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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
That
Not classified
19,187
Piano & keyboards
Piano solo
12,399
Piano, Voice
5,627
Piano, Vocal and Guitar
3,979
Easy Piano
3,558
Piano Accompaniment
2,232
C Instruments
1,397
Organ
1,011
1 Piano, 4 hands
296
Piano Trio: piano, violin, cello
200
Big Note Piano
140
Piano (band part)
117
2 Pianos, 4 hands
99
Accordion
78
Piano Quartet: piano, 2 violins, cello
76
Piano Quartet: piano, violin, viola, cello
53
Organ, Trumpet (duet)
30
Piano Quintet: piano, 2 violins, viola, cello
26
Organ, Piano (duet)
23
Harpsichord
17
Melody line, Piano
10
1 Piano, 6 hands
8
2 Pianos, 8 hands
7
Keyboard
5
Accordion, Voice
2
Solo instrument and Organ
1
Accordion ensemble
1
Organ and Orchestra
1
+ 22 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
1,531
Guitar
1,156
Melody line, (Lyrics) and Chords
983
Ukulele
640
Lyrics and Chords
327
Bass guitar
240
Guitar (band part)
223
2 Guitars (duet)
90
Piano, Guitar (duet)
69
Mandolin
61
4 Guitars (Quartet)
56
Dulcimer
51
Banjo
48
3 Guitars (trio)
28
Guitar Ensemble
21
Mandolin, Guitar (duet)
7
2 Dulcimers (duet)
5
Guitar, Violin, Cello (trio)
4
Electric Bass (band part)
4
Baritone Ukulele
2
Mandolin, Piano (duet)
2
Guitar, Flute, Clarinet
2
Lap Steel Guitar
2
Guitar, Orchestra
2
Guitar, String Quartet
1
2 Ukuleles
1
Ukulele Ensemble
1
Plectrum Orchestra
1
Dobro
1
Guitar Tab, Voice, Bass, Drum
1
Zither
1
+ 26 instrumentations
-
Retract
Voice
Choral SATB
6,894
Choral 2-part
2,935
Choral 3-part
2,535
Choral Unison
2,046
Vocal duet, Piano
1,295
Choral TTBB
1,021
Choral SSAA
610
Vocal duet
362
Soprano voice, Piano
302
Alto voice, Piano
238
Tenor voice, Piano
224
Baritone voice, Piano
127
Voice solo
121
High voice
105
Choral Instrumental Pak
103
Choral
103
Medium voice, Piano
55
Tenor voice
43
Soprano voice
36
Low voice, Piano
27
Choral SSAATTBB
19
Choral SSATB
14
Mezzo-Soprano voice, Piano
10
Low voice
9
Choral SSATTB
8
Voice, Guitar
6
Soli, Mixted choir and accompaniment
5
Choral SSAB, Piano
3
Choral SSAB a cappella
3
Choral SATBB
3
Choral, Organ
2
Voix Masculines
2
Choral SATTB
1
High voice, Piano
1
Choral SSAATB
1
+ 30 instrumentations
-
Retract
Woodwind
Saxophone Quartet: 4 saxophones
1,430
Flute and Piano
1,222
2 Saxophones (duet)
1,036
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1,030
Clarinet and Piano
998
Flute, Oboe, Clarinet, Bassoon
974
Saxophone (band part)
917
Oboe, Piano (duet)
876
Alto Saxophone and Piano
854
Flute
811
Clarinet
731
Tenor Saxophone and Piano
687
Saxophone Quintet: 5 Saxophones
621
Soprano Saxophone and Piano
587
2 Flutes (duet)
565
Alto Saxophone
529
Clarinet Quartet: 4 clarinets
527
2 Clarinets (duet)
519
Tenor Saxophone
359
Oboe (band part)
317
Flute, Clarinet (duet)
308
Flute Quartet: 4 flutes
306
3 Saxophones (trio)
293
Clarinet Ensemble
267
Baritone Saxophone, Piano
257
Saxophone ensemble
236
Clarinet, Violin (duet)
233
Saxophone
228
Flute ensemble
200
2 Oboes (duet)
199
Clarinet (band part)
187
Saxophone, Clarinet (duet)
177
Flute, Violin
149
Oboe, Bassoon (duet)
148
3 Clarinets (trio)
141
2 Recorders (duet)
139
Clarinet Quintet: 5 clarinets
138
Oboe
131
Flute (band part)
128
Flute Quintet : 5 flutes
123
Flute Trio: 3 flutes
123
English horn, Piano
115
Oboe, Clarinet (duet)
112
Flute, Violin, Piano
100
Clarinet, Trumpet (duet)
98
Bass Clarinet, Piano
93
Soprano Saxophone
89
Pennywhistle
87
Clarinet and Viola
84
Flute and Guitar
82
Flute, Oboe, Clarinet (trio)
80
Clarinet, Bassoon (duet)
75
2 Flutes, Piano
74
Flute, Violoncello
71
Flute, Viola (duet)
71
Descant (Soprano) Recorder
71
Flute, Saxophone (duet)
70
Recorder Quartet
69
Oboe, Flute
65
Flute, Trumpet (duet)
63
Clarinet, Cello (duet)
62
Baritone Saxophone
60
Flute, Clarinet and Bassoon.
