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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Now
Not classified
13,714
Piano & keyboards
Piano solo
10,893
Piano, Voice
4,658
Piano, Vocal and Guitar
3,955
Easy Piano
3,928
Big Note Piano
3,459
Organ
2,490
C Instruments
988
Piano Accompaniment
313
1 Piano, 4 hands
273
Accordion
220
Piano Trio: piano, violin, cello
196
Piano Quartet: piano, 2 violins, cello
78
Piano (band part)
75
Keyboard
67
2 Pianos, 4 hands
58
Organ, Trumpet (duet)
40
Piano Quartet: piano, violin, viola, cello
34
Piano Quintet: piano, 2 violins, viola, cello
27
Organ, Piano (duet)
18
Harpsichord
8
Melody line, Piano
7
1 Piano, 6 hands
6
Organ, Voice
4
2 Pianos, 8 hands
4
2 Accordions
4
Accordion, Voice
3
Fake Book
1
Accordion ensemble
1
+ 23 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
2,117
Guitar
1,218
Melody line, (Lyrics) and Chords
1,165
Ukulele
826
Lyrics and Chords
510
Bass guitar
369
Mandolin
321
Piano, Guitar (duet)
147
Dulcimer
134
Guitar (band part)
100
2 Guitars (duet)
98
Banjo
51
4 Guitars (Quartet)
40
3 Guitars (trio)
19
2 Dulcimers (duet)
11
Guitar Ensemble
11
Baritone Ukulele
8
Band Scores
7
2 Ukuleles
6
Electric Bass (band part)
5
Guitar, Violin, Cello (trio)
4
Lap Steel Guitar
2
Mandolin, Guitar (duet)
2
Ukulele Ensemble
1
Guitar, Orchestra
1
+ 20 instrumentations
-
Retract
Voice
Choral SATB
4,569
Choral 3-part
1,997
Choral 2-part
1,838
Choral Unison
1,388
Choral TTBB
781
Vocal duet, Piano
475
Choral Instrumental Pak
434
Choral SSAA
392
Vocal duet
300
Soprano voice, Piano
192
Voice solo
159
Choral
159
Alto voice, Piano
148
Tenor voice, Piano
139
Baritone voice, Piano
79
High voice
79
Low voice, Piano
45
Medium voice, Piano
39
Tenor voice
15
Choral SSATB
14
Choral SSAATTBB
11
Choral SSATTB
10
Soli, Mixted choir and accompaniment
7
Low voice
7
Choral, Organ
6
Soprano voice
6
Voice, Guitar
5
Choral SSAATB
4
Choral SSAB, Piano
4
Choral SSATBB
3
Choral SSAB a cappella
3
Medium Voice
2
Choral SSAATB A Cappella
2
Soprano voice, Orchestra
1
Choral SATBB
1
Baritone voice
1
Mezzo-Soprano voice, Piano
1
Choral SATTB
1
+ 33 instrumentations
-
Retract
Woodwind
Flute and Piano
1,349
Saxophone Quartet: 4 saxophones
1,329
Clarinet and Piano
1,242
Flute
1,066
2 Saxophones (duet)
1,055
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1,017
Clarinet
976
Flute, Oboe, Clarinet, Bassoon
969
Oboe, Piano (duet)
967
Alto Saxophone and Piano
943
Tenor Saxophone and Piano
845
Saxophone (band part)
819
Alto Saxophone
787
Soprano Saxophone and Piano
698
Saxophone Quintet: 5 Saxophones
607
Tenor Saxophone
571
Clarinet Quartet: 4 clarinets
563
2 Flutes (duet)
525
Saxophone
465
2 Clarinets (duet)
421
Oboe (band part)
342
Baritone Saxophone, Piano
306
Clarinet (band part)
293
Flute Quartet: 4 flutes
288
Flute, Clarinet (duet)
273
3 Saxophones (trio)
257
Clarinet Ensemble
240
Descant (Soprano) Recorder
238
Oboe
233
Treble (Alto) Recorder
226
Harmonica
223
Saxophone ensemble
199
2 Oboes (duet)
168
Clarinet Quintet: 5 clarinets
164
3 Clarinets (trio)
156
Flute (band part)
154
Flute ensemble
150
2 Recorders (duet)
138
Soprano Saxophone
136
English horn, Piano
129
Flute Quintet : 5 flutes
116
Saxophone, Clarinet (duet)
115
Recorder
113
Flute Trio: 3 flutes
100
Baritone Saxophone
96
Clarinet, Violin (duet)
95
Oboe, Bassoon (duet)
94
Flute and Guitar
79
Recorder Quartet
77
Oboe, Clarinet (duet)
76
Flute, Oboe, Clarinet (trio)
76
Bass Clarinet, Piano
73
Clarinet, Trumpet (duet)
70
Flute, Violin, Piano
70
Flute, Violin
65
Oboe, Clarinet, Bassoon (trio)
61
Flute, Clarinet and Bassoon.
