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Cover Me
Not classified
250
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207
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86
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79
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1
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1
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1
2 Pianos, 4 hands
1
2 Pianos, 8 hands
1
+ 11 instrumentations
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20
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15
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Choral SATB
59
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23
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3
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1
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1
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24
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19
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18
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17
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17
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15
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15
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14
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11
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9
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8
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7
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1
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1
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1
Saxophone ensemble
1
2 Flutes, Piano
1
Oboe, Bassoon (duet)
1
Clarinet Ensemble
1
Clarinet Quintet: 5 clarinets
1
Recorder
1
Saxophone and Organ
1
+ 46 instrumentations
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Retract
Woodbrass
Brass Quartet: 4 trombones
36
Brass Quintet: 2 trumpets, horn, trombone, tuba
36
Trumpet
20
Trombone
13
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12
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10
Trumpet, Piano
9
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7
French horn
7
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6
Brass Quartet: 2 trumpets, horn, trombone
5
Tuba
5
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5
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5
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4
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1
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Euphonium
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1
Bass Clef Instruments
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74
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58
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21
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15
2 Violins (duet)
11
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11
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10
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10
String Trio: violin, viola, cello
9
Viola
9
Harp
9
Cello
7
Violin, Viola (duet)
7
Double bass, Piano (duet)
6
Double Bass
6
2 Violas (duet)
5
String Trio: 2 violins, cello
4
String Quintet: 2 violins, viola, cello, bass
3
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2
2 Double basses (duet)
2
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2
Violin, Guitar (duet)
1
Violin (band part)
1
Doublebass (band part)
1
String trio
1
String Quintet: 2 violins, 2 violas, cello
1
+ 21 instrumentations
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Retract
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28
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20
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19
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16
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9
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8
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7
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4
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Cover Me
Choral TTBB
Sheetmusic to print
13 sheet music found
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1
Break It To Me Gently
#
Choral TTBB
#
Brenda Lee
#
Adam Scott
#
Break It To Me Gently
#
Adam Scott
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SheetMusicPlus
Choral Choir (TTBB) - Digital Download SKU: A0.748891 By Brenda Lee. By Diane Lampert and Joe Seneca. Arranged by Adam Scott. A Cappella. Octavo. 6 pages...
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Choral Choir (TTBB) - Digital Download SKU: A0.748891 By Brenda Lee. By Diane Lampert and Joe Seneca. Arranged by Adam Scott. A Cappella. Octavo. 6 pages. Adam Scott #4346803. Published by Adam Scott (A0.748891). Brenda Lee Cover, A Cappella Cover, Country, 12/8 groove, Close Harmony Singing.
$2.99
Don't Stop Me Now
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Choral TTBB
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INTERMEDIATE
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Queen
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Adam Scott
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Don't Stop Me Now
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Adam Scott
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.748893 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Adam Scott. A Cappella,Ro...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.748893 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Adam Scott. A Cappella,Rock. Octavo. 7 pages. Adam Scott #4775039. Published by Adam Scott (A0.748893). A Cappella cover of the Queen classic. Close harmony singing. TTBB. .
$1.99
Water Me
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Choral TTBB
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INTERMEDIATE
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Lizzo
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Timorell
#
Water Me
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Timorell
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.501990 By Lizzo. By Clarence Bernard Coffee, Clarence Coffee, Clarence Coffee Jr., Eric F...
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.501990 By Lizzo. By Clarence Bernard Coffee, Clarence Coffee, Clarence Coffee Jr., Eric Frederic, Evan Bogart, Evan Kidd Bogart, Farhad Samdzada, Lizzo, Melissa Vivianne Jefferson, Morris Wittenberg, Nneka Egbuna, Nneka-Lucia Egbuna, Tobias Wincorn, and etc. Arranged by Timorell. A Cappella,Hip-Hop,R & B. 8 pages. Timorell #5222807. Published by Timorell (A0.501990). As performed by TONEWALL, the charismatic queer a cappella band of the New York City Gay Men's Chorus. Follow us! @tonewallnyc Instagram | Facebook | Tiktok | Youtube | email | website #queeracappella . Questions for the arranger? Volume pricing? Contact Timorell at tonewallnyc@gmail.com. An intermediate-level cover that's high-energy. Written for TTBB voices with very high falsetto. Ranges:Bass: Eb2 - Eb3Baritone: G3 - C4Tenor 2: Bb3 - Bb4Tenor 1: C4 - G5 Â
$2.00
Bring Me Sunshine
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Choral TTBB
#
Country
#
Willie Nelson
#
Eric Ruthenberg
#
Bring Me Sunshine
#
Eric Ruthenberg
#
SheetMusicPlus
Choral Choir (TTBB) - Digital Download SKU: A0.981100 By Willie Nelson. By Arthur Kent and Sylvia Dee. Arranged by Eric Ruthenberg. Country. Octavo. 7 pa...
