
Cornet and Orchestra
1
Trombone, Viola (duet)
1
Trumpet, Orchestra
1
3 Euphoniums
1
Trumpet, Euphonium (duet)
1
4 Euphoniums
1
Tuba ensemble
1
+ 79 instrumentations
-
Retract
Strings
Violin
5,565
Cello
3,786
String Quartet: 2 violins, viola, cello
3,340
Viola
2,854
Violin and Piano
2,171
Cello, Piano
1,469
Viola, Piano
1,242
Violin, Cello (duet)
750
Harp
709
2 Violins (duet)
592
Double Bass
551
String Trio: violin, viola, cello
492
2 Cellos (duet)
487
String Quintet: 2 violins, viola, cello, bass
415
Violin, Viola (duet)
386
2 Violas (duet)
367
Double bass, Piano (duet)
336
Violin (band part)
298
String Trio: 2 violins, cello
225
Doublebass (band part)
224
Viola (band part)
195
Viola, Cello (duet)
124
2 Harps (duet)
97
2 Double basses (duet)
97
Piano Trio: Violin, Viola, Piano
97
4 Cellos
95
String Trio: 3 violins
94
Violin, Guitar (duet)
92
Cello (band part)
73
String Trio: 3 cellos
55
Cello, String Bass (duet)
55
Cello, Guitar (duet)
46
Viola, Guitar (duet)
42
Violin, Bassoon (duet)
41
Harp, Flute (duet)
40
String Quartet : 4 violas
39
String quartet: 4 violins
39
String Trio: 3 violas
35
Harp, Violin (duet)
33
String Trio: 2 violins, viola
24
String Quintet: 2 violins, viola, 2 cellos
23
2 Violins, Piano
22
String Quintet: 2 violins, 2 violas, cello
20
String trio
20
Viola and Harp
16
Viola and Bassoon
16
Cello, Organ
15
Harp, Cello (duet)
15
Violin ensemble
15
Harp, Voice
15
Violin, Basso continuo
14
Violin, Clarinet, Piano (trio)
13
Viola ensemble
11
Flute, Doublebass (duet)
10
Cello Ensemble
7
4 Double Basses
6
3 Harps
6
Violin, Organ
6
Autoharp
6
Violoncello, Basso continuo
5
Cello, Orchestra
4
Harp, Violin, Violoncello
4
Violin, Cello, Clarinet
4
Violin, Tuba (duet)
3
Harp and Piano
3
Harp, Trombone (duet)
3
5 Harps
2
Viola and orchestra
2
Harp and Organ
2
Viola, Organ
2
2 Violas, Piano
2
4 Harps
1
2 Cellos, Piano
1
Harp and mandolin
1
Harp (band part)
1
Violin, Trumpet and Piano
1
+ 71 instrumentations
-
Retract
Orchestra & Percussion
Concert band
6,918
Drums
6,030
Orchestra
2,883
String Orchestra
1,718
Handbells
1,015
Jazz Ensemble
970
Brass ensemble
611
Chamber Orchestra
480
Marching band
417
Jazz combo
211
Percussion (band part)
210
Percussion Ensemble
200
Percussion
187
Drum (band part)
78
Marimba
55
Timpani (band part)
32
Vibraphone
29
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
29
Xylophone, Piano
24
Timpani
21
Xylophone
19
Orchestra, Violin
7
Piano and Orchestra
7
Woodwind Quintet
7
2 Xylophones
6
School Ensemble
6
Brass Quintet: other combinaisons
4
Xylophone or Marimba or Vibraphone
4
3 Marimbas
4
Big band
2
2 Snare Drums (duet)
2
Snare drums
2
2 Marimbas
2
Voice Mezzo-Soprano, Orchestra
1
Bodhran
1
Vibraphone and Marimba
1
Woodwind Quartet: any 4 woodwinds
1
Drums-Marching band
1
Conga
1
Marimba and Organ
1
Bongos
1
+ 36 instrumentations
-
Retract
Others
Musical course - Solfege
54
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--INSTRUMENTS--
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Bass Clarinet, Piano
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94 sheet music found
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51
76
Love Lifted Me, Gospel Hymn for Bass Clarinet and Piano
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Bass Clarinet, Piano
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EASY
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Sacred music
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James Rowe
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David McKeown
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Love Lifted Me, Gospel Hymn fo
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David McKeown
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SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.592985 Composed by James Rowe. Arranged by David McKeown. Praise & Worship,Sacred...
