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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
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Sheetmusicplus
Not classified
8,892
Piano & keyboards
Piano solo
5,913
Big Note Piano
3,305
Easy Piano
3,110
Organ
2,190
Piano, Voice
1,271
Piano, Vocal and Guitar
620
C Instruments
520
1 Piano, 4 hands
297
Piano Accompaniment
164
Accordion
130
Piano Trio: piano, violin, cello
122
2 Pianos, 4 hands
72
Keyboard
66
Piano (band part)
39
Piano Quartet: piano, violin, viola, cello
34
Organ, Piano (duet)
14
Piano Quintet: piano, 2 violins, viola, cello
13
Piano Quartet: piano, 2 violins, cello
12
Harpsichord
11
1 Piano, 6 hands
8
Organ, Trumpet (duet)
7
2 Pianos, 8 hands
5
2 Accordions
2
Accordion and Orchestra
1
+ 19 instrumentations
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Retract
Guitars
Guitar notes and tablatures
988
Guitar
688
Bass guitar
580
Ukulele
394
Piano, Guitar (duet)
132
Dulcimer
81
Guitar (band part)
79
Melody line, (Lyrics) and Chords
74
2 Guitars (duet)
59
Mandolin
48
Banjo
45
4 Guitars (Quartet)
29
Baritone Ukulele
17
Guitar Ensemble
17
Lyrics and Chords
15
2 Dulcimers (duet)
10
3 Guitars (trio)
9
2 Ukuleles
7
Mandolin, Guitar (duet)
3
Dobro
3
Guitar, Violin, Cello (trio)
2
Zither
1
Lute
1
Electric Bass (band part)
1
+ 19 instrumentations
-
Retract
Voice
Choral SATB
555
Choral 3-part
336
Choral 2-part
165
Choral Unison
112
Choral TTBB
65
Choral SSAA
41
Vocal duet, Piano
25
Vocal duet
21
Soprano voice, Piano
19
Alto voice, Piano
17
High voice
10
Baritone voice, Piano
8
Tenor voice, Piano
6
Voice solo
5
Medium voice, Piano
3
Low voice, Piano
3
Choral
3
Tenor voice
2
Choral SSAATTBB
2
Mezzo-Soprano voice, Piano
1
Voix Masculines
1
Soprano voice
1
Choral SSATTB
1
+ 18 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
923
Flute and Piano
883
Oboe, Piano (duet)
697
Clarinet and Piano
670
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
587
Alto Saxophone
565
Alto Saxophone and Piano
542
Saxophone Quartet: 4 saxophones
537
Flute
530
Tenor Saxophone
518
Clarinet
498
2 Flutes (duet)
458
2 Clarinets (duet)
445
Tenor Saxophone and Piano
405
Saxophone (band part)
395
Clarinet Quartet: 4 clarinets
364
Flute, Oboe, Clarinet, Bassoon
355
Saxophone, Clarinet (duet)
325
Saxophone Quintet: 5 Saxophones
293
Clarinet, Violin (duet)
261
Soprano Saxophone and Piano
232
Flute, Clarinet (duet)
213
Oboe (band part)
206
Clarinet, Trumpet (duet)
203
2 Oboes (duet)
190
Baritone Saxophone, Piano
156
Oboe, Bassoon (duet)
150
Flute, Violin
149
Oboe, Clarinet (duet)
144
Flute Quartet: 4 flutes
131
3 Clarinets (trio)
125
3 Saxophones (trio)
124
Clarinet and Viola
122
Flute, Saxophone (duet)
120
Flute, Viola (duet)
113
2 Recorders (duet)
113
Oboe, Flute
105
Clarinet Ensemble
102
Saxophone ensemble
99
Pennywhistle
93
Flute, Trumpet (duet)
91
Flute Trio: 3 flutes
89
Clarinet Quintet: 5 clarinets
87
Flute ensemble
85
Descant (Soprano) Recorder
73
Oboe
71
Flute and Guitar
67
English horn, Piano
62
Recorder
60
Harmonica
57
Flute Quintet : 5 flutes
51
Clarinet, Bassoon (duet)
48
Soprano Saxophone
48
English Horn
47
Flute, Oboe, Clarinet (trio)
47
Flute, Harp and Cello
43
Flute, Oboe (duet)
42
Recorder Ensemble
42
Flute, Violoncello
37
Flute, Violin, Piano
36
Clarinet, Cello (duet)
36
Flute (band part)
36
Bass Clarinet, Piano
34
Treble (Alto) Recorder
33
Saxophone
31
Baritone Saxophone
31
2 Flutes, Piano
30
Oboe, Cello
28
Clarinet (band part)
27
Recorder Quartet
26
Flute, Clarinet and Bassoon.
