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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Page
Not classified
165,225
Piano & keyboards
Piano solo
171,982
Piano, Vocal and Guitar
105,917
Piano, Voice
97,422
Easy Piano
66,009
Organ
13,891
C Instruments
12,644
Big Note Piano
8,430
1 Piano, 4 hands
5,345
Accordion
2,845
Piano Trio: piano, violin, cello
2,013
Piano (band part)
1,663
Piano Accompaniment
1,473
2 Pianos, 4 hands
1,264
Melody line, Piano
564
Piano Quartet: piano, violin, viola, cello
554
Piano Quintet: piano, 2 violins, viola, cello
530
Piano Quartet: piano, 2 violins, cello
474
Organ, Piano (duet)
363
Organ, Trumpet (duet)
346
Harpsichord
233
1 Piano, 6 hands
215
Accordion, Voice
189
Solo instrument and Organ
164
Keyboard
153
2 Pianos, 8 hands
89
Accordion ensemble
54
2 Accordions
53
Organ, Voice
32
2 Organs (duet)
29
All Instruments
22
Fake Book
14
Accordion, Piano
12
Accordion, String(s)
8
Piano ensembles
6
Piano Quintet: piano, violin, viola, cello, double bass
6
Accordion and Orchestra
5
Concertina
2
Organ and Orchestra
1
Piano Trio: mixed chamber instrumentation
1
+ 34 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
54,711
Melody line, (Lyrics) and Chords
30,697
Guitar
17,127
Ukulele
12,422
Lyrics and Chords
11,467
Bass guitar
7,539
Guitar (band part)
2,138
2 Guitars (duet)
1,929
Mandolin
1,157
Banjo
1,130
4 Guitars (Quartet)
904
Piano, Guitar (duet)
878
Dulcimer
823
3 Guitars (trio)
400
Electric Bass (band part)
385
Guitar Ensemble
355
Baritone Ukulele
178
Lap Steel Guitar
137
Ukulele Ensemble
112
2 Dulcimers (duet)
83
Mandolin, Piano (duet)
74
Dobro
62
Mandolin, Guitar (duet)
56
Guitar Tab, Voice, Bass, Drum
40
Guitar, Violin, Cello (trio)
38
2 Ukuleles
31
3 Dulcimers (trio)
21
Guitar, Flute, Clarinet
14
Plectrum Orchestra
10
Guitar, Orchestra
10
2 Mandolins (duet)
9
Zither
7
Guitar, String Quartet
7
Lute
5
Bouzouki
5
2 Guitars and Orchestra
3
2 Guitars, Clarinet (trio)
1
+ 32 instrumentations
-
Retract
Voice
Choral SATB
55,869
Choral 3-part
21,129
Choral Instrumental Pak
19,902
Choral 2-part
13,017
Choral TTBB
11,619
Choral SSAA
6,403
Choral Unison
5,884
Vocal duet, Piano
3,592
Choral
3,396
Voice solo
2,862
High voice
1,667
Vocal duet
1,545
Soprano voice, Piano
1,168
Alto voice, Piano
726
Tenor voice, Piano
684
Low voice, Piano
602
Baritone voice, Piano
502
Voice, Guitar
329
Medium voice, Piano
290
Medium Voice
247
Choral SSATB
211
Tenor voice
140
Choral SSAATTBB
139
Choral SSATBB
125
Mezzo-Soprano voice, Piano
97
Choral SATTB
93
Choral SSATTB
80
Soprano voice
78
Soli, Mixted choir and accompaniment
62
Choral SSAB a cappella
61
Choral SSAB, Piano
48
Low voice
47
Choral SSAATB
45
Children choir
37
Voice, Basso continuo
32
High voice, Piano
30
Choral SAATB A Cappella
30
Voix Masculines
25
Baritone voice
19
Choral SATBB
19
Choral, Organ
18
Choral SATTBB, keyboard
11
Choral SSAATB A Cappella
9
Vocal duet, Organ
6
Choral SATTBB A Cappella
5
Vocal (with Chords Symbols)
4
Lyrics only
3
Children choir, Piano
2
Soprano voice, Orchestra
1
+ 44 instrumentations
-
Retract
Woodwind
Saxophone (band part)
26,372
Clarinet (band part)
14,547
Flute and Piano
12,214
Flute
11,753
Saxophone Quartet: 4 saxophones
10,562