47
Clarinet, Bassoon (duet)
44
Clarinet, Guitar (duet)
43
Clarinet and Viola
43
Recorder Ensemble
41
Flute, Saxophone (duet)
38
Oboe, Flute
36
English Horn
36
Flute, Viola (duet)
35
Flute, Oboe (duet)
31
Eb Instruments
31
Flute, Trumpet (duet)
30
Flute, Clarinet, Piano (trio)
30
Treble (Alto) Recorder, Piano
29
Flute, Violoncello
27
5 Recorders
26
Flute, Oboe, Bassoon
26
Ocarina
26
Tenor Recorder
25
Descent (Soprano) Recorder, Piano
25
Flute, Violin and Violoncello
24
2 Saxophones, Piano
23
Clarinet, Cello (duet)
23
Flute, Cello, Piano (trio)
22
3 Recorders (trio)
22
Piccolo, Piano
20
Flute, Oboe, Piano (trio)
20
Saxophone and Organ
19
Flute, Clarinet, Horn and Bassoon (Quartet)
19
2 Clarinets, Piano
17
Clarinet, Cello, Piano (trio)
17
Saxophone and Piano
17
Oboe, Cello
14
Clarinet, Harp (duet)
14
Piccolo
14
2 Flutes, Piano
13
Saxophone and Guitar
12
Oboe, Guitar (duet)
11
Recorder, Piano
10
Flute, Bassoon, and Piano
10
Flute, Viola and Piano
9
Bass Clarinet
8
4 Oboes
7
Clarinette, Viola and Piano (trio)
7
2 Clarinets, Bassoon
7
Oboe ensemble
6
Clarinet, Trombone (duet)
6
Recorder, Guitar (duet)
5
Oboe, Bassoon and Piano
5
Pennywhistle
5
Saxophone and Harp
5
Oboe and viola (duet)
5
English Horn, Guitar (duet)
5
Oboe, Cello and Piano
4
Clarinet, Bassoon, Piano (trio)
4
Oboe, Clarinet and Piano (Trio)
4
Flute, Organ (duet)
4
Flute, trombone and piano
4
Oboe, Harp
4
Clarinet, trumpet and piano
4
Flute, Trombone (duet)
4
Flute, Violin, Violoncello and Piano
4
Flute and Strings Trio
4
Oboe, Violin (duet)
4
3 Oboes
3
Clarinet, Organ
3
Flute, French horn (duet)
3
Flute, Harp and Cello
3
Flute, harp and violin
2
2 English horns and Pianoforte
2
Flute, Oboe, Violin
2
2 Oboes, Piano
2
Treble (Alto) Recorder, Basso continuo
2
Flute and String Quartet
2
Flute, Clarinet, Violin (trio)
2
Oboe, Violin, Piano
2
Flute, Orchestra
1
Wind ensemble
1
Flute, Viola and harp
1
Flute, Basso continuo
1
Pan Flute
1
English horn, Harp (duet)
1
2 Recorders, Guitar
1
Clarinet Quintet: Clarinet, String Quartet
1
Saxophone, Tuba (duet)
1
Flute, Cello, Guitar
1
2 Recorders, Piano
1
2 Flutes, Basso continuo
1
2 Flutes and Harp
1
Bagpipe
1
+ 141 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
1,161
Trumpet
1,124
Trombone and Piano
1,029
Trumpet, Piano
982
Trombone
792
Brass quartet : 2 trumpets, trombone, tuba
704
French Horn and Piano
639
French horn
506
Trumpet (band part)
500
Trombone (band part)
441
Brass Quartet: 2 trumpets, horn, trombone
437
Tuba and Piano
354
Tuba
352
2 Trumpets (duet)
327
2 Trombones (duet)
283
Brass Quartet
234
Trumpet, Trombone (duet)
173
2 French horns (duet)
169
Brass Quartet: 4 trombones
168
French horn (band part)
166
Trumpet, Horn (duert)
142
English horn, Piano
129
Euphonium, Piano (duet)
106
Tuba (band part)
102
Brass Quartet: 4 horns
98
Trombone ensemble
94
Trumpet, Saxophone (duet)
86
Trumpet ensemble
77
2 Tubas (duet)
65
Euphonium
53
Brass Quartet: 4 trumpets
50
2 Euphoniums and 2 Tubas
42
Bass Clef Instruments
39
English Horn
36
Horn Ensemble
35
4 Tubas
32
3 Trombones (trio)
29
Bb Instruments
29
Brass Quartet: 2 trumpets, 2 trombones
25
3 Trumpets (trio)
23
Brass Trio
23
Trombone, Organ
20
Euphonium, Tuba (duet)
18
Bass Trombone
15
Tuba and Organ
14
Trombone, Horn (duet)
14
2 Trumpets, Keyboard (piano or organ)
12
Trombone, Tuba (duet)
11
3 Tubas (trio)
11
3 French horns (trio)
8
Horn and Organ
7
F Instruments
7
French Horn and Harp
7
Bass Trombone and Piano
7
Trumpet, Trombone, Piano
6
Trumpet, Bassoon (duet)
5
Trumpet, Tuba (duet)
5
2 Euphoniums (duet)
5
2 Trombones, Piano
5
Horn, Tuba (duet)
5
Horn, Cello (duet)
5
English Horn, Guitar (duet)
5
Tuba or Euphonium or Saxhorn
4
Trumpet, Cello (duet)
4
Clarinet, Horn (duet)
3
Trumpet, Harp
3
2 English horns and Pianoforte
2
Trumpet, Cello, Piano
