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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
So
Not classified
5,690
Piano & keyboards
Piano solo
4,445
Piano, Voice
1,753
Piano, Vocal and Guitar
1,627
Easy Piano
1,552
C Instruments
490
Organ
206
1 Piano, 4 hands
163
Piano Accompaniment
109
Big Note Piano
68
Piano Trio: piano, violin, cello
44
2 Pianos, 4 hands
41
Harpsichord
29
Piano (band part)
22
Accordion
18
Piano Quartet: piano, violin, viola, cello
18
Piano Quintet: piano, 2 violins, viola, cello
8
Organ, Piano (duet)
8
Piano Quartet: piano, 2 violins, cello
8
Organ, Trumpet (duet)
7
Melody line, Piano
5
1 Piano, 6 hands
5
2 Pianos, 8 hands
2
Keyboard
2
Accordion ensemble
1
+ 19 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
686
Melody line, (Lyrics) and Chords
519
Guitar
428
Lyrics and Chords
219
Ukulele
187
Piano, Guitar (duet)
127
Bass guitar
116
Guitar (band part)
44
2 Guitars (duet)
35
4 Guitars (Quartet)
26
Mandolin
21
Banjo
18
3 Guitars (trio)
17
Dulcimer
10
Guitar Ensemble
9
Baritone Ukulele
3
Guitar, Violin, Cello (trio)
2
Mandolin, Piano (duet)
2
2 Ukuleles
1
Mandolin, Guitar (duet)
1
Dobro
1
Guitar, Flute, Clarinet
1
Electric Bass (band part)
1
Ukulele Ensemble
1
Lap Steel Guitar
1
+ 20 instrumentations
-
Retract
Voice
Choral SATB
1,533
Choral 3-part
463
Choral 2-part
288
Choral TTBB
252
Choral SSAA
173
Choral Unison
146
Voice solo
105
Choral Instrumental Pak
54
Choral
46
Vocal duet, Piano
44
Soprano voice, Piano
38
High voice
32
Alto voice, Piano
29
Vocal duet
28
Baritone voice, Piano
24
Low voice, Piano
19
Tenor voice, Piano
15
Mezzo-Soprano voice, Piano
8
Medium voice, Piano
8
Choral SSAATTBB
7
Choral SSATB
4
Tenor voice
4
Choral SSATTB
3
Soli, Mixted choir and accompaniment
2
Choral SSAATB
2
Low voice
2
Soprano voice
2
Voice, Guitar
2
Choral SSATBB
1
Choral SSAB a cappella
1
Choral SSAB, Piano
1
Vocal (with Chords Symbols)
1
+ 27 instrumentations
-
Retract
Woodwind
Flute and Piano
459
Clarinet and Piano
393
Clarinet
380
Flute
378
Oboe, Piano (duet)
361
Saxophone Quartet: 4 saxophones
319
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
289
2 Saxophones (duet)
273
Alto Saxophone and Piano
263
Alto Saxophone
251
Saxophone (band part)
248
Tenor Saxophone and Piano
237
Tenor Saxophone
226
Flute, Oboe, Clarinet, Bassoon
216
2 Clarinets (duet)
189
Clarinet Quartet: 4 clarinets
189
Saxophone Quintet: 5 Saxophones
188
2 Flutes (duet)
159
Oboe (band part)
146
Saxophone
122
Flute, Clarinet (duet)
96
Pennywhistle
82
3 Saxophones (trio)
81
Clarinet Ensemble
81
Saxophone ensemble
77
Clarinet, Violin (duet)
76
Flute Quartet: 4 flutes
76
Soprano Saxophone and Piano
69
Flute ensemble
64
3 Clarinets (trio)
63
Flute, Violin
62
Flute Trio: 3 flutes
57
Baritone Saxophone, Piano
54
2 Oboes (duet)
49
Descant (Soprano) Recorder
46
Oboe
42
Flute and Guitar
42
Clarinet Quintet: 5 clarinets
41
English horn, Piano
37
Bass Clarinet, Piano
33
Soprano Saxophone
32
Saxophone, Clarinet (duet)
31
2 Recorders (duet)
30
Recorder
29
Flute Quintet : 5 flutes
28
Recorder Quartet
26
Ocarina
26
Clarinet (band part)
25
Treble (Alto) Recorder
24
Oboe, Bassoon (duet)
23
Harmonica
22
Flute (band part)
22
Clarinet, Bassoon (duet)
22
Oboe, Clarinet (duet)
21
Clarinet, Guitar (duet)
21
Flute, Violin, Piano
18
Clarinet, Trumpet (duet)
17
Flute, Violoncello
16
English Horn
15
Clarinet and Viola
14
Eb Instruments
14
Oboe, Flute
13
Flute, Saxophone (duet)
12
Clarinet, Cello (duet)
12
3 Oboes
12
Flute, Viola (duet)
11
Flute, Trumpet (duet)
9
Oboe, Clarinet, Bassoon (trio)
9
4 Oboes
9
Flute, Oboe, Clarinet (trio)
9
Flute, Oboe (duet)
9
Oboe, Guitar (duet)
8
3 Recorders (trio)
8
Flute, Clarinet, Horn and Bassoon (Quartet)
7
Baritone Saxophone
6
5 Recorders
6
Flute, Violin and Violoncello
6
Clarinet, Harp (duet)
6
Flute, Oboe, Bassoon
6
Oboe, Cello
6
Descent (Soprano) Recorder, Piano
5
Flute, Clarinet and Bassoon.