Clarinet
9,901
Alto Saxophone
9,417
Clarinet and Piano
9,225
Tenor Saxophone
8,126
Alto Saxophone and Piano
7,233
Oboe, Piano (duet)
7,083
2 Saxophones (duet)
7,001
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
6,939
Flute (band part)
6,936
Flute, Oboe, Clarinet, Bassoon
6,486
Oboe (band part)
6,304
2 Flutes (duet)
5,794
Clarinet Quartet: 4 clarinets
5,417
Tenor Saxophone and Piano
5,405
2 Clarinets (duet)
4,897
Soprano Saxophone and Piano
3,343
Flute Quartet: 4 flutes
3,058
Saxophone Quintet: 5 Saxophones
2,846
3 Saxophones (trio)
2,500
3 Clarinets (trio)
2,286
Flute, Clarinet (duet)
1,993
Flute and Guitar
1,896
Clarinet Ensemble
1,829
Flute Trio: 3 flutes
1,771
Oboe
1,669
Baritone Saxophone, Piano
1,497
Flute ensemble
1,474
Clarinet Quintet: 5 clarinets
1,351
Saxophone ensemble
1,335
2 Oboes (duet)
1,269
English horn, Piano
1,118
2 Recorders (duet)
1,090
Oboe, Bassoon (duet)
1,026
Flute, Violin
899
Recorder Quartet
850
Clarinet, Violin (duet)
848
Soprano Saxophone
806
Oboe, Clarinet (duet)
801
Harmonica
782
Descant (Soprano) Recorder
719
Bass Clarinet, Piano
718
Eb Instruments
692
Flute, Oboe, Clarinet (trio)
692
Saxophone, Clarinet (duet)
676
Flute, Clarinet and Bassoon.
672
Recorder
647
Flute, Violin, Piano
563
Clarinet, Bassoon (duet)
555
Ocarina
540
Flute, Violoncello
540
Flute, Oboe, Bassoon
523
Flute, Oboe (duet)
503
Clarinet, Guitar (duet)
468
Treble (Alto) Recorder
467
Oboe, Clarinet, Bassoon (trio)
467
Flute Quintet : 5 flutes
428
3 Recorders (trio)
425
Oboe, Flute
391
Piccolo
390
Baritone Saxophone
382
English Horn
369
Clarinet, Cello (duet)
359
Clarinet, Trumpet (duet)
340
Flute, Clarinet, Piano (trio)
339
Flute, Trumpet (duet)
339
Bass Clarinet
337
Flute, Viola (duet)
331
Piccolo, Piano
328
Flute, Violin and Violoncello
308
Clarinet and Viola
305
Flute, Cello, Piano (trio)
294
Descent (Soprano) Recorder, Piano
279
2 Saxophones, Piano
273
Flute, Saxophone (duet)
270
Clarinet, Harp (duet)
263
5 Recorders
261
Saxophone
260
Tenor Recorder
255
Treble (Alto) Recorder, Piano
246
Oboe, Cello
243
2 Flutes, Piano
243
Saxophone and Guitar
241
Recorder Ensemble
238
3 Oboes
229
Oboe, Violin (duet)
219
Recorder, Piano
213
2 Clarinets, Piano
199
Flute, Trombone (duet)
179
Flute, Bassoon, and Piano
173
Flute, Oboe, Piano (trio)
128
Oboe, Guitar (duet)
127
Clarinet, Cello, Piano (trio)
126
Clarinet, Trombone (duet)
119
Flute, Clarinet, Violin (trio)
113
Pennywhistle
111
Saxophone, Violin (duet)
110
Flute, Oboe, Violin
106
English Horn, Guitar (duet)
103
Oboe, Trumpet (duet)
102
2 Clarinets, Bassoon
101
Bagpipe
93
4 Oboes
87
Wind ensemble
80
Flute, Viola and Piano
80
Flute, Harp and Cello
79
Oboe and viola (duet)
77
Clarinet, Bassoon, Piano (trio)
76
Flute, harp and violin
75
Recorder, Guitar (duet)
74
Flute, Clarinet, Horn and Bassoon (Quartet)
73
Saxophone and Organ
63
Clarinet Quartet: Clarinet, Violin, Viola, Cello
62
Flute, Violin, Violoncello and Piano
61
Flute, Organ (duet)
61
Saxophone and Piano
59
Flute and Strings Trio
56
Saxophone, Bassoon (duet)
49
Oboe, Trombone (duet)
48
Oboe, Harp
47
Saxophone and Harp
44
Flute, Tuba (duet)
44
Harmonica, Piano
43
Flute and String Quartet
43
Clarinette, Viola and Piano (trio)
38
