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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
no
Not classified
11,210
Piano & keyboards
Piano solo
24,190
Piano, Voice
15,249
Easy Piano
2,257
Piano, Vocal and Guitar
1,990
Organ
915
1 Piano, 4 hands
503
C Instruments
384
Accordion
320
Piano Accompaniment
208
Piano Trio: piano, violin, cello
184
2 Pianos, 4 hands
162
Big Note Piano
89
Piano Quintet: piano, 2 violins, viola, cello
64
Piano (band part)
63
Piano Quartet: piano, violin, viola, cello
60
Harpsichord
34
Piano Quartet: piano, 2 violins, cello
26
Organ, Piano (duet)
18
Solo instrument and Organ
14
Organ, Trumpet (duet)
12
Keyboard
11
Melody line, Piano
8
2 Pianos, 8 hands
5
1 Piano, 6 hands
4
Organ, Voice
3
Organ and Orchestra
3
2 Organs (duet)
3
Accordion ensemble
3
2 Accordions
2
Accordion, Voice
1
Fake Book
1
Accordion, String(s)
1
+ 27 instrumentations
-
Retract
Guitars
Guitar
2,519
Guitar notes and tablatures
1,753
Melody line, (Lyrics) and Chords
573
Bass guitar
323
2 Guitars (duet)
277
Ukulele
275
Lyrics and Chords
270
Piano, Guitar (duet)
115
Guitar (band part)
107
4 Guitars (Quartet)
62
Dulcimer
36
Mandolin
36
Banjo
35
Guitar Ensemble
31
3 Guitars (trio)
30
2 Dulcimers (duet)
6
Band Scores
5
Guitar, Violin, Cello (trio)
4
Mandolin, Guitar (duet)
4
Lap Steel Guitar
2
Ukulele Ensemble
2
Guitar, String Quartet
2
Electric Bass (band part)
2
Guitar, Flute, Clarinet
2
Guitar, Orchestra
1
2 Ukuleles
1
2 Guitars and Piano
1
2 Guitars and Orchestra
1
Mandolin, Piano (duet)
1
Baritone Ukulele
1
+ 25 instrumentations
-
Retract
Voice
Choral SATB
1,846
Voice solo
1,381
Choral 3-part
572
Choral 2-part
303
Choral TTBB
269
Choral SSAA
166
Choral Unison
140
Choral Instrumental Pak
103
Vocal duet, Piano
85
Choral
72
High voice
69
Soprano voice, Piano
65
Vocal duet
38
Baritone voice, Piano
36
Alto voice, Piano
29
Tenor voice, Piano
27
Medium voice, Piano
20
Low voice, Piano
11
Mezzo-Soprano voice, Piano
11
Voice, Guitar
9
Tenor voice
7
Choral SSAATTBB
5
Low voice
4
Choral, Organ
3
Choral SSATB
3
Soprano voice
3
Choral SAATB A Cappella
2
Choral SATBB
2
Voice, Basso continuo
2
High voice, Piano
1
Choral SSATTB
1
Choral SSAATB
1
Medium Voice
1
Choral SSATBB
1
Soli, Mixted choir and accompaniment
1
+ 30 instrumentations
-
Retract
Woodwind
Flute
1,658
Clarinet
1,461
Flute and Piano
1,138
Saxophone
961
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
826
Clarinet and Piano
757
Saxophone Quartet: 4 saxophones
711
Saxophone (band part)
667
2 Flutes (duet)
581
2 Saxophones (duet)
555
Clarinet Quartet: 4 clarinets
514
Alto Saxophone
483
Oboe, Piano (duet)
466
Recorder
457
Alto Saxophone and Piano
429
Flute, Oboe, Clarinet, Bassoon
424
2 Clarinets (duet)
410
Clarinet (band part)
403
Tenor Saxophone
375
Oboe
343
Tenor Saxophone and Piano
276
Flute Quartet: 4 flutes
266
3 Clarinets (trio)
251
Flute and Guitar
240
3 Saxophones (trio)
233
Soprano Saxophone and Piano
225
Saxophone Quintet: 5 Saxophones
211
Oboe (band part)
206
Flute (band part)
195
Clarinet Quintet: 5 clarinets
168
Clarinet Ensemble
165
2 Oboes (duet)
152
Recorder Quartet
148
Flute Trio: 3 flutes
146
Flute, Clarinet (duet)
139
Saxophone ensemble
139
Baritone Saxophone, Piano
120
English horn, Piano
118
Flute, Oboe, Clarinet (trio)
117
2 Recorders (duet)
101
3 Recorders (trio)
101
Bass Clarinet, Piano
84
Flute ensemble
80
Flute Quintet : 5 flutes
79
Oboe, Bassoon (duet)
78
Flute, Clarinet and Bassoon.