5
Treble (Alto) Recorder, Piano
5
Recorder Ensemble
5
Flute, Oboe, Piano (trio)
4
Flute, Clarinet, Piano (trio)
4
Flute, Cello, Piano (trio)
4
2 Saxophones, Piano
4
Saxophone and Guitar
3
Flute, Trombone (duet)
3
Oboe, Violin (duet)
3
Piccolo, Piano
3
Oboe and viola (duet)
3
Saxophone, Violin (duet)
2
Oboe, Harp
2
Oboe, Clarinet and Piano (Trio)
2
Tenor Recorder
2
Flute, Basso continuo
2
Clarinet, Trombone (duet)
2
2 Clarinets, Piano
2
Flute, harp and violin
2
Flute and Strings Trio
2
2 English horns and Pianoforte
2
Oboe, Bassoon and Piano
2
Wind ensemble
2
Clarinet, Cello, Piano (trio)
2
Flute, Viola and Piano
2
Clarinet Quartet: Clarinet, Violin, Viola, Cello
2
Clarinet, Tuba
1
Flute, trombone and piano
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
Recorder, Harp
1
English Horn, Guitar (duet)
1
Flute, Harp and Cello
1
Flute, Violin, Violoncello and Piano
1
2 Oboes, Piano
1
2 Flutes, Piano
1
Recorder, Guitar (duet)
1
Flute and String Quartet
1
Clarinet, Organ
1
Harmonica, Piano
1
Saxophone and Organ
1
Oboe ensemble
1
Saxophone and Piano
1
Bass Clarinet
1
Clarinet, Double bass (duet)
1
2 Clarinets, Bassoon
1
English horn, Harp (duet)
1
Bagpipe
1
+ 124 instrumentations
-
Retract
Woodbrass
Trumpet
418
Brass Quintet: 2 trumpets, horn, trombone, tuba
311
Trombone
278
Trombone and Piano
275
Trumpet, Piano
200
Brass quartet : 2 trumpets, trombone, tuba
171
French horn
161
Trumpet (band part)
138
Trombone (band part)
132
French Horn and Piano
127
Brass Quartet
104
Tuba
74
2 Trombones (duet)
72
2 Trumpets (duet)
70
Tuba and Piano
61
Euphonium, Piano (duet)
45
2 French horns (duet)
43
Brass Quartet: 2 trumpets, horn, trombone
39
English horn, Piano
37
Trumpet, Trombone (duet)
36
Trumpet, Saxophone (duet)
33
Trombone ensemble
30
2 Tubas (duet)
28
Brass Quartet: 4 trombones
27
French horn (band part)
25
Trumpet ensemble
23
Euphonium
21
Tuba (band part)
18
Bass Clef Instruments
16
English Horn
15
Horn Ensemble
14
Brass Quartet: 4 horns
13
Brass Quartet: 4 trumpets
12
Brass Trio
9
Bb Instruments
9
3 Trombones (trio)
8
2 Euphoniums and 2 Tubas
8
3 Trumpets (trio)
8
Trumpet, Horn (duert)
8
4 Tubas
7
Trombone, Tuba (duet)
6
Tuba and Organ
5
Trombone, Horn (duet)
5
Trumpet, Tuba (duet)
5
Horn, Tuba (duet)
4
Bass Trombone and Piano
4
Trumpet, Cello (duet)
3
Brass Quartet: 2 trumpets, 2 trombones
3
Trumpet and Guitar
2
2 Euphoniums (duet)
2
3 Tubas (trio)
2
Trombone and Orchestra
2
3 French horns (trio)
2
Trumpet, violin (duet)
2
Euphonium, Tuba (duet)
2
2 English horns and Pianoforte
2
Trumpet, Cello, Piano
2
Tuba ensemble
1
Clarinet, Horn (duet)
1
Horn, Trumpet, Trombone (trio)
1
English Horn, Guitar (duet)
1
Bass Trombone
1
Trombone, Organ
1
F Instruments
1
Cornet and Orchestra
1
Horn, Cello (duet)
1
Trumpet, Bassoon (duet)
1
English horn, Harp (duet)
1
+ 63 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
927
Violin and Piano
500
Violin
492
Cello
368
Viola, Piano
344
Cello, Piano
335
Harp
287
Viola
217
2 Violins (duet)
211
Violin, Cello (duet)
180
String Trio: violin, viola, cello
136
2 Harps (duet)
126
String Quintet: 2 violins, viola, cello, bass
110
2 Cellos (duet)
98
Violin, Viola (duet)
84
Double Bass
79
String Trio: 2 violins, cello
68
Viola (band part)
67
2 Violas (duet)
61
Double bass, Piano (duet)