26
Clarinet, Harp (duet)
25
Oboe, Violin (duet)
24
Oboe, Clarinet, Bassoon (trio)
23
Tenor Recorder
17
Clarinet, Guitar (duet)
17
Ocarina
15
Flute, Clarinet, Piano (trio)
15
3 Recorders (trio)
14
Clarinet, Trombone (duet)
14
Flute, Violin and Violoncello
12
Bass Clarinet
12
Descent (Soprano) Recorder, Piano
11
Flute, Oboe, Bassoon
11
Flute, Clarinet, Horn and Bassoon (Quartet)
10
Oboe and viola (duet)
9
Clarinet, Cello, Piano (trio)
9
Flute, Clarinet, Violin (trio)
9
Flute, Oboe, Piano (trio)
8
Flute, harp and violin
8
Treble (Alto) Recorder, Piano
8
Saxophone and Guitar
8
Flute, Viola and Piano
8
Flute, Bassoon, and Piano
7
Oboe, Guitar (duet)
7
Flute, Organ (duet)
7
Flute, Cello, Piano (trio)
6
Flute, Oboe, Violin
6
2 Clarinets, Piano
5
Flute, Trombone (duet)
5
Oboe ensemble
5
Clarinet, Double bass (duet)
5
2 Clarinets, Bassoon
5
English Horn, Guitar (duet)
4
5 Recorders
4
Oboe, Violin, Piano
4
Saxophone and Harp
4
Clarinet Quintet: Clarinet, String Quartet
4
Saxophone and Organ
4
4 Oboes
4
Oboe, Bassoon and Piano
3
2 English horns and Pianoforte
3
Clarinet, Bassoon, Piano (trio)
3
Clarinette, Viola and Piano (trio)
3
2 Oboes and Basson
3
2 Saxophones, Piano
3
Clarinet, Organ
3
Oboe, Clarinet and Piano (Trio)
3
Piccolo
3
Piccolo, Piano
3
Oboe, Harp
3
Clarinet, Tuba
3
Flute, Tuba (duet)
2
Oboe, Cello and Piano
2
Oboe, Trumpet (duet)
2
Flute, Violin, Violoncello and Piano
2
Pan Flute
2
Flute, Cello, Guitar
2
Clarinet Quartet: Clarinet, Violin, Viola, Cello
2
3 Oboes
2
Oboe, Trombone (duet)
2
Flute and Strings Trio
1
2 Oboes, Piano
1
Recorder, Piano
1
Recorder, Guitar (duet)
1
Clarinet, Orchestra
1
2 Oboes, 2 Horns and 2 Bassoons
1
Saxophone, Violin (duet)
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
Recorder, Harp
1
Flute and String Quartet
1
Saxophone, Tuba (duet)
1
Flute, trombone and piano
1
Eb Instruments
1
2 Flutes and Harp
1
2 Recorders, Guitar
1
Bagpipe
1
+ 142 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
525
Trombone and Piano
500
Trumpet
489
Trumpet, Piano
454
Trombone
359
French Horn and Piano
307
Brass quartet : 2 trumpets, trombone, tuba
292
Trumpet, Saxophone (duet)
242
2 Trombones (duet)
237
2 Trumpets (duet)
210
French horn
194
Trombone (band part)
186
Trumpet (band part)
185
Tuba and Piano
170
Trumpet, Trombone (duet)
155
Tuba
151
Brass Quartet
120
Brass Quartet: 2 trumpets, horn, trombone
89
2 French horns (duet)
74
Trumpet ensemble
64
English horn, Piano
62
Trombone ensemble
48
English Horn
47
Euphonium, Piano (duet)
47
Brass Quartet: 4 trombones
43
French horn (band part)
40
Tuba (band part)
37
2 Tubas (duet)
36
Trumpet, Horn (duert)
31
Euphonium
27
3 Trombones (trio)
24
2 Euphoniums (duet)
21
Brass Quartet: 4 horns
21
3 Trumpets (trio)
18
Horn, Cello (duet)
15
2 Euphoniums and 2 Tubas
13
Brass Quartet: 4 trumpets
13
Tuba and Organ
12
Euphonium, Tuba (duet)
10
Brass Trio
10
Horn Ensemble
10
Trumpet, Bassoon (duet)
9
Trumpet, Cello (duet)
9
Trombone, Tuba (duet)
9
Bass Trombone
8
3 French horns (trio)
8
Trombone, Organ
7
Trumpet, Tuba (duet)
7
4 Tubas
7
French Horn and Harp
7
Trumpet, Harp
6
French horn and Basson (duet)
5
Trombone, Horn (duet)
5
3 Tubas (trio)
5
English Horn, Guitar (duet)
4
Trumpet and Guitar
4
Brass Quartet: 2 trumpets, 2 trombones
4
Horn, Tuba (duet)
4
Bass Clef Instruments
4
Brass Quintet: 2 trumpets, horn, 2 trombones
3
Trombone, Violin (duet)
3
2 English horns and Pianoforte
3
Bb Instruments
3
Trumpet, Cello, Piano
2
Bass Trombone and Piano
2
Trumpet, violin (duet)
2
Trumpet, Euphonium (duet)
1
2 French horns, Piano
1
Horn, Trumpet, Trombone (trio)
1
Tuba ensemble
1
Tuba or Euphonium or Saxhorn
1
Trumpet, Trombone, Piano
1
+ 67 instrumentations
-
Retract
Strings
Harp
1,675
