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--INSTRUMENTS--
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Sing, All Men!
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4,995
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1,848
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1,410
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1,170
C Instruments
712
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398
Organ
115
Piano Accompaniment
94
Piano Trio: piano, violin, cello
49
1 Piano, 4 hands
45
2 Pianos, 4 hands
22
Piano Quartet: piano, violin, viola, cello
12
Piano Quartet: piano, 2 violins, cello
12
Big Note Piano
10
Piano Quintet: piano, 2 violins, viola, cello
4
Accordion
4
Piano (band part)
4
Harpsichord
4
Organ, Trumpet (duet)
3
Organ, Piano (duet)
2
Melody line, Piano
1
2 Accordions
1
2 Pianos, 8 hands
1
+ 17 instrumentations
-
Retract
Guitars
Ukulele
291
Guitar notes and tablatures
181
Melody line, (Lyrics) and Chords
153
Guitar
108
Bass guitar
26
Dulcimer
15
2 Guitars (duet)
14
4 Guitars (Quartet)
13
Mandolin
12
Piano, Guitar (duet)
8
Banjo
7
Guitar Ensemble
4
Guitar (band part)
4
Lyrics and Chords
4
3 Guitars (trio)
2
Guitar, Orchestra
1
+ 11 instrumentations
-
Retract
Voice
Choral SATB
1,008
Choral Unison
450
Choral 3-part
376
Choral SSAA
258
Choral TTBB
249
Choral 2-part
168
Voice solo
82
Vocal duet, Piano
43
Alto voice, Piano
32
Soprano voice, Piano
31
Tenor voice, Piano
28
Choral Instrumental Pak
23
Baritone voice, Piano
18
High voice
15
Vocal duet
14
Medium voice, Piano
9
Low voice, Piano
4
Choral
3
Choral SAATB A Cappella
3
Voice, Guitar
3
Choral SSAATTBB
2
Soli, Mixted choir and accompaniment
2
Tenor voice
2
Choral SSATTB
2
Choral SSATB
1
Mezzo-Soprano voice, Piano
1
+ 21 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
183
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
182
Flute and Piano
181
Oboe, Piano (duet)
173
Alto Saxophone and Piano
167
Clarinet and Piano
159
Saxophone, Clarinet (duet)
121
Saxophone Quintet: 5 Saxophones
115
2 Flutes (duet)
109
Flute
108
Alto Saxophone
105
Saxophone Quartet: 4 saxophones
103
Flute, Clarinet (duet)
103
Flute, Oboe, Clarinet, Bassoon
102
Tenor Saxophone and Piano
99
Clarinet, Violin (duet)
90
Clarinet
88
2 Clarinets (duet)
82
Soprano Saxophone and Piano
77
Clarinet Quartet: 4 clarinets
76
Oboe, Bassoon (duet)
75
Oboe (band part)
69
Saxophone (band part)
65
Tenor Saxophone
64
Clarinet, Trumpet (duet)
54
Oboe, Clarinet (duet)
53
Flute, Violin
52
Clarinet and Viola
46
Oboe, Flute
43
Clarinet Ensemble
40
Flute, Viola (duet)
40
Baritone Saxophone, Piano
37
Flute Quartet: 4 flutes
33
Flute, Saxophone (duet)
33
Flute and Guitar
33
Flute, Trumpet (duet)
32
Clarinet Quintet: 5 clarinets
32
Clarinet, Bassoon (duet)
28
Flute ensemble
28
Oboe
27
3 Saxophones (trio)
27
Saxophone ensemble
25
Oboe, Cello
24
Bass Clarinet, Piano
22
Soprano Saxophone
22
3 Clarinets (trio)
21
Flute, Violoncello
20
Flute, Violin, Piano
20
2 Recorders (duet)
18
Flute Quintet : 5 flutes
18
2 Oboes (duet)
18
Clarinet, Cello (duet)
17
Flute Trio: 3 flutes
16
Descant (Soprano) Recorder
16
English Horn
15
Clarinet, Guitar (duet)
14
English horn, Piano
13
Flute, Trombone (duet)
12
Pennywhistle
12
Flute, Oboe (duet)
10
Flute, Bassoon, and Piano
10
Flute (band part)
9
Oboe, Violin (duet)
9
Recorder
9
Recorder Quartet
8
Flute, Oboe, Clarinet (trio)
8
Oboe and viola (duet)
8
3 Recorders (trio)
8
Flute, Cello, Piano (trio)
8
Oboe, Clarinet, Bassoon (trio)
8
Flute, Clarinet, Piano (trio)
7
Oboe, Guitar (duet)
6
Flute, Oboe, Piano (trio)
6
Baritone Saxophone
6
Clarinet, Cello, Piano (trio)
5
Ocarina
5
5 Recorders
5
Clarinet, Harp (duet)
4
English Horn, Guitar (duet)
4
Clarinet (band part)
4
Saxophone and Guitar
4
2 Flutes, Piano
4
2 Clarinets, Piano
4
Treble (Alto) Recorder
3
Saxophone
3
Bass Clarinet
3
Saxophone and Harp
3
Flute, Viola and Piano
3
Flute, Oboe, Bassoon
3
Piccolo
3
Flute, Clarinet and Bassoon.