51
Doublebass (band part)
41
String Trio: 3 violins
39
Violin (band part)
39
2 Double basses (duet)
25
String Trio: 3 cellos
23
4 Cellos
21
Viola, Cello (duet)
21
String Trio: 3 violas
20
Harp, Flute (duet)
18
String quartet: 4 violins
17
Cello, Guitar (duet)
15
Violin, Guitar (duet)
15
Cello (band part)
13
Violin ensemble
12
String Quartet : 4 violas
11
Harp, Voice
9
Viola ensemble
9
Violin, Bassoon (duet)
8
Cello, String Bass (duet)
8
Piano Trio: Violin, Viola, Piano
6
String Trio: 2 violins, viola
6
Harp, Violin (duet)
6
String Quintet: 2 violins, 2 violas, cello
5
Violoncello, Basso continuo
5
Cello, Organ
5
Violin, Clarinet, Piano (trio)
4
Viola, Guitar (duet)
4
4 Double Basses
4
Harp and Piano
3
4 Harps
3
Cello Ensemble
3
3 Harps
2
Flute, Doublebass (duet)
2
Viola and Bassoon
2
Autoharp
2
3 double basses
2
2 Violas, Piano
1
2 Cellos, Piano
1
Violin, Tuba (duet)
1
+ 54 instrumentations
-
Retract
Orchestra & Percussion
Concert band
1,076
Jazz combo
400
Jazz Ensemble
339
Orchestra
313
String Orchestra
293
Brass ensemble
196
Drums
120
Chamber Orchestra
119
Handbells
108
Marching band
92
Percussion Ensemble
75
Drum (band part)
33
Marimba
30
Percussion (band part)
11
Vibraphone
9
Percussion
5
Xylophone, Piano
3
Xylophone or Marimba or Vibraphone
3
Xylophone
2
Brass Quintet: other combinaisons
2
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
Piano and Orchestra
1
School Ensemble
1
Cajon
1
Woodwind Quintet
1
Flexible Instrumentation
1
Woodwind Quartet: any 4 woodwinds
1
Timpani
1
2 Xylophones
1
Marimba, Piano (duet)
1
+ 25 instrumentations
-
Retract
Others
Musical course - Solfege
6
Music Theory
1
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Soprano voice, Piano
Sheetmusic to print
38 sheet music found
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1
26
Sento un certo non so che
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Soprano voice, Piano
#
Classical
#
Claudio Monteverdi / Henry Pur
#
Wolfgang Birtel
#
Sento un certo non so che
#
Schott Music
#
SheetMusicPlus
'Scena di Valletto' from 'L'incoronazione di Poppea'. Composed by Claudio Monteverdi / Henry Purcell. Edited by Claudia Eder. Arranged by Wolfgang Birtel...
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'Scena di Valletto' from 'L'incoronazione di Poppea'. Composed by Claudio Monteverdi / Henry Purcell. Edited by Claudia Eder. Arranged by Wolfgang Birtel. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. 3 pages. Published by Schott Music (S9.Q138 - - - Schott Music
$3.99
I'm So Tired - From Brain Freezes and Seven More Super Reasons To Sing A SIlly Song
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Soprano voice, Piano
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Children
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Tiffany Prochera
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Tiffany Prochera
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I'm So Tired - From Brain Free
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Swimming Tigress Music
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SheetMusicPlus
Composed by Tiffany Prochera. Arranged by Tiffany Prochera. Children's Music. 4 pages. Published by Swimming Tigress Music (S0.169253). - - Children's Music - ...