57
Flute, Oboe (duet)
54
Oboe, Clarinet, Bassoon (trio)
53
Flute, Clarinet, Piano (trio)
52
Oboe, Cello
48
2 Clarinets, Piano
48
Flute, Violin and Violoncello
41
Recorder
39
Treble (Alto) Recorder
38
Clarinet, Guitar (duet)
36
Clarinet, Cello, Piano (trio)
36
Oboe, Violin (duet)
34
5 Recorders
33
Harmonica
33
Flute, trombone and piano
30
Flute, Cello, Piano (trio)
30
Flute, Oboe, Piano (trio)
29
Ocarina
28
Flute, Oboe, Bassoon
28
Flute, Trombone (duet)
27
Flute, Bassoon, and Piano
25
Clarinet, Trombone (duet)
24
Flute, Viola and Piano
24
Eb Instruments
21
3 Recorders (trio)
20
Tenor Recorder
16
Piccolo, Piano
16
Treble (Alto) Recorder, Piano
15
Descent (Soprano) Recorder, Piano
14
2 Saxophones, Piano
13
Recorder Ensemble
13
Clarinet, trumpet and piano
13
Oboe and viola (duet)
12
English Horn
12
3 Oboes
12
4 Oboes
11
Flute, Violin, Violoncello and Piano
11
Bass Clarinet
11
Saxophone, Violin (duet)
10
Flute, Clarinet, Horn and Bassoon (Quartet)
10
Oboe, Trumpet (duet)
10
Oboe, Guitar (duet)
10
English Horn, Guitar (duet)
9
Saxophone and Guitar
9
Flute, harp and violin
8
Saxophone and Organ
6
Oboe, Harp
6
Flute, Cello, Guitar
6
Piccolo
6
Clarinet, Harp (duet)
6
Wind ensemble
6
Saxophone and Harp
5
Flute and Strings Trio
5
Oboe, Violin, Viola and Violoncello (Quartet)
4
Flute, Organ (duet)
4
Clarinet, Tuba
4
Oboe, Trombone (duet)
4
Recorder, Piano
4
2 English horns and Pianoforte
3
Oboe, Violin, Piano
3
Clarinet, Bassoon, Piano (trio)
3
Bagpipe
3
2 Clarinets, Bassoon
3
Flute, Violin, Guitar
3
Oboe, Clarinet and Piano (Trio)
3
Flute, French horn (duet)
3
Clarinette, Viola and Piano (trio)
3
Flute, Tuba (duet)
3
Oboe ensemble
2
Clarinet, Double bass (duet)
2
Oboe, Bassoon and Piano
2
Treble (Alto) Recorder, Basso continuo
2
Flute, Oboe, Violin
2
2 Oboes, Piano
2
Clarinet Quintet: Clarinet, String Quartet
2
Flute, Harp and Cello
2
Flute, Viola and harp
2
Flute, Basso continuo
2
Clarinet, Saxophone, Piano
1
Saxophone and cello
1
English horn, Harp (duet)
1
2 Oboes, 2 Horns and 2 Bassoons
1
Flute, Clarinet, Violin (trio)
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
Saxophone, Tuba (duet)
1
Clarinet, Organ
1
2 Recorders, Piano
1
Saxophone, Bassoon (duet)
1
Recorder, Guitar (duet)
1
Recorder, Harp
1
Harmonica, Piano
1
+ 148 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
1,174
Trumpet, Piano
852
Trombone and Piano
851
Brass quartet : 2 trumpets, trombone, tuba
813
Trumpet
801
Trombone (band part)
707
Trumpet (band part)
607
French Horn and Piano
604
Trombone
533
French horn
404
Brass Quartet: 2 trumpets, horn, trombone
388
Tuba and Piano
336
2 Trombones (duet)
315
2 Trumpets (duet)
305
Tuba
293
Brass Quartet
226
Trumpet, Trombone (duet)
186
2 French horns (duet)
167
Euphonium, Piano (duet)
153
Brass Quartet: 4 trombones
141
French horn (band part)
139
Trumpet, Saxophone (duet)
137
Tuba (band part)
122
Trombone ensemble
117
Trumpet ensemble
116
English horn, Piano
115
Trumpet, Horn (duert)
114
2 Tubas (duet)
79