String Quartet: 2 violins, viola, cello
1,381
Violin and Piano
1,020
Violin
1,006
Cello, Piano
711
Viola, Piano
666
Cello
554
Violin, Cello (duet)
457
2 Violins (duet)
372
Viola
307
String Trio: violin, viola, cello
254
Violin, Viola (duet)
243
2 Cellos (duet)
215
2 Violas (duet)
204
Double bass, Piano (duet)
200
String Quintet: 2 violins, viola, cello, bass
168
Double Bass
160
2 Harps (duet)
158
Harp, Flute (duet)
142
String Trio: 2 violins, cello
130
Harp, Violin (duet)
122
Viola (band part)
81
Violin (band part)
58
Doublebass (band part)
56
String Trio: 3 violins
47
Viola, Cello (duet)
44
4 Cellos
42
Harp and Piano
40
Violin, Guitar (duet)
33
Piano Trio: Violin, Viola, Piano
29
Cello, String Bass (duet)
27
String quartet: 4 violins
21
Violin, Bassoon (duet)
20
String Trio: 3 violas
18
String Trio: 3 cellos
18
Viola and Bassoon
18
2 Double basses (duet)
17
Violin ensemble
16
Viola ensemble
13
Harp, Voice
11
String Trio: 2 violins, viola
10
String Quartet : 4 violas
10
Cello (band part)
9
Flute, Doublebass (duet)
9
Cello, Guitar (duet)
9
Viola and Harp
9
2 Violins, Piano
8
Cello, Organ
7
String Quintet: 2 violins, 2 violas, cello
7
Viola, Guitar (duet)
7
String Quintet: 2 violins, viola, 2 cellos
6
Harp, Violin, Violoncello
5
Harp, Cello (duet)
5
Violin, Clarinet, Piano (trio)
4
Autoharp
4
Violin, Tuba (duet)
4
4 Double Basses
4
Cello, Orchestra
3
Violin, Cello, Clarinet
3
Harp and mandolin
2
Cello Ensemble
2
3 double basses
2
4 Harps
1
3 Harps
1
Violin, Basso continuo
1
Viola, Organ
1
2 Violas, Piano
1
2 Cellos, Piano
1
+ 63 instrumentations
-
Retract
Orchestra & Percussion
Concert band
1,734
Jazz Ensemble
666
String Orchestra
665
Handbells
454
Orchestra
433
Brass ensemble
347
Chamber Orchestra
208
Drums
168
Percussion Ensemble
133
Jazz combo
103
Marching band
71
Marimba
60
Drum (band part)
39
Xylophone
32
Xylophone, Piano
23
Percussion (band part)
18
Vibraphone
16
2 Xylophones
10
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
8
School Ensemble
8
2 Marimbas
4
Percussion
4
Brass Quintet: other combinaisons
3
Flexible Instrumentation
3
Vibraphone and Marimba
3
Conga
2
Bongos
2
Snare drums
2
Timpani
1
Orchestra, Violin
1
Bodhran
1
Piano and Orchestra
1
+ 27 instrumentations
-
Retract
Others
Musical course - Solfege
3
Music Theory
1
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1
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Soprano voice, Piano
#
Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 1...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
#
Soprano voice, Piano
#
ADVANCED
#
Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Classical
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period....
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Soprano voice, Piano
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ADVANCED
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Opera
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Classical
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pag...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Soprano voice, Piano
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ADVANCED
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse from
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Rom...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Centur...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Daybreak (Downloadable)
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Soprano voice, Piano
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Tawnie Olson
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Daybreak
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8701-3E Composed by Tawnie Olson. Instrument part. 11 pages. Duration 14 minute...