Flute, Viola and harp
37
2 English horns and Pianoforte
36
Saxophone and cello
34
Flute, trombone and piano
33
Oboe, Bassoon and Piano
31
Clarinet, Tuba
30
Oboe, Cello and Piano
28
Clarinet Quintet: Clarinet, String Quartet
28
Oboe, Violin, Viola and Violoncello (Quartet)
27
Flute, Cello, Guitar
27
Clarinet, trumpet and piano
25
Flute, French horn (duet)
25
Clarinet, Organ
24
2 Oboes, Piano
22
Flute, Orchestra
17
Treble (Alto) Recorder, Basso continuo
17
Oboe, Clarinet and Piano (Trio)
16
2 Recorders, Piano
16
Saxophone and Orchestra
15
English horn, Harp (duet)
15
Oboe, Violin, Piano
15
Oboe ensemble
14
Clarinet, Double bass (duet)
14
Flute, Viola and Cello
13
Flute, Violin, Guitar
12
2 Harmonicas
11
Clarinet, Orchestra
11
Recorder, Harp
10
2 Flutes and Harp
10
2 Oboes and English horn
9
Saxophone, Tuba (duet)
9
2 Flutes and Guitar
9
Flute, Guitar, Piano
7
2 Oboes and Basson
7
Oboe, Organ
6
Clarinet, String quartet and Piano
6
Pan Flute
6
2 Flutes, 2 Clarinets (Quartet)
6
Melodica
5
Oboe and String quartet
4
Oboe, Clarinet, Bassoon and Piano
3
Oboe and Orchestra
3
Clarinet, Saxophone, Piano
3
2 Recorders, Guitar
2
2 Flutes, Basso continuo
1
3 Recorders, Piano
1
2 clarinets, 2 bassoons
1
2 Oboes, 2 Horns and 2 Bassoons
1
+ 172 instrumentations
-
Retract
Woodbrass
Trumpet (band part)
17,627
Trombone (band part)
17,090
Trumpet
9,576
Brass Quintet: 2 trumpets, horn, trombone, tuba
9,194
Trombone
7,805
French horn (band part)
6,644
French horn
6,587
Trumpet, Piano
6,579
Trombone and Piano
5,769
Brass quartet : 2 trumpets, trombone, tuba
4,493
French Horn and Piano
4,139
Tuba (band part)
4,056
2 Trumpets (duet)
2,746
Tuba
2,611
2 Trombones (duet)
2,325
Tuba and Piano
2,004
Brass Quartet: 2 trumpets, horn, trombone
1,804
Brass Quartet
1,785
Trumpet, Trombone (duet)
1,435
Brass Quartet: 4 trombones
1,265
Bass Clef Instruments
1,188
Euphonium, Piano (duet)
1,182
2 French horns (duet)
1,161
English horn, Piano
1,118
Brass Quartet: 4 horns
961
2 Euphoniums and 2 Tubas
818
Euphonium
791
Bb Instruments
650
Trumpet, Saxophone (duet)
650
Trumpet, Horn (duert)
566
Trombone ensemble
467
3 Trombones (trio)
462
Brass Trio
439
Tuba or Euphonium or Saxhorn
381
English Horn
369
Cornet
368
3 Trumpets (trio)
349
2 Tubas (duet)
348
Horn Ensemble
279
Bass Trombone and Piano
276
Brass Quartet: 4 trumpets
257
Trumpet ensemble
248
Trumpet, Tuba (duet)
242
Trombone, Tuba (duet)
230
4 Tubas
209
Tuba and Organ
156
Trombone, cello (duet)
139
2 Trumpets, Keyboard (piano or organ)
136
Trumpet, violin (duet)
135
Trombone, Horn (duet)
126
Euphonium, Tuba (duet)
123
Trumpet, Bassoon (duet)
118
Horn, Cello (duet)
118
Bass Trombone
113
Horn, Tuba (duet)
108
Brass Quartet: 2 trumpets, 2 trombones
104
English Horn, Guitar (duet)
103
Trombone, Violin (duet)
93
3 French horns (trio)
91
Trumpet, Cello (duet)
88
Euphonium (band part)
84
2 Euphoniums (duet)
79
Trombone, Organ
60
French Horn and Harp
56
French horn and Basson (duet)
49
Trumpet, Trombone, Piano
43
2 Trombones, Piano
42
Trumpet, Cello, Piano
41
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
40
Trumpet, Harp
39
2 English horns and Pianoforte
36
Clarinet, Horn (duet)
35
Trumpet and Guitar
35
3 Tubas (trio)
31