Brass Quartet: 4 horns
65
Brass Quartet: 4 trumpets
45
Brass Trio
41
Euphonium
37
Horn Ensemble
35
2 Euphoniums and 2 Tubas
34
Brass Quartet: 2 trumpets, 2 trombones
31
Bass Clef Instruments
29
2 Euphoniums (duet)
28
Trumpet, Cello, Piano
27
3 Trombones (trio)
25
Horn, Cello (duet)
24
Bb Instruments
23
4 Tubas
22
Tuba and Organ
17
3 Trumpets (trio)
16
Trumpet, Bassoon (duet)
15
Trumpet, Cello (duet)
13
Trumpet, violin (duet)
13
F Instruments
12
English Horn
12
Bass Trombone and Piano
11
Trombone, Tuba (duet)
10
Trombone, Organ
10
Bass Trombone
10
Trumpet, Tuba (duet)
10
3 French horns (trio)
10
English Horn, Guitar (duet)
9
Trombone, cello (duet)
9
French horn and Basson (duet)
9
2 Trumpets, Keyboard (piano or organ)
8
Trombone, Horn (duet)
8
3 Tubas (trio)
7
Trumpet and Guitar
6
Euphonium, Tuba (duet)
6
French Horn and Harp
5
Trumpet, Trombone, Piano
5
Brass Quintet: 2 trumpets, horn, 2 trombones
4
Clarinet, Horn (duet)
4
Trombone, Violin (duet)
4
2 English horns and Pianoforte
3
Horn, Tuba (duet)
3
2 French horns, Piano
3
3 Euphoniums
3
Horn and Organ
2
Trombone, Viola (duet)
2
Horn, Cello and Piano
1
Cornet and Orchestra
1
Trumpet, Harp
1
English horn, Harp (duet)
1
Tuba ensemble
1
Trumpet, Orchestra
1
Tuba or Euphonium or Saxhorn
1
Trumpet, Euphonium (duet)
1
Horn, Trumpet, Trombone (trio)
1
+ 78 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
3,102
Violin and Piano
1,427
Violin
1,142
Cello, Piano
973
Viola, Piano
914
Violin, Cello (duet)
784
Cello
772
String Trio: violin, viola, cello
635
Harp
508
Viola
499
2 Violins (duet)
466
String Quintet: 2 violins, viola, cello, bass
379
2 Cellos (duet)
359
Violin, Viola (duet)
306
Double bass, Piano (duet)
263
Violin (band part)
258
Double Bass
248
2 Violas (duet)
246
Doublebass (band part)
237
String Trio: 2 violins, cello
233
Viola (band part)
196
2 Harps (duet)
142
Piano Trio: Violin, Viola, Piano
129
Viola, Cello (duet)
114
4 Cellos
86
String Trio: 3 violins
81
Cello (band part)
59
2 Double basses (duet)
57
String Trio: 3 cellos
55
Violin, Bassoon (duet)
53
String quartet: 4 violins
51
Violin, Guitar (duet)
43
Cello, String Bass (duet)
34
Violin ensemble
32
Viola and Bassoon
31
String Trio: 3 violas
31
Viola ensemble
28
Cello, Guitar (duet)
27
Harp, Flute (duet)
23
Harp, Violin (duet)
22
String Quintet: 2 violins, 2 violas, cello
21
String Quartet : 4 violas
21
Harp, Voice
18
String Trio: 2 violins, viola
18
Violin, Clarinet, Piano (trio)
17
Harp, Cello (duet)
15
Viola, Guitar (duet)
12
String Quintet: 2 violins, viola, 2 cellos
11
Viola and Harp
11
Cello, Organ
9
Flute, Doublebass (duet)
8
2 Violins, Piano
8
Harp, Trombone (duet)
5
Harp, Violin, Violoncello
5
4 Double Basses
5
Cello Ensemble
5
Harp and Piano
4
3 Harps
4
Violin, Tuba (duet)
3
Cello, Orchestra
3
Violoncello, Basso continuo
3
4 Harps
3
Violin, Organ
2
Violin, Trumpet and Piano
2
String trio
2
Harp and mandolin
2
2 Cellos, Piano
2
Autoharp
2
5 Harps
2
Harp and Organ
1
Viola and orchestra
1
