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I Ain\\\
Not classified
3,730
Piano & keyboards
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4,045
Piano, Voice
3,177
Piano solo
2,977
Easy Piano
1,085
Big Note Piano
599
1 Piano, 4 hands
474
Organ
345
C Instruments
297
2 Pianos, 4 hands
151
Piano Accompaniment
33
Piano Trio: piano, violin, cello
29
Accordion
28
Melody line, Piano
24
Piano Quartet: piano, violin, viola, cello
15
Accordion, Voice
12
Keyboard
10
Solo instrument and Organ
9
1 Piano, 6 hands
7
2 Pianos, 8 hands
6
Organ, Piano (duet)
6
Piano Quartet: piano, 2 violins, cello
6
Piano Quintet: piano, 2 violins, viola, cello
5
Piano (band part)
5
Organ, Trumpet (duet)
4
2 Accordions
1
Harpsichord
1
Piano ensembles
1
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1,020
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938
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308
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237
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35
Dulcimer
27
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16
Banjo
13
3 Guitars (trio)
10
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7
Guitar (band part)
5
2 Dulcimers (duet)
3
Band Scores
2
Electric Bass (band part)
2
Mandolin, Guitar (duet)
1
Guitar, Violin, Cello (trio)
1
Guitar, Orchestra
1
2 Ukuleles
1
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Voice
Choral SATB
1,220
Choral 3-part
387
Choral 2-part
229
Choral TTBB
169
Choral SSAA
102
Choral Unison
67
Vocal duet, Piano
49
Soprano voice, Piano
42
Choral Instrumental Pak
41
Voice solo
40
Choral
29
High voice
29
Vocal duet
26
Alto voice, Piano
18
Baritone voice, Piano
14
Tenor voice, Piano
13
Low voice, Piano
11
Voice, Guitar
9
Medium voice, Piano
9
Choral SSATB
4
High voice, Piano
3
Tenor voice
3
Choral SSATBB
2
Mezzo-Soprano voice, Piano
2
Choral SSAB, Piano
2
Choral SSAATTBB
2
Choral SSATTB
2
Soprano voice
2
Soli, Mixted choir and accompaniment
1
Choral SAATB A Cappella
1
Medium Voice
1
Choral SSAB a cappella
1
Low voice
1
+ 28 instrumentations
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Woodwind
Flute and Piano
350
Clarinet and Piano
301
Flute
294
Oboe, Piano (duet)
284
Clarinet
253
Alto Saxophone and Piano
220
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
210
Alto Saxophone
198
Tenor Saxophone and Piano
185
Saxophone Quintet: 5 Saxophones
184
Saxophone Quartet: 4 saxophones
147
Tenor Saxophone
144
Flute, Oboe, Clarinet, Bassoon
125
Saxophone
122
Saxophone ensemble
116
Saxophone (band part)
108
2 Saxophones (duet)
103
Clarinet Quartet: 4 clarinets
94
Clarinet Ensemble
90
Oboe (band part)
77
2 Flutes (duet)
73
2 Clarinets (duet)
63
Flute and Guitar
49
Flute Quartet: 4 flutes
43
Flute ensemble
41
Soprano Saxophone and Piano
40
Clarinet (band part)
35
Baritone Saxophone, Piano
34
Flute, Clarinet (duet)
32
Flute Quintet : 5 flutes
29
3 Clarinets (trio)
26
Flute (band part)
25
Clarinet, Guitar (duet)
21
English horn, Piano
21
Flute Trio: 3 flutes
20
2 Oboes (duet)
19
2 Recorders (duet)
19
Eb Instruments
18
Clarinet Quintet: 5 clarinets
18
Oboe, Bassoon (duet)
17
Descant (Soprano) Recorder
17
Saxophone, Clarinet (duet)
16
Oboe
16
Clarinet, Violin (duet)
15
Harmonica
14
3 Saxophones (trio)
14
Recorder
14
Flute, Violin, Piano
13
Flute, Violin
13
Clarinet, Bassoon (duet)
11
Treble (Alto) Recorder
11
Oboe, Clarinet (duet)
10
Clarinet and Viola
9
Ocarina
9
Flute, Violoncello
9
Bass Clarinet, Piano
9
Clarinet, Cello (duet)
9
Soprano Saxophone
9
Oboe, Clarinet, Bassoon (trio)
8
Oboe, Guitar (duet)
7
Flute, Oboe, Clarinet (trio)
7
Flute, Viola (duet)
7
Clarinet, Trumpet (duet)
7
Recorder Ensemble
5
Tenor Recorder
5
English Horn, Guitar (duet)
5
Piccolo
5
Flute, Clarinet, Piano (trio)
5
Flute, Clarinet and Bassoon.
