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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
After All
Not classified
1,675
Piano & keyboards
Piano solo
910
Piano, Voice
292
Piano, Vocal and Guitar
217
Easy Piano
183
C Instruments
109
Organ
78
1 Piano, 4 hands
25
Piano Accompaniment
25
Piano Trio: piano, violin, cello
13
Big Note Piano
13
2 Pianos, 4 hands
11
Accordion
9
Piano Quartet: piano, violin, viola, cello
8
Piano Quintet: piano, 2 violins, viola, cello
4
Piano (band part)
3
Organ, Trumpet (duet)
2
Piano Quartet: piano, 2 violins, cello
2
Organ, Piano (duet)
2
Harpsichord
2
Keyboard
1
1 Piano, 6 hands
1
+ 16 instrumentations
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Retract
Guitars
Guitar
89
Guitar notes and tablatures
65
Melody line, (Lyrics) and Chords
27
Ukulele
18
Lyrics and Chords
7
Bass guitar
7
Mandolin
6
2 Guitars (duet)
5
Guitar (band part)
4
Piano, Guitar (duet)
2
Dulcimer
2
2 Mandolins (duet)
2
Banjo
2
2 Ukuleles
1
4 Guitars (Quartet)
1
Guitar, Orchestra
1
Guitar, Violin, Cello (trio)
1
+ 12 instrumentations
-
Retract
Voice
Choral SATB
372
Choral 3-part
110
Choral TTBB
68
Choral SSAA
39
Choral Unison
36
Choral 2-part
33
Alto voice, Piano
18
Soprano voice, Piano
17
Voice solo
10
Vocal duet
10
High voice
7
Vocal duet, Piano
5
Tenor voice, Piano
4
Soprano voice
3
Choral SSATTB
3
Baritone voice, Piano
3
Choral SSAATTBB
3
Soli, Mixted choir and accompaniment
2
Choral SSATB
2
Choral
1
Tenor voice
1
Medium voice, Piano
1
Baritone voice
1
Mezzo-Soprano voice, Piano
1
Choral SSAB a cappella
1
High voice, Piano
1
+ 21 instrumentations
-
Retract
Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
157
Flute and Piano
128
Saxophone Quartet: 4 saxophones
108
Clarinet and Piano
98
2 Saxophones (duet)
86
Saxophone Quintet: 5 Saxophones
81
Oboe, Piano (duet)
77
Alto Saxophone and Piano
76
Clarinet Quartet: 4 clarinets
58
Flute, Oboe, Clarinet, Bassoon
56
Soprano Saxophone and Piano
56
2 Clarinets (duet)
54
Clarinet
46
Flute
45
2 Flutes (duet)
40
Flute Quartet: 4 flutes
40
Tenor Saxophone and Piano
38
Saxophone, Clarinet (duet)
34
Saxophone (band part)
31
Baritone Saxophone, Piano
29
English horn, Piano
26
Flute ensemble
26
Alto Saxophone
26
Flute, Clarinet (duet)
23
3 Saxophones (trio)
23
Saxophone ensemble
23
Clarinet Ensemble
22
Clarinet, Violin (duet)
22
Bass Clarinet, Piano
21
2 Oboes (duet)
20
3 Clarinets (trio)
18
Oboe
16
Clarinet, Trumpet (duet)
15
Tenor Saxophone
15
Clarinet Quintet: 5 clarinets
15
Oboe, Clarinet (duet)
13
Oboe, Bassoon (duet)
12
Flute, Violin
12
Flute, Saxophone (duet)
12
Oboe (band part)
11
Flute Quintet : 5 flutes
11
Oboe, Flute
11
2 Recorders (duet)
10
Harmonica
10
Clarinet, Guitar (duet)
9
Flute Trio: 3 flutes
9
Clarinet and Viola
9
Flute, Trumpet (duet)
9
Flute, Viola (duet)
8
Flute and Guitar
7
Oboe, Clarinet, Bassoon (trio)
7
Recorder Quartet
6
Clarinet (band part)
5
Flute, Viola and Piano
5
Recorder
5
Flute (band part)
5
Ocarina
4
Clarinet, Bassoon (duet)
4
Flute, Clarinet, Piano (trio)
4
3 Recorders (trio)
3
Flute, Clarinet and Bassoon.