Trombone, Viola (duet)
28
Tuba ensemble
22
Horn and Organ
22
Horn, Trumpet, Trombone (trio)
20
4 Euphoniums
20
Flügelhorn
18
2 French horns, Piano
18
Cornet and Piano
15
English horn, Harp (duet)
15
Brass Quintet: 2 trumpets, horn, 2 trombones
14
3 Euphoniums
13
Trumpet, Orchestra
13
Trombone and Orchestra
8
Trumpet, Euphonium (duet)
8
F Instruments
7
Horn, Cello and Piano
7
Euphonium or Saxhorn and Piano
5
Instruments en Sol
4
Horn and Orchestra
2
Cornet and Orchestra
2
Bass Saxhorn or Euphonium or Tuba and Piano
2
+ 90 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
31,106
Violin and Piano
16,034
Violin
15,549
Cello
10,626
Cello, Piano
10,497
Violin (band part)
9,080
Viola
8,534
Viola, Piano
7,962
Harp
7,545
Violin, Cello (duet)
5,637
2 Violins (duet)
5,180
Doublebass (band part)
4,960
String Trio: violin, viola, cello
4,440
2 Cellos (duet)
3,673
Viola (band part)
3,094
Cello (band part)
3,053
Violin, Viola (duet)
2,559
Double Bass
2,114
String Quintet: 2 violins, viola, cello, bass
2,073
2 Violas (duet)
2,020
Double bass, Piano (duet)
1,733
String Trio: 2 violins, cello
1,693
Viola, Cello (duet)
1,395
4 Cellos
1,040
String Trio: 3 violins
958
Violin, Guitar (duet)
833
Piano Trio: Violin, Viola, Piano
785
String trio
729
String Trio: 3 cellos
692
2 Harps (duet)
638
Cello, Guitar (duet)
594
Harp, Flute (duet)
571
String quartet: 4 violins
488
Harp, Violin (duet)
402
String Trio: 2 violins, viola
365
2 Double basses (duet)
354
Viola, Guitar (duet)
346
String Trio: 3 violas
340
Cello, String Bass (duet)
324
String Quartet : 4 violas
320
2 Violins, Piano
300
Violin, Bassoon (duet)
257
Viola and Bassoon
167
String Quintet: 2 violins, 2 violas, cello
141
Harp, Cello (duet)
122
2 Cellos, Piano
114
Harp and Piano
100
Violin, Clarinet, Piano (trio)
100
Harp, Voice
96
String Quintet: 2 violins, viola, 2 cellos
91
Harp (band part)
85
Cello Ensemble
76
Viola and Harp
72
2 Violas, Piano
70
Cello, Organ
65
Violin, Organ
64
4 Double Basses
60
Flute, Doublebass (duet)
60
Violin ensemble
48
Harp, Violin, Violoncello
47
3 double basses
40
3 Harps
34
Violin, Tuba (duet)
32
Viola ensemble
31
Cello, Orchestra
25
Violin, Basso continuo
20
Autoharp
18
Harp and mandolin
16
Violin, Double bass (duet)
16
Viola, Organ
15
Violin, Cello, Clarinet
15
Harp, Trombone (duet)
15
Violin, Trumpet and Piano
14
4 Harps
12
Harp, String quartet
6
5 Harps
6
Viola and orchestra
6
Harp, Orchestra
6
Harp and Organ
5
Double basses ensemble
3
Violin, Clarinet and Guitar
3
2 Violins and Basso
1
+ 77 instrumentations
-
Retract
Orchestra & Percussion
Concert band
63,332
Marching band
15,534
String Orchestra
14,815
Jazz Ensemble
12,941
Orchestra
12,295
Percussion (band part)
8,942
Handbells
5,821
Drums
5,646
Brass ensemble
5,578
Chamber Orchestra
3,247
Drum (band part)
2,594
Jazz combo
2,517
Percussion
2,260
Timpani (band part)
2,254
Percussion Ensemble
1,537
Marimba
536
Timpani
502
Vibraphone
385
Xylophone
380
Woodwind Quintet
245
Xylophone, Piano
150
Snare drums
118
Woodwind Quartet: any 4 woodwinds
106
Vibraphone (band part)
94
2 Xylophones
63
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
61
Flexible Instrumentation
49
Big band
48
Brass Quintet: other combinaisons
41