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Choral Choir (TTBB) - Digital Download SKU: A0.981100 By Willie Nelson. By Arthur Kent and Sylvia Dee. Arranged by Eric Ruthenberg. Country. Octavo. 7 pages. Eric Ruthenberg #4338109. Published by Eric Ruthenberg (A0.981100). The Willie Nelson tune, covered by the Jive Aces, arranged for your male chorus or quartet!More by Eric Ruthenberg at facebook.com/RuthyCharts
$1.99
Save The Last Dance For Me
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Choral TTBB
#
INTERMEDIATE/ADVANCED
#
Jazz
#
Latin/World Music
#
Michael Buble
#
Dave Filsinger
#
Save The Last Dance For Me
#
Dave Filsinger
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.1136726 By Michael Buble. By Doc Pomus and Mort Shuman. Arranged by Dave Filsinger. Jazz,...
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Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.1136726 By Michael Buble. By Doc Pomus and Mort Shuman. Arranged by Dave Filsinger. Jazz,Latin. 17 pages. Dave Filsinger #736725. Published by Dave Filsinger (A0.1136726). TTTTBB + Solo + Rhythm Section arrangement of Drifters tune as covered by Michael Bublé. Fun Latin Rumba/Samba feel. Introduction has music quote from Marvin Gaye's chart After The Dance.
$2.99
Where Could I Go
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Choral TTBB
#
Sacred music
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Elvis Presley
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Bert Phillips
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Where Could I Go
#
Bert Phillips
#
SheetMusicPlus
Choral Choir (TTBB) - Digital Download SKU: A0.844180 By Elvis Presley. By James B. Coats. Arranged by Bert Phillips. A Cappella,Barbershop,Christian,Pra...
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Choral Choir (TTBB) - Digital Download SKU: A0.844180 By Elvis Presley. By James B. Coats. Arranged by Bert Phillips. A Cappella,Barbershop,Christian,Praise & Worship,Spiritual. Octavo. 10 pages. Bert Phillips #4610109. Published by Bert Phillips (A0.844180). This TTBB arrangement is written in the barbershop style. The melody is mostly in the lead (2nd Tenor) part. This version is based on Elvis' version on the album How Great Thou Art. The now won't you tell me lyric was sung by Elvis in his cover of this song, but in this arrangement the bass singer gets that part. Elvis' version was in E, but this version has been pitched up to G with two half step key changes. The baritone part is high. This chart could be pitched down a step if needed. I hope you enjoy this chart. Please follow me on Facebook @bertscharts.
$1.99
Can't Take My Eyes Off Of You
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Choral TTBB
#
EASY
#
Frankie Valli
#
Noha Ramos
#
Can't Take My Eyes Off Of You
#
Noah Ramos
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.983333 By Frankie Valli. By Bob Crewe and Bob Gaudio. Arranged by Noha Ramos. A Cappella,Rock. O...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.983333 By Frankie Valli. By Bob Crewe and Bob Gaudio. Arranged by Noha Ramos. A Cappella,Rock. Octavo. 7 pages. Noah Ramos #3134981. Published by Noah Ramos (A0.983333). This a capella cover of Franki Valli's Can't Take My Eyes Off Of You, is for TTBB+Solo groups with a beginner/intermediate difficulty level. This piece should be played between 140 and 150 bpm, and should be sung between 3.5 and 4 minutes.I am an ASCAP member, writer, and publisher. For other contemporary a capella arrangements similar to this one, feel free to contact me at noah.g.ramos@gmail.com.
