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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
At
Not classified
14,879
Piano & keyboards
Piano solo
10,020
Easy Piano
3,860
Piano, Voice
3,344
Piano, Vocal and Guitar
2,643
C Instruments
1,106
Organ
1,050
Piano Accompaniment
443
1 Piano, 4 hands
417
Piano Trio: piano, violin, cello
181
Piano (band part)
126
2 Pianos, 4 hands
109
Accordion
93
Big Note Piano
70
Piano Quartet: piano, violin, viola, cello
47
Piano Quartet: piano, 2 violins, cello
28
Organ, Piano (duet)
26
Piano Quintet: piano, 2 violins, viola, cello
26
Organ, Trumpet (duet)
19
Harpsichord
15
Keyboard
11
1 Piano, 6 hands
9
2 Pianos, 8 hands
4
Melody line, Piano
4
Accordion ensemble
1
Solo instrument and Organ
1
Fake Book
1
Accordion, String(s)
1
Accordion and Orchestra
1
+ 23 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
1,204
Guitar
1,099
Ukulele
605
Melody line, (Lyrics) and Chords
582
Bass guitar
449
Mandolin
303
Guitar (band part)
239
Piano, Guitar (duet)
162
Lyrics and Chords
145
2 Guitars (duet)
97
4 Guitars (Quartet)
43
Dulcimer
30
Banjo
23
3 Guitars (trio)
12
Guitar Ensemble
12
2 Ukuleles
6
Guitar, Violin, Cello (trio)
4
Mandolin, Guitar (duet)
4
Band Scores
3
Mandolin, Piano (duet)
2
Electric Bass (band part)
2
Baritone Ukulele
2
Guitar, Orchestra
2
3 Dulcimers (trio)
2
Lute
1
Lap Steel Guitar
1
+ 21 instrumentations
-
Retract
Voice
Choral SATB
4,526
Choral 3-part
1,622
Choral 2-part
1,110
Choral TTBB
928
Choral SSAA
630
Choral Unison
520
Vocal duet, Piano
330
Choral Instrumental Pak
200
Soprano voice, Piano
161
Vocal duet
150
Alto voice, Piano
93
Tenor voice, Piano
90
Voice solo
89
Baritone voice, Piano
82
High voice
77
Choral
51
Low voice, Piano
31
Medium voice, Piano
20
Choral SSAATTBB
17
Tenor voice
16
Mezzo-Soprano voice, Piano
11
Choral SSATB
11
Soprano voice
9
Low voice
9
Choral SSAB a cappella
4
Choral SSATTB
3
Voice, Guitar
3
Soli, Mixted choir and accompaniment
2
Choral SATBB
2
Vocal duet, Organ
1
High voice, Piano
1
Choral SSAB, Piano
1
Choral, Organ
1
Choral SATTBB A Cappella
1
+ 29 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
1,375
Flute and Piano
1,303
Saxophone Quartet: 4 saxophones
1,240
Clarinet and Piano
1,101
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1,082
Alto Saxophone and Piano
1,036
Oboe, Piano (duet)
981
Flute, Oboe, Clarinet, Bassoon
956
Saxophone (band part)
938
Clarinet Quartet: 4 clarinets
818
Flute
708
Tenor Saxophone and Piano
677
2 Clarinets (duet)
671
2 Flutes (duet)
666
Clarinet
624
Alto Saxophone
569
Saxophone Quintet: 5 Saxophones
476
Saxophone, Clarinet (duet)
461
Tenor Saxophone
459
Soprano Saxophone and Piano
380
Descant (Soprano) Recorder
350
Clarinet, Violin (duet)
331
Flute, Clarinet (duet)
318
Flute Quartet: 4 flutes
286
Oboe (band part)
282
Ocarina
277
Clarinet, Trumpet (duet)
274
2 Oboes (duet)
263
Saxophone
258
Treble (Alto) Recorder
235
Baritone Saxophone, Piano
232
Harmonica
213
Oboe, Bassoon (duet)
208
Oboe, Clarinet (duet)
184
Clarinet (band part)
180
3 Saxophones (trio)
180
Flute, Violin
175
Clarinet Ensemble
169
Clarinet and Viola
165
Flute, Saxophone (duet)
164
Oboe, Flute
149
Flute (band part)
149
Flute ensemble
138
3 Clarinets (trio)
137
Flute, Viola (duet)
135
Flute, Trumpet (duet)
128
Clarinet Quintet: 5 clarinets
126
English horn, Piano
119
2 Recorders (duet)
117
Flute Trio: 3 flutes
115
Flute and Guitar
112
Oboe
111
Saxophone ensemble
98
Bass Clarinet, Piano
96
Soprano Saxophone
81
Recorder
73
Flute, Violin, Piano
72
Flute Quintet : 5 flutes
70
Oboe, Clarinet, Bassoon (trio)
58
Recorder Quartet
52
Flute, Oboe, Clarinet (trio)
50
Baritone Saxophone
48
Flute, Clarinet and Bassoon.
