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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
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BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
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MUSIC COURSE
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OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
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RECORDER
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TROMBONE
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UKULELE
VIBRAPHONE
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VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Ring-a-ding Ding
Not classified
6,643
Piano & keyboards
Piano solo
2,107
Easy Piano
1,069
Piano, Voice
718
C Instruments
621
Piano, Vocal and Guitar
476
Organ
216
Piano Trio: piano, violin, cello
141
Piano Accompaniment
124
Piano Quartet: piano, violin, viola, cello
63
1 Piano, 4 hands
55
Piano Quintet: piano, 2 violins, viola, cello
25
Organ, Trumpet (duet)
15
2 Pianos, 4 hands
14
Piano Quartet: piano, 2 violins, cello
10
Accordion
10
Harpsichord
8
Organ, Piano (duet)
8
Keyboard
4
Piano (band part)
4
Melody line, Piano
3
2 Accordions
3
Big Note Piano
3
1 Piano, 6 hands
2
Organ, Voice
1
2 Pianos, 8 hands
1
Fake Book
1
+ 21 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
984
Guitar
280
Mandolin
278
Ukulele
65
Melody line, (Lyrics) and Chords
59
Bass guitar
51
2 Guitars (duet)
33
Banjo
18
4 Guitars (Quartet)
11
Dulcimer
10
Guitar (band part)
8
3 Guitars (trio)
6
Guitar Ensemble
5
Piano, Guitar (duet)
5
2 Ukuleles
3
Lyrics and Chords
3
2 Dulcimers (duet)
2
Plectrum Orchestra
1
Guitar, Violin, Cello (trio)
1
Guitar, String Quartet
1
Baritone Ukulele
1
Lap Steel Guitar
1
Mandolin, Piano (duet)
1
+ 18 instrumentations
-
Retract
Voice
Choral SATB
1,079
Choral 3-part
280
Choral 2-part
272
Choral TTBB
130
Choral Unison
93
Choral SSAA
87
Vocal duet, Piano
62
Vocal duet
59
Soprano voice, Piano
17
Medium voice, Piano
11
High voice
11
Alto voice, Piano
10
Baritone voice, Piano
9
Voice solo
7
Tenor voice, Piano
6
Low voice, Piano
5
Choral Instrumental Pak
4
Choral SSAATTBB
4
Mezzo-Soprano voice, Piano
2
Choral SATTB
1
Choral
1
Voice, Guitar
1
Choral SATBB
1
Soli, Mixted choir and accompaniment
1
Tenor voice
1
Choral SSAB a cappella
1
Choral SSATB
1
Choral SSAB, Piano
1
Soprano voice
1
Choral SSATTB
1
+ 25 instrumentations
-
Retract
Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
539
Flute and Piano
429
Oboe, Piano (duet)
416
Saxophone Quartet: 4 saxophones
412
Clarinet and Piano
409
Alto Saxophone and Piano
397
2 Saxophones (duet)
386
Saxophone Quintet: 5 Saxophones
356
Flute, Oboe, Clarinet, Bassoon
336
Tenor Saxophone and Piano
272
Ocarina
266
Descant (Soprano) Recorder
256
Flute
255
2 Flutes (duet)
254
Clarinet
243
Treble (Alto) Recorder
211
Soprano Saxophone and Piano
208
Alto Saxophone
206
Baritone Saxophone, Piano
180
Tenor Saxophone
173
2 Clarinets (duet)
154
Saxophone (band part)
135
Clarinet Quartet: 4 clarinets
124
Oboe (band part)
117
3 Saxophones (trio)
108
Oboe
102
Flute Quartet: 4 flutes
93
2 Oboes (duet)
91
Soprano Saxophone
82
Saxophone ensemble
78
3 Clarinets (trio)
69
2 Recorders (duet)
62
Flute, Clarinet (duet)
59
Clarinet Ensemble
59
Baritone Saxophone
56
Oboe, Bassoon (duet)
55
Oboe, Clarinet (duet)
46
Clarinet Quintet: 5 clarinets
46
Flute, Oboe, Clarinet (trio)
45
Flute, Violin, Piano
41
English horn, Piano
40
Flute ensemble
37
Clarinet, Violin (duet)
36
Saxophone, Clarinet (duet)
36
Treble (Alto) Recorder, Piano
35
Recorder
34
Flute Trio: 3 flutes
34
Flute, Clarinet and Bassoon.
