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Blue Night
Not classified
120
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203
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191
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15
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+ 7 instrumentations
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Retract
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114
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3 Guitars (trio)
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+ 9 instrumentations
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26
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15
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13
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5
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4
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4
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1
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22
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12
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10
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9
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7
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6
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Saxophone Quintet: 5 Saxophones
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1
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1
Soprano Saxophone
1
Flute, Violin, Guitar
1
Descant (Soprano) Recorder
1
Flute, Violin, Piano
1
Flute, Viola and Piano
1
2 Flutes, Piano
1
Flute and Guitar
1
+ 59 instrumentations
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Retract
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Trumpet
23
Trombone
16
Trombone (band part)
15
Trumpet (band part)
14
Trombone and Piano
8
French horn
8
Trumpet, Piano
6
Brass quartet : 2 trumpets, trombone, tuba
5
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5
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4
2 Trumpets (duet)
4
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4
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3
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2
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2 French horns (duet)
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Brass Quartet: 4 trumpets
1
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2 Trumpets, Keyboard (piano or organ)
1
Brass Quartet: 4 trombones
1
3 French horns (trio)
1
+ 25 instrumentations
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Retract
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String Quartet: 2 violins, viola, cello
19
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14
Violin and Piano
13
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11
Harp
9
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8
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4
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2 Violins (duet)
2
2 Cellos (duet)
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Viola
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Double Bass
2
String quartet: 4 violins
1
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1
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1
4 Cellos
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String Trio: 2 violins, cello
1
String Trio: 3 violins
1
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1
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You've selected:
Blue Night
Choral TTBB
Sheetmusic to print
15 sheet music found
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1
How Blue The Night
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Choral TTBB
#
INTERMEDIATE
#
Adamson and Mchugh
#
Manoj Padki
#
How Blue The Night
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MANOJ PADKI
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.949281 Composed by Adamson and Mchugh. Arranged by Manoj Padki. A Cappella. Octavo. 4 pages. MAN...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.949281 Composed by Adamson and Mchugh. Arranged by Manoj Padki. A Cappella. Octavo. 4 pages. MANOJ PADKI #4614093. Published by MANOJ PADKI (A0.949281). This is a barbershop style (4-part consonant, homophonic) arrangement of this classic bluesy song.
$15.99
Midnight Train To Georgia
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Choral TTBB
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EASY
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Gladys Knight & The Pips
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Richard Cook
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Midnight Train To Georgia
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RCM Enterprises
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1026847 By Gladys Knight & The Pips. By Jim Weatherly. Arranged by Richard Cook. Blues,Contempor...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1026847 By Gladys Knight & The Pips. By Jim Weatherly. Arranged by Richard Cook. Blues,Contemporary,Pop,Rock,Standards. Octavo. 5 pages. RCM Enterprises #632317. Published by RCM Enterprises (A0.1026847). Solo with Men's Choir.
$1.99
Pick-a-little, Talk-a-little/goodnight Ladies
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Choral TTBB
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INTERMEDIATE/ADVANCED
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Contemporary
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Meredith Willson
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Walter Latzko
#
Pick-a-little, Talk-a-little/g
#
Latzko Muzic
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.871837 Composed by Meredith Willson. Arranged by Walter Latzko. Contemporary. Octavo. 11 pages. ...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.871837 Composed by Meredith Willson. Arranged by Walter Latzko. Contemporary. Octavo. 11 pages. Latzko Muzic #5372225. Published by Latzko Muzic (A0.871837). GREAT ARRANGEMENT FROM THE MUSIC MAN AS SUNG BY BLUEGRASS STUDENT UNION
$7.99
Spirit In The Night
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Choral TTBB
#
INTERMEDIATE
#
Bruce Springsteen
#
Bob Eggers
#
Spirit In The Night
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ROBERT J EGGERS
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1350517 Composed by Bruce Springsteen. Arranged by Bob Eggers. Blues,Contemporary,Rock. 1...
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1350517 Composed by Bruce Springsteen. Arranged by Bob Eggers. Blues,Contemporary,Rock. 15 pages. ROBERT J EGGERS #935324. Published by ROBERT J EGGERS (A0.1350517). Wild Billy, Hazy Davy, Crazy Janey, Killer Joe, G-Man and Mission Man take a trip up to Greasy Lake for a wild night of fun and freedom in this Bruce Springsteen hit from the 1972 album, Greetings From Asbury Park. It's all temendous fun, and the beauty of the driving rock/gospel treatment is the audience gets to participate in the rockin' call and response of the chorus. Nothing like that to bring an audience to its feet!This arrangement features a tenor solo and TTBB voices singing an active background, so the entire choir participates in furthering Mission Man's narrative of wild times on Saturday night. The style is an educated doo-wop with influences classical choral arranging. While not perfectly suited to average church social, the song's redeeming qualities are the straight up blues and gospel influences of the early 1970s while the content is safely PG-13.The difficulty level is Intermediate with a desire to tear the house down. A strong tenor soloist is required. This is a showstopper!Duration: 4:40.