3
Wind ensemble
3
Oboe, Harp
3
Eb Instruments
3
Descent (Soprano) Recorder, Piano
3
Clarinet, Trombone (duet)
2
Harmonica
2
Clarinette, Viola and Piano (trio)
2
Clarinet, Bassoon, Piano (trio)
2
Flute, harp and violin
2
Flute, trombone and piano
2
Flute, Viola and harp
2
Oboe, Bassoon and Piano
2
Clarinet, trumpet and piano
2
Flute, Violin and Violoncello
2
Treble (Alto) Recorder, Piano
2
Piccolo, Piano
2
Tenor Recorder
1
Flute, Orchestra
1
Clarinet, Double bass (duet)
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
2 Recorders, Piano
1
Clarinet, Orchestra
1
Oboe, Cello and Piano
1
Flute and Strings Trio
1
Recorder, Piano
1
Oboe, Clarinet and Piano (Trio)
1
Oboe, Trombone (duet)
1
Flute, Organ (duet)
1
4 Oboes
1
Flute, Clarinet, Horn and Bassoon (Quartet)
1
Flute, Violin, Guitar
1
Oboe, Violin, Piano
1
+ 118 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
162
Trumpet, Piano
142
Trombone and Piano
133
Trumpet
109
Brass quartet : 2 trumpets, trombone, tuba
105
French Horn and Piano
99
Trumpet, Saxophone (duet)
80
Trombone
78
French horn
69
Tuba and Piano
67
Trumpet, Trombone (duet)
55
Brass Quartet
47
Brass Quartet: 4 trombones
45
Trumpet (band part)
40
2 Trumpets (duet)
28
Tuba
27
Trombone (band part)
26
Euphonium, Piano (duet)
25
2 Trombones (duet)
21
2 French horns (duet)
19
Trumpet ensemble
18
Trombone ensemble
16
English Horn
15
Brass Quartet: 2 trumpets, horn, trombone
14
English horn, Piano
13
Trumpet, Horn (duert)
12
2 Tubas (duet)
11
Brass Quartet: 4 horns
9
Brass Trio
8
Bb Instruments
7
Brass Quartet: 4 trumpets
5
Horn Ensemble
5
2 Euphoniums and 2 Tubas
4
English Horn, Guitar (duet)
4
Trombone, Tuba (duet)
4
Trumpet, violin (duet)
4
3 Trombones (trio)
4
Trumpet, Tuba (duet)
3
Euphonium
3
Trumpet, Cello, Piano
3
Bass Clef Instruments
3
4 Tubas
3
2 Euphoniums (duet)
3
Tuba (band part)
2
3 Trumpets (trio)
2
2 French horns, Piano
2
Horn, Cello (duet)
2
Horn, Tuba (duet)
2
French horn (band part)
2
Tuba and Organ
2
Trombone, Horn (duet)
2
Trumpet, Harp
2
Trombone and Orchestra
2
French Horn and Harp
1
Bass Trombone and Piano
1
Bass Trombone
1
Trumpet, Euphonium (duet)
1
Trumpet, Bassoon (duet)
1
Tuba ensemble
1
Euphonium, Tuba (duet)
1
Trombone, Organ
1
3 Euphoniums
1
Trumpet and Guitar
1
Trumpet, Trombone, Piano
1
3 French horns (trio)
1
Brass Quartet: 2 trumpets, 2 trombones
1
2 Trumpets, Keyboard (piano or organ)
1
+ 62 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
460
Violin and Piano
336
Violin, Cello (duet)
205
Violin
174
Cello, Piano
162
Viola, Piano
154
Cello
130
Violin, Viola (duet)
108
Viola
88
Harp
74
String Trio: 2 violins, cello
71
String Trio: violin, viola, cello
70
Double Bass
63
2 Violins (duet)
57
String Quintet: 2 violins, viola, cello, bass
49
Double bass, Piano (duet)
43
2 Cellos (duet)
33
2 Harps (duet)
32
2 Violas (duet)
25
Viola, Cello (duet)
24
Violin, Bassoon (duet)
21
Piano Trio: Violin, Viola, Piano
17
Cello, String Bass (duet)
16
Violin, Guitar (duet)
14
4 Cellos
13
Violin (band part)
13
Viola (band part)
12
Violin ensemble
12
String Trio: 3 violins
10
Harp, Flute (duet)
10
2 Double basses (duet)
10
Viola ensemble
9
Harp, Voice
9
Doublebass (band part)
8
Cello, Guitar (duet)
7
Harp, Violin (duet)
7
String Trio: 3 cellos
6
Flute, Doublebass (duet)
6
Violin, Clarinet, Piano (trio)
6
String Quartet : 4 violas
5
String Trio: 2 violins, viola
5
String quartet: 4 violins
5
String Quintet: 2 violins, viola, 2 cellos
5
String Trio: 3 violas
4
Viola, Guitar (duet)
4
Harp, Cello (duet)
3
Viola and Harp
3
4 Double Basses
2
Cello (band part)
2