77
Flute, Oboe, Bassoon
76
5 Recorders
63
Oboe, Clarinet, Bassoon (trio)
61
Flute, Violin, Piano
58
Soprano Saxophone
57
Clarinet, Harp (duet)
54
Oboe, Clarinet (duet)
48
Flute, Harp and Cello
42
Clarinet, Guitar (duet)
42
Clarinet, Violin (duet)
40
Piccolo, Piano
39
Descant (Soprano) Recorder
39
Flute, Violin and Violoncello
38
Saxophone, Clarinet (duet)
36
2 Clarinets, Bassoon
32
Recorder Ensemble
31
Oboe, Flute
30
Clarinet, Bassoon (duet)
29
English Horn
27
Eb Instruments
27
Flute, Violin
27
Recorder, Piano
25
Clarinet, Cello (duet)
25
Flute, Violoncello
25
Treble (Alto) Recorder, Piano
20
Flute, Viola (duet)
20
Treble (Alto) Recorder
20
Harmonica
19
Clarinet and Viola
19
2 English horns and Pianoforte
19
Baritone Saxophone
18
Clarinet, Trumpet (duet)
17
Ocarina
16
Flute, harp and violin
15
Tenor Recorder
15
Piccolo
15
Flute, Trumpet (duet)
14
Treble (Alto) Recorder, Basso continuo
14
2 Flutes, Piano
14
Flute, Cello, Piano (trio)
14
Flute, Saxophone (duet)
14
Bass Clarinet
14
Descent (Soprano) Recorder, Piano
13
3 Oboes
13
Wind ensemble
12
Flute, Oboe, Piano (trio)
9
Flute, Oboe (duet)
9
Saxophone and Guitar
9
Flute and String Quartet
9
Flute, Clarinet, Piano (trio)
8
Oboe, Guitar (duet)
8
2 Clarinets, Piano
8
Flute, Trombone (duet)
6
Oboe, Cello
6
Saxophone and Piano
6
Oboe and viola (duet)
5
Flute, Orchestra
5
English Horn, Guitar (duet)
5
Flute and Strings Trio
5
Flute, Bassoon, and Piano
5
Clarinet Quartet: Clarinet, Violin, Viola, Cello
5
2 Saxophones, Piano
5
Oboe, Violin (duet)
5
Clarinet, Cello, Piano (trio)
5
Pennywhistle
5
Flute, Viola and Piano
4
Clarinet, Orchestra
4
4 Oboes
4
Flute, Basso continuo
4
Oboe, Violin, Viola and Violoncello (Quartet)
4
Flute, Cello, Guitar
4
2 Oboes and Basson
3
Recorder, Guitar (duet)
3
Clarinet, String quartet and Piano
3
Clarinette, Viola and Piano (trio)
3
Flute, Organ (duet)
3
Oboe, Harp
3
Flute, Violin, Violoncello and Piano
3
Oboe and String quartet
2
Bagpipe
2
Oboe, Violin, Piano
2
Oboe, Bassoon and Piano
2
Clarinet, Trombone (duet)
2
Flute, Tuba (duet)
2
Descant (Soprano) Recorder, Basso continuo
2
Flute, Clarinet, Horn and Bassoon (Quartet)
2
Flute, trombone and piano
2
Flute, Viola and Cello
2
Oboe ensemble
2
Saxophone, Violin (duet)
1
Clarinet, Bassoon, Piano (trio)
1
Recorder, Harp
1
Saxophone, Bassoon (duet)
1
2 Flutes, 2 Clarinets (Quartet)
1
Flute, Viola and harp
1
Pan Flute
1
Flute, Violin, Guitar
1
English horn, Harp (duet)
1
Saxophone and Organ
1
2 Flutes, Basso continuo
1
Harmonica, Piano
1
Saxophone and cello
1
2 Recorders, Piano
1
2 Flutes and Harp
1
Oboe and Orchestra
1
+ 146 instrumentations
-
Retract
Woodbrass
Trumpet
859
Brass Quintet: 2 trumpets, horn, trombone, tuba
760
Trombone
642
Trombone (band part)
515
French horn
508
Trumpet (band part)
474
Trumpet, Piano
391
Trombone and Piano
373
French Horn and Piano
354
Brass quartet : 2 trumpets, trombone, tuba
350
French horn (band part)
209
2 Trumpets (duet)
182
Tuba
178
2 Trombones (duet)
168
Tuba and Piano
161
2 French horns (duet)
157
Euphonium, Piano (duet)
153
Tuba (band part)
137
English horn, Piano
118
Brass Quartet
111
Brass Quartet: 4 trombones
109
Euphonium
96
Brass Quartet: 2 trumpets, horn, trombone
95
Trumpet, Trombone (duet)
81
Brass Quartet: 4 horns
64
Trombone ensemble
61