3
Descant (Soprano) Recorder
3
Treble (Alto) Recorder
3
Flute, Violin and Violoncello
2
Baritone Saxophone
2
5 Recorders
2
Flute, Violoncello
2
Treble (Alto) Recorder, Piano
2
Descent (Soprano) Recorder, Piano
2
Flute, Violin, Piano
2
Saxophone and Guitar
2
Soprano Saxophone
2
English Horn, Guitar (duet)
2
Flute, Oboe, Clarinet (trio)
2
Saxophone
2
Flute, Oboe, Bassoon
1
Flute, Basso continuo
1
Clarinet, Cello, Piano (trio)
1
2 Clarinets, Bassoon
1
Flute, harp and violin
1
Clarinet, Harp (duet)
1
Recorder Ensemble
1
2 English horns and Pianoforte
1
Flute and Strings Trio
1
Piccolo, Piano
1
Clarinet, Cello (duet)
1
Pennywhistle
1
Oboe, Guitar (duet)
1
Flute, Cello, Piano (trio)
1
Oboe, Harp
1
2 Saxophones, Piano
1
Bass Clarinet
1
Flute, Viola and harp
1
Oboe, Bassoon and Piano
1
Oboe ensemble
1
+ 90 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
182
Brass quartet : 2 trumpets, trombone, tuba
86
Trumpet
68
Trombone and Piano
65
Trumpet, Piano
56
French Horn and Piano
53
Trumpet ensemble
39
Trombone
33
Tuba and Piano
30
French horn
29
Brass Quartet
29
Euphonium, Piano (duet)
27
English horn, Piano
26
Trumpet, Saxophone (duet)
22
Trumpet (band part)
22
Tuba
21
2 Trombones (duet)
20
2 Trumpets (duet)
19
Trombone (band part)
17
Trombone ensemble
17
Trumpet, Trombone (duet)
13
Brass Quartet: 2 trumpets, horn, trombone
13
French horn (band part)
10
Brass Quartet: 4 trombones
8
Tuba (band part)
7
2 French horns (duet)
6
Brass Quartet: 4 trumpets
4
3 Trombones (trio)
4
Brass Quartet: 4 horns
3
3 Trumpets (trio)
3
4 Tubas
3
Brass Quartet: 2 trumpets, 2 trombones
2
Horn Ensemble
2
Euphonium, Tuba (duet)
2
English Horn, Guitar (duet)
2
2 Euphoniums and 2 Tubas
2
3 Euphoniums
1
2 English horns and Pianoforte
1
2 Tubas (duet)
1
Horn, Cello (duet)
1
Bass Trombone
1
Tuba ensemble
1
+ 37 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
253
Violin and Piano
163
Viola, Piano
98
Cello, Piano
86
Harp
77
Violin
68
Cello
62
2 Violins (duet)
42
Violin, Cello (duet)
41
Viola
37
2 Cellos (duet)
29
String Quintet: 2 violins, viola, cello, bass
29
Double bass, Piano (duet)
25
Violin, Viola (duet)
25
String Trio: violin, viola, cello
25
2 Violas (duet)
21
Double Bass
20
String Trio: 2 violins, cello
16
Violin (band part)
10
Doublebass (band part)
8
Viola (band part)
6
Viola ensemble
5
Violin ensemble
5
Violin, Guitar (duet)
5
String Trio: 3 violas
4
4 Cellos
4
String Trio: 3 cellos
3
Viola, Cello (duet)
3
String Trio: 3 violins
3
Harp, Voice
3
String quartet: 4 violins
3
Harp, Flute (duet)
2
Cello, Guitar (duet)
2
Violin, Clarinet, Piano (trio)
2
2 Double basses (duet)
2
Harp, Violin (duet)
2
String Quartet : 4 violas
2
Violin, Basso continuo
1
String Trio: 2 violins, viola
1
4 Double Basses
1
Viola, Guitar (duet)
1
2 Violas, Piano
1
Piano Trio: Violin, Viola, Piano
1
+ 38 instrumentations
-
Retract
Orchestra & Percussion
Concert band
651
Orchestra
165
String Orchestra
103
Jazz Ensemble
87
Brass ensemble
77
Marching band
61
Chamber Orchestra
51
Handbells
35
Jazz combo
16
Drums
14
Marimba
10
Percussion Ensemble
8
Vibraphone
6
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
4
Percussion (band part)
4
Drum (band part)
3
2 Xylophones
2
Orchestra, Violin
2
Big band
1
Piano and Orchestra
1
+ 15 instrumentations
-
Retract
Others
Instruments
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FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
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MARCHING BA…
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--INSTRUMENTS--
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After All
Choral TTBB
Sheetmusic to print
68 sheet music found
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1
26
51
After All That I Have Been to You
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Choral TTBB
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INTERMEDIATE
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1912, Chris Smith, and Jack Dr
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Donald A
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After All That I Have Been to
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.928946 Composed by 1912, Chris Smith, and Jack Drislane. Arranged by Donald A. Mills (aka Beacht...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.928946 Composed by 1912, Chris Smith, and Jack Drislane. Arranged by Donald A. Mills (aka Beachtanned). 20th Century,A Cappella,Classical. Octavo. 5 pages. Donald A Mills #50389. Published by Donald A Mills (A0.928946). TTBB a cappella, duration 2:14 Life is full of ups and downs. It is certainly true that the few downs in life allow us to more fully appreciate all of the more numerous ups in life. Sometimes we sing about the difficult parts of life as well as the great ones. The loss of a relationship is one of life's most traumatic downers. But all is not lost, life will go on, and we will survive even this. Just believe... This ballad in three-quarter waltz time is great for a men's quartet or chorus. Tags: After All That I've Been To You! TTBB a cappella barbershop close harmony beachtanned Donald A. Mills.