41
Treble (Alto) Recorder, Piano
41
Clarinet, Bassoon (duet)
38
Flute, Oboe (duet)
36
Clarinet, Guitar (duet)
34
Tenor Recorder
33
Flute, Violoncello
30
Flute, Clarinet, Piano (trio)
30
Recorder Ensemble
29
English Horn
25
Flute, Oboe, Bassoon
21
5 Recorders
20
2 Saxophones, Piano
19
Eb Instruments
19
Flute, Cello, Piano (trio)
19
3 Recorders (trio)
18
Clarinet, Cello (duet)
18
2 Clarinets, Piano
17
Oboe, Violin (duet)
17
Flute, Oboe, Piano (trio)
15
Descent (Soprano) Recorder, Piano
15
Clarinet, Cello, Piano (trio)
14
Clarinet, Harp (duet)
13
Clarinet, Trombone (duet)
13
2 Flutes, Piano
12
Piccolo
12
Oboe, Guitar (duet)
11
Oboe, Cello
11
Flute, Bassoon, and Piano
11
Saxophone and Organ
10
Clarinet, Bassoon, Piano (trio)
8
Bass Clarinet
8
Saxophone and Harp
7
Flute, Violin and Violoncello
7
Oboe, Harp
7
Piccolo, Piano
7
Oboe, Bassoon and Piano
6
Flute, Clarinet, Horn and Bassoon (Quartet)
6
Saxophone and Guitar
6
Oboe, Clarinet and Piano (Trio)
6
Oboe, Cello and Piano
6
Wind ensemble
6
Flute, Organ (duet)
6
3 Oboes
5
Flute, Viola and Piano
5
Recorder, Piano
5
Clarinette, Viola and Piano (trio)
5
4 Oboes
4
Clarinet, Organ
4
Flute, harp and violin
4
Pennywhistle
3
Flute, Trombone (duet)
3
2 Clarinets, Bassoon
3
Oboe ensemble
3
Flute, Violin, Violoncello and Piano
3
Clarinet Quintet: Clarinet, String Quartet
2
Treble (Alto) Recorder, Basso continuo
2
2 English horns and Pianoforte
2
Flute and Strings Trio
2
English Horn, Guitar (duet)
2
2 Oboes, Piano
2
Oboe, Violin, Piano
2
Flute, Basso continuo
2
Oboe and viola (duet)
2
Bagpipe
2
Flute, Violin, Guitar
2
2 Recorders, Guitar
1
Oboe, Trombone (duet)
1
Flute, trombone and piano
1
Flute, Viola and harp
1
Recorder, Guitar (duet)
1
Clarinet, Tuba
1
Flute and String Quartet
1
Flute, Harp and Cello
1
3 Recorders, Piano
1
Flute, Clarinet, Violin (trio)
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
2 Recorders, Piano
1
Flute, Orchestra
1
Flute, Tuba (duet)
1
Oboe and Orchestra
1
Oboe, Trumpet (duet)
1
Clarinet, trumpet and piano
1
Saxophone and Piano
1
Recorder, Harp
1
+ 142 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
1,179
Trumpet
818
Trombone and Piano
736
Brass quartet : 2 trumpets, trombone, tuba
713
Trumpet, Piano
685
Trombone (band part)
647
Trumpet (band part)
580
Trombone
500
French Horn and Piano
485
Trumpet, Saxophone (duet)
329
2 Trumpets (duet)
300
French horn
297
2 Trombones (duet)
291
Tuba and Piano
228
Trumpet, Trombone (duet)
224
Brass Quartet: 2 trumpets, horn, trombone
195
Brass Quartet: 4 trombones
186
Tuba
171
French horn (band part)
155
Euphonium, Piano (duet)
138
Tuba (band part)
120
English horn, Piano
119
Brass Quartet
111
2 French horns (duet)
91
Trumpet ensemble
89
Trombone ensemble
74
2 Euphoniums and 2 Tubas
49
Brass Quartet: 4 horns
46
Euphonium
39
2 Tubas (duet)
38
Trumpet, Horn (duert)
31
3 Trumpets (trio)
27
Bass Clef Instruments
27
Brass Trio
27
English Horn
25
Brass Quartet: 4 trumpets
21
3 Trombones (trio)
19
Bb Instruments
18
4 Tubas
17
2 Euphoniums (duet)
13
Horn Ensemble
13
Tuba and Organ
12
Bass Trombone
11
F Instruments
10
French Horn and Harp
10
Trumpet, Trombone, Piano