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Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8701-3E Composed by Tawnie Olson. Instrument part. 11 pages. Duration 14 minutes, 15 seconds. E. C. Schirmer Music Company - Digital #8701-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8701-3E). English.Commissioned by the Canadian Art Song Project for soprano Magali Simard-Galdès, winner of the Jeunesses Musicales Maureen Forrester Tour. This piece won second prize in the 2018 NATS Art Song Composition Competition.This song cycle is, in part, a meditation on what it means to be a mortal being who exists in time. The first and last movements each present a different take on looking back, and the cycle moves backward in time from evening to mid-day to dawn. Images from each poem are woven into the music; the first movement is full of sewing imagery, so in places the pianist imitates the ebb and flow of a sewing machine's ostinato. The playful second movement depicts icicles melting, opening with their unpredictable drips. In the third movement, clouds bloom. Duration: 14:15Contents:I. DuskII. Hubbard's CoveIII. Daybreak.
$9.00
Concentric Circles
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Soprano voice, Piano
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INTERMEDIATE
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Christy Miranda Kalfas
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Concentric Circles
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Christy Kalfas
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.980123 Composed by Christy Miranda Kalfas. Contemporary,Jazz. 3 pages. Christy Kalfas #4783...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.980123 Composed by Christy Miranda Kalfas. Contemporary,Jazz. 3 pages. Christy Kalfas #4783479. Published by Christy Kalfas (A0.980123). Solo soprano voice with piano accompaniment in a light jazz style. Includes a piano solo that can be played as written or replaced with the pianist's own improvisation using the chords given. The aim is to convey on the piano what the vocalist has just shared through the lyrics. Concentric Circles is track 3 on the album Blessed are the Ones (available on iTunes): https://www.nakedfishrecordings.com/blessed-are-the-ones
$1.99
"Eulalie," for Soprano and Piano
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Steven Shade
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"Eulalie," for Soprano and Pia
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Steve Shade
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.834331 Composed by Steven Shade. 20th Century,Romantic Period. 12 pages. Steve Shade #32407...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.834331 Composed by Steven Shade. 20th Century,Romantic Period. 12 pages. Steve Shade #3240751. Published by Steve Shade (A0.834331). Eulalie is a poem written by Edgar Allan Poe. I have set it to a song for Soprano Voice and Piano. Due to the content of the poem, this piece allows the vocalist to get a chance to work on both expressive and dramatic singing. The vocalist gets a moment to truly shine during a mini cadenza. Although not the soloist, the pianist has interludes that will showoff the player's expressive abilities. Although not technically difficult, this piece does demand a fairly large range from the vocalist. This song would be a good expressive piece to add to a recital. Contents: Cover page, program notes, Eulalie poem in its entirety, full scoreSoprano Range: C4-Bb5Difficulty: Intermediate/Early AdvancedDuration: About 3 minutes
$1.99
La Périchole's Tipsy Waltz (A quel diner)