2 Euphoniums and 2 Tubas
58
4 Tubas
46
Brass Trio
42
2 Tubas (duet)
39
Bass Trombone and Piano
35
Trumpet, Horn (duert)
32
Brass Quartet: 4 trumpets
30
Bb Instruments
29
3 Trombones (trio)
29
Trumpet ensemble
29
2 Euphoniums (duet)
29
English Horn
27
Trumpet, Saxophone (duet)
27
Tuba and Organ
25
Bass Trombone
22
Horn Ensemble
21
Bass Clef Instruments
20
2 English horns and Pianoforte
19
Trombone, Tuba (duet)
17
Trombone, Horn (duet)
16
3 Trumpets (trio)
14
Euphonium, Tuba (duet)
13
Cornet
12
Trumpet, Tuba (duet)
10
Horn, Tuba (duet)
9
3 French horns (trio)
9
3 Tubas (trio)
9
Trumpet and Guitar
8
Tuba or Euphonium or Saxhorn
6
2 Trumpets, Keyboard (piano or organ)
6
English Horn, Guitar (duet)
5
Horn, Cello (duet)
5
Trumpet, Trombone, Piano
5
Euphonium (band part)
4
Trumpet, Cello (duet)
4
Tuba ensemble
3
Brass Quintet: 2 trumpets, horn, 2 trombones
3
Trombone, Violin (duet)
3
Trombone, Organ
3
Horn and Orchestra
3
Trumpet, Cello, Piano
3
Trombone, cello (duet)
2
Trumpet, violin (duet)
2
Brass Quartet: 2 trumpets, 2 trombones
1
French Horn and Harp
1
F Instruments
1
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
1
Clarinet, Horn (duet)
1
English horn, Harp (duet)
1
3 Euphoniums
1
+ 71 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
3,037
Violin
2,800
Violin and Piano
1,684
Cello
1,536
Viola
1,189
Harp
1,133
Cello, Piano
946
Viola, Piano
647
Violin (band part)
480
2 Violins (duet)
452
String Trio: violin, viola, cello
369
2 Cellos (duet)
330
Violin, Cello (duet)
307
Double Bass
235
2 Violas (duet)
210
Violin, Viola (duet)
203
Doublebass (band part)
180
String Trio: 2 violins, cello
161
String Quintet: 2 violins, viola, cello, bass
155
Viola (band part)
145
Cello (band part)
139
4 Cellos
124
Harp, Flute (duet)
93
Double bass, Piano (duet)
91
String Trio: 3 violins
87
String quartet: 4 violins
82
Violin, Guitar (duet)
81
Viola, Cello (duet)
78
String Trio: 3 cellos
56
Harp, Violin (duet)
52
Cello, Guitar (duet)
52
String trio
50
2 Harps (duet)
48
String Quintet: 2 violins, 2 violas, cello
47
Piano Trio: Violin, Viola, Piano
46
2 Violins, Piano
42
2 Double basses (duet)
39
Cello, String Bass (duet)
35
String Quartet : 4 violas
30
Viola, Guitar (duet)
30
String Trio: 3 violas
25
String Trio: 2 violins, viola
24
Violoncello, Basso continuo
16
Cello and Marimba
15
String Quintet: 2 violins, viola, 2 cellos
15
2 Cellos, Piano
14
Cello Ensemble
11
2 Violas, Piano
10
Harp, Cello (duet)
10
Violin, Clarinet, Piano (trio)
9
Violin, Basso continuo
9
Flute, Doublebass (duet)
8
Violin, Bassoon (duet)
7
Cello, Orchestra
6
Harp, Voice
6
4 Double Basses
6
Viola and Harp
5
Viola ensemble
4
Violin, Organ
4
Violin ensemble
4
Harp and Organ
3
Viola and Bassoon
3
Cello, Organ
3
Violin, Trumpet and Piano
2
3 Harps
2
4 Harps
2
5 Harps
2
3 double basses
2
Harp, Orchestra
1
Harp, Violin, Violoncello
1
Harp, String quartet
1
Violin, Cello, Clarinet
1
+ 67 instrumentations
-
Retract
Orchestra & Percussion
Orchestra
2,218
Concert band
1,994
String Orchestra
1,499
Jazz Ensemble
578
Chamber Orchestra
448
Brass ensemble
379
Drums
362
Handbells
330
Marching band
272
Percussion (band part)
153
Percussion
121
Jazz combo
88
Drum (band part)
70
Timpani (band part)
66
Marimba
62
Percussion Ensemble
56
Piano and Orchestra
52
Timpani
