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DJ GEAR
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DULCIMER
ENGLISH HORN
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LAP STEEL GUIT…
LUTE
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ORCHESTRA - BA…
ORGAN
PANPIPES
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PIANO
RECORDER
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TROMBONE
TRUMPET
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Entr
Not classified
1,958
Piano & keyboards
Piano solo
1,086
Piano, Vocal and Guitar
549
Easy Piano
438
Piano, Voice
302
Organ
104
1 Piano, 4 hands
59
C Instruments
33
2 Pianos, 4 hands
29
Piano Trio: piano, violin, cello
24
Piano Accompaniment
20
Piano Quartet: piano, violin, viola, cello
10
Piano Quintet: piano, 2 violins, viola, cello
6
2 Pianos, 8 hands
4
Big Note Piano
4
Piano (band part)
3
Piano Quartet: piano, 2 violins, cello
3
Accordion
3
Harpsichord
2
Accordion ensemble
1
1 Piano, 6 hands
1
Organ, Piano (duet)
1
Organ, Trumpet (duet)
1
+ 17 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
139
Guitar
136
Melody line, (Lyrics) and Chords
84
Ukulele
53
Bass guitar
21
2 Guitars (duet)
15
4 Guitars (Quartet)
9
Mandolin
7
Lyrics and Chords
7
Piano, Guitar (duet)
4
3 Guitars (trio)
3
Banjo
3
Guitar (band part)
2
Dulcimer
2
Mandolin, Guitar (duet)
2
Guitar Tab, Voice, Bass, Drum
1
2 Dulcimers (duet)
1
Baritone Ukulele
1
2 Ukuleles
1
Guitar, Violin, Cello (trio)
1
+ 15 instrumentations
-
Retract
Voice
Choral SATB
762
Choral TTBB
333
Choral SSAA
224
Choral 3-part
184
Choral 2-part
97
Choral Unison
33
Choral
18
Vocal duet
14
Vocal duet, Piano
11
Choral Instrumental Pak
10
High voice
9
Soprano voice, Piano
8
Voice solo
8
Soli, Mixted choir and accompaniment
7
Low voice, Piano
7
Choral SSATB
5
Choral SSAATTBB
5
Alto voice, Piano
4
Baritone voice, Piano
3
Choral SSATTB
2
Medium voice, Piano
2
Choral SAATB A Cappella
2
Tenor voice, Piano
2
Choral SATBB
2
Choral SSAB, Piano
1
Choral SSATBB
1
Voice, Basso continuo
1
Choral SSAATB
1
Mezzo-Soprano voice, Piano
1
Choral SSAB a cappella
1
+ 25 instrumentations
-
Retract
Woodwind
Saxophone Quartet: 4 saxophones
144
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
136
Flute, Oboe, Clarinet, Bassoon
124
Clarinet Quartet: 4 clarinets
109
Flute and Piano
104
2 Saxophones (duet)
87
Alto Saxophone and Piano
79
Clarinet and Piano
75
Oboe, Piano (duet)
72
2 Flutes (duet)
65
2 Clarinets (duet)
50
Flute Quartet: 4 flutes
50
Alto Saxophone
49
Tenor Saxophone and Piano
48
Flute
47
3 Saxophones (trio)
43
Saxophone (band part)
42
Saxophone Quintet: 5 Saxophones
40
Clarinet
36
Tenor Saxophone
35
Clarinet Ensemble
31
Clarinet (band part)
30
Saxophone ensemble
30
Flute Trio: 3 flutes
26
Flute, Clarinet (duet)
25
3 Clarinets (trio)
25
Flute ensemble
24
Flute (band part)
21
Soprano Saxophone and Piano
19
Oboe (band part)
17
2 Oboes (duet)
17
Clarinet Quintet: 5 clarinets
16
Recorder Quartet
16
Oboe, Bassoon (duet)
15
Flute, Violin, Piano
12
Oboe, Clarinet, Bassoon (trio)
11
Baritone Saxophone, Piano
11
2 Recorders (duet)
10
Clarinet, Bassoon (duet)
9
Oboe, Clarinet (duet)
9
Flute and Guitar
9
Flute, Clarinet and Bassoon.