5
Treble (Alto) Recorder, Piano
5
Saxophone and Organ
4
Flute, Trumpet (duet)
4
Clarinet, Harp (duet)
4
Saxophone and Guitar
4
Oboe, Cello
4
Flute, Cello, Piano (trio)
4
Recorder Quartet
3
Flute, Saxophone (duet)
3
Descent (Soprano) Recorder, Piano
3
2 Flutes, Piano
3
Flute, Trombone (duet)
3
Oboe, Flute
3
Flute, Oboe (duet)
3
English Horn
3
Piccolo, Piano
3
2 Saxophones, Piano
2
2 Clarinets, Piano
2
Flute, Clarinet, Violin (trio)
2
Clarinet Quintet: Clarinet, String Quartet
2
Oboe and viola (duet)
2
Baritone Saxophone
2
Clarinet, Trombone (duet)
2
5 Recorders
2
3 Recorders (trio)
2
2 English horns and Pianoforte
2
Flute, Cello, Guitar
2
Clarinet, Tuba
1
Clarinet, Cello, Piano (trio)
1
Bass Clarinet
1
Pan Flute
1
Flute, Oboe, Piano (trio)
1
Saxophone, Violin (duet)
1
Flute, Bassoon, and Piano
1
Wind ensemble
1
Oboe, Violin, Piano
1
Oboe, Bassoon and Piano
1
3 Oboes
1
English horn, Harp (duet)
1
Clarinet, Orchestra
1
Pennywhistle
1
Flute, Organ (duet)
1
Clarinet, Organ
1
Flute and String Quartet
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
Flute, Violin and Violoncello
1
Flute and Strings Trio
1
Flute, harp and violin
1
Recorder, Piano
1
+ 113 instrumentations
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Woodbrass
Trumpet
312
Brass Quintet: 2 trumpets, horn, trombone, tuba
255
Trombone and Piano
223
Trombone
205
Brass quartet : 2 trumpets, trombone, tuba
170
Trumpet, Piano
158
French horn
134
Trumpet ensemble
81
Trumpet (band part)
67
French Horn and Piano
60
Brass Quartet: 2 trumpets, horn, trombone
57
Trombone (band part)
52
Tuba
44
Brass Quartet
44
Trombone ensemble
43
Bass Clef Instruments
34
Tuba and Piano
32
2 Trombones (duet)
26
2 Trumpets (duet)
26
Euphonium, Piano (duet)
25
Trumpet, Trombone (duet)
25
Bb Instruments
24
English horn, Piano
21
Brass Quartet: 4 trombones
17
French horn (band part)
14
2 French horns (duet)
13
Horn Ensemble
12
Euphonium
11
Tuba (band part)
9
Brass Trio
8
Brass Quartet: 4 horns
8
2 Tubas (duet)
8
Trumpet, Saxophone (duet)
8
3 Trombones (trio)
7
Brass Quartet: 4 trumpets
5
English Horn, Guitar (duet)
5
4 Tubas
5
2 Euphoniums and 2 Tubas
5
Horn, Tuba (duet)
4
Euphonium, Tuba (duet)
4
Trumpet, Horn (duert)
4
Trumpet, Tuba (duet)
4
Brass Quintet: 2 trumpets, horn, 2 trombones
3
Trumpet, violin (duet)
3
2 Euphoniums (duet)
3
2 Trumpets, Keyboard (piano or organ)
3
Clarinet, Horn (duet)
3
Trombone, Tuba (duet)
3
English Horn
3
Tuba and Organ
2
Brass Quartet: 2 trumpets, 2 trombones
2
Bass Trombone
2
3 Trumpets (trio)
2
2 English horns and Pianoforte
2
Trumpet, Trombone, Piano
1
Trombone, Organ
1
Tuba ensemble
1
Bass Trombone and Piano
1
Tuba or Euphonium or Saxhorn
1
Trumpet, Cello (duet)
1
Trombone, Horn (duet)
1
F Instruments
1
English horn, Harp (duet)
1
+ 58 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
623
Violin and Piano
381
Violin
295
Viola, Piano
262
Cello, Piano
253
Cello
219
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183
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163
Harp
161
String Trio: violin, viola, cello
121
2 Violins (duet)
99
2 Harps (duet)
57
2 Cellos (duet)
52
Violin, Viola (duet)
52
String Quintet: 2 violins, viola, cello, bass
50
2 Violas (duet)
42
Viola (band part)
42
String Trio: 2 violins, cello
36
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34
Violin ensemble
29
Viola ensemble
28
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28
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26
Viola, Cello (duet)
24
Violin, Guitar (duet)
17
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16
4 Cellos
12
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12
String Trio: 2 violins, viola
12
2 Double basses (duet)
10
Harp, Voice
10
Piano Trio: Violin, Viola, Piano
8
Doublebass (band part)
8
String trio
7
String quartet: 4 violins
7
String Trio: 3 violas
7
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6
String Trio: 3 violins
6
String Trio: 3 cellos
5
Harp, Flute (duet)
5
String Quintet: 2 violins, 2 violas, cello
4
Cello (band part)
4
Harp, Cello (duet)
3
Viola, Guitar (duet)
3
Viola and Harp
2
4 Double Basses
2
Violin, Bassoon (duet)
2
Harp and Piano
2
Viola, Organ
1
Cello Ensemble
1
Viola and Bassoon
1
String Quintet: 2 violins, viola, 2 cellos
1
String Quartet : 4 violas
1
Cello, Organ
1
+ 49 instrumentations
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Retract
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800
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306
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300