Violin, Cello, Clarinet
1
+ 67 instrumentations
-
Retract
Orchestra & Percussion
Concert band
7,540
String Orchestra
1,706
Orchestra
1,301
Jazz Ensemble
1,254
Marching band
906
Brass ensemble
687
Handbells
538
Chamber Orchestra
422
Drums
271
Jazz combo
254
Percussion Ensemble
193
Drum (band part)
139
Percussion (band part)
128
Marimba
31
Vibraphone
25
Xylophone, Piano
23
Xylophone
14
Percussion
12
Timpani (band part)
10
Big band
8
2 Xylophones
8
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
6
Orchestra, Violin
6
School Ensemble
5
Brass Quintet: other combinaisons
4
Piano and Orchestra
4
Woodwind Quintet
3
Vibraphone and Marimba
3
Flexible Instrumentation
3
Cajon
2
Snare drums
2
2 Marimbas
1
Xylophone or Marimba or Vibraphone
1
Bongos
1
Timpani
1
Marimba and Organ
1
Marimba, Piano (duet)
1
Vibraphone (band part)
1
Conga
1
Bodhran
1
2 Percussions
1
+ 36 instrumentations
-
Retract
Others
Musical course - Solfege
9
Music Theory
6
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Soprano voice, Piano
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302 sheet music found
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301
They Say That Hope Is Happiness
#
Soprano voice, Piano
#
INTERMEDIATE
#
Contemporary
#
Brian S
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They Say That Hope Is Happines
#
G. Meredith Publications
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.843770 Composed by Brian S. Wilson. Contemporary. 10 pages. G. Meredith Publications #20251...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.843770 Composed by Brian S. Wilson. Contemporary. 10 pages. G. Meredith Publications #2025123. Published by G. Meredith Publications (A0.843770). This is the fourth of six songs from the Song Cycle Byron Songs based on poems of Lord Byron's collection of poems entitled Hebrew Melodies. There is an optional flute descant (part sold separately). There is also an arrangement of this song with strings and piano (sold separately). They Say That Hope Is Happiness TEXT They say that Hope is happiness-  But genuine Love must prize the past;And mem'ry wakes the thoughts that bless  They rose the first-they set the last.And all that mem'ry loves the most  Was once our only hope to be:And all that hope adored and lostHath melted into memory.Alas! it is delusion all-  The future cheats us from afar,Nor can we be what we recall,  Nor dare we think on what we are.
$7.00
Upon A Child That Died
#
Soprano voice, Piano
#
INTERMEDIATE
#
Contemporary
#
Jonathan Tauscheck
#
Robert Herrick
#
Upon A Child That Died
#
Jonathan Tauscheck
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.915741 Composed by Jonathan Tauscheck. Arranged by Robert Herrick. 20th Century. 4 pages. J...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.915741 Composed by Jonathan Tauscheck. Arranged by Robert Herrick. 20th Century. 4 pages. Jonathan Tauscheck #2080023. Published by Jonathan Tauscheck (A0.915741). Upon A Child That Died.