$2.99
After All
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Choral TTBB
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INTERMEDIATE
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Contemporary
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Dean Pitchford and Tom Snow
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David Maddux
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After All
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David Maddux
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.507973 Composed by Dean Pitchford and Tom Snow. Arranged by David Maddux. Contemporary. Octavo. ...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.507973 Composed by Dean Pitchford and Tom Snow. Arranged by David Maddux. Contemporary. Octavo. 9 pages. David Maddux #4572247. Published by David Maddux (A0.507973). NOTE: This PDF file contains the piano-vocal part. The orchestration is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS.
$5.25
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, Latin)
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Choral TTBB
#
INTERMEDIATE/ADVANCED
#
Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "Verb
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Matthew Alan Edwards
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Con...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!
$2.19
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, English)
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Choral TTBB
#
INTERMEDIATE/ADVANCED
#
Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "Verb
#
Matthew Alan Edwards
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Con...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4266219. Published by Matthew Alan Edwards (A0.898554). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses printed below: solo chant, even verses: choir). The first four verses form a complete anthem and the last two verses are suitable as a Communion anthem, or all six may be sung. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA English version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in Latin. SATB Latin/English versions coming soon!
$2.19
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
One Meat Ball
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Choral TTBB
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Pop music
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The Andrews Sisters
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Jim Shubert
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One Meat Ball
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James W. Shubert
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SheetMusicPlus
Choral Choir (TTBB) - Digital Download SKU: A0.971247 By The Andrews Sisters. By Hy Zaret and Louis Singer. Arranged by Jim Shubert. Pop. Octavo. 3 pages...
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Choral Choir (TTBB) - Digital Download SKU: A0.971247 By The Andrews Sisters. By Hy Zaret and Louis Singer. Arranged by Jim Shubert. Pop. Octavo. 3 pages. James W. Shubert #6069747. Published by James W. Shubert (A0.971247). 4 part Male Barbershop Arrangement (TTBB) In 1855, while living in Cambridge, Massachusetts, Lane wrote the song The Lone Fish Ball; after decades as a staple of Harvard undergraduates', it was modernized into One Meat Ball. The song is composed upon an old English folk song entitled Sucking Cider Through a Straw. In 1944, the song was revived by Tin Pan Alley songwriters Hy Zaret and Lou Singer in a more bluesy format as One Meat Ball
$1.99
After I've Called You Sweetheart
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Choral TTBB
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BEGINNER
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Bernie Grossman and Jack Littl
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Kevin Keller
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After I've Called You Sweethea
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Kevin Keller
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.1156659 Composed by Bernie Grossman and Jack Little. Arranged by Kevin Keller. 20th Century,A Ca...