Brass ensemble
163
Jazz Ensemble
139
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107
Jazz combo
73
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68
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66
Marching band
52
Percussion Ensemble
22
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21
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15
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10
Percussion
6
Xylophone, Piano
5
Vibraphone
3
Xylophone
2
Timpani (band part)
2
Brass Quintet: other combinaisons
2
Timpani
1
Piano and Orchestra
1
School Ensemble
1
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1
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1
Woodwind Quintet
1
3 Marimbas
1
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
1
Flexible Instrumentation
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2 Marimbas
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I Ain\\\
Soprano voice, Piano
Sheetmusic to print
42 sheet music found
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1
26
I am worth nothing (PÄ«ntci nakÄmmam axÄm) for soprano and piano
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Adrienne Inglis
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I am worth nothing
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Adrienne Inglis
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.953635 Composed by Adrienne Inglis (ASCAP). Contemporary,Sacred,World. 16 pages. Adrienne I...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.953635 Composed by Adrienne Inglis (ASCAP). Contemporary,Sacred,World. 16 pages. Adrienne Inglis (ASCAP) #6883999. Published by Adrienne Inglis (ASCAP) (A0.953635). Hot off the press! Dramatic, almost operatic song for soprano and piano (with rattle and mallet) that brings to life the tragic story of two Coahuilteco sisters sold into slavery during the Spanish mission era in Texas I am worth nothing (2022), a song for soprano and piano by Adrienne Inglis (ASCAP)Commissioned by Inversion Ensemble for Eternal Graffiti April 9, 2022, Austin, TexasProgram note: Commissioned by Inversion Ensemble and composed by Adrienne Inglis, I am worth nothing sets a stunning Coahuilteco/English poem by Texas poet Lisa Kay Adam. From the phrase PÄ«ntci nakÄmmam axÄm (I am worth nothing), Adam creates a vivid story of two young Coahuiltecan sisters and their encounters with newly arrived Spanish settlers and mission priests in the eighteenth century. Musically, the florid phrases and haunting modalities join with the sounds of drums and melancholic bells to paint a picture of exploitation, early death, and a lost way of life in the western gulf coastal plains.Text: I am not worthy - PÄ«ntci nakÄmmam axÄm, poem by Lisa Kay Adam from her book xuÄi: mission, house, village, town, published in 2018 by Lamar University Literary Press, used with permissionDuration: 9:06 (at most)World premiere: Eternal Graffiti with soprano Katrina Saporsantos and pianist Benjamin Dia April 9, 2022 Austin, Texashttps://www.chaskimusic.com/adrienne
$4.99
The Man I Love
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Soprano voice, Piano
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ADVANCED
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George Gershwin, Ira Gershwin
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Scott S
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The Man I Love
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Scott S. Stewart
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.955836 Composed by George Gershwin, Ira Gershwin. Arranged by Scott S. Stewart. 20th Centur...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.955836 Composed by George Gershwin, Ira Gershwin. Arranged by Scott S. Stewart. 20th Century,Blues,Instructional,Standards. 5 pages. Scott S. Stewart #6320277. Published by Scott S. Stewart (A0.955836). Classically trained singers are generally first contact for most elementary, middle school and high school students via in-school programs, out-reach programs, etc. For those YAP programs/Studio Artists programs popular music arrangements are needed, and those available leave the singer oft' times wanting something more... This arrangement of The Man I Love restores both verse and refrain, flushes out the accompaniment with Gershwin's own stylings in one complete performance package. The attempt is to create an equal ensemble of two, rather than singer and her accompanist.