Xylophone (band part)
35
Drums-Marching band
32
Piano and Orchestra
27
2 Marimbas
23
School Ensemble
22
Vibraphone and Marimba
21
Woodwind Trio: any 3 woodwinds
17
3 Marimbas
17
Orchestra, Violin
16
Marimba, Piano (duet)
14
Marimba and Organ
11
Xylophone or Marimba or Vibraphone
11
3 Percussions
10
Bongos
7
Voice and Orchestra
6
2 Snare Drums (duet)
4
2 Percussions
3
Conga
3
Symphonic Band
2
Bodhran
2
Cajon
2
Vibraphone, Piano
1
Marimba or Xylophone and Piano
1
Snare drums, Piano
1
Marimba, Saxophone (duet)
1
+ 49 instrumentations
-
Retract
Others
Musical course - Solfege
226
Music Theory
47
Stationery
32
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← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
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Soprano voice, Piano
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Restless in thought
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Soprano voice, Piano
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Classical
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John Eccles
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Restless in thought
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SheetMusicPlus
Soprano voice and continuo - Digital Download Composed by John Eccles. Baroque Period, Early Music. Score. 3 pages. Published by Early Music Scores...
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Soprano voice and continuo - Digital Download Composed by John Eccles. Baroque Period, Early Music. Score. 3 pages. Published by Early Music Scores
Voice and continuo
Composed by John Eccles (1668-1735). From A Collection of Songs, 1704. Edited by Felipe Dias. 3 pages.
$6.99
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Soprano voice, Piano
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 1...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Centur...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Classical
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period....
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Soprano voice, Piano
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ADVANCED
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Opera
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Classical
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pag...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Soprano voice, Piano
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ADVANCED
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse from
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Rom...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Accept God's Love (piano/soprano)
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Soprano voice, Piano
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INTERMEDIATE
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Melody Mills
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Jon Burr
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Accept God's Love
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Melody Mills
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.993100 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 6 pages....
