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Rain Down
Not classified
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23
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1
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Piano ensembles
1
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You've selected:
Rain Down
Soprano voice, Piano
Sheetmusic to print
20 sheet music found
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1
Cinq fragments français de Rainer Maria Rilke
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Soprano voice, Piano
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EASY
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Aribert Reimann
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Cinq fragments français de Ra
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - easy to intermediate - Digital Download SKU: S9.Q41951 For soprano and piano. Composed by Aribert Reimann. This edition:...
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Soprano voice and piano - easy to intermediate - Digital Download SKU: S9.Q41951 For soprano and piano. Composed by Aribert Reimann. This edition: Sheet music. Downloadable. Duration 8 minutes. Schott Music - Digital #Q41951. Published by Schott Music - Digital (S9.Q41951). French.Das fünfsätzige Werk für Sopran und Klavier nach Gedichtsfragmenten von Rainer Maria Rilke verbindet eine anspruchsvolle Gesangspartie mit teils zurückhaltender, teils zupackender Klavierbegleitung. In französischer Sprache.
$15.99
May The Love of Christ Constrain Me
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Soprano voice, Piano
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INTERMEDIATE
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Sacred music
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DLB
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DLB
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May The Love of Christ Constra
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Glorymusic.us
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1322578 By DLB. By DLB. Arranged by DLB. Praise & Worship,Sacred. 7 pages. Glorymusic.us #9...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1322578 By DLB. By DLB. Arranged by DLB. Praise & Worship,Sacred. 7 pages. Glorymusic.us #910871. Published by Glorymusic.us (A0.1322578). May The Love of Christ Constrain Me = Solo.
$1.99
Bring me a Rainbow
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Soprano voice, Piano
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Barbara Graff
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Bring me a Rainbow
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Barbara H Graff
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SheetMusicPlus
Piano,Soprano voice - Digital Download SKU: A0.1070364 Composed by Barbara Graff. Broadway,Film/TV,Musical/Show,New Age,Pop. Full Performance. Duration 2...
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Piano,Soprano voice - Digital Download SKU: A0.1070364 Composed by Barbara Graff. Broadway,Film/TV,Musical/Show,New Age,Pop. Full Performance. Duration 223. Barbara H Graff #4582357. Published by Barbara H Graff (A0.1070364). Review from MainlyPiano, Piano review website www.mainlypiano.comBring me a Rainbow is a piano and vocal piece by Barbara Graff that features the lovely vocals of Chloe Boelter. A sad and lonely story of unrequited love, the words are sung to an indifferent lover who refuses to be swayed by the passion of the singer, frequently causing her deep pain. The instrumental accompaniment is a spare piano part that expresses as much emotion as the words do. I especially like the piano solo near the end of the song. Bring me a Rainbow is also downloaded and streamed as an instrumental-only piece on Barbara's Beginnings album. Both the vocal and instrumental-only versions are heard and streamed on over 40 radio stations including Pandora Radio and Spotify. It is part of Barbara's popular Into the Light EP.
$2.99
DO NOT STAND ON MY GRAVE. Version for soprano and piano
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Soprano voice, Piano
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INTERMEDIATE
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Contemporary
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Gabriel Ruiz-Bernal
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DO NOT STAND ON MY GRAVE. Vers
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Gabriel Ruiz-Bernal
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.893972 Composed by Gabriel Ruiz-Bernal. Contemporary. 9 pages. Gabriel Ruiz-Bernal #6331885. P...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.893972 Composed by Gabriel Ruiz-Bernal. Contemporary. 9 pages. Gabriel Ruiz-Bernal #6331885. Published by Gabriel Ruiz-Bernal (A0.893972). Music by Gabriel Ruiz-Bernal. Text by Mary Elizabeth FryeSung at the demo by Allison Hughes, soprano. Gabriel Ruiz-Bernal, piano.POEM:Do not stand at my grave and weepI am not there.I do not sleep.I am a thousand winds that blow.I am the diamond glints on snow.I am the sunlight on ripened grain.I am the gentle autumn rain.When you awaken in the morning's hushI am the swift uplifting rushof quiet birds in circled flight.I am the soft starlight at night.Do not stand at my grave and cry;I am not there.I did not die.
$4.50
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Soprano voice, Piano
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 1...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Classical
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period....