$9.99
Bring me a Rainbow
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Soprano voice, Piano
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Barbara Graff
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Bring me a Rainbow
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Barbara H Graff
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SheetMusicPlus
Piano,Soprano voice - Digital Download SKU: A0.1070364 Composed by Barbara Graff. Broadway,Film/TV,Musical/Show,New Age,Pop. Full Performance. Duration 2...
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Piano,Soprano voice - Digital Download SKU: A0.1070364 Composed by Barbara Graff. Broadway,Film/TV,Musical/Show,New Age,Pop. Full Performance. Duration 223. Barbara H Graff #4582357. Published by Barbara H Graff (A0.1070364). Review from MainlyPiano, Piano review website www.mainlypiano.comBring me a Rainbow is a piano and vocal piece by Barbara Graff that features the lovely vocals of Chloe Boelter. A sad and lonely story of unrequited love, the words are sung to an indifferent lover who refuses to be swayed by the passion of the singer, frequently causing her deep pain. The instrumental accompaniment is a spare piano part that expresses as much emotion as the words do. I especially like the piano solo near the end of the song. Bring me a Rainbow is also downloaded and streamed as an instrumental-only piece on Barbara's Beginnings album. Both the vocal and instrumental-only versions are heard and streamed on over 40 radio stations including Pandora Radio and Spotify. It is part of Barbara's popular Into the Light EP.
$2.99
Chansons de Verlaine
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Soprano voice, Piano
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ADVANCED
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John Casken
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Chansons de Verlaine
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Do...
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Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.
$19.99
I Won't See Him Again
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Soprano voice, Piano
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INTERMEDIATE
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Music by Helen MacCulloch
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I Won't See Him Again
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Optimistic Music Company
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1008220 Composed by Music by Helen MacCulloch. Lyrics by Alastair MacCulloch. Musical/Show,...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1008220 Composed by Music by Helen MacCulloch. Lyrics by Alastair MacCulloch. Musical/Show,Pop. 6 pages. Optimistic Music Company #5337359. Published by Optimistic Music Company (A0.1008220). I Won't See Him Again is an emotional love ballad from the musical, Amber Avenues, which is set in 1964. The main character, Yvonne, is regretting breaking up with her younger lover, Matthew. This song is suitable for general audiences, including high schools and community theatres.
$3.50
I Have to Say
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Gary D
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#
I Have to Say
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DR GARY D BELSHAW
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796587 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 14 pages. DR G...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796587 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 14 pages. DR GARY D BELSHAW #2927197. Published by DR GARY D BELSHAW (A0.796587). Certain sopranos get to play roles like Despina, complaining chambermaid who whines about food. And with any luck they’ll sing the Queen of the Night! This energetic aria from the two act music comedy Incident at Burro Java surveys that repertoire and explores the character of the sopranos who sing it. The character who performs this aria in the music comedy is a first-year graduate student at an imaginary urban university’s School of Music. The role was created by Aimee Pineau.
