Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Not What It Was
Not classified
311
Piano & keyboards
Piano solo
177
Piano, Voice
78
Piano, Vocal and Guitar
43
Easy Piano
20
C Instruments
16
2 Pianos, 4 hands
9
Organ
9
1 Piano, 4 hands
4
Piano Trio: piano, violin, cello
4
Big Note Piano
2
Piano Quartet: piano, violin, viola, cello
2
2 Pianos, 8 hands
1
Organ, Trumpet (duet)
1
Piano (band part)
1
Piano Quintet: piano, 2 violins, viola, cello
1
Piano Quartet: piano, 2 violins, cello
1
Accordion
1
+ 12 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
48
Guitar
26
Ukulele
3
2 Guitars (duet)
2
Bass guitar
2
Piano, Guitar (duet)
1
Guitar, Violin, Cello (trio)
1
4 Guitars (Quartet)
1
Mandolin
1
Lyrics and Chords
1
Banjo
1
Melody line, (Lyrics) and Chords
1
+ 7 instrumentations
-
Retract
Voice
Choral SATB
81
Alto voice, Piano
12
Choral 3-part
10
Choral 2-part
9
Choral TTBB
5
High voice
4
Vocal duet, Piano
2
Choral Unison
2
Baritone voice, Piano
2
Choral SSAA
2
Tenor voice
2
Low voice, Piano
1
Soprano voice, Piano
1
Vocal duet
1
Choral SSATTB
1
+ 10 instrumentations
-
Retract
Woodwind
Flute, Oboe, Clarinet, Bassoon
37
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
22
Saxophone Quartet: 4 saxophones
19
Clarinet Quartet: 4 clarinets
18
Saxophone Quintet: 5 Saxophones
17
Clarinet Ensemble
13
Clarinet and Piano
11
Saxophone ensemble
10
Oboe (band part)
10
Flute and Piano
9
Flute ensemble
9
Oboe, Piano (duet)
8
Tenor Saxophone and Piano
8
2 Saxophones (duet)
8
Flute Quartet: 4 flutes
8
Clarinet
8
2 Flutes (duet)
7
Flute
7
Alto Saxophone and Piano
7
Flute (band part)
6
3 Saxophones (trio)
6
2 Clarinets (duet)
6
2 Recorders (duet)
4
Soprano Saxophone and Piano
4
Alto Saxophone
4
3 Clarinets (trio)
4
Flute Quintet : 5 flutes
4
Flute, Clarinet, Horn and Bassoon (Quartet)
3
Oboe, Clarinet, Bassoon (trio)
3
Saxophone (band part)
3
Baritone Saxophone, Piano
3
Descant (Soprano) Recorder
3
Recorder Quartet
3
Flute, Clarinet (duet)
3
Tenor Saxophone
2
Saxophone, Clarinet (duet)
2
English Horn
2
Clarinet Quintet: 5 clarinets
2
Flute, Viola and Piano
2
Flute, Clarinet, Piano (trio)
2
Clarinet, Guitar (duet)
2
Clarinet Quintet: Clarinet, String Quartet
1
Recorder
1
Clarinet, Violin (duet)
1
Saxophone and Organ
1
Flute, Violoncello
1
Ocarina
1
Oboe, Bassoon (duet)
1
5 Recorders
1
Flute Trio: 3 flutes
1
Flute, Saxophone (duet)
1
Clarinet and Viola
1
Flute, Oboe, Piano (trio)
1
Flute, Cello, Guitar
1
Pennywhistle
1
Flute and Guitar
1
Recorder Ensemble
1
Oboe, Clarinet (duet)
1
Clarinet, Bassoon (duet)
1
2 Oboes (duet)
1
Piccolo
1
3 Recorders (trio)
1
Saxophone and Piano
1
English horn, Piano
1
Flute, Oboe (duet)
1
Bass Clarinet, Piano
1
Treble (Alto) Recorder, Piano
1
+ 62 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
34
Brass quartet : 2 trumpets, trombone, tuba
23
Brass Quartet
19
French horn
13
Tuba
7
Trumpet
7
Trombone ensemble
6
Trombone
6
Trumpet (band part)
5
Trumpet ensemble
5
2 Trumpets (duet)
4
Trumpet, Piano
4
Trombone and Piano
4
French Horn and Piano
3
English Horn
2
Brass Quartet: 4 trombones
2
Horn Ensemble
2
Brass Quartet: 4 trumpets
2
4 Tubas
2
Trombone (band part)
1
Trombone, Organ
1
Trumpet, Trombone (duet)
1
Euphonium, Piano (duet)
1
Brass Quartet: 2 trumpets, horn, trombone
1
2 French horns (duet)
1
2 Tubas (duet)
1
English horn, Piano
1
2 Trombones (duet)
1
Euphonium
1
+ 24 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
58
Violin and Piano
22
Harp
19
Violin
16
Cello, Piano
15
Cello
14
Viola, Piano
12
Viola
7
2 Violins (duet)
7
String Trio: violin, viola, cello
4
Violin, Viola (duet)
4
Violin ensemble
4
Violin, Guitar (duet)
3
Double Bass
3
Violin, Cello (duet)
3
2 Cellos (duet)
3
String Trio: 2 violins, cello
2
Viola ensemble
2
String Quintet: 2 violins, viola, cello, bass
2
Harp, Voice
2
4 Cellos
2
4 Double Basses
2
String quartet: 4 violins
2
2 Violas (duet)
2
String Trio: 3 violas
1
String Quintet: 2 violins, 2 violas, cello
1
Viola (band part)
1
String Trio: 3 cellos
1
Harp, Trombone (duet)
1
Viola, Cello (duet)
1
Cello, Organ
1
String Trio: 3 violins
1
String Quartet : 4 violas
1
+ 28 instrumentations
-
Retract
Orchestra & Percussion
Concert band
60
Orchestra
35
String Orchestra
32
Brass ensemble
17
Chamber Orchestra
11
Jazz Ensemble
10
Jazz combo
8
Handbells
4
Marching band
3
Percussion Ensemble
3
Marimba
2
Vibraphone
2
Drums
2
Piano and Orchestra
1
+ 9 instrumentations
-
Retract
Others
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
Digital Sheet Music
5
Sheet Music Books
2
Music Equipment
92
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
Not What It Was
Choral TTBB
Sheetmusic to print
5 sheet music found
<
1
What Wondrous Love Is This - TTBB Ensemble
#
Choral TTBB
#
INTERMEDIATE
#
American Folk Hymn
#
Mark R Lewis
#
What Wondrous Love Is This - T
#
Mark R Lewis
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1213360 Composed by American Folk Hymn. Arranged by Mark R Lewis. A Cappella,Folk,Religious,Sacr...