2
French horn and Basson (duet)
2
English horn, Harp (duet)
1
Tuba ensemble
1
Cornet and Orchestra
1
Cornet and Piano
1
2 French horns, Piano
1
3 Euphoniums
1
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
1
Trumpet, Euphonium (duet)
1
Trumpet and Guitar
1
+ 73 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
2,772
Violin and Piano
1,598
Cello, Piano
1,262
Violin
1,171
Viola, Piano
1,141
Cello
969
Viola
657
Violin, Cello (duet)
525
Harp
485
2 Violins (duet)
436
String Trio: violin, viola, cello
428
2 Cellos (duet)
372
String Quintet: 2 violins, viola, cello, bass
346
Double bass, Piano (duet)
324
Double Bass
311
Violin (band part)
263
Violin, Viola (duet)
249
2 Violas (duet)
230
Viola (band part)
162
String Trio: 2 violins, cello
160
Doublebass (band part)
153
Piano Trio: Violin, Viola, Piano
153
4 Cellos
94
Viola, Cello (duet)
76
String Trio: 3 violins
72
2 Harps (duet)
60
String Trio: 3 cellos
58
Cello (band part)
55
Violin, Guitar (duet)
48
2 Double basses (duet)
44
String quartet: 4 violins
40
Harp, Flute (duet)
35
Cello, Guitar (duet)
34
String Quartet : 4 violas
33
Harp, Violin (duet)
33
String Trio: 3 violas
30
Viola, Guitar (duet)
28
Violin, Bassoon (duet)
25
String Quintet: 2 violins, 2 violas, cello
21
Violin ensemble
17
String Trio: 2 violins, viola
17
Cello, Organ
15
Viola ensemble
15
String trio
14
Harp, Voice
12
Cello, String Bass (duet)
9
Violin, Clarinet, Piano (trio)
9
String Quintet: 2 violins, viola, 2 cellos
9
Harp, Cello (duet)
9
2 Violins, Piano
9
Viola and Bassoon
7
Violin, Organ
7
2 Cellos, Piano
6
Viola and Harp
6
Harp, Violin, Violoncello
5
Cello, Orchestra
4
Harp (band part)
3
Violin, Basso continuo
3
4 Harps
3
Harp and Piano
3
Harp, Trombone (duet)
3
Viola, Organ
2
Flute, Doublebass (duet)
2
3 double basses
2
4 Double Basses
2
Cello Ensemble
2
Autoharp
2
2 Violas, Piano
2
Violoncello, Basso continuo
1
Violin, Trumpet and Piano
1
Violin, Cello, Clarinet
1
2 Violins and Basso
1
+ 67 instrumentations
-
Retract
Orchestra & Percussion
Concert band
3,950
String Orchestra
1,006
Orchestra
875
Jazz Ensemble
628
Marching band
620
Brass ensemble
576
Handbells
479
Drums
301
Chamber Orchestra
290
Percussion (band part)
253
Jazz combo
118
Percussion Ensemble
93
Drum (band part)
73
Xylophone
53
Vibraphone
39
Timpani (band part)
27
Marimba
22
Xylophone, Piano
17
Percussion
15
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
12
Timpani
8
Woodwind Quintet
4
Snare drums
4
Brass Quintet: other combinaisons
3
Woodwind Quartet: any 4 woodwinds
3
Orchestra, Violin
3
Flexible Instrumentation
2
Piano and Orchestra
2
2 Xylophones
2
Vibraphone and Marimba
2
Bongos
1
Xylophone (band part)
1
Conga
1
2 Marimbas
1
Vibraphone (band part)
1
+ 30 instrumentations
-
Retract
Others
Musical course - Solfege
2
Music Theory
2
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Soprano voice, Piano
Sheetmusic to print
192 sheet music found
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176
Then Will I Truly Know - MS Solo with Piano
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Soprano voice, Piano
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INTERMEDIATE
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Sacred music
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Christian contemporary
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Bill Fortenberry, Jordan Grigg
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Then Will I Truly Know - MS So
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Bill Fortenberry