33
Bass Clarinet, Piano
29
Recorder Ensemble
28
Flute Quintet : 5 flutes
28
Oboe, Clarinet, Bassoon (trio)
27
Flute, Violin
24
Flute and Guitar
22
Flute, Violoncello
22
Clarinet, Trumpet (duet)
20
Recorder Quartet
19
Clarinet, Cello (duet)
18
Oboe, Cello
18
Clarinet and Viola
17
Clarinet, Bassoon (duet)
16
Tenor Recorder
15
Flute, Bassoon, and Piano
15
Flute, Viola (duet)
14
Flute, Oboe (duet)
14
Oboe, Flute
13
Clarinet (band part)
13
Flute, Trumpet (duet)
12
Flute, Saxophone (duet)
12
Flute (band part)
11
Flute, Oboe, Bassoon
11
Flute, Violin and Violoncello
11
Flute, Cello, Piano (trio)
10
Flute, Clarinet, Horn and Bassoon (Quartet)
9
Descent (Soprano) Recorder, Piano
9
Clarinet, Harp (duet)
8
2 Flutes, Piano
8
Clarinet, Cello, Piano (trio)
8
English Horn
8
Oboe, Violin (duet)
7
5 Recorders
7
Flute, Clarinet, Piano (trio)
7
Clarinet, Guitar (duet)
7
Saxophone
7
Oboe and viola (duet)
6
2 Saxophones, Piano
6
2 Clarinets, Piano
6
Pennywhistle
6
Clarinet, Bassoon, Piano (trio)
6
Flute, Viola and Piano
6
Saxophone and Organ
5
Flute, Trombone (duet)
5
Flute, Violin, Violoncello and Piano
4
Oboe, Harp
4
Flute and Strings Trio
4
Clarinet, Trombone (duet)
3
Flute, harp and violin
3
Oboe, Violin, Viola and Violoncello (Quartet)
3
3 Recorders (trio)
3
Clarinet, Organ
3
Piccolo, Piano
3
2 English horns and Pianoforte
3
Flute, Oboe, Piano (trio)
3
Harmonica
3
Oboe, Clarinet and Piano (Trio)
2
Clarinet, Double bass (duet)
2
Clarinette, Viola and Piano (trio)
2
Clarinet, trumpet and piano
2
Flute, trombone and piano
2
Clarinet Quintet: Clarinet, String Quartet
2
Flute, Clarinet, Violin (trio)
2
2 Clarinets, Bassoon
2
Clarinet, Tuba
2
Oboe ensemble
1
Saxophone and Harp
1
Wind ensemble
1
Flute, Oboe, Violin
1
Eb Instruments
1
Flute, Tuba (duet)
1
Oboe, Trombone (duet)
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
English horn, Harp (duet)
1
Saxophone and Guitar
1
Flute, Harp and Cello
1
Oboe, Guitar (duet)
1
Treble (Alto) Recorder, Basso continuo
1
Oboe, Bassoon and Piano
1
Recorder, Piano
1
2 Oboes, Piano
1
English Horn, Guitar (duet)
1
Recorder, Guitar (duet)
1
2 Recorders, Piano
1
Bass Clarinet
1
Flute, French horn (duet)
1
Piccolo
1
Oboe, Violin, Piano
1
Flute, Organ (duet)
1
+ 132 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
462
Trombone and Piano
360
Trumpet, Piano
348
French Horn and Piano
306
Trumpet
272
Brass quartet : 2 trumpets, trombone, tuba
215
Trombone
197
Tuba and Piano
182
French horn
177
Tuba
166
Brass Quartet: 2 trumpets, horn, trombone
149
2 Trumpets (duet)
117
2 Trombones (duet)
101
2 French horns (duet)
90
Brass Quartet
89
Trumpet, Trombone (duet)
56
Euphonium, Piano (duet)
49
Trumpet (band part)
43
2 Tubas (duet)
41
English horn, Piano
40
Trombone (band part)
38
Trombone ensemble
33
Brass Quartet: 4 trombones
27
Trumpet, Saxophone (duet)
24
Trumpet, Horn (duert)
19
Trumpet ensemble
19
Brass Quartet: 4 horns
18
Brass Quartet: 4 trumpets
11
Horn, Cello (duet)
9
3 Trombones (trio)
9
Horn Ensemble
9
Tuba and Organ
8
French horn (band part)
8
English Horn
8
2 Euphoniums (duet)
7
Brass Trio
6
Tuba (band part)
6
Euphonium
6
Trumpet, Cello (duet)
6
Euphonium, Tuba (duet)
5
2 Trumpets, Keyboard (piano or organ)
4
4 Tubas
4
Trumpet, violin (duet)
4
2 Euphoniums and 2 Tubas
4
French Horn and Harp
3
Trumpet, Trombone, Piano
3
Trombone, Organ
3
2 English horns and Pianoforte
3
Trumpet, Harp
3
Horn, Tuba (duet)
2
Brass Quartet: 2 trumpets, 2 trombones
2
2 French horns, Piano
2
Trombone, Tuba (duet)
2
3 French horns (trio)
2
Trombone, Horn (duet)
2
French horn and Basson (duet)
2
Trumpet, Tuba (duet)
2
Trumpet, Cello, Piano
2
Trombone, Violin (duet)
2
3 Tubas (trio)
2
3 Trumpets (trio)
2
Horn, Cello and Piano
1
English horn, Harp (duet)
1
Trumpet, Bassoon (duet)
1
Bass Trombone
1
Trombone and Orchestra
1
Tuba ensemble
1
Bass Clef Instruments
1
English Horn, Guitar (duet)
1
Brass Quintet: 2 trumpets, horn, 2 trombones