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Composed by Tiffany Prochera. Arranged by Tiffany Prochera. Children's Music. 4 pages. Published by Swimming Tigress Music (S0.169253). - - Children's Music - Swimming Tigress Music
$3.99
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Soprano voice, Piano
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ADVANCED
#
Classical
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Richard Strauss
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Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
I'm So Into You
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Soprano voice, Piano
#
Rock
#
Hal Dickens
#
I'm So Into You
#
Hal Dickens
#
SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.898081 Composed by Hal Dickens. Pop,Rock. 9 pages. Hal Dickens #6090195. Published by Hal Dickens (A0...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.898081 Composed by Hal Dickens. Pop,Rock. 9 pages. Hal Dickens #6090195. Published by Hal Dickens (A0.898081). Amazing Bunny Lo sings my original love song I'm So Into You.Please visit Bunny's awesome Youtube channel here: https://www.youtube.com/channel/UCq41VQbRhcP6V-f6j4eOjVA
$3.99
So Dark This Night
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Soprano voice, Piano
#
INTERMEDIATE
#
Gail Ford
#
So Dark This Night
#
Gail Ford
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.797907 Composed by Gail Ford. Christian,Contemporary. 4 pages. Gail Ford #3008907. Publishe...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.797907 Composed by Gail Ford. Christian,Contemporary. 4 pages. Gail Ford #3008907. Published by Gail Ford (A0.797907). Modern Christian song, for a reflective moment in church worship, ideal for a Good Friday meditation service.
$5.50
There are blows in life, so powerful... I don't know! Op.2
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Manuel Carranza Cueto
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There are blows in life, so po
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Manuel Carranza Cueto
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1014466 Composed by Manuel Carranza Cueto. Contemporary. 14 pages. Manuel Carranza Cueto #3...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1014466 Composed by Manuel Carranza Cueto. Contemporary. 14 pages. Manuel Carranza Cueto #3573235. Published by Manuel Carranza Cueto (A0.1014466). This work is inspired by the poem Los Heraldos Negros by the Peruvian poet César Vallejo. This piece is for soprano and piano.
$15.00
God So Loved the World (Stainer) Piano and Voice (Key of C)
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Soprano voice, Piano
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INTERMEDIATE
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John Stainer
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Pam Turner
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God So Loved the World
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Pam Turner
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.726564 Composed by John Stainer. Arranged by Pam Turner. Christian,Christmas,Easter,Sacred....
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.726564 Composed by John Stainer. Arranged by Pam Turner. Christian,Christmas,Easter,Sacred. 9 pages. Pam Turner #5711113. Published by Pam Turner (A0.726564). Majestic hymn by John Stainer that is the basis of the Christian faith. Appropriate for church service needs at all times of the year, especially Easter and Christmas. Arranged for piano and voice by composer/arranger/teacher/church pianist, Pam Turner. Piano accompaniment doubles as a solo. Connect with Pam at https://pamturnerpiano.com or on Facebook at https://facebook.com/pamturnerpiano.
$4.99
So wisse, dass in allen Elementen (Undine)
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Soprano voice, Piano
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Albert Lortzing
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So wisse, dass in allen Elemen
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Musikverlag Robert Lienau - Digital
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SheetMusicPlus
Soprano voice and piano - Digital Download SKU: S9.Q50486 Composed by Albert Lortzing. This edition: Sheet music. Operngesänge. Downloadable. Op 81. M...
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Soprano voice and piano - Digital Download SKU: S9.Q50486 Composed by Albert Lortzing. This edition: Sheet music. Operngesänge. Downloadable. Op 81. Musikverlag Robert Lienau - Digital #Q50486. Published by Musikverlag Robert Lienau - Digital (S9.Q50486). Key: E major. German • English • French.
$6.99
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Soprano voice, Piano
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 1...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Soprano voice, Piano
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ADVANCED
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Opera
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Classical
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pag...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Civility
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie ...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Centur...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Classical
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period....