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Small Ensemble Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.592985 Composed by James Rowe. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6415157. Published by David McKeown (A0.592985). Love Lifted Me is a beautiful hymn arranged here for Solo Bass Clarinet and Piano.Love Lifted Me was written late in life in 1912 by an English émigré to the US, James Rowe. A secularized version later became popular amongst Country and Western artists.
$2.49
DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
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Bass Clarinet, Piano
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EASY
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Classical
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from the Ne
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic P...
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494207. Published by jmsgu3 (A0.549432). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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Bass Clarinet, Piano
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instruction...
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
I Write The Songs
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Bass Clarinet, Piano
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INTERMEDIATE
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549345 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Ro...
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549345 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486713. Published by jmsgu3 (A0.549345). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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Bass Clarinet, Piano
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INTERMEDIATE
#
Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructiona...
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Bach-Gounod: Ave Maria for Bass Clarinet & Piano
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Bass Clarinet, Piano
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EASY
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Bas
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,East...
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490039. Published by jmsgu3 (A0.549358). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano, S0.661771. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
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Bass Clarinet, Piano
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EASY
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,St...
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888299. Published by jmsgu3 (A0.550920). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
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Bass Clarinet, Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,St...
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468714. Published by jmsgu3 (A0.549231). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Hors D'Oevures to the Great Feast
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Bass Clarinet, Piano
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INTERMEDIATE
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Contemporary
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NTG
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Hors D'Oevures to the Great Fe
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NTG
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SheetMusicPlus
Bass Clarinet,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.991777 Composed by NTG. Contemporary. Score and individual part. 3 pages. NTG ...
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Bass Clarinet,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.991777 Composed by NTG. Contemporary. Score and individual part. 3 pages. NTG #3079593. Published by NTG (A0.991777). Average Duration: 1:42Written in honor of Katherine Wichern.A uniquely beautiful piece written from one high school musician to another, this intermediate bass clarinet solo was created out of a love of the arts and a love of the people who perform them. This solo will challenge a learning soloist looking to get on stage with something atypical.In medieval times, the lord of the land would arrange a feast to be had immediately after some special occasion, like a battleground victory, a wedding, or a coronation. Only the most prestigious were invited, and the feastgoers were expected to dress and behave elegantly, to reflect the culture of the time. The feast would have up to six courses and would last for hours on end; some of the main courses imitated theatrical performances. When listening or performing, imagine being in a large, bustling hall of finely-dressed men and women to a wide variety of colorful and delicious delicacies---and you haven't even reached the main course!Please enjoy!
$3.00
Yesterday
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Bass Clarinet, Piano
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INTERMEDIATE
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Rock
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The Beatles
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James M
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Piano
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Yesterday
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.547780 By The Beatles. By John Lennon and Paul McCartney. Arranged by James M. Guthrie. Rock. Sc...
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.547780 By The Beatles. By John Lennon and Paul McCartney. Arranged by James M. Guthrie. Rock. Score and part. 3 pages. Jmsgu3 #3048373. Published by jmsgu3 (A0.547780). The Beatles: Yesterday arranged for Bass Clarinet & Piano. Includes performance part. This 1965 melancholy rock ballad by Paul McCartney was inducted into the Grammy Hall of Fame in 1997, voted best song of the 20th century in a 1999 BBC Radio poll, and voted No. 1 pop song of all time by MTV and Rolling Stone magazine in 2000.
$53.95
Sullivan: The Lost Chord for Bass Clarinet & Piano
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Bass Clarinet, Piano
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INTERMEDIATE/ADVANCED
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instruction...
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Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Toreador March (from the opera Carmen) - easy version
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Bass Clarinet, Piano
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BEGINNER
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.1473395 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Ope...
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B-Flat Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.1473395 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050834. Published by Rodrigo Faleiros (A0.1473395). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Bass Clarinet, Piano
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BEGINNER
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.1473394 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Ope...
