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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Don't It
Not classified
1,174
Piano & keyboards
Piano solo
494
Piano, Voice
415
Piano, Vocal and Guitar
334
Easy Piano
209
C Instruments
105
Organ
29
2 Pianos, 4 hands
29
1 Piano, 4 hands
22
Piano Accompaniment
16
Piano Trio: piano, violin, cello
16
Big Note Piano
4
Piano (band part)
4
Accordion
2
Piano Quintet: piano, 2 violins, viola, cello
2
2 Pianos, 8 hands
2
Piano Quartet: piano, 2 violins, cello
1
Harpsichord
1
1 Piano, 6 hands
1
Piano Quartet: piano, violin, viola, cello
1
+ 14 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
133
Guitar
84
Melody line, (Lyrics) and Chords
70
Lyrics and Chords
33
Ukulele
30
Bass guitar
27
Guitar (band part)
16
2 Guitars (duet)
11
Dulcimer
10
Banjo
5
Mandolin
3
Piano, Guitar (duet)
3
2 Ukuleles
3
2 Dulcimers (duet)
2
Guitar, Violin, Cello (trio)
1
Baritone Ukulele
1
+ 11 instrumentations
-
Retract
Voice
Choral SATB
189
Choral 3-part
94
Choral SSAA
86
Choral TTBB
62
Choral 2-part
56
Voice solo
13
Choral Unison
9
Choral Instrumental Pak
7
Choral
6
Vocal duet, Piano
5
Alto voice, Piano
3
High voice
2
Baritone voice, Piano
2
Low voice, Piano
2
Tenor voice, Piano
2
Soprano voice, Piano
2
Vocal duet
1
Choral SSAATTBB
1
Mezzo-Soprano voice, Piano
1
+ 14 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
159
Saxophone Quartet: 4 saxophones
154
Flute and Piano
128
Flute
108
Clarinet and Piano
107
Flute, Oboe, Clarinet, Bassoon
104
Clarinet
104
Saxophone Quintet: 5 Saxophones
96
Saxophone (band part)
86
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
84
Oboe, Piano (duet)
83
Alto Saxophone
79
Tenor Saxophone and Piano
72
Alto Saxophone and Piano
69
Soprano Saxophone and Piano
61
Tenor Saxophone
58
Baritone Saxophone, Piano
54
2 Flutes (duet)
53
Oboe (band part)
50
2 Clarinets (duet)
47
Saxophone
46
2 Oboes (duet)
40
3 Saxophones (trio)
36
Clarinet Quartet: 4 clarinets
36
Flute Quartet: 4 flutes
32
2 Recorders (duet)
27
Oboe
26
Clarinet Quintet: 5 clarinets
25
Clarinet Ensemble
24
Saxophone ensemble
23
English horn, Piano
22
Baritone Saxophone
21
Soprano Saxophone
20
Clarinet (band part)
20
Descant (Soprano) Recorder
20
Flute ensemble
18
Flute, Clarinet (duet)
16
3 Clarinets (trio)
15
Flute Trio: 3 flutes
11
Flute Quintet : 5 flutes
11
Flute (band part)
11
Recorder
11
Piccolo, Piano
10
Bass Clarinet, Piano
10
Recorder Quartet
10
Piccolo
9
Clarinet, Bassoon (duet)
9
Recorder Ensemble
8
5 Recorders
8
Flute, Oboe (duet)
8
English Horn
8
Treble (Alto) Recorder, Piano
8
Flute, Clarinet and Bassoon.