9
Oboe
8
3 Recorders (trio)
8
Flute, Oboe, Clarinet (trio)
8
Flute, Violoncello
8
Saxophone, Clarinet (duet)
7
Flute Quintet : 5 flutes
7
Descant (Soprano) Recorder
7
Flute, Oboe (duet)
6
Clarinet, Guitar (duet)
6
Clarinet, Cello, Piano (trio)
6
English horn, Piano
6
2 Flutes, Piano
6
Flute, Oboe, Bassoon
6
Clarinet, Violin (duet)
5
Flute, Oboe, Piano (trio)
5
Oboe, Flute
5
Flute, Viola and Piano
4
Descent (Soprano) Recorder, Piano
4
Saxophone
4
Clarinet, Trumpet (duet)
4
Flute, Clarinet, Piano (trio)
4
Soprano Saxophone
4
Baritone Saxophone
4
Bass Clarinet, Piano
4
Flute, Bassoon, and Piano
4
Clarinet, Tuba
3
Eb Instruments
3
Clarinet, Cello (duet)
3
Flute, Violin
3
Saxophone and Guitar
3
Flute, Violin and Violoncello
3
Flute, Cello, Piano (trio)
3
Recorder
3
Tenor Recorder
3
Recorder, Piano
3
Ocarina
2
Clarinet and Viola
2
Oboe, Violin (duet)
2
Clarinet, Organ
2
Flute, Viola (duet)
2
Flute, Trumpet (duet)
2
Clarinette, Viola and Piano (trio)
2
Flute, Saxophone (duet)
2
Treble (Alto) Recorder, Piano
2
Piccolo, Piano
2
5 Recorders
2
Oboe, Guitar (duet)
1
Flute, Violin, Violoncello and Piano
1
Clarinet, Trombone (duet)
1
Oboe, Clarinet and Piano (Trio)
1
Recorder, Guitar (duet)
1
3 Oboes
1
Bass Clarinet
1
2 Recorders, Piano
1
Oboe, Cello
1
2 Clarinets, Piano
1
Clarinet, Bassoon, Piano (trio)
1
Recorder Ensemble
1
Flute, Organ (duet)
1
Wind ensemble
1
Flute and String Quartet
1
Flute, Clarinet, Horn and Bassoon (Quartet)
1
Oboe and viola (duet)
1
2 Saxophones, Piano
1
+ 101 instrumentations
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Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
121
Brass quartet : 2 trumpets, trombone, tuba
81
Trombone and Piano
47
Trumpet
44
Trumpet, Piano
44
Brass Quartet
34
Trombone (band part)
27
Trumpet (band part)
27
French Horn and Piano
26
Brass Quartet: 2 trumpets, horn, trombone
26
2 Trumpets (duet)
26
Brass Quartet: 4 trombones
21
Trumpet, Trombone (duet)
17
Tuba and Piano
16
2 Trombones (duet)
16
Trombone
16
French horn (band part)
15
French horn
12
Tuba (band part)
10
Trombone ensemble
8
Euphonium, Piano (duet)
7
Brass Quartet: 4 horns
7
2 French horns (duet)
7
Brass Trio
6
English horn, Piano
6
2 Euphoniums and 2 Tubas
6
Trumpet, Tuba (duet)
5
Tuba
5
Euphonium, Tuba (duet)
4
Bass Clef Instruments
4
Horn Ensemble
4
4 Tubas
3
Clarinet, Horn (duet)
3
2 Trumpets, Keyboard (piano or organ)
3
3 Trombones (trio)
3
Trumpet, Saxophone (duet)
3
Trumpet, Trombone, Piano
2
Bb Instruments
2
2 Tubas (duet)
2
Trumpet ensemble
2
3 Trumpets (trio)
2
Trumpet, Horn (duert)
2
Tuba or Euphonium or Saxhorn
1
Brass Quartet: 4 trumpets
1
Bass Trombone and Piano
1
Brass Quartet: 2 trumpets, 2 trombones
1
Cornet and Orchestra
1
Trombone, Horn (duet)
1
Tuba ensemble
1
Trumpet, violin (duet)
1
Euphonium
1
Tuba and Organ
1
Trumpet, Bassoon (duet)
1
F Instruments
1
+ 49 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
371
Violin and Piano
183
Violin
76
Viola, Piano
67
Cello, Piano
65
2 Violins (duet)
64
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60
Cello
55
String Trio: violin, viola, cello
52
Harp
49
Viola
39
2 Cellos (duet)
38
Violin (band part)
37
2 Violas (duet)
34
Violin, Viola (duet)
31
Viola, Cello (duet)
24
String Trio: 3 violins
18
String Trio: 2 violins, cello
16
String Trio: 3 cellos
12
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12
Double bass, Piano (duet)
12
Cello (band part)
12
Viola (band part)
11
Doublebass (band part)
11
Violin, Guitar (duet)
9
Piano Trio: Violin, Viola, Piano
9
String Quartet : 4 violas
9
4 Cellos
9
String Trio: 3 violas
7
String quartet: 4 violins
5
2 Harps (duet)
4
2 Double basses (duet)
4
String trio
4
String Trio: 2 violins, viola
3
String Quintet: 2 violins, viola, cello, bass
3
2 Violins, Piano
3
2 Cellos, Piano
3
Cello, Guitar (duet)
2
Viola, Guitar (duet)
2
Cello, String Bass (duet)
2
Harp, Flute (duet)
2
Harp, Violin (duet)
2
Harp, Cello (duet)
2
Violin, Bassoon (duet)
2
Viola and orchestra
2
4 Double Basses
1
Harp and Piano
1
Viola ensemble
1
Violin ensemble
1
Violin, Clarinet, Piano (trio)
1
Cello Ensemble
1
String Quintet: 2 violins, 2 violas, cello
1
String Quintet: 2 violins, viola, 2 cellos
1
+ 48 instrumentations
-
Retract
Orchestra & Percussion
Concert band
567
Orchestra
137
String Orchestra
137
Brass ensemble
123
Chamber Orchestra
67
Jazz Ensemble
43
Handbells
33
Percussion Ensemble
17
Marching band
13
Percussion (band part)
11
Jazz combo
11
Drums
7
Marimba
5
Percussion
4
Timpani (band part)
4
Orchestra, Violin
3
Piano and Orchestra
2
Vibraphone
2
Cajon
1
Drum (band part)
1
2 Snare Drums (duet)
1
Flexible Instrumentation
1
Timpani
1
+ 18 instrumentations
-
Retract
Others
Musical course - Solfege
1
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You've selected:
Entr
Soprano voice, Piano
Sheetmusic to print
8 sheet music found
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1