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.997118 Composed by Bill Fortenberry, Jordan Grigg. Christian,Contemporary,Praise & Worship,...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.997118 Composed by Bill Fortenberry, Jordan Grigg. Christian,Contemporary,Praise & Worship,Sacred. 9 pages. Bill Fortenberry #6683091. Published by Bill Fortenberry (A0.997118). In his letter to the Corinthians, Paul expressed his longing for a time when he would see God face to face and know the Lord as much as the Lord knows us. Then Will I Truly Know by Bill Fortenberry and Jordan Grigg captures that longing in an enchanting melody that unites all of us in a desire for our heavenly home.Choir version, orchestral score, and backing track are also available.
$2.99
Now thank we all our God (new setting for mezzo & piano)
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Soprano voice, Piano
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INTERMEDIATE
#
Sacred music
#
Malcolm D Robertson
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Now thank we all our God
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Mr Malcolm D Robertson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.927994 Composed by Malcolm D Robertson. Christian,Praise & Worship,Sacred. 6 pages. Mr Malc...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.927994 Composed by Malcolm D Robertson. Christian,Praise & Worship,Sacred. 6 pages. Mr Malcolm D Robertson #5791375. Published by Mr Malcolm D Robertson (A0.927994). A setting of a well known hymn text. Originally composed for the final service of a local minister at the Church for which I was the keyboard player/organist in July 2002. I made some minor revisions in June 2020.
$4.00
Comfort, Comfort Now My People - Voice and Organ
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Soprano voice, Piano
#
INTERMEDIATE
#
1551 - Lyrics: Johan Olearius,
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Phyllis Hopper
#
Comfort, Comfort Now My People
#
HopSez Productions
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.803462 Composed by 1551 - Lyrics: Johan Olearius, Geneva Psalter, original form: J. S. Bach...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.803462 Composed by 1551 - Lyrics: Johan Olearius, Geneva Psalter, original form: J. S. Bach, and trans. Catherine Winkworth. Arranged by Phyllis Hopper. Christmas,Classical,Easter,Renaissance,Sacred. 3 pages. HopSez Productions #3011927. Published by HopSez Productions (A0.803462). 2017 Sacred Music Contest EntryComfort, Comfort Now My People is a delightful Renaissance short piece that epitomizes the celebration of Spring and the fresh Life offered by the Resurrection. This rendering for soprano voice and organ can be balanced with the published instrumental prelude of the same piece.
$3.99
Snowdrop: Song for Soprano voice and Piano
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Soprano voice, Piano
#
INTERMEDIATE/ADVANCED
#
Chris Gordon
#
Snowdrop: Song for Soprano voi
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Cool Wind Music Digital
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.841211 Composed by Chris Gordon. 20th Century,Romantic Period. 4 pages. Cool Wind Music Dig...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.841211 Composed by Chris Gordon. 20th Century,Romantic Period. 4 pages. Cool Wind Music Digital #2917227. Published by Cool Wind Music Digital (A0.841211). Snowdrop is the second in a cycle of songs setting poems about Nature.
$3.50
Autumn (from Starting Here, Starting Now)
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Soprano voice, Piano
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Broadway
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Autumn
#
Hal Leonard - Digital
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SheetMusicPlus
Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Digital Download SKU: HX.449292 Edited by Richard Walters. This edition: scorch. Broadway,Mu...
