Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
At First Light
Sheetmusicplus
Not classified
223
Piano & keyboards
Piano solo
176
Piano, Voice
31
Easy Piano
25
Piano, Vocal and Guitar
12
Organ
8
C Instruments
7
Piano Trio: piano, violin, cello
6
2 Pianos, 4 hands
5
Piano Quartet: piano, violin, viola, cello
3
Piano Accompaniment
3
Piano Quartet: piano, 2 violins, cello
1
1 Piano, 4 hands
1
+ 7 instrumentations
-
Retract
Guitars
Guitar
18
Guitar notes and tablatures
9
4 Guitars (Quartet)
3
2 Guitars (duet)
3
3 Guitars (trio)
1
Ukulele
1
Banjo
1
Bass guitar
1
+ 3 instrumentations
-
Retract
Voice
Choral SATB
65
Choral 3-part
15
Choral 2-part
12
Choral TTBB
7
Soprano voice, Piano
6
Choral SSAA
6
Choral Unison
6
Baritone voice, Piano
3
High voice
2
Soli, Mixted choir and accompaniment
1
Choral
1
Vocal duet, Piano
1
+ 7 instrumentations
-
Retract
Woodwind
Alto Saxophone and Piano
24
2 Saxophones (duet)
24
Flute and Piano
19
Soprano Saxophone and Piano
18
Clarinet and Piano
15
Saxophone, Clarinet (duet)
14
2 Clarinets (duet)
14
2 Flutes (duet)
13
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
11
Oboe, Piano (duet)
11
Clarinet, Violin (duet)
10
Clarinet Quartet: 4 clarinets
10
Clarinet, Trumpet (duet)
9
Tenor Saxophone and Piano
9
Flute, Clarinet (duet)
8
Saxophone Quartet: 4 saxophones
7
2 Oboes (duet)
6
Flute, Violin
5
Clarinet
5
Oboe, Clarinet (duet)
5
Oboe, Flute
5
Saxophone ensemble
5
Clarinet and Viola
4
Clarinet Quintet: 5 clarinets
4
Oboe (band part)
4
Saxophone Quintet: 5 Saxophones
4
Clarinet Ensemble
4
Flute, Trumpet (duet)
4
Flute ensemble
4
Flute, Saxophone (duet)
4
3 Clarinets (trio)
3
Bass Clarinet, Piano
3
English horn, Piano
3
Flute and Guitar
3
Flute, Oboe, Clarinet, Bassoon
3
Alto Saxophone
3
Oboe, Bassoon (duet)
3
Baritone Saxophone, Piano
3
Flute, Viola (duet)
3
Saxophone and Guitar
2
Clarinet Quintet: Clarinet, String Quartet
2
Flute Trio: 3 flutes
2
Flute (band part)
2
Descant (Soprano) Recorder
2
Oboe, Guitar (duet)
1
Piccolo
1
Clarinet, Guitar (duet)
1
Treble (Alto) Recorder, Piano
1
Flute Quintet : 5 flutes
1
Recorder
1
English Horn
1
Flute Quartet: 4 flutes
1
Tenor Saxophone
1
Oboe, Clarinet, Bassoon (trio)
1
+ 49 instrumentations
-
Retract
Woodbrass
Trombone and Piano
17
Brass Quintet: 2 trumpets, horn, trombone, tuba
16
Brass quartet : 2 trumpets, trombone, tuba
10
Trumpet, Saxophone (duet)
10
Trumpet, Piano
8
Tuba
6
2 Trumpets (duet)
6
Trumpet, Trombone (duet)
6
French Horn and Piano
6
Euphonium, Piano (duet)
6
2 Trombones (duet)
6
French horn
4
Trumpet
4
Trombone ensemble
4
Tuba and Piano
4
Brass Quartet: 2 trumpets, horn, trombone
3
English horn, Piano
3
Trumpet (band part)
2
Brass Quartet: 4 trombones
2
Trumpet ensemble
1
Trombone, Organ
1
Tuba ensemble
1
Brass Quartet: 4 horns
1
Brass Quartet
1
2 French horns (duet)
1
Trombone
1
2 Tubas (duet)
1
English Horn
1
Trombone (band part)
1
+ 24 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