(+)
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1213360 Composed by American Folk Hymn. Arranged by Mark R Lewis. A Cappella,Folk,Religious,Sacred,Traditional. Octavo. 12 pages. Mark R Lewis #810545. Published by Mark R Lewis (A0.1213360). What Wondrous Love Is This is an American folk hymn that became popular during the early 1800s. It was first published in 1811 in the various hymnbooks that came out during the Second Great Awakening with various lyricists credited. Many publications attributed the song's tune to The Ballad of Captain Kidd, a popular, though much older, song and tune at the time. Earlier versions of the text are slightly different, but as with many folk tunes, it is difficult to tell which transcriptions are regional variants and which are errors by the transcriber.This arrangement of the tune by Mark Lewis is for a cappella TTBB Ensemble. All four voice parts are featured for a verse with different accompaniment each time. There are key changes to better place the melody in the ranges of each voice and there are moving notes in many background voices through most of the piece. As with many of Mark's arrangements, the outer voices will be pushed towards the extremes of their ranges even though the notes and rhythms are not incredibly difficult. Most intermediate choirs should enjoy performing this piece.
$1.99
What Shall He Have That Killed the Deer?
#
Choral TTBB
#
EASY
#
Contemporary
#
Robert Chamberlin
#
What Shall He Have That Killed
#
Robert Chamberlin
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.917261 Composed by Robert Chamberlin. Contemporary. Octavo. 5 pages. Robert Chamberlin #4780825....
(+)
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.917261 Composed by Robert Chamberlin. Contemporary. Octavo. 5 pages. Robert Chamberlin #4780825. Published by Robert Chamberlin (A0.917261). This is arrangement is for two tenors and two basses. It was written to be used in a production of Shakespeare's As You Like It. It can also be done with a larger ensemble as a concert piece. The score calls for a conch shell tuned to the pitch A. If a conch shell is not available, any horn that can produce an A (any octave) will work.
$2.00
What Was I Made For?
#
Choral TTBB
#
INTERMEDIATE
#
Billie Eilish
#
Charles Beale
#
What Was I Made For?
#
charliebmusic
#
SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1450755 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged...
(+)
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1450755 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Charles Beale. 21st Century,Pop. 10 pages. Charliebmusic #1030300. Published by charliebmusic (A0.1450755). This resonant Billie Eillish song swept to success thanks to its appearance in the 2024 'Barbie' movie. The lyric is really around mental health and identity. A break-up song on one level, it asks an ex-partner who am I if I am not with 'you'? It also has a wider resonance, in the voice of someone in a mentally fragile and potentially traumatized state, who is gradually healing.This quiet and reflective TTBB arrangement features a soloist at the start, and, like the original, ends on a question.
$1.99
The Story Of Reuben Clamzo & His Strange Daughter
#
Choral TTBB
#
EASY
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo & H
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
(+)
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Only You
#
Choral TTBB
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Yazoo
#
Cheryl Camm
#
Only You
#
seapieparcel
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1000671 By Yazoo. By Vince Clarke and Vincent Clarke. Arranged by Cheryl Camm. Contemporary. Oct...
(+)
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1000671 By Yazoo. By Vince Clarke and Vincent Clarke. Arranged by Cheryl Camm. Contemporary. Octavo. 10 pages. Seapieparcel #6606109. Published by seapieparcel (A0.1000671). A gently lilting arrangement of the song which is inspired mostly by The Flying Pickets' version. It was arranged for a men's choir with lots of tenors and not so many basses - the upper two parts could be sung by altos. The accompanying vocal parts do lots of interlocking, and the syncopation in that accompaniment is what has proven the trickiest aspect of this arrangement - nothing too taxing though!
$1.99
<
1
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