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Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Digital Download SKU: HX.449292 Edited by Richard Walters. This edition: scorch. Broadway,Musical/Show. Score. 4 pages. Hal Leonard - Digital #283661. Published by Hal Leonard - Digital (HX.449292).
$4.99
Nobody Knows
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Soprano voice, Piano
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Nailah Nombeko
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Nobody Knows
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.9142-E Composed by Nailah Nombeko. 16 pages. E. C. Schirmer Music Company - Dig...
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Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.9142-E Composed by Nailah Nombeko. 16 pages. E. C. Schirmer Music Company - Digital #9142-E. Published by E. C. Schirmer Music Company - Digital (MQ.9142-E). English.A deeply moving reflection on being a young, black woman in today's society.
$14.75
Unknown Poets from the Full-Time Jungle
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Soprano voice, Piano
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INTERMEDIATE
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Contemporary
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William Ortiz
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Unknown Poets from the Full-Ti
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William Ortiz
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1008997 Composed by William Ortiz. 20th Century,Contemporary. 56 pages. William Ortiz #6131...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1008997 Composed by William Ortiz. 20th Century,Contemporary. 56 pages. William Ortiz #6131473. Published by William Ortiz (A0.1008997). A bilingual song cycle (English/Spanish). Nine songs by different poets for Soprano and Piano.
$30.00
Juliet's Aria - Thou know'st the mask of night
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Joel Weiss
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Juliet's Aria - Thou know'st t
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Joel Weiss
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.984234 Composed by Joel Weiss. 20th Century,Concert,Contemporary,Opera,Standards. 4 pages. ...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.984234 Composed by Joel Weiss. 20th Century,Concert,Contemporary,Opera,Standards. 4 pages. Joel Weiss #3684777. Published by Joel Weiss (A0.984234). An aria for soprano and piano from the one-act opera Juliet's Balcony. Music by Joel Weiss, text by William Shakespeare (Act Two of Romeo and Juliet)Good for college students and young artists. Aria is c. 3 minutes long.Composer's website: www.JAWeiss.com
$2.99
There are blows in life, so powerful... I don't know! Op.2
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Manuel Carranza Cueto
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There are blows in life, so po
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Manuel Carranza Cueto
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1014466 Composed by Manuel Carranza Cueto. Contemporary. 14 pages. Manuel Carranza Cueto #3...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1014466 Composed by Manuel Carranza Cueto. Contemporary. 14 pages. Manuel Carranza Cueto #3573235. Published by Manuel Carranza Cueto (A0.1014466). This work is inspired by the poem Los Heraldos Negros by the Peruvian poet César Vallejo. This piece is for soprano and piano.
$15.00
I Know My Love solo
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Soprano voice, Piano
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Folkloric/Traditional
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WR Editions
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I Know My Love solo
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WR Editions
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.866677 Arranged by WR Editions. Folk. 8 pages. WR Editions #3380865. Published by WR Editions (A0.866...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.866677 Arranged by WR Editions. Folk. 8 pages. WR Editions #3380865. Published by WR Editions (A0.866677). Irish folk song about a young girl and her faithless lover.
$12.00
Let the World Know His Name
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Soprano voice, Piano
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INTERMEDIATE
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Richard Nye
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Let the World Know His Name
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Riverlight Creative Publishing
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1024340 Composed by Richard Nye. Christian,Contemporary. 7 pages. Riverlight Creative Publi...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1024340 Composed by Richard Nye. Christian,Contemporary. 7 pages. Riverlight Creative Publishing #2964669. Published by Riverlight Creative Publishing (A0.1024340). An anthem for soloist, two voices and piano based on the text from Acts 1:7-10.First performed by the Knighton House Chapel Choir, Ascension Day, 2016.
$2.00
I Know That My Redeemer Liveth - Messiah (E Major)
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Classical
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George Frideric Handel
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Jonathan Prentice
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I Know That My Redeemer Liveth
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884944 Composed by George Frideric Handel. Arranged by Jonathan Prentice. Baroque,Sacred. 8...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884944 Composed by George Frideric Handel. Arranged by Jonathan Prentice. Baroque,Sacred. 8 pages. Jonathan Prentice #6629833. Published by Jonathan Prentice (A0.884944). This famous aria opens part three of Handel’s iconic oratorio, Messiah,and incorporates words from the books of Job and Paul. Although a reworking of music he had previously used in other works it has become so associated with the composer that it was incorporated into his bust at Westminster Abbey. (Here in the original E Major)
$1.99
I Know It's Today (from Shrek the Musical) (Adult Fiona)
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Soprano voice, Piano
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Broadway
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I Know It's Today
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Hal Leonard - Digital
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SheetMusicPlus
Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Interactive Download SKU: HX.449680 Edited by Richard Walters. This edition: Interactive Dow...