7
Oboe, Clarinet (duet)
6
Treble (Alto) Recorder
6
Tenor Recorder
6
Oboe, Bassoon (duet)
6
Flute and Guitar
5
Flute, Oboe, Bassoon
4
Recorder, Piano
4
Flute, Oboe, Piano (trio)
4
3 Recorders (trio)
4
Eb Instruments
4
Flute, Oboe, Clarinet (trio)
2
Flute, Clarinet, Horn and Bassoon (Quartet)
2
4 Oboes
2
Descent (Soprano) Recorder, Piano
2
English Horn, Guitar (duet)
1
2 Saxophones, Piano
1
Clarinet, Guitar (duet)
1
Flute, Violoncello
1
Flute and Strings Trio
1
Clarinet, Cello (duet)
1
Oboe, Cello
1
Flute, Violin
1
Oboe, Guitar (duet)
1
Pennywhistle
1
+ 72 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
160
Trumpet
119
Trombone and Piano
92
Trumpet, Piano
92
Trombone
89
French Horn and Piano
78
French horn
75
Tuba and Piano
74
Tuba
61
Trombone (band part)
59
Brass quartet : 2 trumpets, trombone, tuba
55
Brass Quartet: 2 trumpets, horn, trombone
53
Trumpet (band part)
52
2 Trombones (duet)
44
2 Trumpets (duet)
43
2 French horns (duet)
40
Brass Quartet
23
English horn, Piano
22
2 Tubas (duet)
21
Brass Quartet: 4 trombones
18
Euphonium, Piano (duet)
16
French horn (band part)
15
Brass Quartet: 4 horns
14
Trumpet, Trombone (duet)
13
Brass Quartet: 4 trumpets
11
Tuba (band part)
11
Trumpet, Horn (duert)
10
English Horn
8
Bass Trombone
6
3 Trombones (trio)
6
Trombone, Tuba (duet)
5
Trombone ensemble
5
3 Trumpets (trio)
4
Trombone, Horn (duet)
4
Trumpet ensemble
4
Bass Trombone and Piano
4
4 Tubas
3
Bass Clef Instruments
3
Bb Instruments
3
2 Euphoniums and 2 Tubas
2
Tuba and Organ
2
Trumpet, Tuba (duet)
2
Horn, Tuba (duet)
2
Horn Ensemble
2
Euphonium
1
3 French horns (trio)
1
English Horn, Guitar (duet)
1
Euphonium, Tuba (duet)
1
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
1
Trombone, Violin (duet)
1
Tuba ensemble
1
3 Tubas (trio)
1
+ 47 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
246
Violin
124
Cello
102
Violin and Piano
98
Cello, Piano
95
Viola, Piano
79
Viola
66
String Quintet: 2 violins, viola, cello, bass
55
Double bass, Piano (duet)
52
2 Violins (duet)
51
Double Bass
47
2 Cellos (duet)
40
2 Violas (duet)
39
Violin, Cello (duet)
29
Violin, Viola (duet)
25
Doublebass (band part)
23
Violin (band part)
22
Viola (band part)
21
String Trio: violin, viola, cello
18
Harp
17
Harp, Flute (duet)
12
2 Double basses (duet)
12
4 Cellos
11
String Trio: 2 violins, cello
10
String Quartet : 4 violas
9
String quartet: 4 violins
8
String Trio: 3 violins
7
Viola, Cello (duet)
7
String Trio: 3 violas
7
String Trio: 3 cellos
7
Cello, String Bass (duet)
4
Piano Trio: Violin, Viola, Piano
3
Cello (band part)
3
String Quintet: 2 violins, 2 violas, cello
2
4 Harps
2
Viola and Bassoon
1
Violin, Bassoon (duet)
1
Harp and Piano
1
Cello, Guitar (duet)
1
Violin, Guitar (duet)
1
String Trio: 2 violins, viola
1
Harp, Violin (duet)
1
String trio
1
Cello Ensemble
1
+ 39 instrumentations
-
Retract
Orchestra & Percussion
Concert band
290
Jazz Ensemble
108
Orchestra
103
String Orchestra
62
Brass ensemble
55
Jazz combo
19
Drums
18
Handbells
13
Percussion (band part)
13
Chamber Orchestra
11
Marching band
11
Drum (band part)
8
Percussion Ensemble
6
Vibraphone
3
Marimba
2
Xylophone, Piano
1
Xylophone
1
+ 12 instrumentations
-
Retract
Others
Music Theory
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Don't It
Choral TTBB
Sheetmusic to print
62 sheet music found
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1
26
51
Don't Dream It's Over
#
Choral TTBB
#
Contemporary
#
Donny Osmond
#
Alex Morris
#
Don't Dream It's Over
#
Alex Morris
#
SheetMusicPlus
Choral Choir (TTBB) - Digital Download SKU: A0.819523 By Donny Osmond. By Neil Finn. Arranged by Alex Morris. Contemporary. Octavo. 5 pages. Alex Morris ...