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.1156659 Composed by Bernie Grossman and Jack Little. Arranged by Kevin Keller. 20th Century,A Cappella,Barbershop. Octavo. 3 pages. Kevin Keller #756984. Published by Kevin Keller (A0.1156659). TTBB a cappella barbershop arrangement (melody in T2) - suitable for all levels. Suitable for contest.
$2.99
After Today
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Choral TTBB
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INTERMEDIATE/ADVANCED
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Jack Feldman and Tom Snow
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Søren Detlefsen
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After Today
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Soren Detlefsen
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SheetMusicPlus
Voice (TTBB) - Level 4 - Digital Download SKU: A0.1206916 Composed by Jack Feldman and Tom Snow. Arranged by Søren Detlefsen. A Cappella,Barbershop. B...
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Voice (TTBB) - Level 4 - Digital Download SKU: A0.1206916 Composed by Jack Feldman and Tom Snow. Arranged by Søren Detlefsen. A Cappella,Barbershop. Barbershop Quartet. 8 pages. Soren Detlefsen #805099. Published by Soren Detlefsen (A0.1206916). Disney's A Goofy Movie is hugely underappreciated when it comes to its soundtrack, and especially when it comes to After Today. Now you can finally enjoy this song in four part harmony barbershop.Voiced for TTBBSuitable for contest use.
$12.99
The Clear Vision, for Men's Chorus TTBB (1990-95) after John Greenleaf Whittier's poem of that title
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Choral TTBB
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INTERMEDIATE/ADVANCED
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Contemporary
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Richard St
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The Clear Vision, for Men's Ch
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Richard St. Clair
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.939802 Composed by Richard St. Clair. 20th Century. Octavo. 21 pages. Richard St. Clair #4623851...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.939802 Composed by Richard St. Clair. 20th Century. Octavo. 21 pages. Richard St. Clair #4623851. Published by Richard St. Clair (A0.939802). This extended choral work (ca. 9 minutes) is a powerful setting for men's chorus of John Greenleaf Whittier's great poem, The Clear Vision. Moving through many short sections, the music advances gradually to a moving conclusion. The language is tonal throughout, but with some advanced harmonies.
$4.50
After Loving You
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Choral TTBB
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INTERMEDIATE
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Eddie Miller and Johnny Lantz
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Owain Evans
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After Loving You
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Owain Evans
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1231815 Composed by Eddie Miller and Johnny Lantz. Arranged by Owain Evans. 20th Century,Blues,P...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1231815 Composed by Eddie Miller and Johnny Lantz. Arranged by Owain Evans. 20th Century,Blues,Pop,Rock,Standards. Octavo. 13 pages. Owain Evans #827518. Published by Owain Evans (A0.1231815). This is an arrangement for male voice choir (tenor I, tenor II, bass I, bass II) with piano accompaniment.It's fairly accessible and not too challenging.The accompaniment has been especially thought through to give guidance / to help the choir be it in tuning or rhythm; the accomaniment is there to assist.The vocal ranges are accessible being not too high or low. I indended to allow each vocal section to have its fair contribution to the whole piece.
$1.99
Marianne (all Day, All Night, Marianne)
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Choral TTBB
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INTERMEDIATE
#
T
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Donald Updegrove
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Marianne
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donald updegrove
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1284681 By T. Gilkyson & The Easy Riders. By Frank Miller, Richard Dehr, and Terry Gilkyson. Arr...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1284681 By T. Gilkyson & The Easy Riders. By Frank Miller, Richard Dehr, and Terry Gilkyson. Arranged by Donald Updegrove. 20th Century,A Cappella,Barbershop,Contemporary. Octavo. 6 pages. Donald updegrove #875857. Published by donald updegrove (A0.1284681). Arranged for Male 4 part A Capella. Starts with Rubato style solo, and adds voice parts as song progresses.Tempo goes into an upbeat mode after first verse at chorus....