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Sept Sonnets de Louise Labé (2021) for soprano and piano
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Thomas Oboe Lee
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Sept Sonnets de Louise Labé
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Thomas Oboe Lee
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869872 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 59 pages. Thomas Oboe Lee #6...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869872 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 59 pages. Thomas Oboe Lee #6570867. Published by Thomas Oboe Lee (A0.869872). Louise Labé (1524-1566) wrote 24 sonnets.  I read somewhere (probably wikipedia) she was inspired by Francesco Petrach (1304-1374) when she wrote her sonnets, so much so that the first sonnet is in Italian.  In 2014 I wrote a song cycle of poems by Gaspara Stampa who was a contemporary of Labé.  Both poets wrote about the suffering and longing due to unrequited love.  Of the 24 I chose seven.1. Sonnet 1 ... Non havria Ulysse o qualqu'atro mai 2. Sonnet 2 ... O beaus yeux bruns3. Sonnet 3 ... Deus ou trois fois bienheureus la retour4. Sonnet 8 ... Je vis, je meurs: je me brule et me noye5. Sonnet 12 ... Lut, compagnon de ma calamité6. Sonnet 18 ... Baise m'encor, rebaise moi et baise7. Sonnet 23 ... Las! que me sert, que si parfaitement
$9.99
Fuoco e lagrime
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Soprano voice, Piano
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ADVANCED
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Anno Schreier
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Fuoco e lagrime
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - advanced to difficult - Digital Download SKU: S9.Q52732 Canti per soprano e pianoforte. Composed by Anno Schreier. This ...
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Soprano voice and piano - advanced to difficult - Digital Download SKU: S9.Q52732 Canti per soprano e pianoforte. Composed by Anno Schreier. This edition: single sheet. Downloadable, Separate edition. Duration 20 minutes. Schott Music - Digital #Q52732. Published by Schott Music - Digital (S9.Q52732). German • Italian.Im Jahr 2010 habe ich als Stipendiat der Villa Massimo in Rom gelebt. Während meiner Zeit dort bin ich auf ein paar Gedichte von Michelangelo gestoßen, die mich sehr berührt haben, und hatte bald den Plan, einige davon zu vertonen. Ich wollte sie aber mit etwas zeitgenössischem kombinieren – so wie ja auch in Rom dauernd das Alte und das Neue aufeinandertreffen. Der Lyriker Marcel Beyer, den ich in Rom kennengelernt habe, hat dann für mich den Gedichtzyklus Die Grillmeisterin geschrieben, der viele Motive aus den Michelangelo-Texten aufgreift (Feuer, Tränen, Verbranntwerden, Einsamkeit etc.). Ich habe dann diesen Gedichtzyklus abwechselnd mit den Michelangelo-Gedichten kombiniert. Die italienischen Lieder haben einen manchmal melancholischen, manchmal dramatischen Charakter, während die deutschen eher bizarr, manchmal sogar humoristisch sind. Trotz dieser Kontraste im Charakter gibt es aber auch viele musikalische Verknüpfungen zwischen den deutschen und den italienischen Liedern. Einzelne Motive und Akkordfolgen kehren manchmal in völlig anderen Zusammenhängen wieder, und zwischen dem ersten und letzten Lied gibt es sogar einen direkten Bezug, indem die selbe Gesangslinie jeweils mit einem völlig anderen Text unterlegt wird. So ensteht ein musikalischer Rahmen, der die sehr heterogene Textauswahl zusammenhält. Anno Schreier.
$21.99
Daybreak (Downloadable)
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Soprano voice, Piano
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Tawnie Olson
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Daybreak
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8701-3E Composed by Tawnie Olson. Instrument part. 11 pages. Duration 14 minute...
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Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8701-3E Composed by Tawnie Olson. Instrument part. 11 pages. Duration 14 minutes, 15 seconds. E. C. Schirmer Music Company - Digital #8701-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8701-3E). English.Commissioned by the Canadian Art Song Project for soprano Magali Simard-Galdès, winner of the Jeunesses Musicales Maureen Forrester Tour. This piece won second prize in the 2018 NATS Art Song Composition Competition.This song cycle is, in part, a meditation on what it means to be a mortal being who exists in time. The first and last movements each present a different take on looking back, and the cycle moves backward in time from evening to mid-day to dawn. Images from each poem are woven into the music; the first movement is full of sewing imagery, so in places the pianist imitates the ebb and flow of a sewing machine's ostinato. The playful second movement depicts icicles melting, opening with their unpredictable drips. In the third movement, clouds bloom. Duration: 14:15Contents:I. DuskII. Hubbard's CoveIII. Daybreak.
