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S.Richard
Not classified
1,363
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320
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102
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45
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1
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1
Melody line, Piano
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68
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272
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105
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54
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51
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42
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19
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7
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Harmonica
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6
Flute, Clarinet and Bassoon.
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3
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3
2 Recorders (duet)
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3 Saxophones (trio)
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1
Flute, Viola (duet)
1
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1
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1
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1
Flute, Oboe, Clarinet (trio)
1
+ 78 instrumentations
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566
Trombone (band part)
521
French horn (band part)
237
Tuba (band part)
150
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119
Brass quartet : 2 trumpets, trombone, tuba
65
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50
Trumpet
40
Trombone
36
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33
Trumpet, Piano
28
French horn
24
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23
French Horn and Piano
22
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20
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14
Tuba and Piano
12
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10
2 Trumpets (duet)
9
Tuba
9
English horn, Piano
7
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7
2 French horns (duet)
7
Trumpet, Trombone (duet)
7
2 Trombones (duet)
6
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5
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4
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4
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3
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2
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2
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2
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3 Trumpets (trio)
1
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469
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263
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177
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159
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80
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56
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43
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41
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35
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35
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28
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24
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22
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19
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17
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11
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11
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10
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10
String Quintet: 2 violins, 2 violas, cello
9
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5
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5
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3
4 Cellos
3
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3
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3
String Trio: 3 violins
2
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2
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2
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1
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1
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1
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1
Cello, Orchestra
1
Violin, Clarinet, Piano (trio)
1
4 Double Basses
1
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355
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210
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158
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96
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81
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77
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75
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47
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33
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30
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18
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11
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10
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6
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6
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4
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3
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2
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1
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You've selected:
S.Richard
Soprano voice, Piano
Sheetmusic to print
18 sheet music found
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1
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Centur...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Mary's Lullaby
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Soprano voice, Piano
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INTERMEDIATE
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Richard Montalto
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Mary's Lullaby
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Maximal Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.597693 Composed by Richard Montalto. Christian,Christmas. 9 pages. Maximal Music #6536395. ...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.597693 Composed by Richard Montalto. Christian,Christmas. 9 pages. Maximal Music #6536395. Published by Maximal Music (A0.597693). A beautiful new work for soprano solo for your Christmas concert. Text by Donna Montalto.
$2.50
Someone To Watch Over Me (from Oh, Kay!) [Women's version]
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Soprano voice, Piano
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George Gershwin
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Someone To Watch Over Me
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Hal Leonard - Digital
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SheetMusicPlus
Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal (Soprano Voice) - Interactive Download SKU: HX.440081 By George Gershwin. By George Gershwin. ...
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Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal (Soprano Voice) - Interactive Download SKU: HX.440081 By George Gershwin. By George Gershwin. Edited by Richard Walters. This edition: Interactive Download,scorch. Broadway,Jazz,Standards,Wedding. Score. 5 pages. Hal Leonard - Digital #759240. Published by Hal Leonard - Digital (HX.440081).
$4.99
I Know It's Today (from Shrek the Musical) (Adult Fiona)
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Soprano voice, Piano
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Broadway
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I Know It's Today
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Hal Leonard - Digital
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SheetMusicPlus
Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Interactive Download SKU: HX.449680 Edited by Richard Walters. This edition: Interactive Dow...
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Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Interactive Download SKU: HX.449680 Edited by Richard Walters. This edition: Interactive Download,scorch. Broadway,Musical/Show. Score. 7 pages. Hal Leonard - Digital #143040. Published by Hal Leonard - Digital (HX.449680).
$4.99
This Woman's Heart
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Soprano voice, Piano
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INTERMEDIATE
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Jenny McKinney
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Rebecca Brinkerhoff
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This Woman's Heart
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Jennifer McKinney
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.958065 Composed by Jenny McKinney. Arranged by Rebecca Brinkerhoff. Christian,Contemporary,...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.958065 Composed by Jenny McKinney. Arranged by Rebecca Brinkerhoff. Christian,Contemporary,Spiritual. 4 pages. Jennifer McKinney #3222359. Published by Jennifer McKinney (A0.958065). (for Jo and Natalie) Taken from the Empty Arms Companion Songbook, this song is written for the woman who lost the love of her life, be that a sweetheart or a child. It is appropriate for both situations. The Empty Arms collection of stories and Companion Songbook can be purchased in their entirety at www.jennymckinneymusic.com. Thank you for your honesty. Special thanks to Tami Creamer, Tori Ingram, Caylea Ingram, Christine Jardine, and Kerry Richards for their help on this project.