41
Violin and Piano
30
Harp
26
Cello, Piano
18
Viola, Piano
16
String Trio: violin, viola, cello
14
Violin
12
2 Cellos (duet)
9
2 Violas (duet)
6
2 Violins (duet)
5
Cello
5
Violin, Viola (duet)
4
2 Harps (duet)
3
Violin, Cello (duet)
3
String Trio: 2 violins, cello
2
Violin (band part)
2
Harp, Voice
2
Viola
2
Violin, Guitar (duet)
1
String Quintet: 2 violins, 2 violas, cello
1
Violin ensemble
1
Cello (band part)
1
Harp, Trombone (duet)
1
Violin, Cello, Clarinet
1
Double Bass
1
Cello, Guitar (duet)
1
String Quintet: 2 violins, viola, cello, bass
1
Double bass, Piano (duet)
1
Viola ensemble
1
4 Harps
1
4 Double Basses
1
4 Cellos
1
+ 27 instrumentations
-
Retract
Orchestra & Percussion
Concert band
88
String Orchestra
71
Orchestra
26
Brass ensemble
15
Chamber Orchestra
15
Jazz Ensemble
10
Jazz combo
7
Handbells
5
Percussion (band part)
2
Percussion Ensemble
2
Orchestra, Violin
1
Marimba
1
Piano and Orchestra
1
2 Marimbas
1
Marimba, Piano (duet)
1
Drum (band part)
1
Drums
1
Xylophone
1
+ 13 instrumentations
-
Retract
Others
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
Digital Sheet Music
7
Sheet Music Books
0
Music Equipment
3
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
At First Light
SheetMusicPlus
Choral TTBB
Sheetmusic to print
7 sheet music found
<
1
In The First Light
#
Choral TTBB
#
INTERMEDIATE/ADVANCED
#
Sacred music
#
Glad
#
Bob Kauflin
#
Sheryl Neal
#
In The First Light
#
Sheryl Neal
#
SheetMusicPlus
Voice (TTBB) - Level 4 - Digital Download SKU: A0.817093 Composed by Bob Kauflin. Arranged by Sheryl Neal. A Cappella,Christmas,Praise & Worship. Barbers...
(+)
Voice (TTBB) - Level 4 - Digital Download SKU: A0.817093 Composed by Bob Kauflin. Arranged by Sheryl Neal. A Cappella,Christmas,Praise & Worship. Barbershop Quartet. 6 pages. Sheryl Neal #6198867. Published by Sheryl Neal (A0.817093). By Glad. Voice, Choir, TTBB, Voice, A Cappella, Barbershop Harmony - Advanced Intermediate - Digital Download TTBB, TLBB - A cappella, Four Part Barbershop style version of this simple, beautiful melody captures the gorgeous harmonies and dissonance of the original. 2 staves. (Barbershop notation) Some split parts in T1, B1 and B2. Two options for ending. Quartet pricing includes permission to print a maximum of 4 copies. My name is Sheryl Neal, and I'm a singer, pianist, and a cappella arranger. See my website: www.arrangementsbysheryl.com. Please check out my other arrangements as well. https://www.sheetmusicplus.com/publishers/sheryl-neal/11193. Like my page on Facebook, Arrangements By Sheryl Neal. Questions or comments? Email me at ArrangementsbySheryl@gmail.com.
$18.99
In The First Light
#
Choral TTBB
#
INTERMEDIATE/ADVANCED
#
Glad
#
Bob Kauflin
#
Sheryl Neal
#
In The First Light
#
Sheryl Neal
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.817094 Composed by Bob Kauflin. Arranged by Sheryl Neal. A Cappella. 6 pages. Sheryl Neal...