10
Bass Trombone and Piano
9
Brass Quartet: 2 trumpets, 2 trombones
9
Euphonium, Tuba (duet)
9
Trombone, Tuba (duet)
9
Trumpet, Harp
8
Trumpet, Tuba (duet)
7
3 French horns (trio)
7
Trombone, Organ
7
Trumpet, Bassoon (duet)
6
Horn, Cello (duet)
6
Trombone, Horn (duet)
5
Horn, Tuba (duet)
5
Trumpet, Cello (duet)
5
3 Tubas (trio)
4
Brass Quintet: 2 trumpets, horn, 2 trombones
4
Tuba or Euphonium or Saxhorn
4
French horn and Basson (duet)
4
2 Trumpets, Keyboard (piano or organ)
4
Cornet
3
2 French horns, Piano
3
2 English horns and Pianoforte
2
English Horn, Guitar (duet)
2
Horn and Organ
2
3 Euphoniums
2
Trombone, Violin (duet)
2
Trombone and Orchestra
2
Trumpet, Euphonium (duet)
1
Horn, Trumpet, Trombone (trio)
1
Cornet and Orchestra
1
Clarinet, Horn (duet)
1
Tuba ensemble
1
Trumpet, violin (duet)
1
Trumpet, Cello, Piano
1
Trumpet, Orchestra
1
+ 75 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
3,164
Violin and Piano
1,649
Violin
1,049
Cello, Piano
1,047
Viola, Piano
942
Violin, Cello (duet)
800
Cello
734
String Trio: violin, viola, cello
676
Harp
621
2 Violins (duet)
513
Viola
436
Violin, Viola (duet)
363
2 Cellos (duet)
351
2 Violas (duet)
293
String Trio: 2 violins, cello
252
Doublebass (band part)
197
Double Bass
192
String Quintet: 2 violins, viola, cello, bass
191
Double bass, Piano (duet)
187
Violin (band part)
186
Viola (band part)
125
Viola, Cello (duet)
85
2 Harps (duet)
69
4 Cellos
66
String Trio: 3 violins
58
Violin, Guitar (duet)
52
Piano Trio: Violin, Viola, Piano
52
Cello (band part)
47
String Trio: 3 cellos
44
Harp, Flute (duet)
38
String quartet: 4 violins
37
Harp, Violin (duet)
35
2 Double basses (duet)
33
String Quartet : 4 violas
29
String Trio: 3 violas
28
String Trio: 2 violins, viola
24
Viola and Harp
23
Harp, Voice
22
Harp, Cello (duet)
19
Cello, Guitar (duet)
17
Cello, String Bass (duet)
16
String trio
14
String Quintet: 2 violins, 2 violas, cello
14
Violin ensemble
12
Viola ensemble
10
Violin, Bassoon (duet)
9
Viola, Guitar (duet)
9
Cello, Organ
9
2 Violins, Piano
7
Cello Ensemble
7
Violin, Clarinet, Piano (trio)
6
2 Violas, Piano
6
4 Double Basses
5
Violin, Organ
5
Harp (band part)
3
Harp and mandolin
3
Viola, Organ
3
Autoharp
2
String Quintet: 2 violins, viola, 2 cellos
2
Violin, Cello, Clarinet
2
Harp, Violin, Violoncello
2
2 Cellos, Piano
2
Harp, Trombone (duet)
2
Harp and Piano
2
Violin, Tuba (duet)
2
Cello, Orchestra
1
Violoncello, Basso continuo
1
Viola and Bassoon
1
Viola and orchestra
1
Flute, Doublebass (duet)
1
Violin, Basso continuo
1
4 Harps
1
+ 67 instrumentations
-
Retract
Orchestra & Percussion
Concert band
4,363
Jazz Ensemble
1,327
String Orchestra
1,312
Orchestra
1,041
Handbells
934
Brass ensemble
667
Marching band
463
Chamber Orchestra
386
Jazz combo
307
Percussion Ensemble
153
Drum (band part)
133
Drums
120
Percussion (band part)
102
Marimba
36
Vibraphone
29
Xylophone
27
2 Xylophones
23
Xylophone, Piano
23
Percussion
20
Timpani (band part)
18
Big band
11
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
10
School Ensemble
6
Timpani
5
Piano and Orchestra
4
Orchestra, Violin
4
