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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
BASS
Not classified
46,050
Piano & keyboards
Piano solo
1,814
Piano, Voice
1,367
Accordion
819
Easy Piano
729
Piano, Vocal and Guitar
516
C Instruments
406
Piano Accompaniment
300
Organ
133
1 Piano, 4 hands
68
Piano (band part)
37
Piano Quintet: piano, 2 violins, viola, cello
25
2 Pianos, 4 hands
23
Piano Quartet: piano, violin, viola, cello
21
Piano Trio: piano, violin, cello
19
Accordion ensemble
15
2 Accordions
14
Piano Quintet: piano, violin, viola, cello, double bass
6
Big Note Piano
6
Organ, Piano (duet)
6
Organ, Trumpet (duet)
5
1 Piano, 6 hands
5
Harpsichord
3
Accordion and Orchestra
2
2 Pianos, 8 hands
2
Fake Book
2
Keyboard
2
Accordion, Voice
1
Melody line, Piano
1
Piano Quartet: piano, 2 violins, cello
1
Piano Trio: mixed chamber instrumentation
1
Accordion, Piano
1
+ 26 instrumentations
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Retract
Guitars
Bass guitar
13,344
Guitar notes and tablatures
703
Electric Bass (band part)
415
Guitar
401
Melody line, (Lyrics) and Chords
362
Piano, Guitar (duet)
81
Guitar (band part)
79
Ukulele
48
Guitar Tab, Voice, Bass, Drum
40
4 Guitars (Quartet)
39
Mandolin, Piano (duet)
35
Guitar Ensemble
30
Lyrics and Chords
29
2 Guitars (duet)
26
2 Dulcimers (duet)
18
Dulcimer
16
3 Guitars (trio)
9
Mandolin
9
Mandolin, Guitar (duet)
4
Guitar, Flute, Clarinet
2
Ukulele Ensemble
2
Banjo
2
2 Ukuleles
1
Guitar, Orchestra
1
2 Mandolins (duet)
1
Guitar, Violin, Cello (trio)
1
+ 21 instrumentations
-
Retract
Voice
Choral SATB
10,228
Choral Instrumental Pak
4,624
Choral 3-part
2,916
Choral TTBB
1,772
Choral 2-part
1,477
Choral
1,413
Vocal duet, Piano
862
Low voice, Piano
605
Choral SSAA
557
Voice solo
544
Vocal duet
295
Choral Unison
109
Choral SATTB
85
Choral SSATBB
72
Voice, Basso continuo
55
Low voice
47
Baritone voice, Piano
46
High voice
42
Soli, Mixted choir and accompaniment
22
Choral SAATB A Cappella
20
Soprano voice, Piano
19
Medium voice, Piano
18
Alto voice, Piano
17
Choral SSATB
11
Children choir
11
Tenor voice, Piano
10
Choral SSAATTBB
10
Choral SATTBB, keyboard
8
Tenor voice
5
Choral SSAB, Piano
3
Choral SSATTB
3
Voice, Guitar
3
Baritone voice
2
Mezzo-Soprano voice, Piano
1
Choral SATBB
1
+ 30 instrumentations
-
Retract
Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
7,384
Flute, Oboe, Clarinet, Bassoon
6,619
Clarinet (band part)
2,831
Clarinet Quartet: 4 clarinets
2,570
Oboe, Bassoon (duet)
1,067
Clarinet Ensemble
880
2 Clarinets (duet)
856
Bass Clarinet, Piano
730
Flute, Clarinet and Bassoon.