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Soprano voice, Piano
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INTERMEDIATE
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Jacques Offenbach
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Scott S
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La Périchole's Tipsy Waltz
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Scott S. Stewart
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.955879 Composed by Jacques Offenbach. Arranged by Scott S. Stewart. Broadway,Musical/Show,O...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.955879 Composed by Jacques Offenbach. Arranged by Scott S. Stewart. Broadway,Musical/Show,Opera,Romantic Period. 3 pages. Scott S. Stewart #6622323. Published by Scott S. Stewart (A0.955879). The Tipsy Waltz (Ah! quel diner!) by Jacques Offenbach, from this operetta La Périchole, is a favorite comedic scene that is played for laughs. It has become a favored, character piece on many a mezzo-soprano’s rep list. Alone it stands on its own as a masterful, humorous tour de force. The new English text has been updated and expanded to give more depth of character; and the accompaniment enhanced to provide more color and substance to the musical background. This new arrangement is scored for mezzo-soprano with piano accompaniment. Performance time: 1:45+
$12.99
The long journey
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Soprano voice, Piano
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Peter Eotvos
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The long journey
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - Digital Download SKU: S9.Q32132 Ballad from the opera The Golden Dragon. Composed by Peter Eotvos. This edition: Sheet m...
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Soprano voice and piano - Digital Download SKU: S9.Q32132 Ballad from the opera The Golden Dragon. Composed by Peter Eotvos. This edition: Sheet music. Downloadable. Duration 8 minutes. Schott Music - Digital #Q32132. Published by Schott Music - Digital (S9.Q32132). German • English.The Long Journey, the final monologue of the opera The Golden Dragon based on the eponymous play by Roland Schimmelpfennig, has been given the air of a ballad. A young Chinese works illegally in an Asian restaurant of Anytown. Not having a health insurance, he bleeds to death after a botched dental operation. His colleagues throw his body into the river which runs through the town and carries the body to the sea. He floats back to his home country – this last journey is the theme of the monologue.
$11.99
Der Blick war's, der mich ins Verderben riss
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Soprano voice, Piano
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ADVANCED
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Aribert Reimann
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Der Blick war's, der mich ins
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - Digital Download SKU: S9.Q43075 Zweiter Monolog der Stella. Composed by Aribert Reimann. This edition: singl...
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Soprano voice and piano - difficult - Digital Download SKU: S9.Q43075 Zweiter Monolog der Stella. Composed by Aribert Reimann. This edition: single sheet. Downloadable, Separate edition. Duration 15 minutes. Schott Music - Digital #Q43075. Published by Schott Music - Digital (S9.Q43075). German.Aribert Reimann chose a monologue from Goethe's play Stella as the basis for the text of this work for soprano and piano. Unusual tonal and rhythmic structures in the vocal part are joined by extended techniques on the piano.