Brass Quintet: other combinaisons
3
3 Marimbas
2
Vibraphone and Marimba
2
Conga
1
Xylophone (band part)
1
Marimba, Piano (duet)
1
Voice and Orchestra
1
2 Marimbas
1
Marimba or Xylophone and Piano
1
Bodhran
1
Snare drums
1
+ 32 instrumentations
-
Retract
Others
Musical course - Solfege
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Soprano voice, Piano
Sheetmusic to print
161 sheet music found
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1
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51
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151
Pictures at an exHERbition
#
Soprano voice, Piano
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Publish...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
Driving at Night (I Don't Wanna Go Home)
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Soprano voice, Piano
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Broadway
#
Natalie Rebecca Lovejoy
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Driving at Night
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Natalie Rebecca Lovejoy
#
SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.993451 Composed by Natalie Rebecca Lovejoy. Musical/Show,Pop,Rock. 10 pages. Natalie Rebecca Lovejoy ...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.993451 Composed by Natalie Rebecca Lovejoy. Musical/Show,Pop,Rock. 10 pages. Natalie Rebecca Lovejoy #3897635. Published by Natalie Rebecca Lovejoy (A0.993451). 8x11.5 inches. Music & Lyrics by Natalie Rebecca Lovejoy.
$4.99
Mary's Prayer At The Cross (Rehearsal Track)
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Soprano voice, Piano
#
Giacomo Puccini
#
Stephen DeCesare
#
Mary's Prayer At The Cross
#
Exultet Music
#
SheetMusicPlus
Piano,Soprano voice - Digital Download SKU: A0.1051710 Composed by Giacomo Puccini. Arranged by Stephen DeCesare. Christian,Easter,Gospel,Opera. Full Per...
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Piano,Soprano voice - Digital Download SKU: A0.1051710 Composed by Giacomo Puccini. Arranged by Stephen DeCesare. Christian,Easter,Gospel,Opera. Full Performance. Duration 140. Exultet Music #3573. Published by Exultet Music (A0.1051710). Powerful and dramatic piece that sings of Mary's agony while she watches Jesus die on the Cross. Video Review: https://www.youtube.com/watch?v=HVbMxUtxLHE
$3.99
Were You There at the Cross?
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Soprano voice, Piano
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EASY
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Gwyneth W
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Were You There at the Cross?
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice solo, piano - Easy - Digital Download SKU: MQ.8123-2E Composed by Gwyneth W. Walker. 8 pages. E. C. Schirmer Music Company - Digital #8123-...
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Soprano voice solo, piano - Easy - Digital Download SKU: MQ.8123-2E Composed by Gwyneth W. Walker. 8 pages. E. C. Schirmer Music Company - Digital #8123-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8123-2E).