$1.99
Goodnight, Sweetheart, Goodnight (Goodnight, It's Time To Go)
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Choral TTBB
#
INTERMEDIATE
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The Mcguire Sisters
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Rod Christian
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Goodnight, Sweetheart, Goodnig
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Rodmusic Productions
#
SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1486888 By The Mcguire Sisters. By Calvin Carter and James Hudson. Arranged by Rod C...
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1486888 By The Mcguire Sisters. By Calvin Carter and James Hudson. Arranged by Rod Christian. 20th Century,A Cappella,Barbershop,Blues,Jazz. 5 pages. Rodmusic Productions #1063957. Published by Rodmusic Productions (A0.1486888). GOODNIGHT SWEETHEARTA popular doo-wop classic song that was a hit during the mid-1950s. It was written by Calvin Carter and James Pookie Hudson in 1951, and was first recorded by The Spaniels in 1953. It has also been released by some artists as Goodnight, Well It's Time to Go. The best-selling version of the song was recorded by the McGuire Sisters in 1954. In this arrangement I have tried to capture the fun aspect of a male Tenor 1, Tenor 2, Baritone and Bass combination singing a cappella in a jazz-swing style. I have utilised some nice harmonies and counter melodies that complement the work. Tempo sits nicely at crotchet = 100 but this is up to the director to choose a suitable tempo if he or she so wishes.Enjoy this popular song re-worked from way back in 1951.Rod Christian.
$4.99
Patient Is The Night
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Choral TTBB
#
INTERMEDIATE/ADVANCED
#
Brandon Michael Armstrong, Jos
#
Jake Bavarsky
#
Patient Is The Night
#
Jake Bavarsky
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1201664 Composed by Brandon Michael Armstrong, Josh Ross Kaufman, Justin Isaac Rubenstein, and P...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1201664 Composed by Brandon Michael Armstrong, Josh Ross Kaufman, Justin Isaac Rubenstein, and Patrick Nolen Mchale. Arranged by Jake Bavarsky. A Cappella,Barbershop,Blues,Ragtime. Octavo. 5 pages. Jake Bavarsky #800279. Published by Jake Bavarsky (A0.1201664). From the Cartoon Network show Over the Garden Wall, Patient is the Night is a whimsical love song of a by-gone era. Evoking feelings of the autumn and its changes, this song touches the heartstrings and transports you to a land of familiarity, but still seems ever-so distant. Enjoy this arrangement in the Barbershop style and use it as a show piece to wow your audiences! For more information or to contact the arranger, you can contact him at: jbavarsky@gmail.com.
$2.99
Christmas Chopsticks ('Twas the Night Before Christmas)
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Choral TTBB
#
EASY
#
Euphemia Allen
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Thomas Coker
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Christmas Chopsticks
#
Thomas Rembert Coker Jr
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1078085 Composed by Euphemia Allen. Arranged by Thomas Coker. A Cappella,Blues,Christmas,Holiday...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1078085 Composed by Euphemia Allen. Arranged by Thomas Coker. A Cappella,Blues,Christmas,Holiday. Octavo. 7 pages. Thomas Rembert Coker Jr #682288. Published by Thomas Rembert Coker Jr (A0.1078085). Arranged for the Men of the Wimberley, TX Community Chorus for their 2014 Christmas program, this fun arrangement for TTBB makes use of a portion of the well-known poem, 'Twas the Night Before Christmas and is set to the equally well-known Chop Waltz aka Chopsticks written by 16 year old Euphemial Allen in 1877.
$2.25
Harlem Night Song from Harlem Songs
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Choral TTBB
#
Gospel/Spiritual
#
Gwyneth W
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Harlem Night Song from Harlem
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
TTBB choir and piano - Digital Download SKU: MQ.7295-E Composed by Gwyneth W. Walker. African American Heritage. 16 pages. E. C. Schirmer Music Company -...
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TTBB choir and piano - Digital Download SKU: MQ.7295-E Composed by Gwyneth W. Walker. African American Heritage. 16 pages. E. C. Schirmer Music Company - Digital #7295-E. Published by E. C. Schirmer Music Company - Digital (MQ.7295-E). English.Harlem Night Song is infused with the language of blues: mixed major and minor tonalities, a gentle tempo, humming. The music is also nocturnal and atmospheric. The chorus sings I love you, as if calling back and forth across the Harlem rooftops. A change of pace follows in the middle of the piece: Down in the street, a band is playing... Scat singing, percussive vocal effects and random patterns of I love you bring this work to a close.