$27.99
Oppekepe all over the world Op.178
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Soprano voice, Piano
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Kohei KONDO
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Oppekepe all over the world Op
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Kohei KONDO
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.886071 Composed by Kohei KONDO. 20th Century,Contemporary,World. 18 pages. Kohei KONDO #6590429. Publ...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.886071 Composed by Kohei KONDO. 20th Century,Contemporary,World. 18 pages. Kohei KONDO #6590429. Published by Kohei KONDO (A0.886071). June.23.2018~Aug.28.2018 Premiere: Nov.11.2018 Chigasaki-city Kanagawa JAPAN Pf,& Vocal: Tomomi SHIMIZU 10 minutes YouTube：https://youtu.be/tbkyTmVTBKg?t=1139　 Pf,& Vocal: Tomomi SHIMIZUIn this composition, the pianist sing Japanese old famous pop song Oppekepe bushi in Meiji-era playing piano. Oppekepe-bushi can not be write on sheet music. So, please listen Oppekepe-bushi on videos or live performances and learn to sing it.Please refer to this video. https://youtu.be/8TuMWzJd6RM
$9.00
After You Hear Me Out from Glory Denied (Downloadable)
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Soprano voice, Piano
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INTERMEDIATE
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Contemporary
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Tom Cipullo
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After You Hear Me Out from Glo
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Medium - Digital Download SKU: MQ.8609D-2E Composed by Tom Cipullo. 21st Century. Secular. 5 pages. E. C. Schirmer Music Compan...
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8609D-2E Composed by Tom Cipullo. 21st Century. Secular. 5 pages. E. C. Schirmer Music Company - Digital #8609D-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8609D-2E). Although these arias are sung by the character Alyce, in the production they represent the younger and older versions of herself and are played by two different singers. Young Alyce sings My Darling Jim, writing a letter to her husband prior to his being taken prisoner during the Vietnam War. The first aria captures emotions through a brief snapshot of everyday life. The second takes place after his return from captivity. Alyce has moved on with her life with another man. The aria is painful and moving as she suggests that, while he can see the kids, he certainly doesn't have to see her face ever again.Contents:1. My Darling Jim2. After You Hear Me Out.
$5.00
Jasmine Flowers for Low Voice
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Soprano voice, Piano
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ADVANCED
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Julia Tsien
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Jasmine Flowers for Low Voice
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Julia Tsien
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.944859 Arranged by Julia Tsien. Concert. 9 pages. Julia Tsien #6698049. Published by Julia ...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.944859 Arranged by Julia Tsien. Concert. 9 pages. Julia Tsien #6698049. Published by Julia Tsien (A0.944859). This is an arrangement based on a Chinese traditional song. It was familiar to the western world because Puccini adopted it in his opera Turandot. This song is dedicated to Miss Chelsea Guo, the world class pianist and soprano. She performed this lovely song at New Jersey Symphony's Luna New Year Gala, 2022. In the YouTube attachment, you will enjoy her stunning performance, playing and singing just by herself. The colorful variations created from a simple melody will be a challenge to pianists and singers. There are two versions for higher and lower soprano voices for optimal singing.
$5.99
Jasmine Flowers for High Voice
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Soprano voice, Piano
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ADVANCED
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Julia Tsien
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Jasmine Flowers for High Voice
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Julia Tsien
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.944857 Arranged by Julia Tsien. Concert,Folk,World. 9 pages. Julia Tsien #6698017. Publishe...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.944857 Arranged by Julia Tsien. Concert,Folk,World. 9 pages. Julia Tsien #6698017. Published by Julia Tsien (A0.944857). This is an arrangement based on a Chinese traditional song. It was familiar to the western world because Puccini adopted it in his opera Turandot. This song is dedicated to Miss Chelsea Guo, the world class pianist and soprano. She performed this lovely song at New Jersey Symphony's Luna New Year Gala, 2022. In the YouTube attachment, you will enjoy her stunning performance, playing and singing just by herself. The colorful variations created from a simple melody will be a challenge to pianists and singers. There are two versions for higher and lower soprano voices for optimal singing.
$5.99
Little David Play on your Harp
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Soprano voice, Piano
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Contemporary
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Roy Jennings
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Little David Play on your Harp
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SheetMusicPlus
Composed by Roy Jennings. For Piano Accompaniment,Voice,Soprano Voice. 21st Century,Contemporary Classical,Christian,Spiritual,Sacred. 4 pages. Published by Pub...
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Composed by Roy Jennings. For Piano Accompaniment,Voice,Soprano Voice. 21st Century,Contemporary Classical,Christian,Spiritual,Sacred. 4 pages. Published by Published by Arch Angel
$3.99
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