2 Violins, Piano
1
Violoncello, Basso continuo
1
Violin, Organ
1
String trio
1
Harp, Trombone (duet)
1
Autoharp
1
Violin, Trumpet and Piano
1
Harp, String quartet
1
4 Harps
1
Viola and Bassoon
1
3 Harps
1
+ 55 instrumentations
-
Retract
Orchestra & Percussion
Concert band
775
Orchestra
252
String Orchestra
234
Jazz Ensemble
159
Handbells
135
Brass ensemble
113
Chamber Orchestra
105
Jazz combo
53
Percussion Ensemble
35
Marching band
20
Xylophone, Piano
16
Drums
14
Marimba
7
School Ensemble
5
2 Xylophones
4
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
4
Flexible Instrumentation
4
Drum (band part)
3
Percussion (band part)
3
Xylophone
2
Orchestra, Violin
2
Voice Mezzo-Soprano, Orchestra
1
Big band
1
Piano and Orchestra
1
2 Marimbas
1
Percussion
1
Vibraphone
1
+ 22 instrumentations
-
Retract
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Sing, All Men!
Soprano voice, Piano
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31 sheet music found
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1
26
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
#
Soprano voice, Piano
#
ADVANCED
#
Richard Wagner
#
Nicole Elyse DiPaolo
#
O Sachs! Mein Freund!
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Centur...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Chansons de Verlaine
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Soprano voice, Piano
#
ADVANCED
#
John Casken
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Chansons de Verlaine
#
Schott Music - Digital
#
SheetMusicPlus
Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Do...
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Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.
$19.99
The exploding Head
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Soprano voice, Piano
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ADVANCED
#
Christian Jost
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The exploding Head
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Schott Music - Digital
#
SheetMusicPlus
Soprano voice and piano - difficult - Digital Download SKU: S9.Q6176 Fragment from Das Urteil (The Judgement) by Franz Kafka. Composed by Christia...
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Soprano voice and piano - difficult - Digital Download SKU: S9.Q6176 Fragment from Das Urteil (The Judgement) by Franz Kafka. Composed by Christian Jost. This edition: Sheet music. Downloadable. Duration 7 minutes. Schott Music - Digital #Q6176. Published by Schott Music - Digital (S9.Q6176). German.Kafka's œuvre is interspersed with moments of utter anxiety. Moments in which, induced by adrenalin, the blood pressure rises. Blood vessels which seem to constrict, pump enormous quantities of blood the pressure of which might make one believe that the head is going to explode. In The Judgment, an innocent opening story leads to one of the most unusual showdowns in world literature: The beloved father sentences his son to death by drowning; the son immediately obeys since his life, his existence almost explodes, becomes blurred, dissolves at the moment the judgment is pronounced. For me, the 'self' driving him – I imagine this as a high sound in the inner ear – could only be a soprano. This is why the actual 'fall' has turned out to be clear, almost friendly and why Georg only seems to want to breathe a soft and quiet 'Dear parents, I have always loved you' during the fall while no longer keeping the singing tone, shortly before death, almost casually, takes hold of him. Christian Jost.