$2.50
Time After Time
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Choral TTBB
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INTERMEDIATE
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Contemporary
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Javier Colon
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Bob Eggers
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Time After Time
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ROBERT J EGGERS
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.940461 By Javier Colon. By Cyndi Lauper and Rob Hyman. Arranged by Bob Eggers. Contemporary. Oct...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.940461 By Javier Colon. By Cyndi Lauper and Rob Hyman. Arranged by Bob Eggers. Contemporary. Octavo. 11 pages. ROBERT J EGGERS #6450215. Published by ROBERT J EGGERS (A0.940461). This more reflective rendition of Cyndi Lauper's hit song will surprise you and your audiences with its haunting melody, warm harmonies and tenderness. Eva Cassidy had a way of making any song her very own, and this is no exception. The tenor soloist will lead the way and the chorus is carried by the ensemble. This song became something of an anthem for the LGBTQ community, but it's really about eternal, undying love, a universal message. This version will appeal to both Cyndi Lauper fans and those who never heard of her.
$12.99
After You Get What You Want (You Don't Want It)
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Choral TTBB
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EASY
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Folkloric/Traditional
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Irving Berlin
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Jim Shubert
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After You Get What You Want
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James W. Shubert
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.971237 Composed by Irving Berlin. Arranged by Jim Shubert. Folk,Traditional. Octavo. 3 pages. Ja...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.971237 Composed by Irving Berlin. Arranged by Jim Shubert. Folk,Traditional. Octavo. 3 pages. James W. Shubert #6065877. Published by James W. Shubert (A0.971237). 4 part Male Barbershop Arrangement. TTBB. Early Intermediate level. Circa 1920. Up-tempo song with clever lyrics.Learning tracks for all four parts; Tenor, Lead, Bari, Bass, are available. Item# S0.876969, S0.876965, S0.876963, S0.876959
$1.99
Walkin' After Midnight
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Choral TTBB
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EASY
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Patsy Cline
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Bob Eggers
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Walkin' After Midnight
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ROBERT J EGGERS
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.940448 By Patsy Cline. By Alan W. Block. Arranged by Bob Eggers. A Cappella,Country. Octavo. 3 p...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.940448 By Patsy Cline. By Alan W. Block. Arranged by Bob Eggers. A Cappella,Country. Octavo. 3 pages. ROBERT J EGGERS #3245593. Published by ROBERT J EGGERS (A0.940448). One of the most durable Patsy Cline hits, this setting begins with a swung barbershop feel, features a baritone section solo on the bridge and then transforms into a more jazzy feel to finish with high energy. Your audiences will love it!Learning Tracks available for all voice parts. Contact me for details: reggersusa@yahoo.com
$12.99
After You've Gone - Barbershop Men, TTBB, Chorus, Quartet
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Choral TTBB
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INTERMEDIATE/ADVANCED
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Contemporary
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Turner Layton, Henry Creamer
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Mark Goodney
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After You've Gone - Barbershop
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Mark Goodney
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.836310 Composed by Turner Layton, Henry Creamer. Arranged by Mark Goodney. Contemporary. Octavo....
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.836310 Composed by Turner Layton, Henry Creamer. Arranged by Mark Goodney. Contemporary. Octavo. 5 pages. Mark Goodney #5207837. Published by Mark Goodney (A0.836310). Awesome swing ballad. Baritone tiddlies galore. Even at 102, this song never gets old.
$4.51
Let's Get Away From It All
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Choral TTBB
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INTERMEDIATE
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Contemporary
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Matt Dennis and Tom Adair
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Mark Goodney
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Let's Get Away From It All
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Mark Goodney
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.836298 Composed by Matt Dennis and Tom Adair. Arranged by Mark Goodney. Contemporary. Octavo. 6 ...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.836298 Composed by Matt Dennis and Tom Adair. Arranged by Mark Goodney. Contemporary. Octavo. 6 pages. Mark Goodney #5206365. Published by Mark Goodney (A0.836298). Fashioned after the Tommy Dorsey Band version, with the additional lyrics. Great swinging up-tune.