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B-Flat Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.1473394 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050833. Published by Rodrigo Faleiros (A0.1473394). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Piano Part: Includes chord symbols for easier play Performance: Allows novice musicians to confidently perform a recognizable classical piece Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Bass Clarinet, Piano
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BEGINNER
#
Georges Bizet
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Rodrigo Faleiros
#
Toreador March
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Rodrigo Faleiros
#
SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.1473528 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Ope...
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B-Flat Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.1473528 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050873. Published by Rodrigo Faleiros (A0.1473528). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Piano Part: Includes chord symbols for easier play Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to C Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Bass Clarinet, Piano
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BEGINNER
#
Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
#
SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.1473529 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Ope...
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B-Flat Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.1473529 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050874. Published by Rodrigo Faleiros (A0.1473529). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to C Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Bass Clarinet, Piano
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BEGINNER
#
Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
#
SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.1473975 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Ope...
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B-Flat Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.1473975 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050964. Published by Rodrigo Faleiros (A0.1473975). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to D Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Bass Clarinet, Piano
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BEGINNER
#
Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
#
SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.1473584 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Ope...
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B-Flat Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.1473584 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050919. Published by Rodrigo Faleiros (A0.1473584). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Piano Part: Includes chord symbols for easier play Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to Bb Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Bass Clarinet, Piano
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BEGINNER
#
Georges Bizet
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Rodrigo Faleiros
#
Toreador March
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Rodrigo Faleiros
#
SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.1473585 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Ope...
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B-Flat Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.1473585 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050920. Published by Rodrigo Faleiros (A0.1473585). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to Bb Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Bass Clarinet, Piano
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BEGINNER
#
Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.1473976 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Ope...
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B-Flat Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.1473976 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050966. Published by Rodrigo Faleiros (A0.1473976). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to D Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Bass Clarinet, Piano
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BEGINNER
#
Georges Bizet
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Rodrigo Faleiros
#
Toreador March
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Rodrigo Faleiros
#
SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.1474029 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Ope...
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B-Flat Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.1474029 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050997. Published by Rodrigo Faleiros (A0.1474029). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to G Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Bass Clarinet, Piano
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BEGINNER
#
Georges Bizet
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Rodrigo Faleiros
#
Toreador March
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Rodrigo Faleiros
#
SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.1474028 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Ope...
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B-Flat Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.1474028 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050996. Published by Rodrigo Faleiros (A0.1474028). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to G Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Schubert: Ave Maria for Bass Clarinet & Piano
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Bass Clarinet, Piano
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BEGINNER
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Classical
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Franz Schubert
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James M
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Schubert: Ave Maria for Bass C
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standar...
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Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
Swing Low Sweet Chariot. Gospel Song for Bass Clarinet and Piano
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Bass Clarinet, Piano
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EASY
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Sacred music
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Traditional
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David McKeown
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Swing Low Sweet Chariot. Gospe
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David McKeown
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SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.593285 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacre...
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Small Ensemble Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.593285 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6418237. Published by David McKeown (A0.593285). Swing Low, Sweet Chariot is a beautiful spiritual arranged here for Solo Bass Clarinet and Piano.The words and music of Swing Low, Sweet Chariot are credited to Wallis Willis, a Native American freedman from Oklahoma. A local minister transcribed the song in 1865 and within a few years it became a firm gospel favourite. In recenttimes Swing Low, Sweet Chariot has been adopted by the Civil Rights movement on one hand, and the England rugby team on the other.
$2.49
Tchaikovsky: Arabian Dance from Nutcracker Suite for Bass Clarinet & Piano
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Bass Clarinet, Piano
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INTERMEDIATE
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Classical
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Arabian Dance fro
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549759 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Chris...
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549759 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3533261. Published by jmsgu3 (A0.549759). Duration: ca. 3:15 Score: 10 pages, solo part: 2 pages, piano part: 4 pages. Tchaikovsky paints a very mysterious mood in this favorite masterpiece from the Nutcracker Suite. It is also a traditional Christmas favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Bass Clarinet & Piano
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Bass Clarinet, Piano
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INTERMEDIATE
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Classical
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Waltz of the Flow
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549829 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Chris...
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549829 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 48 pages. Jmsgu3 #3549769. Published by jmsgu3 (A0.549829). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
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