(+)
Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.817094 Composed by Bob Kauflin. Arranged by Sheryl Neal. A Cappella. 6 pages. Sheryl Neal #6198875. Published by Sheryl Neal (A0.817094). By Glad. Voice, Choir, TTBB, Voice, A Cappella, TTBB Barbershop Harmony - Advanced Intermediate - Digital Download TTBB, TLBB A cappella, Four Part Barbershop style version of this simple, beautiful melody captures the gorgeous harmonies and dissonance of the original. 2 staves. (Barbershop notation) Some split parts in T1, B1 and B2. Two options for ending. Choral pricing: Minimum purchase required, purchase one copy per choir member. My name is Sheryl Neal, and I'm a singer, pianist, and a cappella arranger. See my website: www.arrangementsbysheryl.com. Please check out my other arrangements as well. https://www.sheetmusicplus.com/publishers/sheryl-neal/11193. Like my page on Facebook, Arrangements By Sheryl Neal. Questions or comments? Email me at ArrangementsbySheryl@gmail.com.
$3.99
IS THERE STILL A DROP OF BLOOD (at the foot of the cross)
#
Choral TTBB
#
BEGINNER
#
Sacred music
#
Paul A
#
Paul A
#
IS THERE STILL A DROP OF BLOOD
#
Paul A. Jorg
#
SheetMusicPlus
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522328 Composed by Paul A. Jorg. Arranged by Paul A. Jorg. A Cappella,Christian,Gospel,Praise & ...
(+)
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522328 Composed by Paul A. Jorg. Arranged by Paul A. Jorg. A Cappella,Christian,Gospel,Praise & Worship. Octavo. 3 pages. Paul A. Jorg #5829317. Published by Paul A. Jorg (A0.522328). This arrangement is for male a cappella voices (TTBB), The song was inspired by a Kentucky state prisoner's prayer prior to a service - Lord, let them know there is still a drop of blood at the foot of the cross. The first verse depicts the questions that person may have had prior to his salvation, the second and third verses are Christ's answers, based on scripture. References are:Vs. 2 Be still - Psa. 46:10; Come to Me - Matt. 11:28; Fountain flowing - John 4:14; Wash with His blood - Psa. 51:7; Rev. 1:5; My Father will see you - Rom. 3:23-26; Our great love - John 3:16; Before the earth - Eph. 1:3-5; Sins scarlet - Isa. 1:18; Life full - John 10:10 and free - Eph. 2:8.Vs. 3 Come to the fount - Rev. 21:6; 22:17; Bring no money - Acts 3:6; 8:20; Look and live - Isa. 45:22; Num. 21:19; John 3:14; Lighten heavy burden - Matt. 11:28-30; Eternity to stay - John 17:24; City I'm building - John 14:2; Crystal Sea - Rev. 4:6.
$4.59
The Story Of Reuben Clamzo & His Strange Daughter
#
Choral TTBB
#
EASY
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo & H
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
(+)
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Filthy/gorgeous
#
Choral TTBB
#
INTERMEDIATE
#
Jason Sellards and Scott Hoffm
#
Timorell
#
Filthy/gorgeous
#
Timorell
#
SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1429064 Composed by Jason Sellards and Scott Hoffman. Arranged by Timorell. A Cappel...
(+)
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1429064 Composed by Jason Sellards and Scott Hoffman. Arranged by Timorell. A Cappella,Contemporary,Pop,Rock. 6 pages. Timorell #1009824. Published by Timorell (A0.1429064). As performed by TONEWALL, the charismatic queer a cappella band of the New York City Gay Men's Chorus. Follow us! @tonewallnyc https://linktr.ee/tonewallnyc #queeracappella . Questions for the arranger? Want the expanded version? Contact Timorell at tonewallnyc@gmail.com.- Intermediate a cappella cover. - TTBB, no soloists - First verse and chorus only, may be repeated at measure 4 using other verses.- Great choreography spotlight or high energy transition song in a program. - Vocal Percussion is notated and strongly encouraged.