$3.99
I Have to Say (x2)
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Gary D
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I Have to Say
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DR GARY D BELSHAW
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796576 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 25 pages. DR G...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796576 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 25 pages. DR GARY D BELSHAW #2857017. Published by DR GARY D BELSHAW (A0.796576). Certain sopranos get to play roles like Despina, complaining chambermaid who whines about food. And with any luck they’ll sing the Queen of the Night! This energetic aria from the two act music comedy Incident at Burro Java surveys that repertoire and explores the character of the sopranos who sing it. The character who performs this aria in the music comedy is a first-year graduate student at an imaginary urban university’s School of Music. The role was created by Aimee Pineau. Your download includes an accompanist score at half price.
$5.99
"I Heard a Voice Like the Salted Air" and other songs for mezzo soprano & piano
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Julietta Anne Rabens
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"I Heard a Voice Like the Salt
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Juliettamusic
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.867174 Composed by Julietta Anne Rabens. 20th Century,Concert,Contemporary,Sacred. 43 pages...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.867174 Composed by Julietta Anne Rabens. 20th Century,Concert,Contemporary,Sacred. 43 pages. Juliettamusic #1750223. Published by Juliettamusic (A0.867174). I Heard a Voice Like the Salted Air and other songs for mezzo soprano & piano are a set of pieces inspired by nature themes. These are at an intermediate level, and they are expressive pieces that are ideal for undergraduate voice majors and anyone who loves to sing. Contents include Against the Sky song cycle, The Wild Ashe Deer, Wyoming Songs song cycle, and I Heard a Voice Like the Salted Air.
$20.00
How do I love thee? (Downloadable)
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Soprano voice, Piano
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INTERMEDIATE
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Juliana Hall
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How do I love thee?
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Medium - Digital Download SKU: MQ.8568-2E From the song cycle How Do I Love Thee?. Composed by Juliana Hall. 8 pages. E....
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8568-2E From the song cycle How Do I Love Thee?. Composed by Juliana Hall. 8 pages. E. C. Schirmer Music Company - Digital #8568-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8568-2E). English.This song cycle follows a narrative arc, beginning with a proclamation by the speaker against the love she feels, after which that love becomes too great to disavow. Throughout the cycle, the speaker's love grows, and ends with a declaration of love that will live beyond the lives of the speaker and the object of her love, a love that lives forever.
$4.00
I Walked Today Where Jesus Walked
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Daniel Twohig and Geoffrey O'H
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Ashley Ivers
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I Walked Today Where Jesus Wal
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Ashley Ivers
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.823544 Composed by Daniel Twohig and Geoffrey O'Hara. Arranged by Ashley Ivers. Contemporar...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.823544 Composed by Daniel Twohig and Geoffrey O'Hara. Arranged by Ashley Ivers. Contemporary. 7 pages. Ashley Ivers #4758819. Published by Ashley Ivers (A0.823544). Christian, Latter-Day Saint, Worship, Gospel, Funeral, key of Bb Major.
$5.99
Art Song: We Will Be Together Again, Someday
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Justin Rosin
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Art Song: We Will Be Together
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Justin Rosin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1009905 Composed by Justin Rosin. Contemporary. 9 pages. Justin Rosin #12207. Published by ...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1009905 Composed by Justin Rosin. Contemporary. 9 pages. Justin Rosin #12207. Published by Justin Rosin (A0.1009905). An Art Song I Worte for solo voice and piano in memory of a dear friend's relative.
$3.99
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Soprano voice, Piano
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 1...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Soprano voice, Piano
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ADVANCED
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Opera
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Classical
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pag...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Classical
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period....
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Civility
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie ...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
DO NOT STAND ON MY GRAVE. Version for soprano and piano
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Soprano voice, Piano
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INTERMEDIATE
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Contemporary
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Gabriel Ruiz-Bernal
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DO NOT STAND ON MY GRAVE. Vers
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Gabriel Ruiz-Bernal
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.893972 Composed by Gabriel Ruiz-Bernal. Contemporary. 9 pages. Gabriel Ruiz-Bernal #6331885. P...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.893972 Composed by Gabriel Ruiz-Bernal. Contemporary. 9 pages. Gabriel Ruiz-Bernal #6331885. Published by Gabriel Ruiz-Bernal (A0.893972). Music by Gabriel Ruiz-Bernal. Text by Mary Elizabeth FryeSung at the demo by Allison Hughes, soprano. Gabriel Ruiz-Bernal, piano.POEM:Do not stand at my grave and weepI am not there.I do not sleep.I am a thousand winds that blow.I am the diamond glints on snow.I am the sunlight on ripened grain.I am the gentle autumn rain.When you awaken in the morning's hushI am the swift uplifting rushof quiet birds in circled flight.I am the soft starlight at night.Do not stand at my grave and cry;I am not there.I did not die.