$16.99
Pictures at an exHERbition
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Sally Whitwell
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Pictures at an exHERbition
#
Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Publish...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Take My Life, and Let It Be - soprano solo, organ
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Soprano voice, Piano
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INTERMEDIATE
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Sacred music
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Todd Marchand
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it shall be thy royal throne
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Take My Life, and Let It Be -
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Con Spirito Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.726103 Composed by Todd Marchand. Christian,Sacred. 4 pages. Con Spirito Music #6101779. Pu...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.726103 Composed by Todd Marchand. Christian,Sacred. 4 pages. Con Spirito Music #6101779. Published by Con Spirito Music (A0.726103). Frances Ridley Havergal (1836-1879) published several volumes of poems and hymns, devotions, and other prose writings. She is best known for the consecration hymn text, Take My Life and Let It Be, which here receives a new setting for soprano and organ. Take my life, and let it be consecrated, Lord, to thee;take my moments and my days, let them flow in ceaseless praise.Take my hands, and let them move at the impulse of thy love;take my heart, it is thine own; it shall be thy royal throne. Take my voice, and let me sing always, only, for my King;take my intellect, and use every power as thou shalt choose.Take my will and make it thine; it shall be no longer mine.Take myself, and I will be ever, only, all for thee. Thus my life will truly be consecrated, Lord, to Thee. Amen. ©Copyright 2020 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$4.99
Three Solos for Advent, Christmas, Epiphany - soprano, organ
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Soprano voice, Piano
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INTERMEDIATE
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Christmas
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Traditional
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Todd Marchand
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Three Solos for Advent, Christ
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Con Spirito Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.726105 Composed by Traditional (public domain). Arranged by Todd Marchand. Advent,Christian...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.726105 Composed by Traditional (public domain). Arranged by Todd Marchand. Advent,Christian,Christmas,Sacred. 12 pages. Con Spirito Music #6102553. Published by Con Spirito Music (A0.726105). Three Solos: Advent, Christmas, Epiphany, for soprano and organ, offers the church soloist three new arrangements of texts and tunes that are fitting for the season. Blest Mary Walks Amid the Thorn is a German folk carol that references the Virgin Mary's journey to visit her cousin Elizabeth, with symbolic allusions to promises of new life in Christ. (Range D4-Eb5)Lo, How a Rose E'er Blooming references the Old Testament prophecies that foretell the Incarnation of Christ and his lineage in the House of David. The familiar melody and harmonization by Michael Praetorius are adapted and expanded in this new setting. (Range C4-D5)Saw You Never in the Twilight? tells of the Wise Men's (Magi) journey to the crib of the Christ Child and of the manifestation of Christ to the world, which is celebrated in the season of Epiphany. The Welsh lullaby, Suo Gan, is used as accompaniment to the text in this arrangement. (Range F4-F5)All three pieces may be accompanied by the organist using manuals only.©Copyright 2019 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$10.99
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Soprano voice, Piano
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 1...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Classical
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period....
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Soprano voice, Piano
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ADVANCED
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Opera
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Classical
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pag...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Poems of Queen Mary Stuart
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Soprano voice, Piano
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ADVANCED
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Robert Schumann
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Robert Schumann
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Aribert Reimann
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Poems of Queen Mary Stuart
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - advanced - Digital Download SKU: S9.Q45888 By Robert Schumann (1852). Composed by Robert Schumann. Arranged by Aribert R...
