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Nothing Is Lost
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2 sheet music found
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Omnia Mutantur (for TTBB Choir, a cappella)
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Choral TTBB
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INTERMEDIATE
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Aaron Lee
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Omnia Mutantur
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J. Aaron Lee
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1033409 Composed by Aaron Lee. 20th Century,A Cappella,Classical,Contemporary,Contest,Festival. ...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1033409 Composed by Aaron Lee. 20th Century,A Cappella,Classical,Contemporary,Contest,Festival. Octavo. 16 pages. J. Aaron Lee #638433. Published by J. Aaron Lee (A0.1033409). Omnia Mutantur addresses the ever-present reality of life these days. Everything changes. However, this work intends to affirm for the listener that while things may change, we always adapt to keep up, and that nothing is ever truly lost to change. This work approaches the matter of change, perhaps ironically, via minimalistic techniques and an uplifting perspective. This song is an entirely secular work in Latin. It touches on some minimalist techniques and could be integrated into secondary school music lessons as a means of discussing minimalism and also as a means to introduce students to singing in Latin while avoiding religious ties. This work has been arranged for TTBB choir (a cappella) from the original SATB version and is approximately 4.5 minutes in duration. The choral parts are largely diatonic and should be accessible to most audiences/ensembles. For more music from Aaron Lee, you can visit www.MusicOfLee.com.
$2.49
Det förlorade paradiset
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Choral TTBB
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Kjell Perder
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Det förlorade paradiset
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB chorus and reciter - Digital Download SKU: BJ.1427 Das verlorene Paradies. Composed by Kjell Perder. A paradise lost – A choral work i...
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SATB chorus and reciter - Digital Download SKU: BJ.1427 Das verlorene Paradies. Composed by Kjell Perder. A paradise lost – A choral work in honour of Beethoven. Secular. Octavo. 24 pages. Bo Ejeby Forlag - Digital #1427. Published by Bo Ejeby Forlag - Digital (BJ.1427). 8.27 x 11.7 inches.In the symphony popularly known as the Pastoral, Beethoven delineates his deep love for nature, for the peace of the countryside along with the drama of a thunderstorm. Little could he know how industrialism, urbanisation, exploitation and a general lack of respect would come to be a threat to Mother Earth. When we hear the nightingale, the cuckoo, and the rumbling of thunder in Beethoven's sixth symphony, the aim of the composer is to express his emotions with regard to these sounds of nature rather than imitate them (Mehr Empfindung als Malerei!). Yet the Pastoral Symphony became a model for 19th century programme music composers who wished to renew the symphonic format with storytelling and a freer artistic idiom. The vocal work Det forlorade paradiset (The lost paradise) makes reference to Beethoven's ontologically anchored love for Creation, but also to the fundamental tension between the idyllic and encroaching threats, the very factors that give the Pastoral Symphony its richness and inevitability. The lyrics have nothing to do with John Milton's famous epos Paradise Lost, they foretell an approaching apocalypse created by mankind in this age of pollution and climate change. The choral text consists of fragments of Schiller's Ode an die Freude (used by LvB in his 9th Symphony). A few quotes by Beethoven will be recited as well.The basic principal of this composition is to present soothing parallel - tonally based - streams of nature sounds and idyllic surroundings with the gathering of ominous clouds of approaching disaster: ferocious fires, torrents of rain and stormy winds (where the singers make use of clusters, chanting, growl, stamping their feet, etc). Doch mehr Empfindung als Malerei! (emotion rather than mere imitation). A nod or two to Mr. Beethoven by way of droning and using chromatic runs. The performance can be choreographed for extra impact, but it is equally possible to perform the music as a concert piece. - Kjell Perder.
$6.40
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