19
Flexible Instrumentation
16
2 Marimbas
15
Woodwind Quartet: any 4 woodwinds
13
Vibraphone (band part)
12
Woodwind Quintet
12
Snare drums
10
Orchestra, Violin
10
2 Xylophones
7
Vibraphone
5
Xylophone
5
Xylophone, Piano
5
Brass Quintet: other combinaisons
4
Marimba and Organ
2
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
Marimba, Piano (duet)
1
Vibraphone and Marimba
1
+ 29 instrumentations
-
Retract
Others
Musical course - Solfege
179
Stationery
5
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65 sheet music found
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1
26
51
Apparently with no surprise (Downloadable)
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Soprano voice, Piano
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Juliana Hall
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Apparently with no surprise
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Medium - Digital Download SKU: MQ.8645-2E Composed by Juliana Hall. 5 pages. E. C. Schirmer Music Company - Digital #8645-2E. P...
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8645-2E Composed by Juliana Hall. 5 pages. E. C. Schirmer Music Company - Digital #8645-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8645-2E). English.Poet Emily Dickinson loved writing about nature and wrote many poems about flowers, three of which are celebrated in this song cycle. Flowers of various descriptions and personalities are included in this colorful collection, one of two song cycles in which composer Juliana Hall has set Dickinsinon's flower poems to music. Duration: 6:00Contents:Perhaps you’d like to buy a flower?Apparently with no surpriseWhen roses cease to bloom, dear.
$7.00
24 Italian Songs and Arias for 21st-Century Singers, No. 8 Gia il sole dal gange
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Soprano voice, Piano
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BEGINNER
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Judith Cloud
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24 Italian Songs and Arias for
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Judith Cloud
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.981208 Composed by Judith Cloud. Contemporary,Standards. 4 pages. Judith Cloud #6686593. Pu...
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.981208 Composed by Judith Cloud. Contemporary,Standards. 4 pages. Judith Cloud #6686593. Published by Judith Cloud (A0.981208). 24 Italian Songs and Arias for 21st-Century Singers, No. 8 Gia il sole dal gange The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99
Opus 11, No. 3
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Soprano voice, Piano
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John Trie
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Opus 11, No. 3
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john Trie
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.966129 Composed by John Trie. 20th Century,Contemporary,Pop,Rock. 4 pages. John Trie #37731. Publishe...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.966129 Composed by John Trie. 20th Century,Contemporary,Pop,Rock. 4 pages. John Trie #37731. Published by john Trie (A0.966129). Opus 11, No. 3 by John Trie.