$5.00
Here At Horace Green (from School of Rock: The Musical)
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Soprano voice, Piano
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Here At Horace Green
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Hal Leonard - Digital
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SheetMusicPlus
Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Interactive Download SKU: HX.449295 Edited by Richard Walters. This edition: Interactive Dow...
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Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Interactive Download SKU: HX.449295 Edited by Richard Walters. This edition: Interactive Download,scorch. Broadway,Musical/Show,Rock. Score. 4 pages. Hal Leonard - Digital #270922. Published by Hal Leonard - Digital (HX.449295).
$4.99
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Soprano voice, Piano
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 1...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
When a Mezzo (x2)
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Gary D
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When a Mezzo
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DR GARY D BELSHAW
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796586 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 20 pages. DR G...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796586 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 20 pages. DR GARY D BELSHAW #2926491. Published by DR GARY D BELSHAW (A0.796586). Includes Accompanist copy at half price! 20 pages. Duration: 41/2 minutes Are mezzo sopranos known ONLY for singing the Habanera? Of course not, but it is one of their most requested arias. So, dispel the misinformation! Clear the air! Defend your mighty status as a Mezzo Soprano with this veritable laugh riot of an aria. When a Mezzo directs an opera is your opportunity to promote the splendor of this wonderful voice type, to take your stand, and assume your place among the most noble, most intellectually stable, and most erudite soprano - well, at least the most likely to survive at the hands of some tenor! The first aria to be published from Gary Belshaw’s hilarious Two Act Music Comedy, Incident at Burro Java (coming soon to Sheet Music Plus, When a Mezzo will delight your audience during a recital or as part of an Opera Workshop or Opera Scenes program. The role was created in April 2016 by Cloyce Kuhnert, a director of opera herself. Cloyce brought a lot of personal experience to the role in the premiere. The more you know about opera and opera plots, the more often you’ll laugh. But you don’t have to be an aficionado to have a tough time singing some of these lines without snickering or outright bursting with laughter yourself. And we all know what snickering can do to your vocal apparatus, right?! The audio clip is from the premiere of the music comedy Incident at Burro Java. Cloyce Kuhnert is the mezzo on the recording, and the Plainview Symphony Orchestra was conducted by the composer.
$5.99
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
The Birds
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Sally Whitwell
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The Birds
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Publish...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Published by Sally Whitwell (A0.873025). Composer’s Note - The BirdsI lived for a couple of years in a little top floor Art Deco apartment in Sydney’s Kings Cross. There were always birds sitting on my window sill because of the huge Jacaranda tree outside. I was at a bit of a crossroads in my life at that time, and would spend at least an hour daily walking in the neighbourhood, along those twisting, sloping streets and slowly eroding sandstone staircases so typical of Sydney’s harbourside suburbs. On the wall by such a staircase very close to my home was a tiny red spray painted bird with little music notes emanating from his beak. His was a constant presence in my life, I really rather liked him.Birds seemed to be making appearances everywhere in my life at that time, which I took as some kind of message from the universe. I was reading quite a lot of Christina Rossetti that year too, enjoying her writings about birds and all that they symbolised for her; beauty and sadness, hope and joy. There was a quiet optimism in her words, sometimes veiled but always present, which propelled me to write this song cycle T​ he Birds.​-- Sally Whitwell
$3.99
DO NOT STAND ON MY GRAVE. Version for soprano and piano
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Soprano voice, Piano
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INTERMEDIATE
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Contemporary
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Gabriel Ruiz-Bernal
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DO NOT STAND ON MY GRAVE. Vers
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Gabriel Ruiz-Bernal
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.893972 Composed by Gabriel Ruiz-Bernal. Contemporary. 9 pages. Gabriel Ruiz-Bernal #6331885. P...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.893972 Composed by Gabriel Ruiz-Bernal. Contemporary. 9 pages. Gabriel Ruiz-Bernal #6331885. Published by Gabriel Ruiz-Bernal (A0.893972). Music by Gabriel Ruiz-Bernal. Text by Mary Elizabeth FryeSung at the demo by Allison Hughes, soprano. Gabriel Ruiz-Bernal, piano.POEM:Do not stand at my grave and weepI am not there.I do not sleep.I am a thousand winds that blow.I am the diamond glints on snow.I am the sunlight on ripened grain.I am the gentle autumn rain.When you awaken in the morning's hushI am the swift uplifting rushof quiet birds in circled flight.I am the soft starlight at night.Do not stand at my grave and cry;I am not there.I did not die.