$9.00
The Birds
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Sally Whitwell
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The Birds
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Publish...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Published by Sally Whitwell (A0.873025). Composer’s Note - The BirdsI lived for a couple of years in a little top floor Art Deco apartment in Sydney’s Kings Cross. There were always birds sitting on my window sill because of the huge Jacaranda tree outside. I was at a bit of a crossroads in my life at that time, and would spend at least an hour daily walking in the neighbourhood, along those twisting, sloping streets and slowly eroding sandstone staircases so typical of Sydney’s harbourside suburbs. On the wall by such a staircase very close to my home was a tiny red spray painted bird with little music notes emanating from his beak. His was a constant presence in my life, I really rather liked him.Birds seemed to be making appearances everywhere in my life at that time, which I took as some kind of message from the universe. I was reading quite a lot of Christina Rossetti that year too, enjoying her writings about birds and all that they symbolised for her; beauty and sadness, hope and joy. There was a quiet optimism in her words, sometimes veiled but always present, which propelled me to write this song cycle T​ he Birds.​-- Sally Whitwell
$3.99
Holy Holy Holy--vocal soprano solo
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Soprano voice, Piano
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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Reginald Heber, John B
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Beka Wilson
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Holy Holy Holy--vocal soprano
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Beka Wilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786534 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786534 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 6 pages. Beka Wilson #6246117. Published by Beka Wilson (A0.786534). Holy, Holy, Holy has long been a favorite hymn across many denominations, and this arrangement for vocal solo is a perfect calming special music piece for a church service. The piano accompaniment includes chording so the accompanist may ad lib as they wish. This arrangement is also available on Sheet Music Plus as a solo for alto voice (key of C/D), tenor voice (key of E flat/F), bass voice (key of C/D); as an instrumental solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello; and as an instrumental duet for harp/flute, harp/violin, harp/viola, and harp/cello.Length: approximately 4 minutes (85bpm)6 pages (includes score and separate melody/word sheet for the vocalist)Do you like this arrangement but want it in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
Pictures at an exHERbition
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Publish...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
Piangerò la sorte mia - Giulio Cesare (Eb Major)
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Classical
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George Frideric Handel
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Jonathan Prentice
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Piangerò la sorte mia - Giuli
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884800 Composed by George Frideric Handel. Arranged by Jonathan Prentice. Baroque,Opera. 6 ...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884800 Composed by George Frideric Handel. Arranged by Jonathan Prentice. Baroque,Opera. 6 pages. Jonathan Prentice #5857211. Published by Jonathan Prentice (A0.884800). Cleopatra's exquisitely beautiful aria from Act 3 of Handel's Julius Caesar. She laments both the loss of the battle against the forces of Tolomeo, and, so she thinks, the death of Julius Caesar. (Here in Eb Major).
$1.99
Some World Far From Ours
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Sally Whitwell
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Some World Far From Ours
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873021 Composed by Sally Whitwell. Contemporary. 8 pages. Sally Whitwell #3867171. Publishe...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873021 Composed by Sally Whitwell. Contemporary. 8 pages. Sally Whitwell #3867171. Published by Sally Whitwell (A0.873021). Composer’s Note - Some World Far From OursA principle source of inspiration for composers is surely a performer of great talent and skill. Percy Bysshe Shelley proves that this is true not only for composers but for poets as well. His dear friend Jane Williams -- the never proven conjecture is that she was actually his lover -- could sing like a bird and also play flute, harp and guitar. In S​ ome World Far From Ours,​ I so enjoyed bringing some musical life to a text that praises a musician from a poet who understands how a singing voice can transport a listener in a was that speech cannot.-- Sally Whitwell
$1.99
Oppekepe all over the world Op.178
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Soprano voice, Piano
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Kohei KONDO
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Oppekepe all over the world Op
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Kohei KONDO
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.886071 Composed by Kohei KONDO. 20th Century,Contemporary,World. 18 pages. Kohei KONDO #6590429. Publ...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.886071 Composed by Kohei KONDO. 20th Century,Contemporary,World. 18 pages. Kohei KONDO #6590429. Published by Kohei KONDO (A0.886071). June.23.2018~Aug.28.2018 Premiere: Nov.11.2018 Chigasaki-city Kanagawa JAPAN Pf,& Vocal: Tomomi SHIMIZU 10 minutes YouTube：https://youtu.be/tbkyTmVTBKg?t=1139　 Pf,& Vocal: Tomomi SHIMIZUIn this composition, the pianist sing Japanese old famous pop song Oppekepe bushi in Meiji-era playing piano. Oppekepe-bushi can not be write on sheet music. So, please listen Oppekepe-bushi on videos or live performances and learn to sing it.Please refer to this video. https://youtu.be/8TuMWzJd6RM
$9.00
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