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Choral Choir (TTBB) - Digital Download SKU: A0.819523 By Donny Osmond. By Neil Finn. Arranged by Alex Morris. Contemporary. Octavo. 5 pages. Alex Morris #6519977. Published by Alex Morris (A0.819523). Medium/Difficult arrangement for TTBB in the barbershop style
$3.49
Don't Stop Me Now
#
Choral TTBB
#
Rock
#
Queen
#
Liz Garnett
#
Don't Stop Me Now
#
Liz Garnett
#
SheetMusicPlus
Choral Choir (TTBB) - Digital Download SKU: A0.856156 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Liz Garnett. Rock. Octavo. 5 pages....
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Choral Choir (TTBB) - Digital Download SKU: A0.856156 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Liz Garnett. Rock. Octavo. 5 pages. Liz Garnett #3628565. Published by Liz Garnett (A0.856156). One of Queen’s all-time great feel-good songs. It is impossible to sing or hear this song without getting an immediate boost to your mood. Go on, try singing ‘I am a sex-machine’ without smiling. The arrangement follows the form of the original closely, including ending with a gradual fade-out. There is an optional cut if you don't feel like pretending to be Brian May on the guitar for the instrumental break, and an optional moment of a high 5th part, put in because a performer loved a particular guitar twiddle in the original.Vocal ranges:Tenor: B flat 3 – D5 (with alt note C3)Lead: F3 – B flat 4 (with alt note C3)Bari: F3 – G4 (with alt note C3)Bass: F2 – F#4A video of this arrangement in performance is available at: https://www.helpingyouharmonise.com/DontStop
$2.99
You Don't Have To Say You Love Me
#
Choral TTBB
#
INTERMEDIATE
#
Contemporary
#
Dusty Springfield
#
Karl Logue
#
You Don't Have To Say You Love
#
LogueRhythm Productions
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.788786 By Dusty Springfield. By P. Donaggio. Arranged by Karl Logue. Contemporary. Octavo. 8 pag...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.788786 By Dusty Springfield. By P. Donaggio. Arranged by Karl Logue. Contemporary. Octavo. 8 pages. LogueRhythm Productions #4897967. Published by LogueRhythm Productions (A0.788786). Arranged for TTBB men's chorus, this is a fantastic arrangement for University men's choruses, or GALA Choruses. It would be a hit on a 60's concert. It includes a chord chart so you can easily add bass, guitar and drums.
$2.99
MARY, DON'T YOU WEEP (O, Mary, Don't You Weep)
#
Choral TTBB
#
EASY
#
Gospel/Spiritual
#
Traditional Spiritual - circa
#
Paul A
#
MARY, DON'T YOU WEEP
#
Paul A. Jorg
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522344 Composed by Traditional Spiritual - circa 1840. Arranged by Paul A. Jorg. A Cappella,Spir...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522344 Composed by Traditional Spiritual - circa 1840. Arranged by Paul A. Jorg. A Cappella,Spiritual,Traditional. Octavo. 5 pages. Paul A. Jorg #5971195. Published by Paul A. Jorg (A0.522344). This arrangement is for 4-part male voices (TTBB) a cappella. The melody is passed around to each part during the presentation, which makes it interesting to sing or to hear it sung.This Spiritual was created before the Civil War, circa 1840. Mary Don't You Weep (alternately titled O Mary Don't You Weep, Oh Mary, Don't You Weep, Don't You Mourn, or variations thereof) is a Spiritual that originates from before the American Civil War – thusit describes their origins among the enslaved, and it contains coded messages of hope and resistance. The song tells the Biblical story of Mary of Bethany and her distraught pleas to Jesus to raise her brother Lazarus from the dead. Other narratives relate to The Exodus and the Passage of the Red Sea, with the chorus proclaiming Pharaoh's army got drown-ded, and to God's rainbow covenant to Noah after the Great Flood. There are many verses that developed over the years, here are just a few.