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Soprano voice and piano - advanced - Digital Download SKU: S9.Q45888 By Robert Schumann (1852). Composed by Robert Schumann. Arranged by Aribert Reimann. This edition: single sheet. Downloadable, Separate edition. Op. 135. Duration 9 minutes. Schott Music - Digital #Q45888. Published by Schott Music - Digital (S9.Q45888). German • English • French • Italian.Two things in particular link Aribert Reimann with Robert Schumann, whom he much admires: their interest in the dark side of human existence and their great commitment to literature. The both took an interest in the poems by the Scottish queen Mary Stuart written at the end of her life during her imprisonment. For a long time, Reimann had cherished the wish to orchestrate the lieder by Schumann based on these poems, ‘but I always lacked in courage […] to break up the rather barren piano part which is formally self-contained and complete in itself’. But while working on Sieben Fragmente für Orchester in 1988, he decided to take the risk. And although Schumann‘s music is never really touched, Reimann succeeds in bringing the deeply moving expression of the lieder even closer to the listener.Seinen letzten Zyklus für Singstimme und Klavier komponierte Robert Schumann 1852 auf eine deutsche Übersetzung von Gisbert Freiherr von Vincke. Indem Aribert Reimann die Singstimme der fünf Gedichte mit ihren je unterschiedlichen Originalsprachen in Französisch, Italienisch, Englisch und Latein unterlegt, erscheint nicht nur die historische Figur der schottischen Königin Maria Stuart, sondern auch die Musik Schumanns in neuem, polyglotten Licht.
$15.99
"Eulalie," for Soprano and Piano
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Steven Shade
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"Eulalie," for Soprano and Pia
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Steve Shade
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.834331 Composed by Steven Shade. 20th Century,Romantic Period. 12 pages. Steve Shade #32407...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.834331 Composed by Steven Shade. 20th Century,Romantic Period. 12 pages. Steve Shade #3240751. Published by Steve Shade (A0.834331). Eulalie is a poem written by Edgar Allan Poe. I have set it to a song for Soprano Voice and Piano. Due to the content of the poem, this piece allows the vocalist to get a chance to work on both expressive and dramatic singing. The vocalist gets a moment to truly shine during a mini cadenza. Although not the soloist, the pianist has interludes that will showoff the player's expressive abilities. Although not technically difficult, this piece does demand a fairly large range from the vocalist. This song would be a good expressive piece to add to a recital. Contents: Cover page, program notes, Eulalie poem in its entirety, full scoreSoprano Range: C4-Bb5Difficulty: Intermediate/Early AdvancedDuration: About 3 minutes
$1.99
Home on the Range
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Soprano voice, Piano
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BEGINNER
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Traditional
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Jhonatan Lucio Viana
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Home on the Range
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JLVPartitura
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1447249 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Countr...
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1447249 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Country,Folk,Historic,Traditional. 4 pages. JLVPartitura #1027029. Published by JLVPartitura (A0.1447249). Arrangement of HOME ON THE RANGE - MY WESTERN HOME by Tom Roush for Soprano Voice + Piano in E + Chords (Other keys available):This arrangement delivers a captivating interpretation of the song's essence, infusing it with intricate melodies and harmonies that enhance its emotional depth.Key Features:- Melodies and harmonies that capture the essence of the song;- Suitable for easy to intermediate levels;- Professionally arranged score in PDF format for ease of practice and performance;- Genre: A blend of genres and folk, appealing to a broad audience;- Evokes a sense of nostalgia and joy with its timeless melody.I am pleased to offer this arrangement to enrich your musical journey. Upon purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.
$2.99
Home on the Range
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Soprano voice, Piano
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BEGINNER
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Traditional
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Jhonatan Lucio Viana
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Home on the Range
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JLVPartitura
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1447186 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Countr...
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1447186 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Country,Folk,Historic,Traditional. 4 pages. JLVPartitura #1026966. Published by JLVPartitura (A0.1447186). Arrangement of HOME ON THE RANGE - MY WESTERN HOME by Tom Roush for Soprano Voice + Piano in C + Chords (Other keys available):This arrangement delivers a captivating interpretation of the song's essence, infusing it with intricate melodies and harmonies that enhance its emotional depth.Key Features:- Melodies and harmonies that capture the essence of the song;- Suitable for easy to intermediate levels;- Professionally arranged score in PDF format for ease of practice and performance;- Genre: A blend of genres and folk, appealing to a broad audience;- Evokes a sense of nostalgia and joy with its timeless melody.I am pleased to offer this arrangement to enrich your musical journey. Upon purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.
$2.99
Home on the Range
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Soprano voice, Piano
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BEGINNER
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Traditional
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Jhonatan Lucio Viana
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Home on the Range
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JLVPartitura
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1447245 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Countr...