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Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Interactive Download SKU: HX.449680 Edited by Richard Walters. This edition: Interactive Download,scorch. Broadway,Musical/Show. Score. 7 pages. Hal Leonard - Digital #143040. Published by Hal Leonard - Digital (HX.449680).
$4.99
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Centur...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Soprano voice, Piano
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 1...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Soprano voice, Piano
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ADVANCED
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Opera
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Classical
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pag...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Classical
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
#
Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period....
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Halevi Songs (piano/vocal score only)
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Soprano voice, Piano
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ADVANCED
#
Elissa Brill Pashkin
#
Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashk...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
When I am an Old Woman (Downloadable)
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Soprano voice, Piano
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EASY
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Libby Larsen
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When I am an Old Woman
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice solo, piano - Moderately Easy - Digital Download SKU: MQ.4827-E Composed by Libby Larsen. 7 pages. E. C. Schirmer Music Company - Digital #...
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Soprano voice solo, piano - Moderately Easy - Digital Download SKU: MQ.4827-E Composed by Libby Larsen. 7 pages. E. C. Schirmer Music Company - Digital #4827-E. Published by E. C. Schirmer Music Company - Digital (MQ.4827-E). English.In When I am an Old Woman, the character, a soprano, talks about all the different things she will do when she's old including picking flowers from other people's gardens and spitting on them as well. She concludes,I'd better practice a little now, so that people who know me are not too shocked and surprised when suddenly I am old..
$7.75
Jingle Bells for Choir in A major
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Soprano voice, Piano
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BEGINNER
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James Lord Pierpont
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Jps Arrangements
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Jingle Bells for Choir in A ma
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Jps Arrangements
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1476584 Composed by James Lord Pierpont. Arranged by Jps Arrangements. Christmas,Holiday,Tr...
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1476584 Composed by James Lord Pierpont. Arranged by Jps Arrangements. Christmas,Holiday,Traditional. 2 pages. Jps Arrangements #1054095. Published by Jps Arrangements (A0.1476584). Jingle Bells for Choir in A major is a classic Christmas song that brings joy and festive spirit. Here are some reasons why you should consider purchase of choral sheet music:Christmas Tradition: Jingle Bells is one of the best known and sung songs during Christmas. It evokes memories of celebrations, snow and gifts.Versatility: The score has been adapted for soprano. Universal Appeal: Music transcends cultures and languages. It is known throughout the world, which makes Jingle Bells an excellent choice for choirs looking to connect with diverse audiences.Performance opportunity: With sheet music in hand, your choir can perform Jingle Bells at concerts, community events, schools and churches. It's a way to spread Christmas joy.If you're looking for an affordable and exciting sheet music for your choir, Jingle Bells is an excellent option. Download the sheet music in PDF and get started rehearsing with enthusiasm.The arrangement is in A major and does not have the numbers.
$1.99
Jingle Bells for Choir in B major
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Soprano voice, Piano
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BEGINNER
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James Lord Pierpont
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Jps Arrangements
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Jingle Bells for Choir in B ma
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Jps Arrangements
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1476591 Composed by James Lord Pierpont. Arranged by Jps Arrangements. Christmas,Holiday,Tr...
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1476591 Composed by James Lord Pierpont. Arranged by Jps Arrangements. Christmas,Holiday,Traditional. 2 pages. Jps Arrangements #1054102. Published by Jps Arrangements (A0.1476591). Jingle Bells for Choir in B major is a classic Christmas song that brings joy and festive spirit. Here are some reasons why you should consider purchase of choral sheet music:Christmas Tradition: Jingle Bells is one of the best known and sung songs during Christmas. It evokes memories of celebrations, snow and gifts.Versatility: The score has been adapted for soprano. Universal Appeal: Music transcends cultures and languages. It is known throughout the world, which makes Jingle Bells an excellent choice for choirs looking to connect with diverse audiences.Performance opportunity: With sheet music in hand, your choir can perform Jingle Bells at concerts, community events, schools and churches. It's a way to spread Christmas joy.If you're looking for an affordable and exciting sheet music for your choir, Jingle Bells is an excellent option. Download the sheet music in PDF and get started rehearsing with enthusiasm.The arrangement is in B major and does not have the numbers.
$1.99
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