$2.99
Richard Wagner: Einsam in truben Tagen (Elsa's dream), from the opera "Lohengrin", WWV 75 - soprano & piano
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Soprano voice, Piano
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EASY
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Classical
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Richard Wagner
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Virtualsheetmusic
Instantly printable sheet music by Richard Wagner for soprano & piano of EASY/MEDIUM skill level. / classical,opera
Instantly printable sheet music by Richard Wagner for soprano & piano of EASY/MEDIUM skill level. / classical,opera
$4.99
Du bist der Lenz (Sieglinde's Aria) from Die Walküre - Accessible Accompaniments Edition
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Soprano voice, Piano
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Classical
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Richard Wagner
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Nicole Elyse DiPaolo
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Du bist der Lenz
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Nicole Elyse DiPaolo
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SheetMusicPlus
Composed by Richard Wagner (1813-1883). Arranged by Nicole Elyse DiPaolo. Romantic Period. Piano Reduction. 4 pages. Published by Nicole Elyse DiPaolo (S0.32118...
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Composed by Richard Wagner (1813-1883). Arranged by Nicole Elyse DiPaolo. Romantic Period. Piano Reduction. 4 pages. Published by Nicole Elyse DiPaolo (S0.321181). - Piano Reduction - Romantic Period - Nicole Elyse DiPaolo
$8.95
BIRDS: Four Songs for Soprano and Piano (after Wordsworth)
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Richard St
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The Thrush's Song
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BIRDS: Four Songs for Soprano
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Richard St. Clair
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939844 Composed by Richard St. Clair. 20th Century,Contemporary. 28 pages. Richard St. Clai...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939844 Composed by Richard St. Clair. 20th Century,Contemporary. 28 pages. Richard St. Clair #5824077. Published by Richard St. Clair (A0.939844). This 10'30-duration set of four songs is a setting of poems by William Wordsworth: To a Sky-Lark; The Thrush's Song; The Swan's Song; To the Cuckoo. The music is tonal throughout, very accessible for recital and concert as well as any other venue.
$24.00
Peace on Earth
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Soprano voice, Piano
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Juliana Hall
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Peace on Earth
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.9230-E Composed by Juliana Hall. 10 pages. E. C. Schirmer Music Company - Digit...
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Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.9230-E Composed by Juliana Hall. 10 pages. E. C. Schirmer Music Company - Digital #9230-E. Published by E. C. Schirmer Music Company - Digital (MQ.9230-E). English.Peace on Earth was commissioned by Richard Lee and Karen Lerner as a gift for their daughter, Katherine Lerner Lee, a beautiful soprano. My husband and I had known Richard and Karen from our time as fellow graduate students at the Yale School of Music; Richard had studied composition and Karen piano, both very talented musicians and lovely people, so I was touched to be asked and very happy to write Peace on Earth as a gift for their daughter Katie, who was graduating from Oberlin Conservatory. Katie patiently waited out the coronavirus pandemic and on April 16, 2023 she and pianist Nomin Samdan premiered Peace on Earth on her masters degree recital at the Bard College Conservatory, where she was wrapping up her studies in the Vocal Arts Program. She wrote about Peace on Earth in her recital program notes that, “Hall responds to Williams’ catalog of constellations through slowly shifting harmonies and smooth, swung rhythms. The composer imagines the night sky as though one is dreaming it, ‘...whether it’s really up there above us or just taking place within the sleeping person’s soul.’ Through this luscious song, we are invited to daydream collectively and to come into a more unified consciousness.â€.
$10.95
TO HEAR AN ORIOLE SING for Soprano and Piano
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Richard St
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TO HEAR AN ORIOLE SING for Sop
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Richard St. Clair
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939904 Composed by Richard St. Clair. 20th Century,Concert,Contemporary,Holiday,Wedding. 6 ...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939904 Composed by Richard St. Clair. 20th Century,Concert,Contemporary,Holiday,Wedding. 6 pages. Richard St. Clair #6684759. Published by Richard St. Clair (A0.939904). This 2-minute song is a setting of Emily Dickinson's poem by that title. It was originally composed in 1964 but was for decades lost: reconstructed from memory and re-arranged in 2022. Completely traditional lieder style, suitable for almost any occasion.