$4.50
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Classical
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period....
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Soprano voice, Piano
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ADVANCED
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse from
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Rom...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Rapture (Downloadable)
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Soprano voice, Piano
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Tom Cipullo
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Rapture
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Medium - Digital Download SKU: MQ.8771-4E Composed by Tom Cipullo. 10 pages. E. C. Schirmer Music Company - Digital #8771-4E. P...
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8771-4E Composed by Tom Cipullo. 10 pages. E. C. Schirmer Music Company - Digital #8771-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8771-4E). English.The works in this volume were composed over more than fifteen years. Crickets was composed for the Joy in Singing’s millennium celebration at Merkin Hall and is dedicated to soprano Meagan Miller. Summer into Autumn Slips is a setting of an excerpt from one of Emily Dickinson’s poems. How to Get Heat Without Fire was premiered in April 2000 at The Great Hall at Cooper Union in NY. Jody Sheinbaum was the soprano with the composer accompanying. Over the years, The Pocketbook has proven the most popular of the songs and is often excerpted from the cycle. The five songs of In the Middle of a Life are excerpted from a collection of 15 solos, duets, and trios – all settings of poems by Linda Pastan. Rapture was composed for the wedding of two dear friends, both treasures of New York’s musical life. The George Eliot text was selected by the couple, and the music captures its great tenderness.Contents:Late Summer 1. Crickets 2. Summer into Autumn Slips How to Get Heat without Fire 1. Why I Wear My Hair Long 2. Saying Goodbye 3. The Pocketbook 4. How to Get Heat without Fire In the Middle of a Life 1. Because 2. Drift 3. In back of 4. RSVP: Regrets Only 5. In the Middle of a Life Rapture.
$2.00
Sappho ... Five Poems by H.D. (2019) for soprano and piano
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Sappho ... Five Poems by H.D.
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Thomas Oboe Lee
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869598 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 51 pages. Thomas Oboe Lee #4...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869598 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 51 pages. Thomas Oboe Lee #4629791. Published by Thomas Oboe Lee (A0.869598). Sappho ... Five Poems by H.D. (2019) is dedicated to Öznur Hasibe Tülüoğlu. I heard her sing at her senior recital at the New England Conservatory of Music this spring and I immediately thought I should write a song cycle for her. I love the poetry of H.D. (aka Hilda Doolittle). My first attempt at setting her poems to music was in 2015. The poems in that song cycle focused on several figures from Greek mythology: Adonis, Circe, Lethe, Daphne, Evadne, etc.The words in this cycle are Ms. Doolittle's poetic musings on fragments left behind by the ancient Greek poet Sappho.1. Fragment 41a ... thou flittest to Andromeda.2. Fragment 41c3. Fragment 40 Love ... bitter sweet4. Fragment 113 Neither honey nor bee for me.5. Fragment 68 ... even in the house of Hades.Music by Thomas Oboe LeePoems by H.D.© Hilda Doolittle, from Collected Poems, 1912-1944, copyright © 1982 by the Estate of Hilda Doolittle. Reprinted by permission of New Directions Publishing Corp. © Departed Feathers Music, Inc. - BMI Audio link: https://thomasoboelee.bandcamp.com/album/sappho-five-poems-by-h-d-2019Video link: https://youtu.be/NH8baTZxRzg
$9.99
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Soprano voice, Piano
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ADVANCED
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Opera
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Classical
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pag...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Fiordiligi! (x2)
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Gary D
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Fiordiligi!