$12.99
The Leaves of the Fall
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Choral TTBB
#
EASY
#
John van Gulik
#
John van Gulik
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The Leaves of the Fall
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John van Gulik
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patri...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27 pages. John van Gulik #839583. Published by John van Gulik (A0.1244630). A moving remembrance of the young lives sacrificed in the First and Second World Wars defending our freedom. This is a setting to an original text by John van Gulik arranged for men's choir.The leaves on the ground are all broken and grayTheir color has gone taking glory awayOnset of winter will bury them allSuch is the season, the season of fall  Leaves of autumn, leaves of the fall  Millions of discarded parts of us all  Time will forget them, forget them it will  And yet they have fallen... The season of fallThe dead all all gone, we remember them stillLives given freely, buried under a hillResting in fields where the red poppies growMarkings are fading for those down belowCold sleeping life lays under the snowSlumbering gently while winter winds blowWaiting for springtime to finally comeMelting the cover, at last feel the sunVisions of future beyond paths of warHope that the world will see it no moreThe dead are not gone, just sleeping awayTo rise once again on that last dayLess now remembered except once a yearMemories are fading to soon disappearResting and waiting beneath the sodForgotten by living but still known to GodFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.
$2.00
I'll Be Home For Christmas
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Choral TTBB
#
INTERMEDIATE
#
Christmas
#
Rascal Flatts
#
Jay Dearling
#
I'll Be Home For Christmas
#
Jay Dearling
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.996391 By Rascal Flatts. By Kim Gannon and Walter Kent. Arranged by Jay Dearling. A Cappella,Bar...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.996391 By Rascal Flatts. By Kim Gannon and Walter Kent. Arranged by Jay Dearling. A Cappella,Barbershop,Contemporary. Octavo. 3 pages. Jay Dearling #6207903. Published by Jay Dearling (A0.996391). Page 1 is the traditional single verse Four part harmony TTBB for any competent quartet or chorus at Intermediate level. Pages 2 & 3 cover a repeated verse with an additional patter line for a fifth tenor voice.Further details on www.jaydeemusic.me.uk.
$1.99
Angel Band
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Choral TTBB
#
INTERMEDIATE
#
Lyrics by Jefferson Hascall an
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Giorgio Navarini
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Angel Band
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Giorgio Navarini
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1184800 Composed by Lyrics by Jefferson Hascall and William B. Bradbury. Arranged by Giorgio Nav...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1184800 Composed by Lyrics by Jefferson Hascall and William B. Bradbury. Arranged by Giorgio Navarini. 19th Century,A Cappella,Barbershop,Christian,Religious. Octavo. 6 pages. Giorgio Navarini #784476. Published by Giorgio Navarini (A0.1184800). An American Sacred Harp Hymn. 1 My latest sun is sinking fast,my race is nearly run;my strongest trials now are past,my triumph is begun.Refrain:O come, angel band,come and around me stand;O bear me away on your snowy wingsto my immortal home.O bear me away on your snowy wingsto my immortal home.2 I know I’m near the holy ranksof friends and kindred dear;I hear the waves on Jordan’s banks,the crossing must be near. [Refrain]3 I’ve almost reached my heav’nly home,my spirit loudly sings;your holy ones, behold, they come!I hear the noise of wings. [Refrain]4 O bear my longing heart to himwho bled and died for me;whose love now covers all my sin,and gives me victory. [Refrain].
$1.99
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
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Standing In The Presence Of The King
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Choral TTBB
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EASY
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Rusty Goodman
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Paul A
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Standing In The Presence Of Th
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522399 Composed by Rusty Goodman. Arranged by Paul A. Jorg. A Cappella. Octavo. 4 pages. Paul A....
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522399 Composed by Rusty Goodman. Arranged by Paul A. Jorg. A Cappella. Octavo. 4 pages. Paul A. Jorg #6077019. Published by Paul A. Jorg (A0.522399). This arrangement is for 4 part male harmony (TTBB) a cappella.Here is a synopsis by Wikipedia of Rusty Goodman's musical background. He composed Who Am I? in 1965 and was actively singing within two weeks of his passing.Charles F. Rusty Goodman (September 2, 1933 – November 11, 1990) was an American singer/songwriter in the Southern Gospel Music industry. He was a prolific composer whose many songs included Standing in the Presence of the King, Leavin' On My Mind, Home, John the Revelator, Touch the Hand of the Lord, Had it Not Been I Believe He's Coming Back Look for Me and Who Am I? His songs have been covered by many of the top artists in the music industry including Elvis Presley, The Imperials, J. D. Sumner & The Stamps Quartet, The Speers, The Happy Goodman Family, Michael English and Gaither Vocal Band.
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