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1447245 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Country,Folk,Historic,Traditional. 4 pages. JLVPartitura #1027025. Published by JLVPartitura (A0.1447245). Arrangement of HOME ON THE RANGE - MY WESTERN HOME by Tom Roush for Soprano Voice + Piano in F + Chords (Other keys available):This arrangement delivers a captivating interpretation of the song's essence, infusing it with intricate melodies and harmonies that enhance its emotional depth.Key Features:- Melodies and harmonies that capture the essence of the song;- Suitable for easy to intermediate levels;- Professionally arranged score in PDF format for ease of practice and performance;- Genre: A blend of genres and folk, appealing to a broad audience;- Evokes a sense of nostalgia and joy with its timeless melody.I am pleased to offer this arrangement to enrich your musical journey. Upon purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.
$2.99
Home on the Range
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Soprano voice, Piano
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BEGINNER
#
Traditional
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Jhonatan Lucio Viana
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Home on the Range
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JLVPartitura
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1447257 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Countr...
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1447257 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Country,Folk,Historic,Traditional. 4 pages. JLVPartitura #1027037. Published by JLVPartitura (A0.1447257). Arrangement of HOME ON THE RANGE - MY WESTERN HOME by Tom Roush for Soprano Voice + Piano in D + Chords (Other keys available):This arrangement delivers a captivating interpretation of the song's essence, infusing it with intricate melodies and harmonies that enhance its emotional depth.Key Features:- Melodies and harmonies that capture the essence of the song;- Suitable for easy to intermediate levels;- Professionally arranged score in PDF format for ease of practice and performance;- Genre: A blend of genres and folk, appealing to a broad audience;- Evokes a sense of nostalgia and joy with its timeless melody.I am pleased to offer this arrangement to enrich your musical journey. Upon purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.
$2.99
Home on the Range
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Soprano voice, Piano
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BEGINNER
#
Traditional
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Jhonatan Lucio Viana
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Home on the Range
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JLVPartitura
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1447241 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Countr...
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1447241 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Country,Folk,Historic,Traditional. 4 pages. JLVPartitura #1027021. Published by JLVPartitura (A0.1447241). Arrangement of HOME ON THE RANGE - MY WESTERN HOME by Tom Roush for Soprano Voice + Piano in Gb + Chords (Other keys available):This arrangement delivers a captivating interpretation of the song's essence, infusing it with intricate melodies and harmonies that enhance its emotional depth.Key Features:- Melodies and harmonies that capture the essence of the song;- Suitable for easy to intermediate levels;- Professionally arranged score in PDF format for ease of practice and performance;- Genre: A blend of genres and folk, appealing to a broad audience;- Evokes a sense of nostalgia and joy with its timeless melody.I am pleased to offer this arrangement to enrich your musical journey. Upon purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.
$2.99
Home on the Range
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Soprano voice, Piano
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BEGINNER
#
Traditional
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Jhonatan Lucio Viana
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Home on the Range
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JLVPartitura
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1447225 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Countr...
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1447225 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Country,Folk,Historic,Traditional. 4 pages. JLVPartitura #1027005. Published by JLVPartitura (A0.1447225). Arrangement of HOME ON THE RANGE - MY WESTERN HOME by Tom Roush for Soprano Voice + Piano in A + Chords (Other keys available):This arrangement delivers a captivating interpretation of the song's essence, infusing it with intricate melodies and harmonies that enhance its emotional depth.Key Features:- Melodies and harmonies that capture the essence of the song;- Suitable for easy to intermediate levels;- Professionally arranged score in PDF format for ease of practice and performance;- Genre: A blend of genres and folk, appealing to a broad audience;- Evokes a sense of nostalgia and joy with its timeless melody.I am pleased to offer this arrangement to enrich your musical journey. Upon purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.
$2.99
Home on the Range
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Soprano voice, Piano
#
BEGINNER
#
Traditional
#
Jhonatan Lucio Viana
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Home on the Range
#
JLVPartitura
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1447229 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Countr...
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1447229 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Country,Folk,Historic,Traditional. 4 pages. JLVPartitura #1027009. Published by JLVPartitura (A0.1447229). Arrangement of HOME ON THE RANGE - MY WESTERN HOME by Tom Roush for Soprano Voice + Piano in Ab + Chords (Other keys available):This arrangement delivers a captivating interpretation of the song's essence, infusing it with intricate melodies and harmonies that enhance its emotional depth.Key Features:- Melodies and harmonies that capture the essence of the song;- Suitable for easy to intermediate levels;- Professionally arranged score in PDF format for ease of practice and performance;- Genre: A blend of genres and folk, appealing to a broad audience;- Evokes a sense of nostalgia and joy with its timeless melody.I am pleased to offer this arrangement to enrich your musical journey. Upon purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.