1
+ 65 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
4,477
String Trio: violin, viola, cello
1,091
Violin, Cello (duet)
722
Violin and Piano
674
String Quintet: 2 violins, viola, cello, bass
651
Cello, Piano
451
Violin
425
Viola, Piano
423
Cello
379
Double Bass
351
String Trio: 2 violins, cello
350
Double bass, Piano (duet)
329
2 Violins (duet)
255
Harp
246
Viola
235
2 Cellos (duet)
140
Violin, Viola (duet)
131
String Trio: 3 violins
107
2 Violas (duet)
106
Violin (band part)
82
Doublebass (band part)
74
4 Cellos
66
String Trio: 3 cellos
66
Viola (band part)
61
String Trio: 2 violins, viola
59
String quartet: 4 violins
49
Viola, Cello (duet)
48
2 Double basses (duet)
47
String Trio: 3 violas
31
Harp, Flute (duet)
28
Piano Trio: Violin, Viola, Piano
26
String Quintet: 2 violins, viola, 2 cellos
26
Violin, Guitar (duet)
26
Violin, Bassoon (duet)
25
Cello (band part)
24
String Quintet: 2 violins, 2 violas, cello
24
2 Harps (duet)
22
Cello, String Bass (duet)
19
Violin ensemble
15
String Quartet : 4 violas
15
String trio
14
Viola ensemble
13
Harp, Violin (duet)
11
Viola and Bassoon
8
Harp, Violin, Violoncello
6
Cello, Guitar (duet)
5
Violin, Clarinet, Piano (trio)
5
2 Violins, Piano
4
Harp, Cello (duet)
4
Viola and Harp
4
2 Cellos, Piano
4
Cello, Organ
4
2 Violas, Piano
3
Flute, Doublebass (duet)
3
Viola, Guitar (duet)
3
Cello Ensemble
3
Violin, Tuba (duet)
3
Harp, Voice
3
Viola, Organ
2
4 Double Basses
2
Harp (band part)
2
Violin, Cello, Clarinet
2
Violoncello, Basso continuo
2
Harp, String quartet
1
Violin, Organ
1
3 Harps
1
Harp, Trombone (duet)
1
Harp and Piano
1
Viola and orchestra
1
3 double basses
1
Autoharp
1
4 Harps
1
Harp and mandolin
1
Cello, Orchestra
1
Violin, Trumpet and Piano
1
+ 70 instrumentations
-
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Orchestra & Percussion
Concert band
1,361
String Orchestra
1,173
Orchestra
377
Handbells
267
Chamber Orchestra
234
Jazz Ensemble
176
Brass ensemble
134
Marching band
92
Jazz combo
50
Drums
38
Percussion Ensemble
32
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
22
Xylophone, Piano
19
Marimba
17
Percussion (band part)
14
Vibraphone
10
School Ensemble
6
Xylophone
6
Piano and Orchestra
5
Drum (band part)
5
Percussion
3
Brass Quintet: other combinaisons
2
Vibraphone and Marimba
1
2 Xylophones
1
Flexible Instrumentation
1
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You've selected:
Ring-a-ding Ding
Soprano voice, Piano
Sheetmusic to print
17 sheet music found
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1
When a Mezzo (x2)
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Gary D
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When a Mezzo
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DR GARY D BELSHAW
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796586 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 20 pages. DR G...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796586 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 20 pages. DR GARY D BELSHAW #2926491. Published by DR GARY D BELSHAW (A0.796586). Includes Accompanist copy at half price! 20 pages. Duration: 41/2 minutes Are mezzo sopranos known ONLY for singing the Habanera? Of course not, but it is one of their most requested arias. So, dispel the misinformation! Clear the air! Defend your mighty status as a Mezzo Soprano with this veritable laugh riot of an aria. When a Mezzo directs an opera is your opportunity to promote the splendor of this wonderful voice type, to take your stand, and assume your place among the most noble, most intellectually stable, and most erudite soprano - well, at least the most likely to survive at the hands of some tenor! The first aria to be published from Gary Belshaw’s hilarious Two Act Music Comedy, Incident at Burro Java (coming soon to Sheet Music Plus, When a Mezzo will delight your audience during a recital or as