$4.59
Don't Cry Out Loud (we Don't Cry Out Loud)
#
Choral TTBB
#
INTERMEDIATE
#
Contemporary
#
Melissa Manchester
#
Chad Weirick
#
Don't Cry Out Loud
#
Chad Weirick
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.788687 By Melissa Manchester. By Carole Bayer Sager and Peter Allen. Arranged by Chad Weirick. C...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.788687 By Melissa Manchester. By Carole Bayer Sager and Peter Allen. Arranged by Chad Weirick. Contemporary. Octavo. 6 pages. Chad Weirick #5210541. Published by Chad Weirick (A0.788687). 70's goodness! Embellished it just a bit with a climactic key change !
$2.99
I Don't Want To Set The World On Fire
#
Choral TTBB
#
INTERMEDIATE
#
The Ink Spots
#
Jay Dougherty
#
I Don't Want To Set The World
#
Jay Dougherty
#
SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1406564 By The Ink Spots. By Bennie Benjamin, Eddie Durham, Eddie Seiler, and Sol Ma...
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1406564 By The Ink Spots. By Bennie Benjamin, Eddie Durham, Eddie Seiler, and Sol Marcus. Arranged by Jay Dougherty. A Cappella,Barbershop,Contest,Festival,Jazz. 6 pages. Jay Dougherty #989330. Published by Jay Dougherty (A0.1406564). I Don't Want to Set the World on Fire was sung by many groups in the 20th century, but made famous by The Ink Spots. This arrangement is written for TTBB a cappella in the contestable barbershop style by Jay Dougherty. It captures the playful levity of the original but also brings new life through rhythmic variation, harmony, and embellishment. NOTE: There is a 10-copy minimum purchase. However, the per-copy price is set to the lowest possible setting at $1.99. If you want this song for a quartet, please understand that even with the 10-copy minimum (10 x $1.99), you're still paying only $20 for legal access to this music. The arranger gets nearly nothing, and you're getting great legal music for $5 per quartet member. Learning tracks are available at: www.jmdougherty.comFor more information on compositions and arrangements by Jay Dougherty, visit: www.jmdougherty.com.
$1.99
Don't Stop Believin'
#
Choral TTBB
#
INTERMEDIATE
#
Journey
#
John Trent Wallace
#
Don't Stop Believin'
#
TS3
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1185361 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by John Trent Wallac...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1185361 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by John Trent Wallace. Contemporary,Pop,Rock. Octavo. 18 pages. TS3 #785051. Published by TS3 (A0.1185361). Don't Let The Sun Go Down On Me - Male Choral (TTBB) As part of John Trent Wallace's Modern Classics for Men, this arrangement brings the emotive sound of male voices to this uplifting, iconic song from Journey. It is perfectly matched to male chorus, college and students looking to bring this classic song to their audiences.
$2.20
Don't Tell Me
#
Choral TTBB
#
EASY
#
Hudson Taylor
#
G
#
Don't Tell Me
#
G. M. Morley
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.500725 By Hudson Taylor. By Alfred Hudson Taylor, Harry Hudson Taylor, and Michael Aaron Einzige...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.500725 By Hudson Taylor. By Alfred Hudson Taylor, Harry Hudson Taylor, and Michael Aaron Einziger. Arranged by G. M. Morley. A Cappella,Contemporary. Octavo. 9 pages. G. M. Morley #6450807. Published by G. M. Morley (A0.500725). Taken from the 2015 album Singing for Strangers, Don't Tell Me has potential to be a loud and raucous anthem of defiance for any performance. While my arrangement was originally intended to be performed at a Pride event, due to restrictions across the UK regarding choral groups we were unable to perform it.Although not officially part of the LGBTQ community, interviews indicate that Hudson Taylor are LGBTQ Allies. This song can be performed as a rallying cry for any march or protest for equality.