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DR GARY D BELSHAW
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796585 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 28 pages. DR G...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796585 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 28 pages. DR GARY D BELSHAW #2926489. Published by DR GARY D BELSHAW (A0.796585). Includes Accompanist Copy at half-price! 28 pages. Perfect for opera scenes, opera workshop, or solo recitals. 51/2 minutes. The character, Cecilia, in the Two-Act Comic Opera Incident at Burro Java is a graduate vocal performance major at an urban University's School of Music. She is stressed, trying to finish her degree and graduate, yet her work on her dissertation and recital practice keeps getting interrupted. In this aria from Act I Scene 3, she has fled to the women's restroom, but immediately realizes that this is not going to help. She did NOT audition for a role in the School's current opera production for fear she might have been cast as Fiordiligi in Mozart's Cosi fan tutte, and that worries her even more. But, let her explain it to you.Follow Gary D. Belshaw Music on Facebook and Twitter; we'll follow you back!
$5.99
I Have to Say (x2)
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Gary D
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I Have to Say
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DR GARY D BELSHAW
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796576 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 25 pages. DR G...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796576 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 25 pages. DR GARY D BELSHAW #2857017. Published by DR GARY D BELSHAW (A0.796576). Certain sopranos get to play roles like Despina, complaining chambermaid who whines about food. And with any luck they’ll sing the Queen of the Night! This energetic aria from the two act music comedy Incident at Burro Java surveys that repertoire and explores the character of the sopranos who sing it. The character who performs this aria in the music comedy is a first-year graduate student at an imaginary urban university’s School of Music. The role was created by Aimee Pineau. Your download includes an accompanist score at half price.
$5.99
God So Loved the World (Stainer) Piano and Voice (Key of C)
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Soprano voice, Piano
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INTERMEDIATE
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John Stainer
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Pam Turner
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God So Loved the World
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Pam Turner
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.726564 Composed by John Stainer. Arranged by Pam Turner. Christian,Christmas,Easter,Sacred....
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.726564 Composed by John Stainer. Arranged by Pam Turner. Christian,Christmas,Easter,Sacred. 9 pages. Pam Turner #5711113. Published by Pam Turner (A0.726564). Majestic hymn by John Stainer that is the basis of the Christian faith. Appropriate for church service needs at all times of the year, especially Easter and Christmas. Arranged for piano and voice by composer/arranger/teacher/church pianist, Pam Turner. Piano accompaniment doubles as a solo. Connect with Pam at https://pamturnerpiano.com or on Facebook at https://facebook.com/pamturnerpiano.
$4.99
How to Get Heat without Fire (Downloadable)
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Soprano voice, Piano
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INTERMEDIATE
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Tom Cipullo
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How to Get Heat without Fire
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Medium - Digital Download SKU: MQ.8771-2E Composed by Tom Cipullo. 37 pages. E. C. Schirmer Music Company - Digital #8771-2E. P...
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8771-2E Composed by Tom Cipullo. 37 pages. E. C. Schirmer Music Company - Digital #8771-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8771-2E). English.The works in this volume were composed over more than fifteen years. Crickets was composed for the Joy in Singing’s millennium celebration at Merkin Hall and is dedicated to soprano Meagan Miller. Summer into Autumn Slips is a setting of an excerpt from one of Emily Dickinson’s poems. How to Get Heat Without Fire was premiered in April 2000 at The Great Hall at Cooper Union in NY. Jody Sheinbaum was the soprano with the composer accompanying. Over the years, The Pocketbook has proven the most popular of the songs and is often excerpted from the cycle. The five songs of In the Middle of a Life are excerpted from a collection of 15 solos, duets, and trios – all settings of poems by Linda Pastan. Rapture was composed for the wedding of two dear friends, both treasures of New York’s musical life. The George Eliot text was selected by the couple, and the music captures its great tenderness.Contents:Late Summer 1. Crickets 2. Summer into Autumn Slips How to Get Heat without Fire 1. Why I Wear My Hair Long 2. Saying Goodbye 3. The Pocketbook 4. How to Get Heat without Fire In the Middle of a Life 1. Because 2. Drift 3. In back of 4. RSVP: Regrets Only 5. In the Middle of a Life Rapture.
$8.00
THE BELLS. For voice and piano. High voice.