$4.50
Saved from Sin - for soprano solo and piano - orchestral version sold separately
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Sacred music
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Christopher Schwinger
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Saved from Sin - for soprano s
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Christopher Schwinger
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.938523 Composed by Christopher Schwinger. Christian,Sacred. 27 pages. Christopher Schwinger...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.938523 Composed by Christopher Schwinger. Christian,Sacred. 27 pages. Christopher Schwinger #25915. Published by Christopher Schwinger (A0.938523). The 6th Christian vocal solo I have written, about original sin, the Virgin Birth, and what the Gospel means. Contains piano and soprano parts and composer's notes explaining the creation process and musical things to pay attention to. The piano part is intermediate or advanced and the soprano part goes from D a whole-step above middle C to B above the treble clef staff.
$10.00
Sue (Downloadable)
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Soprano voice, Piano
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Henry Mollicone
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Sue
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8371-2E Composed by Henry Mollicone. 39 pages. E. C. Schirmer Music Company - D...
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Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8371-2E Composed by Henry Mollicone. 39 pages. E. C. Schirmer Music Company - Digital #8371-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8371-2E). These songs were composed for a benefit event held by DAY WORKERS OF MOUNTAIN VIEW, a strong organization that serves immigrants in Northern California. Having visited their offices, I was very impressed with the range of programs they provide for immigrants and the personal commitment of their director, Maria Marroquin. Maria interviewed four women and transcribed their true stories into poems which I have set to music. The stories have a common thread that suggests the difficult and painful experiences of immigration in our society. It is our hope that the stories of these brave women help to raise the awareness of this important issue. -Henry Mollicone.
$11.50
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Centur...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Pictures at an exHERbition
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Publish...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
The Birds
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Sally Whitwell
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The Birds
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Publish...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Published by Sally Whitwell (A0.873025). Composer’s Note - The BirdsI lived for a couple of years in a little top floor Art Deco apartment in Sydney’s Kings Cross. There were always birds sitting on my window sill because of the huge Jacaranda tree outside. I was at a bit of a crossroads in my life at that time, and would spend at least an hour daily walking in the neighbourhood, along those twisting, sloping streets and slowly eroding sandstone staircases so typical of Sydney’s harbourside suburbs. On the wall by such a staircase very close to my home was a tiny red spray painted bird with little music notes emanating from his beak. His was a constant presence in my life, I really rather liked him.Birds seemed to be making appearances everywhere in my life at that time, which I took as some kind of message from the universe. I was reading quite a lot of Christina Rossetti that year too, enjoying her writings about birds and all that they symbolised for her; beauty and sadness, hope and joy. There was a quiet optimism in her words, sometimes veiled but always present, which propelled me to write this song cycle T​ he Birds.​-- Sally Whitwell
$3.99
Stillness (High)
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Soprano voice, Piano
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INTERMEDIATE
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Jocelyn Scofield
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Stillness
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Bilsco Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.992611 Composed by Jocelyn Scofield. Contemporary,Standards. 6 pages. Bilsco Music #3500763...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.992611 Composed by Jocelyn Scofield. Contemporary,Standards. 6 pages. Bilsco Music #3500763. Published by Bilsco Music (A0.992611). Description: Stillness is a classical art song by Los Angeles-based composer, Jocelyn Scofield. It was premiered in Los Angeles, CA in 2018.Range: F4-Ab6, Key: Fminor, Length: 2:50, Tempo: 105bpmText: Around me Is a storm of chaos and pain Around me Is a battle of hate and blameAnd I am lost in this war I am searching, desperate forStillness StillnessInside me Is a space where chaos can not breathe Inside me Is a grace where hate can not feedWhen I close my eyes When I calm my wearied mindI am breath I am body I am peace I amStillness Stillness
$4.99
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