$4.49
Don't Stop Believin'
#
Choral TTBB
#
INTERMEDIATE
#
Journey
#
Charles Beale
#
Don't Stop Believin'
#
charliebmusic
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.865867 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Charles Beale. A C...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.865867 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Charles Beale. A Cappella,Rock. Octavo. 12 pages. Charliebmusic #5297905. Published by charliebmusic (A0.865867). Originally a massive rock anthem in the early '80s, Don't Stop Believing re-emerged in the 2000s thanks to the TV show 'Glee', which re-established the song as a timeless classic that resonates across the generations. It tells the all-American story of the small-town boy who never gives up, and starts with that guitar solo.This upbeat TTBB arrangement sticks largely to the original rock textures but includes extensive nods to a cappella vocal textures. Suitable as a energetic and potentially spectacular show opener or singalong.
$1.99
Don't Be A Jerk It's Christmas
#
Choral TTBB
#
EASY
#
Andy Paley and Thomas Kenny
#
Bryan Ziegler
#
Don't Be A Jerk It's Christmas
#
Bryan Ziegler
#
SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 2 - Digital Download SKU: A0.1497465 Composed by Andy Paley and Thomas Kenny. Arranged by Bryan Ziegler. A Capp...
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Choral Choir,Choral (TTBB Chorus) - Level 2 - Digital Download SKU: A0.1497465 Composed by Andy Paley and Thomas Kenny. Arranged by Bryan Ziegler. A Cappella,Barbershop. 6 pages. Bryan Ziegler #1073877. Published by Bryan Ziegler (A0.1497465). TTBB barbershop arrangement. Contestable if you want to do it in contest.
$2.99
Don't You Worry 'bout A Thing
#
Choral TTBB
#
INTERMEDIATE/ADVANCED
#
Pop music
#
Soul/R&B
#
Stevie Wonder
#
Don't You Worry 'bout A Thing
#
James Morgan
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.973074 By Stevie Wonder. By Stevie Wonder. Arranged by Arranged by James Morgan. Pop,Soul. Octav...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.973074 By Stevie Wonder. By Stevie Wonder. Arranged by Arranged by James Morgan. Pop,Soul. Octavo. 7 pages. James Morgan #4759829. Published by James Morgan (A0.973074). This arrangement was written for male barbershop quartet. It features the lead throughout, as well as the tenor in a later section.
$9.99
Don't Let Me Be Misunderstood
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Choral TTBB
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INTERMEDIATE/ADVANCED
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The Animals
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Bob Eggers
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Don't Let Me Be Misunderstood
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ROBERT J EGGERS
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.940472 By The Animals. By Bennie Benjamin, Gloria Caldwell, and Sol Marcus. Arranged by Bob Egge...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.940472 By The Animals. By Bennie Benjamin, Gloria Caldwell, and Sol Marcus. Arranged by Bob Eggers. Oldies. Octavo. 11 pages. ROBERT J EGGERS #6666533. Published by ROBERT J EGGERS (A0.940472). Originally written in 1964 for singer-songwriter Nina Simone, and later an international chart-topper for The Animals. This song is not exactly a pop song. In fact, it is quite a dramatic piece that is perfect for a tenor soloist or two looking for something expressive. There is a bit of a latin feel to this bold arrangement, which is orchestrated for dueling tenors backed by TTBB.Please visit the YouTube link for a complete preview of this arrangement.Duration: 2:58
$1.99
Don't It Make My Brown Eyes Blue
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Choral TTBB
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EASY
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Crystal Gayle
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Jay Althof
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Don't It Make My Brown Eyes Bl
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Lake Avenue Studios
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.808902 By Crystal Gayle. By Richard Leigh. Arranged by Jay Althof. A Cappella. Octavo. 5 pages. ...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.808902 By Crystal Gayle. By Richard Leigh. Arranged by Jay Althof. A Cappella. Octavo. 5 pages. Lake Avenue Studios #4966321. Published by Lake Avenue Studios (A0.808902). 4 part a cappella arrangement for male voices of a classic Crystal Gayle ballad. Great for Barbershop Quartet shows and afterglows.
$4.25
It Shouldn't Happen To A Dream (How Could It Happen To A Dream)
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Choral TTBB
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INTERMEDIATE/ADVANCED
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Don George, Duke Ellington, an
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Cay Outerbridge
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It Shouldn't Happen To A Dream
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Cay Outerbridge
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.1377040 Composed by Don George, Duke Ellington, and Johnny Hodges. Arranged by Cay Outerb...