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.993100 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 6 pages. Melody Mills #3686891. Published by Melody Mills (A0.993100). Sacred solo for church service. Available in 3 versions: piano for contralto or soprano, and organ for soprano. Lyric sheet included as last page of document. The lyrics include:Lepers came to Christ,They could not be touched,Till their humbled heartsReached out, reached out for love.We are all embraced,God's own cherished man,Nothing can impede God's holy plan.[refrain]Accept God's love, allow yourself to feeltender comfort deep inside;Accept God's love, acknowledge Love is real,and an ever-present guide;Accept God's love, soon you will see you are free!
$4.27
Accept God's Love (organ/soprano)
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Melody Mills
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Jon Burr
#
Accept God's Love
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Melody Mills
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.993099 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 9 pages....
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.993099 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 9 pages. Melody Mills #3686817. Published by Melody Mills (A0.993099). Sacred solo for church service. Available in 3 versions: piano for contralto or soprano, and organ for soprano. Lyric sheet included as last page of document. The lyrics include:Lepers came to Christ,They could not be touched,Till their humbled heartsReached out, reached out for love.We are all embraced,God's own cherished man,Nothing can impede God's holy plan.[refrain]Accept God's love, allow yourself to feeltender comfort deep inside;Accept God's love, acknowledge Love is real,and an ever-present guide;Accept God's love, soon you will see you are free!
$4.27
O give thanks to the Lord
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Sacred music
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Allan Leslie McDougall
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106 &
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O give thanks to the Lord
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Allan Leslie McDougall
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.983765 Composed by Allan Leslie McDougall. Christian,Praise & Worship,Sacred. 11 pages. All...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.983765 Composed by Allan Leslie McDougall. Christian,Praise & Worship,Sacred. 11 pages. Allan Leslie McDougall #6861409. Published by Allan Leslie McDougall (A0.983765). A Christian worship song suitable for soprano. It is based on Psalms 105 & 106 & 119. The lyrics are additionally written on the last page.
$4.00
"Annabel Lee," for Soprano and Piano
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Soprano voice, Piano
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ADVANCED
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Steven Shade
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"Annabel Lee," for Soprano and
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Steve Shade
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.834328 Composed by Steven Shade. Concert,Instructional,Romantic Period,Standards. 17 pages....
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.834328 Composed by Steven Shade. Concert,Instructional,Romantic Period,Standards. 17 pages. Steve Shade #3210489. Published by Steve Shade (A0.834328). Annabel Lee is a song composed for Soprano Voice and Piano. Poe's heart wrenching poem, Annabel Lee, is set to music in the dramatic key of E minor. This purchase includes a cover page, program notes, the complete Annabel Lee poem, and the full score to the piece. Duration: About 4 minutesDifficulty: AdvancedScored for: Soprano Voice and Piano
$1.99
Kindness (high voice solo with piano)
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Soprano voice, Piano
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ADVANCED
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Emily Wood
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eswoodmusic@gmail.com).
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Kindness
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Emily Sue Wood
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.907126 Composed by Emily Wood. Concert,Contemporary,Wedding. 6 pages. Emily Sue Wood #42925...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.907126 Composed by Emily Wood. Concert,Contemporary,Wedding. 6 pages. Emily Sue Wood #4292555. Published by Emily Sue Wood (A0.907126). I admire you for your kindness. This song may be interpreted as a romantic love song or a song honoring someone inspirational. Vocal pitch ranges from the A sharp below middle C to the A sharp above treble C. Original music and text. About two minutes long, written in 2018. (My Facebook page: Music by Emily Wood; eswoodmusic@gmail.com).
$4.99
To be Called Children of God (organ/soprano)
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Melody Mills
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Jon Burr
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To be Called Children of God
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Melody Mills
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.993102 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 7 pages....