part of an Opera Workshop or Opera Scenes program. The role was created in April 2016 by Cloyce Kuhnert, a director of opera herself. Cloyce brought a lot of personal experience to the role in the premiere. The more you know about opera and opera plots, the more often you’ll laugh. But you don’t have to be an aficionado to have a tough time singing some of these lines without snickering or outright bursting with laughter yourself. And we all know what snickering can do to your vocal apparatus, right?! The audio clip is from the premiere of the music comedy Incident at Burro Java. Cloyce Kuhnert is the mezzo on the recording, and the Plainview Symphony Orchestra was conducted by the composer.
$5.99
Jesu, Joy of Man's Desiring - Soprano or Tenor solo
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Soprano voice, Piano
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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John Ross
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Jesu, Joy of Man's Desiring -
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John Ross
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1308592 Composed by Johann Sebastian Bach. Arranged by John Ross. Baroque,Religious,Sacred,...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1308592 Composed by Johann Sebastian Bach. Arranged by John Ross. Baroque,Religious,Sacred,Wedding. 14 pages. John Ross #897833. Published by John Ross (A0.1308592). Jesu, Joy of Man's Desiring is one of Bach's best loved choruses. It comes from his Cantata no.147, written in 1723 during his first year as Thomaskantor of Leipzig.It is here arranged for Soprano or Tenor solo, Flute and Piano. The flute part is designed to interweave with Bach's original accompaniment, which features almost continuous triplet movement.The words are by the British Poet Laureate Robert Bridges (1844-1930). This piece is a great choice for performance at weddings and in concerts generally.Similar arrangements (for 2 Sopranos, and for Soprano and Tenor duet) are available on this website.
$1.99
The exploding Head
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Soprano voice, Piano
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ADVANCED
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Christian Jost
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The exploding Head
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - Digital Download SKU: S9.Q6176 Fragment from Das Urteil (The Judgement) by Franz Kafka. Composed by Christia...
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Soprano voice and piano - difficult - Digital Download SKU: S9.Q6176 Fragment from Das Urteil (The Judgement) by Franz Kafka. Composed by Christian Jost. This edition: Sheet music. Downloadable. Duration 7 minutes. Schott Music - Digital #Q6176. Published by Schott Music - Digital (S9.Q6176). German.Kafka's œuvre is interspersed with moments of utter anxiety. Moments in which, induced by adrenalin, the blood pressure rises. Blood vessels which seem to constrict, pump enormous quantities of blood the pressure of which might make one believe that the head is going to explode. In The Judgment, an innocent opening story leads to one of the most unusual showdowns in world literature: The beloved father sentences his son to death by drowning; the son immediately obeys since his life, his existence almost explodes, becomes blurred, dissolves at the moment the judgment is pronounced. For me, the 'self' driving him – I imagine this as a high sound in the inner ear – could only be a soprano. This is why the actual 'fall' has turned out to be clear, almost friendly and why Georg only seems to want to breathe a soft and quiet 'Dear parents, I have always loved you' during the fall while no longer keeping the singing tone, shortly before death, almost casually, takes hold of him. Christian Jost.