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Soprano voice, Piano
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ADVANCED
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Contemporary
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Gabriel Ruiz-Bernal
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THE BELLS. For voice and piano
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Gabriel Ruiz-Bernal
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.893949 Composed by Gabriel Ruiz-Bernal. Contemporary. 32 pages. Gabriel Ruiz-Bernal #632089...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.893949 Composed by Gabriel Ruiz-Bernal. Contemporary. 32 pages. Gabriel Ruiz-Bernal #6320899. Published by Gabriel Ruiz-Bernal (A0.893949). Music set to the poem 'THE BELLS by Edgar Allan Poe (public domain).Award nominated at the 2019 International Edgar Allan Poe Festival. Baltimore, Maryland.1- Silver Bells2- Golden Bells3- Brazen Bells4- Iron BellsMore information about the composition, original poem, perusal score, and The making of 'The Bells' at:https://www.gabrielruizbernal.com/the-bells.html
$9.99
Good Thing
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Soprano voice, Piano
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INTERMEDIATE
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Contemporary
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Zedd & Kehlani
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Gavin Koh
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Good Thing
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Gavin Koh
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.874488 By Zedd & Kehlani. By Anton Zaslavski, Chloe Tighe, Cleo Tighe, Fin Dow-Smith, Finla...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.874488 By Zedd & Kehlani. By Anton Zaslavski, Chloe Tighe, Cleo Tighe, Fin Dow-Smith, Finlay Graham Dow Smith, Finley Dow-Smith, Kehlani Parrish, Kelhani Ashley Parrish, and Peter Rycroft. Arranged by Gavin Koh. Contemporary. 9 pages. Gavin Koh #5199915. Published by Gavin Koh (A0.874488). Here is my piano and vocal arrangement of the hot single from Zedd and Kehlani - Good Thing. Hope you enjoy it!You can listen to Good Thing on my Soundcloud channel at https://soundcloud.com/gavinkoh/zedd-and-kehlani-good-thingListen to the composer's works and other arrangements at https://soundcloud.com/gavinkoh
$4.99
Long Island Songs (Downloadable)
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Soprano voice, Piano
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Tom Cipullo
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Long Island Songs
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Medium - Digital Download SKU: MQ.8772-1E Composed by Tom Cipullo. 26 pages. E. C. Schirmer Music Company - Digital #8772-1E. P...
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8772-1E Composed by Tom Cipullo. 26 pages. E. C. Schirmer Music Company - Digital #8772-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8772-1E). English.All of the songs in this volume are connected, in one way or another, to renowned tenor and new music champion, Paul Sperry. The Long Island Songs were composed in 1992 and premiered in December of that year by Paul and underwent extensive revision in 2005. The Land of Nod was commissioned by, and is dedicated to, Paul. In 1992, he telephoned the composer and exclaimed, “I’ve just read a new book of poetry and thought immediately of you.†The composer was quite flattered until he read the poems and discovered their subject matter ranged from a hitch-hiking Manson-family devotee to matricide. The work was premiered at Merkin Hall in 1993.Contents:Long Island Songs 1. Invocation 2. The Odor of Pear 3. The Nesconset Crickets 4. The Crane at Gibbs’ Pond The Land of Nod 1. The Land of Nod 2. A Death in the Family 3. Deer in Mist and Almonds On a 19th Century Color Lithograph of Red Riding Hood by the Artist J. H.
$6.00
The Light of the World is Jesus/This Little Light of Mine--vocal solo (treble clef)
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Sacred music
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Gospel/Spiritual
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P
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Beka Wilson
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The Light of the World is Jesu
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Beka Wilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.786703 Composed by P. P. Bliss, Spiritual. Arranged by Beka Wilson. Christian,Gospel,Sacred...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.786703 Composed by P. P. Bliss, Spiritual. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 11 pages. Beka Wilson #6382347. Published by Beka Wilson (A0.786703). This upbeat arrangement of The Light of the World is Jesus mixed with the children’s song This Little Light of Mine would be a perfect occasion song for any church service, but it would add a special emphasis to missions conferences or other similar events.Length: around 3 minutes9 pages (includes score and separate vocal part)Like the arrangement, but it's too high or too low for your voice? Contact me at bekmars10@gmail.com about getting a custom arrangement up on Sheet Music Plus for you! Please allow at least 24-48 hours as uploading time varies.This arrangement is also available as an instrumental solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.
$6.99
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