$1.99
I Know That My Redeemer Liveth - Messiah (E Major)
#
Soprano voice, Piano
#
INTERMEDIATE/ADVANCED
#
Classical
#
George Frideric Handel
#
Jonathan Prentice
#
I Know That My Redeemer Liveth
#
Jonathan Prentice
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884944 Composed by George Frideric Handel. Arranged by Jonathan Prentice. Baroque,Sacred. 8...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884944 Composed by George Frideric Handel. Arranged by Jonathan Prentice. Baroque,Sacred. 8 pages. Jonathan Prentice #6629833. Published by Jonathan Prentice (A0.884944). This famous aria opens part three of Handel’s iconic oratorio, Messiah,and incorporates words from the books of Job and Paul. Although a reworking of music he had previously used in other works it has become so associated with the composer that it was incorporated into his bust at Westminster Abbey. (Here in the original E Major)
$1.99
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
When the South Wind Sings: Child Moon (Downloadable)
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Soprano voice, Piano
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INTERMEDIATE
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Juliana Hall
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When the South Wind Sings: Chi
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Medium - Digital Download SKU: MQ.8574-6E Composed by Juliana Hall. Secular, 21st Century, Art Song. 9 pages. E. C. Schirmer Mu...
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8574-6E Composed by Juliana Hall. Secular, 21st Century, Art Song. 9 pages. E. C. Schirmer Music Company - Digital #8574-6E. Published by E. C. Schirmer Music Company - Digital (MQ.8574-6E). English.This collection follows a narrative in which the first two poems shine bright light on reality after both a literal and a metaphorical storm, after which that light is amplified and changed into a more mysterious atmosphere by a fog that allows the speaker to feel free to confess his sins. The regular cycles of nature provide the winds that blow away that sin from the speaker, once it is confessed, after which the gentle light of a harvest moon provides the healing softness that allows even Death to whisper as a friend. Purification continues as we are reminded of the innocence of children to look up and stare in awe and wonder at the moon’s light, and finally the daily cycle of nature brings night to the town, where the forgiveness of that confessed sin allows its inhabitants to enjoy perfect peace and sleep.Contents1. Follies2. Mask3. Pearl Fog4. The South Wind Says So5. Under The Harvest Moon6. Child Moon7. Between Two Hills.
$6.00
El Aire (Tres Poemas de Gabriela Mistral)
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Soprano voice, Piano
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Contemporary
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Wayland Rogers
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El Aire
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WR Editions
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.866661 Composed by Wayland Rogers. Contemporary. 5 pages. WR Editions #3070485. Published by WR Editi...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.866661 Composed by Wayland Rogers. Contemporary. 5 pages. WR Editions #3070485. Published by WR Editions (A0.866661). This is first song of the cycle Tres Poemas de Gabriela Mistral written for and sung here by Michelle Areyzaga, with Dana Brown, pianist. That which passes and that which remains, that is the air, that is the air, and without a mouth that you can see, it drinks and kisses you, a loving father.
$12.00
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Soprano voice, Piano
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 1...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Classical
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period....
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
The Birds
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Sally Whitwell
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The Birds
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Publish...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Published by Sally Whitwell (A0.873025). Composer’s Note - The BirdsI lived for a couple of years in a little top floor Art Deco apartment in Sydney’s Kings Cross. There were always birds sitting on my window sill because of the huge Jacaranda tree outside. I was at a bit of a crossroads in my life at that time, and would spend at least an hour daily walking in the neighbourhood, along those twisting, sloping streets and slowly eroding sandstone staircases so typical of Sydney’s harbourside suburbs. On the wall by such a staircase very close to my home was a tiny red spray painted bird with little music notes emanating from his beak. His was a constant presence in my life, I really rather liked him.Birds seemed to be making appearances everywhere in my life at that time, which I took as some kind of message from the universe. I was reading quite a lot of Christina Rossetti that year too, enjoying her writings about birds and all that they symbolised for her; beauty and sadness, hope and joy. There was a quiet optimism in her words, sometimes veiled but always present, which propelled me to write this song cycle T​ he Birds.​-- Sally Whitwell
$3.99
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Pictures at an exHERbition
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Publish...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
Some World Far From Ours
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Sally Whitwell
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Some World Far From Ours