$2.85
Where The Blue Of The Night (meets The Gold Of The Day)
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Choral TTBB
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EASY
#
Contemporary
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Bing Crosby, Fred E
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Walter Latzko
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Where The Blue Of The Night
#
Latzko Muzic
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.871529 Composed by Bing Crosby, Fred E. Ahlert, and Roy Turk. Arranged by Walter Latzko. Contemp...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.871529 Composed by Bing Crosby, Fred E. Ahlert, and Roy Turk. Arranged by Walter Latzko. Contemporary. Octavo. 4 pages. Latzko Muzic #5215793. Published by Latzko Muzic (A0.871529). 1931 Bing Crosby ballad as performed by The Buffalo Bills
$4.99
Where The Blue Of The Night (meets The Gold Of The Day)
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Choral TTBB
#
EASY
#
Contemporary
#
Bing Crosby, Fred E
#
Walter Latzko
#
Where The Blue Of The Night
#
Latzko Muzic
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.871542 Composed by Bing Crosby, Fred E. Ahlert, and Roy Turk. Arranged by Walter Latzko. Contemp...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.871542 Composed by Bing Crosby, Fred E. Ahlert, and Roy Turk. Arranged by Walter Latzko. Contemporary. Octavo. 4 pages. Latzko Muzic #5219361. Published by Latzko Muzic (A0.871542). 1931 Love Ballad as performed by The Buffalo Bills
$4.99
Where The Blue Of The Night (meets The Gold Of The Day)
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Choral TTBB
#
INTERMEDIATE
#
Contemporary
#
Bing Crosby, Fred E
#
Tom Gentry
#
Where The Blue Of The Night
#
Tom Gentry
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.776548 Composed by Bing Crosby, Fred E. Ahlert, and Roy Turk. Arranged by Tom Gentry. Contempora...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.776548 Composed by Bing Crosby, Fred E. Ahlert, and Roy Turk. Arranged by Tom Gentry. Contemporary. Octavo. 4 pages. Tom Gentry #5873561. Published by Tom Gentry (A0.776548).
$4.50
Barefoot Blue Jean Night
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Choral TTBB
#
Country
#
Jake Owen
#
Deke Sharon
#
Barefoot Blue Jean Night
#
Deke Sharon
#
SheetMusicPlus
By Jake Owen. By Dylan Altman, Terry Sawchuk, and Eric Paslay. Arranged by Deke Sharon. This edition: Interactive Download. Country. Octavo. 31 pages....
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By Jake Owen. By Dylan Altman, Terry Sawchuk, and Eric Paslay. Arranged by Deke Sharon. This edition: Interactive Download. Country. Octavo. 31 pages. Duration 149. Published by Deke Sharon
$1.99
Midnight Blue
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Choral TTBB
#
EASY
#
Jeff Lynne
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Carolyn Goates
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Midnight Blue
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Carolyn Goates
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1227323 Composed by Jeff Lynne. Arranged by Carolyn Goates. 20th Century,Rock. 11 pages. ...
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Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1227323 Composed by Jeff Lynne. Arranged by Carolyn Goates. 20th Century,Rock. 11 pages. Carolyn Goates #823268. Published by Carolyn Goates (A0.1227323). This beautiful song by the Electric Light Orchestra has inspired me to arrange this for male voices. The song lends itself to 4 part vocals and rich piano accompaniment. I hope you like it as much as I do.
$2.49
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
#
EASY
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo & H
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Indiana for Four Part A capella Men's Chorus (TTBB) from the musical "A Lucky Star"
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Choral TTBB
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INTERMEDIATE
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James Nathaniel Holland
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Indiana for Four Part A capell
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.730509 Composed by James Nathaniel Holland. A Cappella,Broadway,Folk,Holiday,Musical/Show,Patrio...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.730509 Composed by James Nathaniel Holland. A Cappella,Broadway,Folk,Holiday,Musical/Show,Patriotic,Traditional. Octavo. 6 pages. James Nathaniel Holland #5991761. Published by James Nathaniel Holland (A0.730509). A hymn to home and the Hoosier state of Indiana from the 1920s musical, A Lucky Star, words and music by American composer (and Indiana native) James Nathaniel Holland. Arranged for four part a capella men's chorus with reduced piano for easy rehearsal. Tenor 1 and 2, Baritone, Bass choir.Lyrics:When I think of my home,There's no other place I see,Than that land with its broad rolling hills,And it's mist that creeps up,Every blue, warm summer night.That is home, no matter where, that's home to me.Seasons Spring, Summer, Fall, even Winter sings so brightlyWith your hills and your green fields of corn.In that way do not change, But keep faith as time passes,That to each and all that Hoosier State's sweet home. (The Hoosier State's my home!)Here's to you, Indiana,Though we change, my Indiana,You will always be that home sweet home to me! (My Indiana home.)Duration: 3:22 minutes.
$4.50
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