$4.51
Afterglow
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Choral TTBB
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INTERMEDIATE/ADVANCED
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Tony Banks
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Anders Lindqvist
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Afterglow
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Anders Lindqvist
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SheetMusicPlus
Voice (TTBB) - Level 4 - Digital Download SKU: A0.879541 Composed by Tony Banks. Arranged by Anders Lindqvist. A Cappella. Barbershop Quartet. 6 pages. A...
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Voice (TTBB) - Level 4 - Digital Download SKU: A0.879541 Composed by Tony Banks. Arranged by Anders Lindqvist. A Cappella. Barbershop Quartet. 6 pages. Anders Lindqvist #3910881. Published by Anders Lindqvist (A0.879541). A close harmony arrangement of the beautiful ballad by Tony Banks and performed by Genesis. Suitable for a male acapella quartet or chorus of intermediate skills.
$12.99
Gimme! Gimme! Gimme! (A Man After Midnight)
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Choral TTBB
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Rock
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ABBA
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David Maddux
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Gimme! Gimme! Gimme!
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David Maddux
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SheetMusicPlus
By ABBA. Arranged by David Maddux. Set of Parts. 60 pages. Published by David Maddux...
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By ABBA. Arranged by David Maddux. Set of Parts. 60 pages. Published by David Maddux
from the full revue extrABBAganza! - arranged for TTBB chorus
TTBB
piano, guitar, bass, drums, synthesizer
trumpet, sax, trombone, percussion, 4 violins
the complete revue:
Super Trouper
Waterloo
Take A Chance On Me
When I Kissed The Teacher
The Winner Takes It All
On & On & On
I Have A Dream
Does Your Mother Know
Gimme Gimme Gimme (A Man After Midnight)
Lay All Your Love On Me
Voulez Vous
The Way Old Friends Do
One Of Us
Fernando
Thank You For The Music
Mamma Mia
Dancing Queen
$5.25
Still Crazy After All These Years
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Choral TTBB
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INTERMEDIATE/ADVANCED
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Simon And Garfunkel
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Patrick McAlexander
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Still Crazy After All These Ye
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Patrick McAlexander
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SheetMusicPlus
Voice (TTBB) - Level 4 - Digital Download SKU: A0.1368978 By Simon And Garfunkel. By Paul Simon. Arranged by Patrick McAlexander. A Cappella,Barbershop. ...
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Voice (TTBB) - Level 4 - Digital Download SKU: A0.1368978 By Simon And Garfunkel. By Paul Simon. Arranged by Patrick McAlexander. A Cappella,Barbershop. Barbershop Quartet. 5 pages. Patrick McAlexander #953319. Published by Patrick McAlexander (A0.1368978). Barbershop arrangement of this Paul Simon classic, as sung by Throwback.
$12.99
In My Room
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Choral TTBB
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INTERMEDIATE/ADVANCED
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The Beach Boys
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Donald A
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In My Room
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A C...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
It Is Well....ttbb
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Choral TTBB
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INTERMEDIATE
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Sacred music
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Philip Bliss, music and Horati
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Donald A
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It Is Well....ttbb
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.928976 Composed by Philip Bliss, music and Horatio G. Spafford, and words. Arranged by Donald A....
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.928976 Composed by Philip Bliss, music and Horatio G. Spafford, and words. Arranged by Donald A. Mills. A Cappella,Christian,Concert,Praise & Worship,Sacred,Spiritual. Octavo. 3 pages. Donald A Mills #4718759. Published by Donald A Mills (A0.928976). From Wikipedia: This arrangement is for a ttbb chorus, a cappella. It would require a chorus of middle to high capability. It's a ballad appropriate for religious services and concert. This hymn was written after traumatic events in Spafford's life. The first was the 1871 Great Chicago Fire, which ruined him financially (he had been a successful lawyer and had invested significantly in property in the area of Chicago that was extensively damaged by the great fire). His business interests were further hit by the economic downturn of 1873, at which time he had planned to travel to Europe with his family on the SS Ville du Havre. In a late change of plan, he sent the family ahead while he was delayed on business concerning zoning problems following the Great Chicago Fire. While crossing the Atlantic, the ship sank rapidly after a collision with a sea vessel, the Loch Earn, and all four of Spafford's daughters died. His wife Anna survived and sent him the now famous telegram, Saved alone …. Shortly afterwards, as Spafford traveled to meet his grieving wife, he was inspired to write these words as his ship passed near where his daughters had died.