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873021 Composed by Sally Whitwell. Contemporary. 8 pages. Sally Whitwell #3867171. Publishe...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873021 Composed by Sally Whitwell. Contemporary. 8 pages. Sally Whitwell #3867171. Published by Sally Whitwell (A0.873021). Composer’s Note - Some World Far From OursA principle source of inspiration for composers is surely a performer of great talent and skill. Percy Bysshe Shelley proves that this is true not only for composers but for poets as well. His dear friend Jane Williams -- the never proven conjecture is that she was actually his lover -- could sing like a bird and also play flute, harp and guitar. In S​ ome World Far From Ours,​ I so enjoyed bringing some musical life to a text that praises a musician from a poet who understands how a singing voice can transport a listener in a was that speech cannot.-- Sally Whitwell
$1.99
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Soprano voice, Piano
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ADVANCED
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Opera
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Classical
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pag...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Warm Where Snowflakes Lie
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Sally Whitwell
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Warm Where Snowflakes Lie
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873026 Composed by Sally Whitwell. Contemporary. 6 pages. Sally Whitwell #3867191. Publishe...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873026 Composed by Sally Whitwell. Contemporary. 6 pages. Sally Whitwell #3867191. Published by Sally Whitwell (A0.873026). Composer’s Note - Warm Where Snowflakes LieThrough my music, I try to bring to people a sense of optimism about the world. Music has the power to uplift, to exalt, to fill people with joy and hope, so I am drawn to texts that do a similar thing. Christina Rossetti’s poem ​The Key-Note​ has this optimism, even with a gentle sting in the proverbial tail. She appreciated that everything has a season, that life happens in cycles, that in the face of the darkest Winter there is always the hope of Spring, a hope made real by the appearance of the red-breasted robin in the snow. This song is for anyone who has ever felt hopeless, disenfranchised, or unable to see the light at the end of the tunnel.-- Sally Whitwell
$2.99
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Centur...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Breaking
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Soprano voice, Piano
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INTERMEDIATE
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Contemporary
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Abigail Gilson
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Breaking
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Abigail Gilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1024940 Composed by Abigail Gilson. Contemporary. 5 pages. Abigail Gilson #3675473. Publish...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1024940 Composed by Abigail Gilson. Contemporary. 5 pages. Abigail Gilson #3675473. Published by Abigail Gilson (A0.1024940). The main feeling of this poem is hope, just hope to make the world a better place, to help someone in need. A young girl, so naive and innocent, who believes that she can live a good life by making the lives of others better. But as the song cycle continues we see that for some women, their dreams will never become a reality. We see hints of this in this piece, as in the second section, the piece dips into a minor key. Suggesting that the woman girl has started to give up on her dreams. But the girl keeps singing, saying that she’ll help a fainting robin. She has not given up yet, and will not let her dreams fade.
$4.99
Si yo nunca desapareciera (HIGH VOICE)
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Kristian S Rodriguez
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Si yo nunca desapareciera
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Kristian S. Rodriguez
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1023335 Composed by Kristian S Rodriguez. 20th Century,Contemporary,Latin. 10 pages. Kristi...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1023335 Composed by Kristian S Rodriguez. 20th Century,Contemporary,Latin. 10 pages. Kristian S. Rodriguez #5191597. Published by Kristian S. Rodriguez (A0.1023335). I composed this piece as part of a larger song cycle, Colores mexicanos, which I wrote as part of an undergraduate thesis, Colores mexicanos: The Mexican Art Song and Setting Mexican Texts to Music (2016). This cycle explores various texts from various perspectives throughout Mexican history, culture, and society, while reflecting influences from Mexican folk and academic music within the composition. Si yo nunca... is the second piece in the cycle, and like the first, it features text from the Cantares mexicanos, written by Mexica authors during the beginning of the Spanish viceroyalty period in the 16th century. This text uses vague, abstract language to emphasize the idea that human culture never truly disappears, and it’s fitting for a state freshly defeated by another civilization. The musical setting features the Andulusian cadence, a compositional device frequently used in Latin American music, distorted across various octaves and in various figures, as the singer suggests that there is more after death, a fitting metaphor for an ancient yet very active culture that still pervades Mexican society today.