$1.99
Can't Help Falling In Love
#
Choral TTBB
#
Rock
#
Rock
#
Elvis Presley
#
Jonathan Kilhams
#
Can't Help Falling In Love
#
Jonathan Kilhams
#
SheetMusicPlus
Choral Choir (TTBB) - Digital Download SKU: A0.943042 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Jonathan Kil...
(+)
Choral Choir (TTBB) - Digital Download SKU: A0.943042 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Jonathan Kilhams. Rock. Octavo. 9 pages. Jonathan Kilhams #4798035. Published by Jonathan Kilhams (A0.943042). About the piece Can't Help Falling in Love is a 1961 song recorded by American singer Elvis Presley for the album Blue Hawaii (1961). It was written by Hugo Peretti, Luigi Creatore, and George David Weiss and published by Gladys Music, Inc. (The melody is based on Plaisir d'amour, a popular French love song composed in 1784 by Jean-Paul-Égide Martini). The song was initially written for a woman as Can't Help Falling in Love with Him, which explains the first and third line ending on in and sin rather than words rhyming with you. Can't Help Falling in Love was featured in Presley's 1961 film Blue Hawaii. During the following four decades, it has been recorded by numerous other artists, including Bob Dylan on his 1973 album Dylan, Tom Smothers, Swedish pop group A-Teens, and the British reggae group UB40, whose 1993 version topped the U.S. and UK charts. Elvis Presley's version of the song topped the British charts in 1962, spending four weeks at no. 1. The single is certified Platinum by the RIAA, for US sales in excess of one million copies. In the United States, the song peaked at No. 2 on the US Billboard Hot 100 behind Joey Dee and the Starliters' Peppermint Twist and went to No. 1 on the Adult Contemporary chart for six weeks.About the arrangement This arrangement was inspired by the Elvis Presley version in 1962 and also the Pentatonix version recorded in 2017. It has been arranged for choirs that like to perform off by heart as the verse and chorus harmony are the same with very slight additions. The arrangement is for TTBB and piano and my thanks must go to Gareth Giles (pianist, organist, composer and arranger) who helped create the piano part for this arrangement. Duration: 3 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
$5.00
What Wondrous Love Is This - TTBB Ensemble
#
Choral TTBB
#
INTERMEDIATE
#
American Folk Hymn
#
Mark R Lewis
#
What Wondrous Love Is This - T
#
Mark R Lewis
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1213360 Composed by American Folk Hymn. Arranged by Mark R Lewis. A Cappella,Folk,Religious,Sacr...
(+)
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1213360 Composed by American Folk Hymn. Arranged by Mark R Lewis. A Cappella,Folk,Religious,Sacred,Traditional. Octavo. 12 pages. Mark R Lewis #810545. Published by Mark R Lewis (A0.1213360). What Wondrous Love Is This is an American folk hymn that became popular during the early 1800s. It was first published in 1811 in the various hymnbooks that came out during the Second Great Awakening with various lyricists credited. Many publications attributed the song's tune to The Ballad of Captain Kidd, a popular, though much older, song and tune at the time. Earlier versions of the text are slightly different, but as with many folk tunes, it is difficult to tell which transcriptions are regional variants and which are errors by the transcriber.This arrangement of the tune by Mark Lewis is for a cappella TTBB Ensemble. All four voice parts are featured for a verse with different accompaniment each time. There are key changes to better place the melody in the ranges of each voice and there are moving notes in many background voices through most of the piece. As with many of Mark's arrangements, the outer voices will be pushed towards the extremes of their ranges even though the notes and rhythms are not incredibly difficult. Most intermediate choirs should enjoy performing this piece.
$1.99
<
1
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