$8.99
A Night-Piece for Mezzo-Soprano and Piano after Wordsworth
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Richard St
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A Night-Piece for Mezzo-Sopran
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Richard St. Clair
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939663 Composed by Richard St. Clair. 20th Century. 9 pages. Richard St. Clair #3000385. Pu...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939663 Composed by Richard St. Clair. 20th Century. 9 pages. Richard St. Clair #3000385. Published by Richard St. Clair (A0.939663). A modern-day romantic style setting of William Wordsworth's 1798 poem, A Night-Piece for mezzo-soprano with piano accompaniment. Duration about 5 minutes. The style is mostly tonal but with some nontraditional harmonies. The attached MP3 Audio Clip is computer-generated.Lyrics:A NIGHT-PIECEby William Wordsworth THE sky is overcast With a continuous cloud of texture close, Heavy and wan, all whitened by the Moon, Which through that veil is indistinctly seen, A dull, contracted circle, yielding light So feebly spread, that not a shadow falls, Chequering the ground--from rock, plant, tree, or tower. At length a pleasant instantaneous gleam Startles the pensive traveller while he treads His lonesome path, with unobserving eye 10 Bent earthwards; he looks up--the clouds are split Asunder,--and above his head he sees The clear Moon, and the glory of the heavens. There, in a black-blue vault she sails along, Followed by multitudes of stars, that, small And sharp, and bright, along the dark abyss Drive as she drives: how fast they wheel away, Yet vanish not!--the wind is in the tree, But they are silent;--still they roll along Immeasurably distant; and the vault, 20 Built round by those white clouds, enormous clouds, Still deepens its unfathomable depth. At length the Vision closes; and the mind, Not undisturbed by the delight it feels, Which slowly settles into peaceful calm, Is left to muse upon the solemn scene. 1798.
$10.00
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Soprano voice, Piano
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 1...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Three Psalm Portions
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Soprano voice, Piano
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ADVANCED
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Sacred music
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Barber Music Company
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Richard Joseph Barber
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Three Psalm Portions
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Barber Music Company
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.915703 Composed by Barber Music Company. Arranged by Richard Joseph Barber. Christian,Conte...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.915703 Composed by Barber Music Company. Arranged by Richard Joseph Barber. Christian,Contemporary,Sacred. 21 pages. Barber Music Company #4775083. Published by Barber Music Company (A0.915703). A three-part setting of Psalms for soprano solo, or treble or children's choir.I. Lord, I Cry Unto Thee (Psalm 141:1-2) is a somber prayer in a simple ABA form that concludes on a poignant note.II. Great is the Lord (Psalm 48:1-2) is a frolicking and hopeful celebration of God's holiness. It too follows a simple ABA form, with an especially melodic contrasting B section.III. He That Dwelleth (Psalm 91:1-4) brings a serene resolution to the tension and energy of the first two parts.
$4.50
Sweeter Than Roses (C Minor)
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Classical
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Henry Purcell
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Jonathan Prentice
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Sweeter Than Roses
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884917 Composed by Henry Purcell. Arranged by Jonathan Prentice. Baroque. 6 pages. Jonathan...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884917 Composed by Henry Purcell. Arranged by Jonathan Prentice. Baroque. 6 pages. Jonathan Prentice #6435379. Published by Jonathan Prentice (A0.884917). This famous, Purcell aria is one of only two items he composed for Richard Norton’s tragedy, Pausanius, Betrayer of His Country. Sung by the courtesan, Pandora, it was intended as a steamy seduction song with a slow, languorous start and gradually building to a passionate vivo ending. (Here in C Minor, suitable for sopranos)
$1.99
Sweeter Than Roses (B Minor)
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Classical
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Henry Purcell
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Jonathan Prentice
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Sweeter Than Roses
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884916 Composed by Henry Purcell. Arranged by Jonathan Prentice. Baroque. 6 pages. Jonathan...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884916 Composed by Henry Purcell. Arranged by Jonathan Prentice. Baroque. 6 pages. Jonathan Prentice #6435375. Published by Jonathan Prentice (A0.884916). This famous, Purcell aria is one of only two items he composed for Richard Norton’s tragedy, Pausanius, Betrayer of His Country. Sung by the courtesan, Pandora, it was intended as a steamy seduction song with a slow, languorous start and gradually building to a passionate vivo ending. (Here in B Minor, suitable for sopranos)
$1.99
Einsam in truben Tagen (Elsa's dream)
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Soprano voice, Piano
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Richard Wagner
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Karl Klindworth / Wilhelm Lutz
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Einsam in truben Tagen
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Schott Music - Digital Sheet Music
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SheetMusicPlus
(from the opera "Lohengrin", WWV 75). Composed by Richard Wagner (1813-1883). Arranged by Karl Klindworth / Wilhelm Lutz. For soprano and piano. Copyr...
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(from the opera "Lohengrin", WWV 75). Composed by Richard Wagner (1813-1883). Arranged by Karl Klindworth / Wilhelm Lutz. For soprano and piano. Copyright Schott Music GmbH & Co. KG, Mainz. WWV 75. Published by Schott Music - Digital Sheet Music
$4.99
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