$3.99
24 Italian Songs and Arias for 21st-Century Singers, No. 7 Le violette
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Soprano voice, Piano
#
INTERMEDIATE/ADVANCED
#
Judith Cloud
#
24 Italian Songs and Arias for
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Judith Cloud
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.981207 Composed by Judith Cloud. Contemporary,Standards. 7 pages. Judith Cloud #6686591. Pu...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.981207 Composed by Judith Cloud. Contemporary,Standards. 7 pages. Judith Cloud #6686591. Published by Judith Cloud (A0.981207). 24 Italian Songs and Arias for 21st-Century Singers, No. 7 Le violette The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99
Stabat Mater No.2 Cujus animam gementem Eb Major Piano Vocal
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Soprano voice, Piano
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Giovanni Battista Pergolesi
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Change the Key
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Stabat Mater No.2 Cujus animam
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Change the Key
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.856925 Composed by Giovanni Battista Pergolesi. Arranged by Change the Key. Christian,Romantic Period...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.856925 Composed by Giovanni Battista Pergolesi. Arranged by Change the Key. Christian,Romantic Period,Sacred. 3 pages. Change the Key #3621095. Published by Change the Key (A0.856925). Stabat Mater No.2 Cujus animam gemenitem by Giovanni Pergolesi transposed to Eb Major for piano and soprano. Vocal range F - Ab.
$4.50
Stabat Mater No.2 Cujus animam gementum D Major Piano Vocal
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Soprano voice, Piano
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Giovanni Battista Pergolesi
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Change the Key
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Stabat Mater No.2 Cujus animam
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Change the Key
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.856929 Composed by Giovanni Battista Pergolesi. Arranged by Change the Key. Christian,Romantic Period...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.856929 Composed by Giovanni Battista Pergolesi. Arranged by Change the Key. Christian,Romantic Period,Sacred. 3 pages. Change the Key #3621091. Published by Change the Key (A0.856929). Stabat Mater No.2 Cujus animam gementum by Giovanni Pergolesi transposed to D Major for piano and soprano. Vocal range E - G.
$4.50
Stabat Mater No.2 Cujus animam gementum C Major Piano Vocal
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Soprano voice, Piano
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Giovanni Battista Pergolesi
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Change the Key
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Stabat Mater No.2 Cujus animam
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Change the Key
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.856928 Composed by Giovanni Battista Pergolesi. Arranged by Change the Key. Christian,Romantic Period...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.856928 Composed by Giovanni Battista Pergolesi. Arranged by Change the Key. Christian,Romantic Period,Sacred. 3 pages. Change the Key #3621087. Published by Change the Key (A0.856928). Stabat Mater No.2 Cujus animam gementum by Giovanni Pergolesi transposed to C Major for piano and soprano. Vocal range D - F.
$4.50
24 Italian Songs and Arias for 21st-Century Singers, No. 20 Nel cor più non mi sento
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Judith Cloud
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24 Italian Songs and Arias for
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Judith Cloud
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.981211 Composed by Judith Cloud. Contemporary. 4 pages. Judith Cloud #6686601. Published by...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.981211 Composed by Judith Cloud. Contemporary. 4 pages. Judith Cloud #6686601. Published by Judith Cloud (A0.981211). 24 Italian Songs and Arias for 21st-Century Singers, No. 20 Nel cor più non mi sento The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99
Opus 11, No. 2
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Soprano voice, Piano
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John Trie
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Opus 11, No. 2
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john Trie
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.966131 Composed by John Trie. 20th Century,Contemporary,Pop,Rock. 5 pages. John Trie #37729. Publishe...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.966131 Composed by John Trie. 20th Century,Contemporary,Pop,Rock. 5 pages. John Trie #37729. Published by john Trie (A0.966131). Opus 11, No. 2 by John Trie.