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Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.1377040 Composed by Don George, Duke Ellington, and Johnny Hodges. Arranged by Cay Outerbridge. Barbershop. 6 pages. Cay Outerbridge #961646. Published by Cay Outerbridge (A0.1377040). TTBB Barbershop.
$1.99
I Want It That Way
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Choral TTBB
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INTERMEDIATE
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The Backstreet Boys
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Rowena Harper
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I Want It That Way
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Rowena Harper
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.762504 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.762504 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 9 pages. Rowena Harper #5719549. Published by Rowena Harper (A0.762504). Who said that Back Street Boys needed five people? Here's an arrangement that says that four boys would have done!This pop song was originally written to cover quite a vocal range, and therefore aspects of the tune are also shared with solo segments that also feature baritone and tenor, plus a small solo for the bass so they wouldn't miss out. The arrangement features the expected and let's face it, much anticipated, key change. It also includes a nice gentle finish which stays in keeping with the original song. This is a must-have in your a cappella repertoire - but will likely require leads to be able to sing harmony, unless parts are switched.Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass F#-B, Baritone D#-B, Lead E-F#, Tenor B-C#. MIXED options: Baritone, Lead and Tenor are suitable for female voices.This is a per copy price. Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (T.1) and Tenor (T.2) in treble clef , Baritone (B.1) and Bass (B.2) in bass clef. The Treble clef parts are sung an octave lower than written.)Contact: acappellatenor@gmail.com.
$3.00
A Foggy Day (In London Town)
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Choral TTBB
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INTERMEDIATE
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George Gershwin and Ira Gershw
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Jim Shubert
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A Foggy Day
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James W. Shubert
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1399870 Composed by George Gershwin and Ira Gershwin. Arranged by Jim Shubert. 20th Centu...
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1399870 Composed by George Gershwin and Ira Gershwin. Arranged by Jim Shubert. 20th Century,A Cappella,Barbershop,Broadway,Film/TV,Musical/Show. 3 pages. James W. Shubert #983095. Published by James W. Shubert (A0.1399870). 4 part Male Barbershop Arrangement (TTBB) Intermediate Level. Â You can't go wrong with a Gershwin Song, and this arrangement won't disappoint you. Â If you intend to take this arrangement into contest, check with a judge before you sing it. Â A number of years ago the song probably would have been DQ'd for Major 7th's, but recently, who knows but the judges. Â However, it's a crowd pleaser.
$1.99
I Can’t Tell Why I Love You, But I Do (TTBB, a cappella)
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Choral TTBB
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INTERMEDIATE/ADVANCED
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Dinah Shore
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Cathy Stamegna
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I Can’t Tell Why I Love You,
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Cathy Stamegna
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1278350 By Dinah Shore. By Music by Gus Edwards. Lyrics by William D. Cobb. Arranged by Cathy St...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1278350 By Dinah Shore. By Music by Gus Edwards. Lyrics by William D. Cobb. Arranged by Cathy Stamegna. A Cappella,Contest,Festival,Jazz,Ragtime,Traditional. Octavo. 13 pages. Cathy Stamegna #870068. Published by Cathy Stamegna (A0.1278350). This 1900 hit was originally recorded by Harry MacDonough, one of the most popular singers of the early twentieth century, with a later rendition by Dinah Shore.  It begins in the traditional 3/4 and repeats in 4/4 halfway through with a change in tempo and style.  Appropriate for a TTBB quartet as well as a larger men’s choral ensemble.  Performance Time: approximately 3:50.
$2.25
It Don't Mean A Thing (if It Ain't Got That Swing)
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Choral TTBB
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INTERMEDIATE
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Jazz
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Duke Ellington
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Mark Goodney
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It Don't Mean A Thing
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Mark Goodney
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.836376 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by Mark Goodney. Jazz. Oc...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.836376 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by Mark Goodney. Jazz. Octavo. 6 pages. Mark Goodney #6638475. Published by Mark Goodney (A0.836376). Barbershop Male - TTBB - Chorus-Quartet- Duke Ellington's big swing hit!