$3.99
A Night-Piece for Mezzo-Soprano and Piano after Wordsworth
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Richard St
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A Night-Piece for Mezzo-Sopran
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Richard St. Clair
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939663 Composed by Richard St. Clair. 20th Century. 9 pages. Richard St. Clair #3000385. Pu...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939663 Composed by Richard St. Clair. 20th Century. 9 pages. Richard St. Clair #3000385. Published by Richard St. Clair (A0.939663). A modern-day romantic style setting of William Wordsworth's 1798 poem, A Night-Piece for mezzo-soprano with piano accompaniment. Duration about 5 minutes. The style is mostly tonal but with some nontraditional harmonies. The attached MP3 Audio Clip is computer-generated.Lyrics:A NIGHT-PIECEby William Wordsworth THE sky is overcast With a continuous cloud of texture close, Heavy and wan, all whitened by the Moon, Which through that veil is indistinctly seen, A dull, contracted circle, yielding light So feebly spread, that not a shadow falls, Chequering the ground--from rock, plant, tree, or tower. At length a pleasant instantaneous gleam Startles the pensive traveller while he treads His lonesome path, with unobserving eye 10 Bent earthwards; he looks up--the clouds are split Asunder,--and above his head he sees The clear Moon, and the glory of the heavens. There, in a black-blue vault she sails along, Followed by multitudes of stars, that, small And sharp, and bright, along the dark abyss Drive as she drives: how fast they wheel away, Yet vanish not!--the wind is in the tree, But they are silent;--still they roll along Immeasurably distant; and the vault, 20 Built round by those white clouds, enormous clouds, Still deepens its unfathomable depth. At length the Vision closes; and the mind, Not undisturbed by the delight it feels, Which slowly settles into peaceful calm, Is left to muse upon the solemn scene. 1798.
$10.00
Three Solos for Advent, Christmas, Epiphany - soprano, organ
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Soprano voice, Piano
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INTERMEDIATE
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Christmas
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Traditional
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Todd Marchand
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Three Solos for Advent, Christ
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Con Spirito Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.726105 Composed by Traditional (public domain). Arranged by Todd Marchand. Advent,Christian...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.726105 Composed by Traditional (public domain). Arranged by Todd Marchand. Advent,Christian,Christmas,Sacred. 12 pages. Con Spirito Music #6102553. Published by Con Spirito Music (A0.726105). Three Solos: Advent, Christmas, Epiphany, for soprano and organ, offers the church soloist three new arrangements of texts and tunes that are fitting for the season. Blest Mary Walks Amid the Thorn is a German folk carol that references the Virgin Mary's journey to visit her cousin Elizabeth, with symbolic allusions to promises of new life in Christ. (Range D4-Eb5)Lo, How a Rose E'er Blooming references the Old Testament prophecies that foretell the Incarnation of Christ and his lineage in the House of David. The familiar melody and harmonization by Michael Praetorius are adapted and expanded in this new setting. (Range C4-D5)Saw You Never in the Twilight? tells of the Wise Men's (Magi) journey to the crib of the Christ Child and of the manifestation of Christ to the world, which is celebrated in the season of Epiphany. The Welsh lullaby, Suo Gan, is used as accompaniment to the text in this arrangement. (Range F4-F5)All three pieces may be accompanied by the organist using manuals only.©Copyright 2019 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$10.99
How do I love thee? (Downloadable)
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Soprano voice, Piano
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INTERMEDIATE
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Juliana Hall
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How do I love thee?
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Medium - Digital Download SKU: MQ.8568-2E From the song cycle How Do I Love Thee?. Composed by Juliana Hall. 8 pages. E....
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8568-2E From the song cycle How Do I Love Thee?. Composed by Juliana Hall. 8 pages. E. C. Schirmer Music Company - Digital #8568-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8568-2E). English.This song cycle follows a narrative arc, beginning with a proclamation by the speaker against the love she feels, after which that love becomes too great to disavow. Throughout the cycle, the speaker's love grows, and ends with a declaration of love that will live beyond the lives of the speaker and the object of her love, a love that lives forever.
$4.00
Sue (Downloadable)
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Soprano voice, Piano
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Henry Mollicone
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Sue
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8371-2E Composed by Henry Mollicone. 39 pages. E. C. Schirmer Music Company - D...
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Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8371-2E Composed by Henry Mollicone. 39 pages. E. C. Schirmer Music Company - Digital #8371-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8371-2E). These songs were composed for a benefit event held by DAY WORKERS OF MOUNTAIN VIEW, a strong organization that serves immigrants in Northern California. Having visited their offices, I was very impressed with the range of programs they provide for immigrants and the personal commitment of their director, Maria Marroquin. Maria interviewed four women and transcribed their true stories into poems which I have set to music. The stories have a common thread that suggests the difficult and painful experiences of immigration in our society. It is our hope that the stories of these brave women help to raise the awareness of this important issue. -Henry Mollicone.
