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Accordion
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+ 12 instrumentations
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8
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7
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76
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42
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23
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10
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Choral SSAATTBB
1
Choral SAATB A Cappella
1
+ 22 instrumentations
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134
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131
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105
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97
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88
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78
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75
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68
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67
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63
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61
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60
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47
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46
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46
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41
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41
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37
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36
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36
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34
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33
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32
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28
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28
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26
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25
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25
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25
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25
3 Clarinets (trio)
19
Oboe, Clarinet (duet)
18
Flute ensemble
18
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17
Clarinet, Trumpet (duet)
17
Oboe, Clarinet, Bassoon (trio)
15
Flute Quartet: 4 flutes
14
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13
Clarinet and Viola
13
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13
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12
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12
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12
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11
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11
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10
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10
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9
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9
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8
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7
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6
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5
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5
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4
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3
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2
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2
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
Flute, Clarinet, Piano (trio)
1
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1
Oboe, Guitar (duet)
1
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111
Trombone and Piano
67
Trumpet
59
French Horn and Piano
56
Brass quartet : 2 trumpets, trombone, tuba
52
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51
Trumpet, Piano
49
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32
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30
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24
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23
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22
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20
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19
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19
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15
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13
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11
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10
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10
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9
2 Trumpets (duet)
9
French horn (band part)
8
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7
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6
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4
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4
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4
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3
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3
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1
Trumpet, Tuba (duet)
1
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1
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342
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163
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101
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99
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98
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94
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64
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64
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53
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35
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28
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26
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24
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23
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19
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17
Double Bass
16
Viola (band part)
11
String Quintet: 2 violins, viola, cello, bass
11
4 Cellos
10
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9
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8
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7
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6
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6
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5
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3
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3
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3
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2
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2
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2
Cello (band part)
1
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1
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1
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1
Cello, Orchestra
1
Viola, Guitar (duet)
1
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1
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Marimba and Organ
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1
Vibraphone
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Musical course - Solfege
136
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4 Cellos
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10 sheet music found
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1
Concerto No. 1 in G Major for Four Celli Unaccompanied, TWV40:201
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4 Cellos
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ADVANCED
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Georg Philipp Telemann
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Joel Jacklich (ASCAP)
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however, very muddy).
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Concerto No. 1 in G Major for
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Joel Jacklich
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 5 - Digital Download SKU: A0.723157 Composed by Georg Philipp Telemann. Arranged by Joel Jacklich (ASCAP). Ba...
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String Quartet Cello,String Quartet - Level 5 - Digital Download SKU: A0.723157 Composed by Georg Philipp Telemann. Arranged by Joel Jacklich (ASCAP). Baroque,Concert. Score and parts. 19 pages. Joel Jacklich #5363175. Published by Joel Jacklich (A0.723157). Georg Philipp Telemann wrote four concerti for four violins unaccompanied, his TWV 40:201-204. Here is the first concerto in G major arranged for four violoncelli by Joel Jacklich (A.S.C.A.P.). This arrangement is an octave below the original violin work. Taking the key down an octave and a fifth to accommodate the same parallel open strings as the violins made the range too low (very playable; however, very muddy). Therefore, I have used the same key as the violin, taking it down only an octave. This gives a much more pleasing sound, but makes the upper range notes much more difficult, going up to a D5, requiring the use of tenor and treble clefs. It is therefore listed as an advanced piece.
$12.99
Symphony No. 7 by Beethoven for Cello Quartet
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4 Cellos
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EASY
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Classical
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1172495 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,I...
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String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1172495 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. 14 pages. Woods Only, Arrangements #772721. Published by Woods Only, Arrangements (A0.1172495). This arrangement adapted for violoncello quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions.Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$7.99
Songs of the Pyrenees no.2, Fandango, for cello quartet
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4 Cellos
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INTERMEDIATE/ADVANCED
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Folkloric/Traditional
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S G C Middlemore
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Karen E McAulay
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Songs of the Pyrenees no.2, Fa
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Dr Karen E McAulay
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SheetMusicPlus
Cello - Level 4 - Digital Download SKU: A0.984279 Composed by S G C Middlemore. Arranged by Karen E McAulay. Folk. 1 pages. Dr Karen E McAulay #3685339. ...