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
The Man I Love
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Soprano voice, Piano
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ADVANCED
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George Gershwin, Ira Gershwin
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Scott S
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The Man I Love
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Scott S. Stewart
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.955836 Composed by George Gershwin, Ira Gershwin. Arranged by Scott S. Stewart. 20th Centur...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.955836 Composed by George Gershwin, Ira Gershwin. Arranged by Scott S. Stewart. 20th Century,Blues,Instructional,Standards. 5 pages. Scott S. Stewart #6320277. Published by Scott S. Stewart (A0.955836). Classically trained singers are generally first contact for most elementary, middle school and high school students via in-school programs, out-reach programs, etc. For those YAP programs/Studio Artists programs popular music arrangements are needed, and those available leave the singer oft' times wanting something more... This arrangement of The Man I Love restores both verse and refrain, flushes out the accompaniment with Gershwin's own stylings in one complete performance package. The attempt is to create an equal ensemble of two, rather than singer and her accompanist.
$9.99
These days – soprano, piano
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Rain Worthington
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These days – soprano, piano
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SR Worthington
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.916261 Composed by Rain Worthington. 20th Century,Concert,Contemporary. 9 pages. SR Worthin...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.916261 Composed by Rain Worthington. 20th Century,Concert,Contemporary. 9 pages. SR Worthington #3055991. Published by SR Worthington (A0.916261). Version for soprano and piano.Soprano, Minkyung Lee beautifully captures the emotional essence of this song in her stunning performance (with piano, viola, and cello). https://youtu.be/oLejLLT5PQIIn These Days, with words and music by Rain Worthington, the texture is woven inseparably with the color – a most unusual and fascinating technique that allows for subtle, almost spectral shifts and emotional intensity. It is an extraordinary work. – Mark Greenfest, Journal of International Alliance for Women in MusicPublisher: SR Worthington/ASCAP
$3.99
LIED DER BAVARIA - Song of Bavaria for Soprano and Piano
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Soprano voice, Piano
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INTERMEDIATE
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Rainer Fabich
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LIED DER BAVARIA - Song of Bav
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Fajora Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.889791 Composed by Rainer Fabich. Contemporary,Opera,World. 25 pages. Fajora Music #3425841...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.889791 Composed by Rainer Fabich. Contemporary,Opera,World. 25 pages. Fajora Music #3425841. Published by Fajora Music (A0.889791). Funny and ironic song of the huge statue and symbol Bavaria, atop the Theresienwiese, where the Oktoberfest in Munich takes place every year. It contains elements of the folk song Erherzog-Johann-Jodler. Orginalversion (bavarian/german language) from the CD Rainer Fabich z-Minga III (Music for Munich). For sopran, piano and special effects in G-major and F-major version. Popular from tv- and radiobroadcasts and live concerts. Score and parts 24 pages. Duration: ca. 4:30 min Music of the famous bavarian/german composer Rainer Fabich. More informations and audiofiles: www.rainer-fabich.de, www.fajora.com, itunes, amazon and CDbaby.
$11.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Soprano voice, Piano
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ADVANCED
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Opera
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Classical
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pag...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
The Meeting of the Waters
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Irish Traditional / Words: Tho
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Thomas Quigley
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The Meeting of the Waters
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Thomas Quigley
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1111413 Composed by Irish Traditional / Words: Thomas Moore. Arranged by Thomas Quigley. Ce...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1111413 Composed by Irish Traditional / Words: Thomas Moore. Arranged by Thomas Quigley. Celtic,Contest,Festival,Irish,Traditional. 6 pages. Thomas Quigley #713700. Published by Thomas Quigley (A0.1111413). This fine, sensitively arranged Irish air with words by Thomas Moore is perfect for a concert of Irish music. A beautifully devised piano accompaniment brings an art song dimension and perhaps it would suit a trained vocalist. Carefully nuanced, with rich harmonies it is a rewarding song to perform and is a possible competition item. Impressive.
$5.99
Rilke-Fragmente
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Soprano voice, Piano
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ADVANCED
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Aribert Reimann
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Rilke-Fragmente
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - Digital Download SKU: S9.Q18644 Lyrics by Rainer Maria Rilke. Composed by Aribert Reimann. This edition: She...