712
Flute ensemble
676
Clarinet Quintet: 5 clarinets
649
3 Clarinets (trio)
610
Clarinet, Bassoon (duet)
583
Flute, Oboe, Bassoon
535
Oboe, Clarinet, Bassoon (trio)
502
Flute Quartet: 4 flutes
442
Oboe, Piano (duet)
413
Bass Clarinet
410
Saxophone Quintet: 5 Saxophones
404
Saxophone ensemble
398
Saxophone Quartet: 4 saxophones
314
Saxophone (band part)
252
2 Recorders (duet)
244
Flute and Piano
227
Clarinet
213
Flute Quintet : 5 flutes
201
Recorder Quartet
199
2 Flutes (duet)
196
Clarinet and Piano
185
Flute
184
Tenor Saxophone and Piano
177
Flute, Bassoon, and Piano
175
Recorder, Piano
171
Alto Saxophone and Piano
165
2 Saxophones (duet)
154
Recorder Ensemble
129
Flute Trio: 3 flutes
124
2 Clarinets, Bassoon
101
Recorder
93
3 Saxophones (trio)
91
3 Recorders (trio)
90
Clarinet, Bassoon, Piano (trio)
76
Flute, Clarinet, Horn and Bassoon (Quartet)
73
Soprano Saxophone and Piano
63
Treble (Alto) Recorder, Basso continuo
55
Saxophone, Bassoon (duet)
49
Alto Saxophone
48
Flute, Violin, Piano
43
2 Oboes (duet)
42
Flute (band part)
41
Flute, Clarinet (duet)
41
Flute, Basso continuo
38
2 Clarinets, Piano
37
Baritone Saxophone, Piano
35
Tenor Saxophone
34
5 Recorders
34
Oboe, Bassoon and Piano
32
Flute and Guitar
28
Oboe (band part)
23
Oboe
17
Flute, Oboe, Clarinet (trio)
16
Clarinet, Double bass (duet)
16
Wind ensemble
14
Descant (Soprano) Recorder
14
Clarinet, Violin (duet)
13
Saxophone, Clarinet (duet)
13
Saxophone
12
Clarinet, Cello (duet)
11
Descant (Soprano) Recorder, Basso continuo
11
3 Oboes
10
Clarinet, Guitar (duet)
10
4 Oboes
9
English horn, Piano
9
2 Oboes and Basson
9
Flute, Violin
9
Flute, Violoncello
8
Oboe, Clarinet (duet)
8
Clarinet, Trumpet (duet)
8
Soprano Saxophone
7
Piccolo
7
English Horn
7
Tenor Recorder
7
Oboe, Flute
7
Clarinet and Viola
6
Oboe, Cello
6
Flute, Violin and Violoncello
6
Baritone Saxophone
6
2 Flutes, Basso continuo
6
Clarinet, Harp (duet)
5
Flute, Saxophone (duet)
5
Treble (Alto) Recorder, Piano
5
Saxophone and Guitar
5
Eb Instruments
5
Flute, Trombone (duet)
5
Treble (Alto) Recorder
4
Flute, Trumpet (duet)
4
English Horn, Guitar (duet)
4
Oboe, Harp
4
Saxophone and Orchestra
3
Oboe, Clarinet, Bassoon and Piano
3
Saxophone and Harp
3
Descent (Soprano) Recorder, Piano
3
Flute, Cello, Piano (trio)
3
Clarinet, Trombone (duet)
2
Flute, Viola (duet)
2
Flute, Organ (duet)
2
Oboe ensemble
2
Flute, Clarinet, Violin (trio)
2
Clarinet Quintet: Clarinet, String Quartet
2
Flute, Oboe (duet)
2
Clarinet, Orchestra
2
2 clarinets, 2 bassoons
2
Piccolo, Piano
2
Harmonica
2
2 English horns and Pianoforte
2
Bagpipe
1
Clarinet, Cello, Piano (trio)
1
Flute, Cello, Guitar
1
Saxophone and Piano
1
Flute, Harp and Cello
1
Flute, Orchestra
1
Clarinet, Tuba
1
2 Flutes, Piano
1
2 Saxophones, Piano
1
English horn, Harp (duet)
1
Flute, Oboe, Piano (trio)
1
2 Oboes, 2 Horns and 2 Bassoons
1
2 Recorders, Guitar
1
Oboe and Orchestra
1
+ 124 instrumentations
-
Retract
Woodbrass
Bass Clef Instruments
1,823
Trombone (band part)
611
Brass Quintet: 2 trumpets, horn, trombone, tuba
550
Brass Quartet: 4 trombones
446
Trombone and Piano
319
Bass Trombone and Piano
281
Brass quartet : 2 trumpets, trombone, tuba
232
Trumpet (band part)
178
Trombone
175
Tuba and Piano
173
Trombone ensemble
173
2 Trombones (duet)
140
Bass Trombone
123
Trumpet, Bassoon (duet)
119
Euphonium, Piano (duet)
95
Trumpet, Piano
94
French Horn and Piano
89
Trumpet
73
Tuba
60
3 Trombones (trio)
58
Euphonium
52
Brass Quartet: 4 horns
50
French horn and Basson (duet)
49
Brass Quartet: 2 trumpets, horn, trombone
48
Brass Quartet
47
Tuba (band part)
46
2 French horns (duet)
46
French horn (band part)
46
2 Euphoniums and 2 Tubas
45
Trumpet, Trombone (duet)
41
2 Trumpets (duet)
40
French horn
38
2 Tubas (duet)
34
Brass Trio
32
Euphonium, Tuba (duet)
27
Trombone, Tuba (duet)
26
2 Euphoniums (duet)
14
4 Tubas
12
Tuba and Organ