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Cello - Level 4 - Digital Download SKU: A0.984279 Composed by S G C Middlemore. Arranged by Karen E McAulay. Folk. 1 pages. Dr Karen E McAulay #3685339. Published by Dr Karen E McAulay (A0.984279). A soulful Spanish folktune arranged for cello quartet.
$8.00
Songs of the Pyrenees no.1, Bolero, for cello quartet
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4 Cellos
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INTERMEDIATE/ADVANCED
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S
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Karen E McAulay
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Songs of the Pyrenees no.1, Bo
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Dr Karen E McAulay
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SheetMusicPlus
Cello - Level 4 - Digital Download SKU: A0.984277 Composed by S. G. C. Middlemore. Arranged by Karen E McAulay. Folk,Romantic Period,World. 6 pages. Dr K...
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Cello - Level 4 - Digital Download SKU: A0.984277 Composed by S. G. C. Middlemore. Arranged by Karen E McAulay. Folk,Romantic Period,World. 6 pages. Dr Karen E McAulay #3685333. Published by Dr Karen E McAulay (A0.984277). Originally a nineteenth century Spanish song, here arranged for four cellos.
$15.00
Songs from the Pyrenees no.3, Spanish Gypsy Dance - cello quartet
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4 Cellos
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INTERMEDIATE/ADVANCED
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S G C Middlemore
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Karen E McAulay
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Songs from the Pyrenees no.3,
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Dr Karen E McAulay
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SheetMusicPlus
Level 4 - Digital Download SKU: A0.984281 Composed by S G C Middlemore. Arranged by Karen E McAulay. Folk,World. 2 pages. Dr Karen E McAulay #3685343. Pu...
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Level 4 - Digital Download SKU: A0.984281 Composed by S G C Middlemore. Arranged by Karen E McAulay. Folk,World. 2 pages. Dr Karen E McAulay #3685343. Published by Dr Karen E McAulay (A0.984281). Evoke the Spanish Gypsy sound with a short but tuneful gypsy melody for cello quartet.
$8.00
Solage: Le basile for Cello Quartet
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4 Cellos
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EASY
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Solage
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James M
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Solage: Le basile for Cello Qu
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early ...
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String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859203. Published by jmsgu3 (A0.1266472). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
'Promenade' from Pictures at an Exhibition - easy arrangement for cello quartet
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4 Cellos
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EASY
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Classical
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Modest Petrovich Mussorgsky
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James Brady
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'Promenade' from Pictures at a
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James Brady Music
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Double Bass - Level 2 - Digital Download SKU: A0.887013 Composed by Modest Petrovich Mussorgsky. Arranged by James Brady. 20...
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Small Ensemble Bassoon,Cello,Double Bass - Level 2 - Digital Download SKU: A0.887013 Composed by Modest Petrovich Mussorgsky. Arranged by James Brady. 20th Century,Romantic Period,Standards. Score and parts. 7 pages. James Brady Music #5709911. Published by James Brady Music (A0.887013). This arrangement of the opening of Mussorgsky's best-known work is ideally suited as an opening or closing statement piece for a group of 4 early-intermediate cellos (or basses, with one with a C extension) or other bass clef instruments. It stays true to the original piece with adaptations in range for developing players and an adapted ending better suited for standalone performance. The estimated duration of the performance is 1m 30s.Pictures at an Exhibition is a suite of pieces for piano based on pictures by Mussorgsky's friend Viktor Hartmann, who died suddenly in 1873, aged 39. A memorial exhibition of Hartmann's works was staged in St. Petersburg the following year, and Mussorgsky's suite depicts walk around it, viewing 10 pictures in total. In addition to the pieces inspired by individual pictures, the suite contains several variations of the 'Promenade' theme, which depicts Mussorgsky roving through the exhibition, now leisurely, now briskly in order to come close to a picture that had attracted his attention, and at times sadly, thinking of his departed friend. (Vladimir Stasov).Ranges have been reduced to accommodate young or developing players. The 1st part goes no higher than F4, and the bass part no lower than C2. The melody is mainly in the 1st part, with passages in the 2nd and 3rd parts from time to time, but as the texture of Mussorgksy's composition is almost exclusively homophonic, all parts have equal importance. I have inserted additional dynamics and accents to aid phrasing, and adapted the ending to suit a standalone performance.For more arrangements for developing ensembles, see:https://www.sheetmusicplus.com/publishers/james-brady-music-sheet-music/3006312
$7.99
Romberg: Cello Sonata in E Minor (arr. for cello solo and string quartet)
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4 Cellos
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INTERMEDIATE
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Classical
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Bernhard Romberg
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Clara Obsidian
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Romberg: Cello Sonata in E Min
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Clara Obsidian
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 3 - Digital Download SKU: A0.871330 Composed by Bernhard Romberg. Arranged by Clara Obsidian. Classical,Roman...