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Soprano voice and piano - difficult - Digital Download SKU: S9.Q18644 Lyrics by Rainer Maria Rilke. Composed by Aribert Reimann. This edition: Sheet music. Downloadable. Duration 15 minutes. Schott Music - Digital #Q18644. Published by Schott Music - Digital (S9.Q18644). German • French.German and French fragments by Rilke from the years 1911 to 1921 form the basis of the text of this composition. Reimann sees Rilke in affinity with Kafka. The tonal language is not lost in dreams, as is often the case in Rilke settings, but dramatic and confrontational, culminating in the percussive hammering of the piano at the text passage: 'with two faces on the two fists'.
$23.99
Lieder vom Glück
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Soprano voice, Piano
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INTERMEDIATE
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Indra Rise
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2. Der Weg der Freude
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Lieder vom Glück
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Indra Riše
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.977575 Composed by Indra Rise. 20th Century,Contemporary. 24 pages. Indra Riše #6090021....
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.977575 Composed by Indra Rise. 20th Century,Contemporary. 24 pages. Indra Riše #6090021. Published by Indra Riše (A0.977575). Lieder vom Glück - 5 songs for lyrical soprano and organ, poems by Rainis. 1. Kussesglaube; 2. Der Weg der Freude; 3. Lächeln im Munde; 4. Das schwarze Tuch; 5. Mit offenen Armen.
$7.50
Accept God's Love (piano/soprano)
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Soprano voice, Piano
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INTERMEDIATE
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Melody Mills
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Jon Burr
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Accept God's Love
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Melody Mills
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.993100 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 6 pages....
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.993100 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 6 pages. Melody Mills #3686891. Published by Melody Mills (A0.993100). Sacred solo for church service. Available in 3 versions: piano for contralto or soprano, and organ for soprano. Lyric sheet included as last page of document. The lyrics include:Lepers came to Christ,They could not be touched,Till their humbled heartsReached out, reached out for love.We are all embraced,God's own cherished man,Nothing can impede God's holy plan.[refrain]Accept God's love, allow yourself to feeltender comfort deep inside;Accept God's love, acknowledge Love is real,and an ever-present guide;Accept God's love, soon you will see you are free!
$4.27
Today Is Your Day (Med-High Voice)
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Soprano voice, Piano
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EASY
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Clyde Grabski
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Today Is Your Day
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Diamond Forest Publishing
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.943930 Composed by Clyde Grabski. Graduation,Holiday,Romantic Period. 4 pages. Diamond Fore...
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.943930 Composed by Clyde Grabski. Graduation,Holiday,Romantic Period. 4 pages. Diamond Forest Publishing #4596537. Published by Diamond Forest Publishing (A0.943930). This song is a wonderful tribute to a close friend or family member. It could be used for birthdays, graduation, or even a memorial service. The wonderful flowing melody has a dramatic refrain with the words, ..for today is your day, showing the way, lighting the Light of your Love. To hear the musical dramatic effect, listen to the audio sample.
$4.99
Accept God's Love (organ/soprano)
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Melody Mills
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Jon Burr
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Accept God's Love
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Melody Mills
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.993099 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 9 pages....
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.993099 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 9 pages. Melody Mills #3686817. Published by Melody Mills (A0.993099). Sacred solo for church service. Available in 3 versions: piano for contralto or soprano, and organ for soprano. Lyric sheet included as last page of document. The lyrics include:Lepers came to Christ,They could not be touched,Till their humbled heartsReached out, reached out for love.We are all embraced,God's own cherished man,Nothing can impede God's holy plan.[refrain]Accept God's love, allow yourself to feeltender comfort deep inside;Accept God's love, acknowledge Love is real,and an ever-present guide;Accept God's love, soon you will see you are free!
$4.27
[Liptak] Dove Songs
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Soprano voice, Piano
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Contemporary
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David Liptak
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[Liptak] Dove Songs
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American Composers Alliance Inc.
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.952458 Composed by David Liptak. Contemporary. 31 pages. American Composers Alliance Inc. #4604589. P...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.952458 Composed by David Liptak. Contemporary. 31 pages. American Composers Alliance Inc. #4604589. Published by American Composers Alliance Inc. (A0.952458). Six songs for soprano and piano on poems by Rita Dove. Includes: 1. Refrain, 2. The Snow King, 3. Catherine of Alexandria, 4. Beauty and the Beast, 5. Catherine of Siena, and 6. Flirtation.
$13.95
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