12
Trumpet, Saxophone (duet)
11
Horn Ensemble
10
English horn, Piano
9
3 Trumpets (trio)
8
English Horn
7
Trumpet ensemble
6
Trumpet, Harp
5
French Horn and Harp
5
3 French horns (trio)
5
Brass Quartet: 4 trumpets
5
3 Tubas (trio)
4
English Horn, Guitar (duet)
4
Horn, Cello (duet)
3
Trombone, Organ
3
Trumpet, Tuba (duet)
3
Trombone, Horn (duet)
3
Trombone and Orchestra
3
Trumpet, Euphonium (duet)
3
Bb Instruments
3
Trumpet, Horn (duert)
2
Brass Quartet: 2 trumpets, 2 trombones
2
Flügelhorn
2
2 English horns and Pianoforte
2
Horn, Trumpet, Trombone (trio)
1
Euphonium (band part)
1
Trumpet, violin (duet)
1
Trumpet and Guitar
1
English horn, Harp (duet)
1
Cornet and Orchestra
1
Trumpet, Trombone, Piano
1
Tuba ensemble
1
+ 65 instrumentations
-
Retract
Strings
Doublebass (band part)
5,084
Double Bass
2,420
String Quintet: 2 violins, viola, cello, bass
2,039
String Quartet: 2 violins, viola, cello
1,981
Double bass, Piano (duet)
1,792
2 Double basses (duet)
354
Violin
331
Cello, String Bass (duet)
327
String Trio: violin, viola, cello
269
Violin and Piano
265
Cello, Piano
264
Violin, Bassoon (duet)
257
Violin, Cello (duet)
246
Viola, Piano
175
Cello
170
Viola and Bassoon
167
2 Cellos (duet)
152
Harp
129
Violin (band part)
95
4 Double Basses
66
Violin, Viola (duet)
66
String trio
62
Flute, Doublebass (duet)
60
Violin, Basso continuo
55
2 Violins (duet)
54
String Quintet: 2 violins, viola, 2 cellos
52
String Trio: 2 violins, cello
52
Viola
50
2 Violas (duet)
49
3 double basses
43
Cello (band part)
43
4 Cellos
41
Violoncello, Basso continuo
41
2 Violins and Basso
39
String Quintet: 2 violins, 2 violas, cello
36
Viola (band part)
36
Harp, Flute (duet)
27
String Trio: 3 cellos
25
Harp, Violin (duet)
21
Viola, Cello (duet)
21
2 Harps (duet)
20
Viola and Harp
19
String Trio: 3 violins
18
Harp, Cello (duet)
17
Violin, Double bass (duet)
16
String Trio: 3 violas
15
Cello, Guitar (duet)
10
Violin, Guitar (duet)
8
Cello, Orchestra
5
Harp, Voice
4
Cello Ensemble
4
String quartet: 4 violins
4
Piano Trio: Violin, Viola, Piano
4
String Trio: 2 violins, viola
3
Double basses ensemble
3
Harp, Violin, Violoncello
2
Viola ensemble
2
Harp, Trombone (duet)
2
String Quartet : 4 violas
2
Violin ensemble
2
2 Cellos, Piano
1
3 Harps
1
Viola, Guitar (duet)
1
2 Violins, Piano
1
Violin, Cello, Clarinet
1
Cello, Organ
1
+ 61 instrumentations
-
Retract
Orchestra & Percussion
Concert band
9,032
Jazz Ensemble
3,712
String Orchestra
3,062
Marching band
2,501
Orchestra
2,495
Brass ensemble
892
Jazz combo
814
Chamber Orchestra
588
Drums
399
Handbells
297
Percussion Ensemble
219
Drum (band part)
201
Percussion
71
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
61
Percussion (band part)
48
Timpani
23
Snare drums
17
Marimba
16
Piano and Orchestra
14
Xylophone, Piano
14
Big band
12
School Ensemble
11
Flexible Instrumentation
8
Timpani (band part)
8
Woodwind Quintet
5
Vibraphone
5
Orchestra, Violin
4
3 Marimbas
2
Vibraphone and Marimba
2
Xylophone
1
Brass Quintet: other combinaisons
1
Voice and Orchestra
1
+ 27 instrumentations
-
Retract
Others
Stationery
5
Music Theory
4
Musical course - Solfege
2
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1
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Soprano voice, Piano
#
ADVANCED
#
Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
#
Soprano voice, Piano
#
Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 1...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Soprano voice, Piano
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ADVANCED
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Opera
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Classical
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pag...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Classical
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period....