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.993102 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 7 pages. Melody Mills #3686959. Published by Melody Mills (A0.993102). Sacred solo for church service. Inspired by I John 3:1 and Isaiah 66:13. Available in 3 versions: piano for contralto or soprano, and organ for soprano. Lyric sheet included as last page of document. The lyrics include:Take a moment to consideran incredible love we hardly can grasp:God, our Father, clearly loves us,To have named us as heirs to all that will last;Think of it! Born of Love!Ponder it! Heirs of Life!Sons and daughters of all Truth!This is the greatest love that could be given you:to be called children of God;to be known as God's own.To be called children of God!
$4.27
To be Called Children of God (piano/soprano)
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Soprano voice, Piano
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INTERMEDIATE
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Melody Mills
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Jon Burr
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To be Called Children of God
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Melody Mills
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.993103 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 8 pages....
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.993103 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 8 pages. Melody Mills #3686969. Published by Melody Mills (A0.993103). Sacred solo for church service. Inspired by I John 3:1 and Isaiah 66:13. Available in 3 versions: piano for contralto or soprano, and organ for soprano. Lyric sheet included as last page of document. The lyrics include:Take a moment to consideran incredible love we hardly can grasp:God, our Father, clearly loves us,To have named us as heirs to all that will last;Think of it! Born of Love!Ponder it! Heirs of Life!Sons and daughters of all Truth!This is the greatest love that could be given you:to be called children of God;to be known as God's own.To be called children of God!
$4.27
This Earth Was Once a Garden Place—High Range Solo Voice, Fiddle, and Piano
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Soprano voice, Piano
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ADVANCED
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Sacred music
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Anonymous
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Daniel Carter
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This Earth Was Once a Garden P
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Daniel Carter
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1047252 Composed by Anonymous. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,S...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1047252 Composed by Anonymous. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred. 6 pages. Daniel Carter #651799. Published by Daniel Carter (A0.1047252). Based on the anonymous pioneer hymn tune PROSPECT OF HEAVEN, first published in Southern Harmony in 1835, this tune was combined with pioneer LDS poet, William W. Phelps' text about the Garden of Eden with the future hope of Christ's Second Coming to the valley of Adam-ondi-Ahman, which the LDS faith believes is the original location of the Garden. Arranged with a dance-like piano accompaniment and complimentary fiddle obbligato of Jesu, Joy of Man's Desiring, a delightful special musical number for worship, concert settings, historical music and hymn studies. Arranged as high-range and medium-range vocal solos. Obbligato part included on the last page.
$5.99
Quasi Un Madrigale for soprano and piano
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Soprano voice, Piano
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ADVANCED
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Contemporary
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Robert M
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Quasi Un Madrigale for soprano
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Robert M. Greenberg
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.987854 Composed by Robert M. Greenberg. 20th Century. 44 pages. Robert M. Greenberg #115419...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.987854 Composed by Robert M. Greenberg. 20th Century. 44 pages. Robert M. Greenberg #115419. Published by Robert M. Greenberg (A0.987854). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 23 minutes Year of composition: 1999 Program Note: Quasi Un Madrigale sets the poetry of three 20th century Italian poets: Salvatore Quasimodo, Aldo Palazzeschi and Corrado Govoni. These expressive, evocative poems deal variously with states of memory, nostalgia, and longing. The four songs are conceived as a cycle. The first three songs are true duets, with the piano a full partner of the soprano. The fourth and final song, from which the cycle draws its name, constitutes the emotional core of the set. It is at once a resigned lament of personal loss and an affirmation of new life. Quasi Un Madrigale was composed between February and September 1985. All poems used with permission.