$11.50
Away in a Manger - Soprano with chords in F#
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Soprano voice, Piano
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BEGINNER
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Christmas
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James Ramsey Murray
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Alex Nunes Rodrigues
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Away in a Manger - Soprano wit
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1507223 Composed by James Ramsey Murray. Arranged by Alex Nunes Rodrigues. Christian,Christ...
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1507223 Composed by James Ramsey Murray. Arranged by Alex Nunes Rodrigues. Christian,Christmas,Religious,Sacred. 1 pages. Alex Rodrigues #1082623. Published by Alex Rodrigues (A0.1507223). Away in a Manger is a Christmas carol deeply rooted in Christian traditions, written in the late 19th century. The most well-known version in the United States was composed by James Ramsey Murray, becoming a popular hymn in Christmas services, children's choirs, and school performances. With its simple melody and universal message, the song is widely performed in English-speaking countries, appreciated in both elaborate arrangements and simplified versions.The melody is accessible to beginners, with a simplified piano line that makes accompaniment easy. Traditional harmonies enhance the song’s gentle and reverent tone, reinforcing its role as a sacred piece.The charm of Away in a Manger lies in the simplicity of its melody and harmony, making it ideal for musicians of all skill levels. The lyrics evoke images of the birth of Jesus in a humble stable, creating an atmosphere of serenity and humility. The piece conveys tenderness and reverence, reflecting the peacefulness of the first Christmas, offering a musical experience that deeply touches the spirit of the season.
$4.99
Away in a Manger - Soprano in C
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Soprano voice, Piano
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BEGINNER
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James Ramsey Murray
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Alex Nunes Rodrigues
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Away in a Manger - Soprano in
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1507202 Composed by James Ramsey Murray. Arranged by Alex Nunes Rodrigues. Christian,Christ...
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1507202 Composed by James Ramsey Murray. Arranged by Alex Nunes Rodrigues. Christian,Christmas,Religious,Sacred. 1 pages. Alex Rodrigues #1082602. Published by Alex Rodrigues (A0.1507202). Away in a Manger is a Christmas carol deeply rooted in Christian traditions, written in the late 19th century. The most well-known version in the United States was composed by James Ramsey Murray, becoming a popular hymn in Christmas services, children's choirs, and school performances. With its simple melody and universal message, the song is widely performed in English-speaking countries, appreciated in both elaborate arrangements and simplified versions.The melody is accessible to beginners, with a simplified piano line that makes accompaniment easy. Traditional harmonies enhance the song’s gentle and reverent tone, reinforcing its role as a sacred piece.The charm of Away in a Manger lies in the simplicity of its melody and harmony, making it ideal for musicians of all skill levels. The lyrics evoke images of the birth of Jesus in a humble stable, creating an atmosphere of serenity and humility. The piece conveys tenderness and reverence, reflecting the peacefulness of the first Christmas, offering a musical experience that deeply touches the spirit of the season.
$4.99
Away in a Manger - Soprano with chords in E
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Soprano voice, Piano
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BEGINNER
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James Ramsey Murray
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Alex Nunes Rodrigues
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Away in a Manger - Soprano wit
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1507221 Composed by James Ramsey Murray. Arranged by Alex Nunes Rodrigues. Christian,Christ...
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1507221 Composed by James Ramsey Murray. Arranged by Alex Nunes Rodrigues. Christian,Christmas,Religious,Sacred. 1 pages. Alex Rodrigues #1082621. Published by Alex Rodrigues (A0.1507221). Away in a Manger is a Christmas carol deeply rooted in Christian traditions, written in the late 19th century. The most well-known version in the United States was composed by James Ramsey Murray, becoming a popular hymn in Christmas services, children's choirs, and school performances. With its simple melody and universal message, the song is widely performed in English-speaking countries, appreciated in both elaborate arrangements and simplified versions.The melody is accessible to beginners, with a simplified piano line that makes accompaniment easy. Traditional harmonies enhance the song’s gentle and reverent tone, reinforcing its role as a sacred piece.The charm of Away in a Manger lies in the simplicity of its melody and harmony, making it ideal for musicians of all skill levels. The lyrics evoke images of the birth of Jesus in a humble stable, creating an atmosphere of serenity and humility. The piece conveys tenderness and reverence, reflecting the peacefulness of the first Christmas, offering a musical experience that deeply touches the spirit of the season.
$4.99
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