Concentric Circles
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Soprano voice, Piano
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INTERMEDIATE
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Christy Miranda Kalfas
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Concentric Circles
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Christy Kalfas
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.980123 Composed by Christy Miranda Kalfas. Contemporary,Jazz. 3 pages. Christy Kalfas #4783...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.980123 Composed by Christy Miranda Kalfas. Contemporary,Jazz. 3 pages. Christy Kalfas #4783479. Published by Christy Kalfas (A0.980123). Solo soprano voice with piano accompaniment in a light jazz style. Includes a piano solo that can be played as written or replaced with the pianist's own improvisation using the chords given. The aim is to convey on the piano what the vocalist has just shared through the lyrics. Concentric Circles is track 3 on the album Blessed are the Ones (available on iTunes): https://www.nakedfishrecordings.com/blessed-are-the-ones
$1.99
Brunnen-Arie
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Soprano voice, Piano
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INTERMEDIATE
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Christian Jost
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Brunnen-Arie
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - intermediate - Digital Download SKU: S9.Q46737 Der Song-Lian. Composed by Christian Jost. This edition: single sheet. Do...
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Soprano voice and piano - intermediate - Digital Download SKU: S9.Q46737 Der Song-Lian. Composed by Christian Jost. This edition: single sheet. Downloadable, Separate edition. Duration 5 minutes. Schott Music - Digital #Q46737. Published by Schott Music - Digital (S9.Q46737). German.The Brunnen-Arie is the central scene of the opera Rote Laterne which, together with the operas Die arabische Nacht and Rumor, forms a trilogy that centres on young modern women who are trapped in an unfathomably erotic surrealism of life.
$5.99
See, even Night herself is here
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Soprano voice, Piano
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Henry Purcell
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Wolfgang Birtel
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See, even Night herself is her
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Schott Music
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SheetMusicPlus
'Entrance of Night' from 'The Fairy Queen'. Composed by Henry Purcell (1659-1695). Edited by Claudia Eder. Arranged by Wolfgang Birtel. Copyright 2012 Sc...
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'Entrance of Night' from 'The Fairy Queen'. Composed by Henry Purcell (1659-1695). Edited by Claudia Eder. Arranged by Wolfgang Birtel. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. 3 pages. Published by Schott Music (S9.Q13873). - - - Schott Music
$3.99
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Soprano voice, Piano
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 1...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Comfort, Comfort Now My People - Voice and Organ
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Soprano voice, Piano
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INTERMEDIATE
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1551 - Lyrics: Johan Olearius,
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Phyllis Hopper
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Comfort, Comfort Now My People
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HopSez Productions
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.803462 Composed by 1551 - Lyrics: Johan Olearius, Geneva Psalter, original form: J. S. Bach...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.803462 Composed by 1551 - Lyrics: Johan Olearius, Geneva Psalter, original form: J. S. Bach, and trans. Catherine Winkworth. Arranged by Phyllis Hopper. Christmas,Classical,Easter,Renaissance,Sacred. 3 pages. HopSez Productions #3011927. Published by HopSez Productions (A0.803462). 2017 Sacred Music Contest EntryComfort, Comfort Now My People is a delightful Renaissance short piece that epitomizes the celebration of Spring and the fresh Life offered by the Resurrection. This rendering for soprano voice and organ can be balanced with the published instrumental prelude of the same piece.
$3.99
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Classical
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period....
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
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