$2.99
Sie ist ein herrliches Weib
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Choral TTBB
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INTERMEDIATE
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Georg Kreisler
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Josef Westner
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Sie ist ein herrliches Weib
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Schott Music - Digital
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SheetMusicPlus
Men's choir (TTBB), baritone and piano - intermediate - Digital Download SKU: S9.Q47098 Georg Kreisler - Lieder und Chansons. Composed by Georg Kr...
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Men's choir (TTBB), baritone and piano - intermediate - Digital Download SKU: S9.Q47098 Georg Kreisler - Lieder und Chansons. Composed by Georg Kreisler. Arranged by Josef Westner. This edition: choral score. Humor - Liebe. Georg Kreisler für Chor. Downloadable, Choral score. Duration 4 minutes. Schott Music - Digital #Q47098. Published by Schott Music - Digital (S9.Q47098). German.Georg Kreisler equals scathing, dark black humour on the piano! The Singphoniker have arranged Georg Kreisler's best known songs for all-male ensemble and recorded them on CD. Schott now publishes the corresponding music edition for men's choir TTBB with piano accompaniment (Georg Kreisler - Lieder und Chansons, ED 22735). In addition, all songs from the sheet music album are available in separate editions: What should a wonderful woman be able to do? Cooking, singing and dancing… or should the beloved have other qualities after all? Sie ist ein herrliches Weib will give you the answer to this question. This pleasant arrangement with Kreisler's humorous text most certainly creates an exuberant atmosphere in the concert.
$5.99
Old Pals Are the Best Pals After All - 4 Prints by Gene Austin - Barbershop Quartet
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Choral TTBB
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Gene Austin
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Old Pals Are the Best Pals Aft
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Musicnotes
Old Pals Are the Best Pals After All Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this ar...
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Old Pals Are the Best Pals After All Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Barbershop Quartet, instruments: TTBB Choir; 3 pages -- Nostalgia~~Barbershop~~Traditional Pop~~A cappella
$1.95
If I Could Turn Back Time
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Choral TTBB
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INTERMEDIATE
#
Pop music
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Cher
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David Maddux
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If I Could Turn Back Time
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David Maddux
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1370448 By Cher. By Diane Warren. Arranged by David Maddux. Pop. 14 pages. David Maddux #...
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1370448 By Cher. By Diane Warren. Arranged by David Maddux. Pop. 14 pages. David Maddux #954826. Published by David Maddux (A0.1370448). From the full-concert revue After All: Sixty Years of Cher, one of the timeless icon’s most popular hits, arranged for men's chorus.Note: THIS DOWNLOAD CONTAINS THE PIANO-VOCAL SCORE ONLY. Conductor's score and instrumental parts sold separately.
$4.99
Somewhere Out There
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Choral TTBB
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INTERMEDIATE
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Linda Ronstadt & James Ingram
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David Maddux
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Somewhere Out There
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David Maddux
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 3 - Digital Download SKU: A0.1507607 By Linda Ronstadt & James Ingram. By Barry Mann, Cynthia Weil, and James H...
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Choral Choir,Choral (TTBB Chorus) - Level 3 - Digital Download SKU: A0.1507607 By Linda Ronstadt & James Ingram. By Barry Mann, Cynthia Weil, and James Horner. Arranged by David Maddux. A Cappella,Pop. 5 pages. David Maddux #1083011. Published by David Maddux (A0.1507607). NOTE: This PDF file contains the piano-vocal part. The orchestration is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS. After a brief instrumental opening to set the tone, this tender ballad from the 1986 animated feature An American Tail soars off into heartfelt, a cappella lullabye of lush dreaminess full of emotion and hope. This arrangement brings to life the classic Ronstadt-Ingram duet with rich harmonies and a gentle melody, evoking the universal themes of separation and the enduring belief in reunion. Perfect for choirs looking to perform a piece that resonates with audiences of all ages, this song remains a touching ode to love and the power of dreams.
$5.25
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