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String Quartet Cello,String Quartet - Level 3 - Digital Download SKU: A0.871330 Composed by Bernhard Romberg. Arranged by Clara Obsidian. Classical,Romantic Period. Score and parts. 26 pages. Clara Obsidian #4810683. Published by Clara Obsidian (A0.871330). Bernhard Heinrich Romberg (1767 – 1841) From the collection of:Trois Trios d’une Difficulté Progressive pour le Violoncelle, Viola et Violoncelle Op. 38(3 trios of progressive difficulty for 2 cellos and viola)or the more commonly known version of 'sonata in E minor for cello and piano'(ABRSM Grade 6 syllabus)This is an arrangement of the 1st movement of Trio no. 1 in E minor for Cello solo with String quartet accompaniment1. Allegro non troppoComplete score and parts
$12.00
Solage: Plusers gens voy for Cello Quartet
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4 Cellos
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EASY
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Solage
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James M
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Solage: Plusers gens voy for C
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1269026 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early ...
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String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1269026 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 6 pages. Jmsgu3 #861560. Published by jmsgu3 (A0.1269026). Plusers gens voy is a song composed by the late 14th-century French composer Solage. The song is written for four voices: tenor, contra tenor, cantus, and triplum. The lyrics of the song are Plusers gens voy qui leur pensee / A leur dame ne sont pas nee / Car ele est de si grant beaute / Que nus ne la puet veoir sans faille which translates to More people have seen in their thoughts / That they were not born for their lady / For she is of such great beauty / That no one can see her without failing.The overall message of Plusers gens voy is a declaration of love and admiration for a lady of great beauty. The lyrics suggest that the lady is so beautiful that it is impossible for anyone to see her without failing. The song is a tribute to the lady's beauty and is likely a reflection of the composer's feelings towards her. The song is a beautiful example of medieval French music and poetry and is still performed and studied today.
$24.95
Solage: Plusers gens voy for Viola Duo & Cello Duo
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4 Cellos
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EASY
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Solage
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James M
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Solage: Plusers gens voy for V
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola - Level 2 - Digital Download SKU: A0.1268000 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,...
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String Quartet Cello,String Quartet,Viola - Level 2 - Digital Download SKU: A0.1268000 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Festival,Historic,Medieval,Wedding. 6 pages. Jmsgu3 #860398. Published by jmsgu3 (A0.1268000). Plusers gens voy is a song composed by the late 14th-century French composer Solage. The song is written for four voices: tenor, contra tenor, cantus, and triplum. The lyrics of the song are Plusers gens voy qui leur pensee / A leur dame ne sont pas nee / Car ele est de si grant beaute / Que nus ne la puet veoir sans faille which translates to More people have seen in their thoughts / That they were not born for their lady / For she is of such great beauty / That no one can see her without failing.The overall message of Plusers gens voy is a declaration of love and admiration for a lady of great beauty. The lyrics suggest that the lady is so beautiful that it is impossible for anyone to see her without failing. The song is a tribute to the lady's beauty and is likely a reflection of the composer's feelings towards her. The song is a beautiful example of medieval French music and poetry and is still performed and studied today.
$32.95
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