$28.00
"Eulalie," for Soprano and Piano
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Steven Shade
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"Eulalie," for Soprano and Pia
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Steve Shade
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.834331 Composed by Steven Shade. 20th Century,Romantic Period. 12 pages. Steve Shade #32407...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.834331 Composed by Steven Shade. 20th Century,Romantic Period. 12 pages. Steve Shade #3240751. Published by Steve Shade (A0.834331). Eulalie is a poem written by Edgar Allan Poe. I have set it to a song for Soprano Voice and Piano. Due to the content of the poem, this piece allows the vocalist to get a chance to work on both expressive and dramatic singing. The vocalist gets a moment to truly shine during a mini cadenza. Although not the soloist, the pianist has interludes that will showoff the player's expressive abilities. Although not technically difficult, this piece does demand a fairly large range from the vocalist. This song would be a good expressive piece to add to a recital. Contents: Cover page, program notes, Eulalie poem in its entirety, full scoreSoprano Range: C4-Bb5Difficulty: Intermediate/Early AdvancedDuration: About 3 minutes
$1.99
Pastorale
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Soprano voice, Piano
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Classical
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Igor Stravinsky
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Pastorale
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - Digital Download SKU: S9.Q1693 For soprano and piano. Composed by Igor Stravinsky. This edition: Sheet music. Soprano - ...
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Soprano voice and piano - Digital Download SKU: S9.Q1693 For soprano and piano. Composed by Igor Stravinsky. This edition: Sheet music. Soprano - vocal music - contemporary music. Downloadable. Duration 4 minutes. Schott Music - Digital #Q1693. Published by Schott Music - Digital (S9.Q1693). Russian • French.Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians. Edition Schott ranges from Renaissance to Contemporary solo instruments to orchestra, well-known pieces to interesting rarities and includes about twenty of Schott's acknowledged and well-established instrumental series such as Guitar-Archive, Violin Library, Il Flauto Traverso and Original Music for Recorder. Edition Schott publications share the highest production values and a distinct house style with clear notations, practical page-turns and high-quality paper. Edition Schott maintains and extends the internationally recognized tradition of excellence and reliability established in 1770 by Schott Music.
$11.99
Neue Freuden, neue Schmerzen
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Soprano voice, Piano
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Classical
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Wolfgang Amadeus Mozart
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Neue Freuden, neue Schmerzen
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - Digital Download SKU: S9.Q51986 Pagen-Arie aus Die Hochzeit des Figaro. Composed by Wolfgang Amadeus Mozart. This editio...
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Soprano voice and piano - Digital Download SKU: S9.Q51986 Pagen-Arie aus Die Hochzeit des Figaro. Composed by Wolfgang Amadeus Mozart. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Schott Music - Digital #Q51986. Published by Schott Music - Digital (S9.Q51986). German • Italian.
$4.99
Si tocchi tamburo (Il Palazzo Incantato)
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Soprano voice, Piano
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Opera
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Classical
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Luigi Rossi
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Early Music Scores
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Si tocchi tamburo
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Early Music Scores
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.1392212 Composed by Luigi Rossi. Arranged by Early Music Scores. Baroque,Opera. 5 pages. Early Music ...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.1392212 Composed by Luigi Rossi. Arranged by Early Music Scores. Baroque,Opera. 5 pages. Early Music Scores #975707. Published by Early Music Scores (A0.1392212). Voice and continuoComposed by Luigi Rossi (c.1597-1653). From Il Palazzo Incantato, Biblioteca Apostolica Vaticana, Barb.lat.4388. Edited by Felipe Dias. 5 pages.
$6.99
Dove mi spingi Amor (Il Palazzo Incantato)
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Soprano voice, Piano
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Opera
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Classical
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Luigi Rossi
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Early Music Scores
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Dove mi spingi Amor
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Early Music Scores
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.1393175 Composed by Luigi Rossi. Arranged by Early Music Scores. Baroque,Opera. 8 pages. Early Music ...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.1393175 Composed by Luigi Rossi. Arranged by Early Music Scores. Baroque,Opera. 8 pages. Early Music Scores #976670. Published by Early Music Scores (A0.1393175). Voice and continuoComposed by Luigi Rossi (c.1597-1653). From Il Palazzo Incantato, Biblioteca Apostolica Vaticana, Chig.Q.V.51. Edited by Felipe Dias. 8 pages.
$7.99
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