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Holy Holy Holy--vocal soprano solo
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Soprano voice, Piano
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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Reginald Heber, John B
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Beka Wilson
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Holy Holy Holy--vocal soprano
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Beka Wilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786534 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786534 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 6 pages. Beka Wilson #6246117. Published by Beka Wilson (A0.786534). Holy, Holy, Holy has long been a favorite hymn across many denominations, and this arrangement for vocal solo is a perfect calming special music piece for a church service. The piano accompaniment includes chording so the accompanist may ad lib as they wish. This arrangement is also available on Sheet Music Plus as a solo for alto voice (key of C/D), tenor voice (key of E flat/F), bass voice (key of C/D); as an instrumental solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello; and as an instrumental duet for harp/flute, harp/violin, harp/viola, and harp/cello.Length: approximately 4 minutes (85bpm)6 pages (includes score and separate melody/word sheet for the vocalist)Do you like this arrangement but want it in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
Andalusiana
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Soprano voice, Piano
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ADVANCED
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Hermann Reutter
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Andalusiana
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - advanced - Digital Download SKU: S9.Q45887 Arien und Intermezzi. Composed by Hermann Reutter. This edition: Sheet music....
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Soprano voice and piano - advanced - Digital Download SKU: S9.Q45887 Arien und Intermezzi. Composed by Hermann Reutter. This edition: Sheet music. Downloadable. Duration 26 minutes. Schott Music - Digital #Q45887. Published by Schott Music - Digital (S9.Q45887). German.2 (2. auch Picc.) * 1 * Engl. Hr. * 2 (2. auch Bassklar.) * Altsax. * 2 (2. auch Kontrafag.) - 4 * 2 * 0 * 0 - P. S. (Trgl. * Beck. * Tamt. * Tamb. * Ruhrtr. * kl. Tr. * gr. Tr. * Glspl. * Xyl.) (3 Spieler) - Hfe. * Klav. (auch Cel.) - Str. (12 * 10 * 8 * 6 * 4)2 (2. auch Picc.) · 1 · Engl. Hr. · 2 (2. auch Baßklar.) · Altsax. · 2 (2. auch Kontrafag.) - 4 · 2 · 0 · 0 - P. S. (Trgl. · Beck. · Tamt. · Tamb. · Rührtr. · kl. Tr. · gr. Tr. · Glspl. · Xyl.) (3 Spieler) - Hfe. · Klav. (auch Cel.) - Str. (12 · 10 · 8 · 6 · 4).
$15.99
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Soprano voice, Piano
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ADVANCED
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse from
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Rom...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Please Spend Christmas With Me - Soprano Solo
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Soprano voice, Piano
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BEGINNER
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Sacred music
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Charles E
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Please Spend Christmas With Me
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Charles E. & Maria A. Davis
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.836586 Composed by Charles E. Davis & Kara E.Trotter. Christmas,Pop,Praise & Worship,Sacred...
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.836586 Composed by Charles E. Davis & Kara E.Trotter. Christmas,Pop,Praise & Worship,Sacred,Standards. 8 pages. Charles E. & Maria A. Davis #2363207. Published by Charles E. & Maria A. Davis (A0.836586). This easy-listening song, written for soprano solo in contemporary style, invites us to remember that Christ is the true meaning of Christmas, and to hear His silent plea to Please spend Christmas with me. This song will be an instant favorite, and may be used at home, church, or in public performance. A baritone/bass solo version is also available.