$2.99
Home on the Range
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Soprano voice, Piano
#
BEGINNER
#
Traditional
#
Jhonatan Lucio Viana
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Home on the Range
#
JLVPartitura
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1447199 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Countr...
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1447199 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Country,Folk,Historic,Traditional. 4 pages. JLVPartitura #1026978. Published by JLVPartitura (A0.1447199). Arrangement of HOME ON THE RANGE - MY WESTERN HOME by Tom Roush for Soprano Voice + Piano in B + Chords (Other keys available):This arrangement delivers a captivating interpretation of the song's essence, infusing it with intricate melodies and harmonies that enhance its emotional depth.Key Features:- Melodies and harmonies that capture the essence of the song;- Suitable for easy to intermediate levels;- Professionally arranged score in PDF format for ease of practice and performance;- Genre: A blend of genres and folk, appealing to a broad audience;- Evokes a sense of nostalgia and joy with its timeless melody.I am pleased to offer this arrangement to enrich your musical journey. Upon purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.
$2.99
Home on the Range
#
Soprano voice, Piano
#
BEGINNER
#
Traditional
#
Jhonatan Lucio Viana
#
Home on the Range
#
JLVPartitura
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1447184 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Countr...
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1447184 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Country,Folk,Historic,Traditional. 4 pages. JLVPartitura #1026963. Published by JLVPartitura (A0.1447184). Arrangement of HOME ON THE RANGE - MY WESTERN HOME by Tom Roush for Soprano Voice + Piano in C + Chords (Other keys available):This arrangement delivers a captivating interpretation of the song's essence, infusing it with intricate melodies and harmonies that enhance its emotional depth.Key Features:- Melodies and harmonies that capture the essence of the song;- Suitable for easy to intermediate levels;- Professionally arranged score in PDF format for ease of practice and performance;- Genre: A blend of genres and folk, appealing to a broad audience;- Evokes a sense of nostalgia and joy with its timeless melody.I am pleased to offer this arrangement to enrich your musical journey. Upon purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.
$2.99
Home on the Range
#
Soprano voice, Piano
#
BEGINNER
#
Traditional
#
Jhonatan Lucio Viana
#
Home on the Range
#
JLVPartitura
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1447236 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Countr...
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1447236 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Country,Folk,Historic,Traditional. 4 pages. JLVPartitura #1027016. Published by JLVPartitura (A0.1447236). Arrangement of HOME ON THE RANGE - MY WESTERN HOME by Tom Roush for Soprano Voice + Piano in G + Chords (Other keys available):This arrangement delivers a captivating interpretation of the song's essence, infusing it with intricate melodies and harmonies that enhance its emotional depth.Key Features:- Melodies and harmonies that capture the essence of the song;- Suitable for easy to intermediate levels;- Professionally arranged score in PDF format for ease of practice and performance;- Genre: A blend of genres and folk, appealing to a broad audience;- Evokes a sense of nostalgia and joy with its timeless melody.I am pleased to offer this arrangement to enrich your musical journey. Upon purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.
$2.99
Home on the Range
#
Soprano voice, Piano
#
BEGINNER
#
Traditional
#
Jhonatan Lucio Viana
#
Home on the Range
#
JLVPartitura
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1447262 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Countr...
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1447262 By Traditional. By Tom Roush. Arranged by Jhonatan Lucio Viana. 19th Century,Country,Folk,Historic,Traditional. 4 pages. JLVPartitura #1027042. Published by JLVPartitura (A0.1447262). Arrangement of HOME ON THE RANGE - MY WESTERN HOME by Tom Roush for Soprano Voice + Piano in Db + Chords (Other keys available):This arrangement delivers a captivating interpretation of the song's essence, infusing it with intricate melodies and harmonies that enhance its emotional depth.Key Features:- Melodies and harmonies that capture the essence of the song;- Suitable for easy to intermediate levels;- Professionally arranged score in PDF format for ease of practice and performance;- Genre: A blend of genres and folk, appealing to a broad audience;- Evokes a sense of nostalgia and joy with its timeless melody.I am pleased to offer this arrangement to enrich your musical journey. Upon purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.
$2.99
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