$16.99
A Night-Piece for Mezzo-Soprano and Piano after Wordsworth
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Richard St
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A Night-Piece for Mezzo-Sopran
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Richard St. Clair
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939663 Composed by Richard St. Clair. 20th Century. 9 pages. Richard St. Clair #3000385. Pu...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939663 Composed by Richard St. Clair. 20th Century. 9 pages. Richard St. Clair #3000385. Published by Richard St. Clair (A0.939663). A modern-day romantic style setting of William Wordsworth's 1798 poem, A Night-Piece for mezzo-soprano with piano accompaniment. Duration about 5 minutes. The style is mostly tonal but with some nontraditional harmonies. The attached MP3 Audio Clip is computer-generated.Lyrics:A NIGHT-PIECEby William Wordsworth THE sky is overcast With a continuous cloud of texture close, Heavy and wan, all whitened by the Moon, Which through that veil is indistinctly seen, A dull, contracted circle, yielding light So feebly spread, that not a shadow falls, Chequering the ground--from rock, plant, tree, or tower. At length a pleasant instantaneous gleam Startles the pensive traveller while he treads His lonesome path, with unobserving eye 10 Bent earthwards; he looks up--the clouds are split Asunder,--and above his head he sees The clear Moon, and the glory of the heavens. There, in a black-blue vault she sails along, Followed by multitudes of stars, that, small And sharp, and bright, along the dark abyss Drive as she drives: how fast they wheel away, Yet vanish not!--the wind is in the tree, But they are silent;--still they roll along Immeasurably distant; and the vault, 20 Built round by those white clouds, enormous clouds, Still deepens its unfathomable depth. At length the Vision closes; and the mind, Not undisturbed by the delight it feels, Which slowly settles into peaceful calm, Is left to muse upon the solemn scene. 1798.
$10.00
Bring me a Rainbow
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Soprano voice, Piano
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Barbara Graff
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Bring me a Rainbow
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Barbara H Graff
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SheetMusicPlus
Piano,Soprano voice - Digital Download SKU: A0.1070364 Composed by Barbara Graff. Broadway,Film/TV,Musical/Show,New Age,Pop. Full Performance. Duration 2...
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Piano,Soprano voice - Digital Download SKU: A0.1070364 Composed by Barbara Graff. Broadway,Film/TV,Musical/Show,New Age,Pop. Full Performance. Duration 223. Barbara H Graff #4582357. Published by Barbara H Graff (A0.1070364). Review from MainlyPiano, Piano review website www.mainlypiano.comBring me a Rainbow is a piano and vocal piece by Barbara Graff that features the lovely vocals of Chloe Boelter. A sad and lonely story of unrequited love, the words are sung to an indifferent lover who refuses to be swayed by the passion of the singer, frequently causing her deep pain. The instrumental accompaniment is a spare piano part that expresses as much emotion as the words do. I especially like the piano solo near the end of the song. Bring me a Rainbow is also downloaded and streamed as an instrumental-only piece on Barbara's Beginnings album. Both the vocal and instrumental-only versions are heard and streamed on over 40 radio stations including Pandora Radio and Spotify. It is part of Barbara's popular Into the Light EP.
$2.99
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Classical
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period....
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Soprano voice, Piano
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ADVANCED
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Opera
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Classical
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pag...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Soprano voice, Piano
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 1...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Centur...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
The Meeting of the Waters
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Irish Traditional / Words: Tho
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Thomas Quigley
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The Meeting of the Waters
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Thomas Quigley
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1111413 Composed by Irish Traditional / Words: Thomas Moore. Arranged by Thomas Quigley. Ce...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1111413 Composed by Irish Traditional / Words: Thomas Moore. Arranged by Thomas Quigley. Celtic,Contest,Festival,Irish,Traditional. 6 pages. Thomas Quigley #713700. Published by Thomas Quigley (A0.1111413). This fine, sensitively arranged Irish air with words by Thomas Moore is perfect for a concert of Irish music. A beautifully devised piano accompaniment brings an art song dimension and perhaps it would suit a trained vocalist. Carefully nuanced, with rich harmonies it is a rewarding song to perform and is a possible competition item. Impressive.
$5.99
Two Songs
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Soprano voice, Piano
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Detlev Mueller-Siemens
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Two Songs
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - Digital Download SKU: S9.Q40373 After poems by Friedrich Hölderlin. Composed by Detlev Mueller-Siemens. This edition:...