$3.99
I Will Lift Up Mine Eyes
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Soprano voice, Piano
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INTERMEDIATE
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Mary Rounsavall
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I Will Lift Up Mine Eyes
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Mary Rounsavall
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1271639 Composed by Mary Rounsavall. Christian,Classical,Instructional,Sacred,Spiritual. 6 ...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1271639 Composed by Mary Rounsavall. Christian,Classical,Instructional,Sacred,Spiritual. 6 pages. Mary Rounsavall #864029. Published by Mary Rounsavall (A0.1271639). I Will Lift Up Mine Eyes is taken from portions of Psalm 121 (KJV) and arranged for Soprano Solo with Piano Accompaniment. Perfect for your vocal studio, sacred event, or private study. Also available for Tenor, Alto, or Bass.
$4.95
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Centur...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
I Heard the Bells on Christmas Day--vocal solo
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Soprano voice, Piano
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INTERMEDIATE
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John Baptiste Calkin
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Beka Wilson
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I Heard the Bells on Christmas
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Beka Wilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786516 Composed by John Baptiste Calkin. Arranged by Beka Wilson. Christian,Christmas,Gospe...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786516 Composed by John Baptiste Calkin. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 pages. Beka Wilson #6100937. Published by Beka Wilson (A0.786516). This arrangement of I Heard the Bells on Christmas Day is suitable for holiday concerts, church services, or contests. This arrangement is also available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.5 pages, includes piano score and individual voice part.Approximately 2:45 in length (@80 bpm). Starts in concert E flat then changes keys to F for the last verse.Want this arrangement for a different set of instruments or in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
The Light of the World is Jesus/This Little Light of Mine--vocal solo (treble clef)
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Sacred music
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Gospel/Spiritual
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P
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Beka Wilson
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The Light of the World is Jesu
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Beka Wilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.786703 Composed by P. P. Bliss, Spiritual. Arranged by Beka Wilson. Christian,Gospel,Sacred...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.786703 Composed by P. P. Bliss, Spiritual. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 11 pages. Beka Wilson #6382347. Published by Beka Wilson (A0.786703). This upbeat arrangement of The Light of the World is Jesus mixed with the children’s song This Little Light of Mine would be a perfect occasion song for any church service, but it would add a special emphasis to missions conferences or other similar events.Length: around 3 minutes9 pages (includes score and separate vocal part)Like the arrangement, but it's too high or too low for your voice? Contact me at bekmars10@gmail.com about getting a custom arrangement up on Sheet Music Plus for you! Please allow at least 24-48 hours as uploading time varies.This arrangement is also available as an instrumental solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.
$6.99
Christ the Lord is Risen Today--vocal solo (treble clef)
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Charles Wesley, Robert William
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Beka Wilson
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Christ the Lord is Risen Today
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Beka Wilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.786607 Composed by Charles Wesley, Robert Williams. Arranged by Beka Wilson. Christian,East...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.786607 Composed by Charles Wesley, Robert Williams. Arranged by Beka Wilson. Christian,Easter,Gospel,Sacred. 8 pages. Beka Wilson #6322519. Published by Beka Wilson (A0.786607). Christ the Lord is Risen Today by Charles Wesley is one of the classic favorites for celebrating the Resurrection. It would be a perfect special music piece for Easter, communion, or any other church service.This arrangement is also available as a solo for voice, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.Length: approximately 3 minutes Level: advanced (for instrumental)8 pages (includes score and separate solo part)Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
God Rest Ye Merry Gentlemen--vocal solo (treble clef)
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Soprano voice, Piano
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INTERMEDIATE
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Traditional
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Beka Wilson
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God Rest Ye Merry Gentlemen--v
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Beka Wilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786725 Composed by Traditional. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred....
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786725 Composed by Traditional. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 pages. Beka Wilson #6408755. Published by Beka Wilson (A0.786725). As one of the oldest Christmas carols around, God Rest Ye Merry Gentlemen is instantly recognizable and a perfect addition for a Christmas gig, recital, or church service.Length: around 4 minutes6 pages (includes score and separate vocal part)This arrangement is available as a solo for voice (piano or harp accompaniment), flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. It is also available as a duet for two harps, flute/harp, violin/harp, viola/harp, and cello/harp.Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
Il lamento
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Soprano voice, Piano
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Il lamento
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Musicnotes
Barbara Strozzi
Barbara Strozzi
$4.25
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