$3.99
24 Italian Songs and Arias for 21st-Century Singers, No. 24 Intorno al ido mio
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Judith Cloud
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24 Italian Songs and Arias for
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Judith Cloud
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.981213 Composed by Judith Cloud. Contemporary,Standards. 5 pages. Judith Cloud #6686605. Pu...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.981213 Composed by Judith Cloud. Contemporary,Standards. 5 pages. Judith Cloud #6686605. Published by Judith Cloud (A0.981213). 24 Italian Songs and Arias for 21st-Century Singers, No. 24 Intorno al ido mio The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99
No Hidin' Place
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Soprano voice, Piano
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ADVANCED
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Gospel/Spiritual
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Sacred music
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Roy Jennings
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No Hidin' Place
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Arch Angel
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.886383 Arranged by Roy Jennings. 20th Century,Contemporary,Spiritual. 7 pages. Arch Angel #...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.886383 Arranged by Roy Jennings. 20th Century,Contemporary,Spiritual. 7 pages. Arch Angel #4321809. Published by Arch Angel (A0.886383). A fun-filled sprint through the horrors of sin and punishment. Solo arrangement of the African-American Spiritual; Solo arrangement of the Negro Spiritual; Concert MusicFor more information visit www.roy-jennings.com
$4.50
Art Song No.1
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Michael Rosin
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Art Song No.1
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Michael Rosin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1003168 Composed by Michael Rosin. Contemporary. 7 pages. Michael Rosin #12197. Published b...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1003168 Composed by Michael Rosin. Contemporary. 7 pages. Michael Rosin #12197. Published by Michael Rosin (A0.1003168). An Art Song written for soprano with piano accompaniment. The text is William Shakespeare's 66th sonnet.
$3.99
Si mañana no vuelvo (Soprano & Piano)
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Soprano voice, Piano
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INTERMEDIATE
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Music: Yonatan Sanchez Santian
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Piano.
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Si mañana no vuelvo
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Yonatan Sanchez-Santianes
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.987651 Composed by Music: Yonatan Sanchez Santianes Lyrics: José Luis Correa. 20th Centu...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.987651 Composed by Music: Yonatan Sanchez Santianes Lyrics: José Luis Correa. 20th Century,Contemporary,Musical/Show. 7 pages. Yonatan Sanchez-Santianes #115523. Published by Yonatan Sanchez-Santianes (A0.987651). Song for Soprano & Piano.
$4.50
Zueignung (Op. 10, No. 1) (High Voice)
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Soprano voice, Piano
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Classical
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Richard Strauss
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Zueignung
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Hal Leonard - Digital
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SheetMusicPlus
Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Digital Download SKU: HX.807979 Composed by Richard Strauss. This edition: scorch. Classical...
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Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Digital Download SKU: HX.807979 Composed by Richard Strauss. This edition: scorch. Classical. Score. 3 pages. Hal Leonard - Digital #975375. Published by Hal Leonard - Digital (HX.807979).
$4.99
Civility
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie ...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Soprano voice, Piano
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 1...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Soprano voice, Piano
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ADVANCED
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Opera
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Classical
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pag...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Centur...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Soprano voice, Piano
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ADVANCED
#
Classical
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Richard Strauss
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Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
"Wardaton w dumu3"art song in Arabic
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Soprano voice, Piano
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INTERMEDIATE
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Iyad KANAAN
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"Wardaton w dumu3"art song in
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iyad kanaan
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.979719 Composed by Iyad KANAAN. 20th Century,Concert,Opera,Romantic Period,Standards. 6 pag...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.979719 Composed by Iyad KANAAN. 20th Century,Concert,Opera,Romantic Period,Standards. 6 pages. Iyad kanaan #4626815. Published by iyad kanaan (A0.979719). Art song in Arabic for soprano and piano op. 19 No 14. Lyrics by famous Lebanese poet Said AKL. very expressive and contains oriental spirit. But no quarter tone involved.
$10.00
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Classical
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period....
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
3aSifa (storm) art song in Arabic
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Soprano voice, Piano
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Iyad KANAAN
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3aSifa
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iyad kanaan
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.979711 Composed by Iyad KANAAN. 20th Century,Concert,Opera,Romantic Period,World. 11 pages. Iyad kana...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.979711 Composed by Iyad KANAAN. 20th Century,Concert,Opera,Romantic Period,World. 11 pages. Iyad kanaan #4622997. Published by iyad kanaan (A0.979711). Art song in Arabic for soprano and piano op. 19 No 12. Lyrics by famous Lebanese poet Said AKL. very expressive and contains oriental spirit. But no quarter tone involved.
$50.00
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