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Soprano voice and piano - Digital Download SKU: S9.Q40373 After poems by Friedrich Hölderlin. Composed by Detlev Mueller-Siemens. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q40373. Published by Schott Music - Digital (S9.Q40373). German.Two poems of Friedrich Hölderlin bearing almost the same title form the basis of the text for 'Zwei Lieder' (Two Songs): 'Die Aussicht' and 'Aussicht'. Unlike as with common musical settings of poems, Detlev Müller-Siemens has split the vocal part in two levels. On the one hand, Hölderlin's text is recited, on the other hand, fragments of the poems are sung at a lower, contemplative level. 'Like vague memories, ascending from the inside from afar. An idyll that becomes entangled in its own images.'.
$16.99
The Secret History of Water, set 2 (Music by Judith Cloud)
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Soprano voice, Piano
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ADVANCED
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Contemporary
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Judith Cloud
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The Secret History of Water, s
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Judith Cloud
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published b...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (A0.981239). The Secret History of Water, set 2 (Music by Judith Cloud)Poems by Silvia Curbelo SopranoPiano Accompaniment 1. I’m In Love, I’m Floating (3’25)2. Last Call (4’13)3. Janis Joplin (3’24)Compositional Notes I met Cuban-American Silvia Curbelo when we were both artists in residency at the Seaside Institute. When she shared a few of her poems I was immediately taken by the melodic flow of her words, the imagery and her strong delivery. W. S. Merwin has describe her work as …accomplished, daring, full of intelligence; it is the generous first manifestation of an authentic and original gift. This second set of songs from The Secret History of Water was composed for one of my private voice students, a coloratura soprano with excellent pitch retention and a secure range extension. I’m in love, I’m floating is a whimsical poem that captures the essence of being in love, acting foolishly and impulsively, yet somehow grounded in the knowledge that she is still capable of counting her options like black sheep. Last Call is my musical interpretation of Curbelo’s enigmatic poem contemplating different personalities in a bar. In the third song, Janis Joplin, here is another whimsical, yet deeply touching poem with nostalgia as the key component.I loved including a quote from Me and Bobby McGee. Judith Cloud Lyrics are the poems by Sylvia Curbelo from The Secret History of Water, copyright Silvia Curbelo, 1997, published by Anginga Press, Inc. P.O. Box 10595, Tallahassee, FL 32302. All rights reserved.
$15.00
Passion from Emily!
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Soprano voice, Piano
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INTERMEDIATE
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Gwyneth W
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Passion from Emily!
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Medium - Digital Download SKU: MQ.8317-5E Composed by Gwyneth W. Walker. Secular, 21st century. 4 pages. E. C. Schirmer Music C...
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8317-5E Composed by Gwyneth W. Walker. Secular, 21st century. 4 pages. E. C. Schirmer Music Company - Digital #8317-5E. Published by E. C. Schirmer Music Company - Digital (MQ.8317-5E). The poetry of Emily Dickinson (1830-1886) is especially appealing due to the wide range of topics, diversity of mood and peculiar imagination of the poet. The writings are reflective, passionate, witty, sensuous, observant and ridiculously humorous. Her heart soars. Her mind pokes fun! Emily was truly a New Englander. Her poems are understated and compact. Her love of Nature focuses on small things- birds, bees, meadows and a pond. In creating the musical settings, the composer (herself a New Englander) endeavored to capture the spirit of the poetry, and of the poet, with songs diverse in style, and concise in form. Everything from romance to frogs is explored, briefly. Great delight is taken in creating musical translations of the colorful imagery: the boat of passion riding the waves and then settling into its mooring (Passion). These are the poet's Letters to the World. She lived as a recluse, yet her words took flight-traveling the universe as messengers of the soul.
$5.00
Kindness (high voice solo with piano)
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Soprano voice, Piano
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ADVANCED
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Emily Wood
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eswoodmusic@gmail.com).
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Kindness
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Emily Sue Wood
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.907126 Composed by Emily Wood. Concert,Contemporary,Wedding. 6 pages. Emily Sue Wood #42925...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.907126 Composed by Emily Wood. Concert,Contemporary,Wedding. 6 pages. Emily Sue Wood #4292555. Published by Emily Sue Wood (A0.907126). I admire you for your kindness. This song may be interpreted as a romantic love song or a song honoring someone inspirational. Vocal pitch ranges from the A sharp below middle C to the A sharp above treble C. Original music and text. About two minutes long, written in 2018. (My Facebook page: Music by Emily Wood; eswoodmusic@gmail.com).
$4.99
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