$4.51
It Don't Mean A Thing (if It Ain't Got That Swing)
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Choral TTBB
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INTERMEDIATE
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Jazz
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Duke Ellington
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Dan Mulligan
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It Don't Mean A Thing
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Dan Mulligan
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SheetMusicPlus
By Duke Ellington. By Duke Ellington (1899-1974) and Irving Mills (1894-1985). Arranged by Dan Mulligan. A Cappella, Barbershop, Jazz. Octavo. 6 pages...
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By Duke Ellington. By Duke Ellington (1899-1974) and Irving Mills (1894-1985). Arranged by Dan Mulligan. A Cappella, Barbershop, Jazz. Octavo. 6 pages. Dan Mulligan #750981. Published by Dan Mulligan
$1.99
An Old-Fashioned Song (Don't You Hate It?) (arr. Christopher Peterson)
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Choral TTBB
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Denis Markell, Douglas Bernste
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Christopher Peterson
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An Old-Fashioned Song
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Pavane Publishing
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus,Voice - Digital Download SKU: HX.1104030 Composed by Denis Markell, Douglas Bernstein, and Douglas Bernstein and Denis Ma...
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Choral Choir,Choral,TTBB Chorus,Voice - Digital Download SKU: HX.1104030 Composed by Denis Markell, Douglas Bernstein, and Douglas Bernstein and Denis Markell. Arranged by Christopher Peterson. This edition: scorch. Concert. 16 pages. Pavane Publishing #0. Published by Pavane Publishing (HX.1104030).
$2.75
After You Get What You Want (You Don't Want It)
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Choral TTBB
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EASY
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Folkloric/Traditional
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Irving Berlin
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Jim Shubert
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After You Get What You Want
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James W. Shubert
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.971237 Composed by Irving Berlin. Arranged by Jim Shubert. Folk,Traditional. Octavo. 3 pages. Ja...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.971237 Composed by Irving Berlin. Arranged by Jim Shubert. Folk,Traditional. Octavo. 3 pages. James W. Shubert #6065877. Published by James W. Shubert (A0.971237). 4 part Male Barbershop Arrangement. TTBB. Early Intermediate level. Circa 1920. Up-tempo song with clever lyrics.Learning tracks for all four parts; Tenor, Lead, Bari, Bass, are available. Item# S0.876969, S0.876965, S0.876963, S0.876959
$1.99
And You Don't Even Know It
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Choral TTBB
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INTERMEDIATE
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Dan Gillespie Sells
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Steve Milloy
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And You Don't Even Know It
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Steve Milloy
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1154940 By Dan Gillespie Sells. By Daniel Giles Sells and Tom Macrea. Arranged by Steve Milloy. ...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1154940 By Dan Gillespie Sells. By Daniel Giles Sells and Tom Macrea. Arranged by Steve Milloy. 20th Century,Broadway,Musical/Show. Octavo. 18 pages. Steve Milloy #755217. Published by Steve Milloy (A0.1154940). From the musical Everybody's Talking About Jamie.
$1.99
Don't Let It Show
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Choral TTBB
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INTERMEDIATE/ADVANCED
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The Alan Parsons Project
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Anders Lindqvist
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Don't Let It Show
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Anders Lindqvist
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SheetMusicPlus
Voice (TTBB) - Level 4 - Digital Download SKU: A0.879542 By The Alan Parsons Project. By Alan Parsons and Eric Woolfson. Arranged by Anders Lindqvist. A ...
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Voice (TTBB) - Level 4 - Digital Download SKU: A0.879542 By The Alan Parsons Project. By Alan Parsons and Eric Woolfson. Arranged by Anders Lindqvist. A Cappella,Barbershop,Contemporary,Pop. Barbershop Quartet. 7 pages. Anders Lindqvist #3910953. Published by Anders Lindqvist (A0.879542). A close harmony arrangement of the beautiful ballad by Alan Parsons & Eric Woolfson and performed by Alan Parsons Project. Suitable for a male acapella quartet or chorus of advanced intermediate skills.
$12.99
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
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