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Used To Be
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You've selected:
Used To Be
Choral TTBB
Sheetmusic to print
54 sheet music found
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1
26
51
She Used To Be Mine
#
Choral TTBB
#
ADVANCED
#
Broadway
#
Sara Bareilles
#
Jason Wynn
#
She Used To Be Mine
#
ArrangeMe
#
SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 5 - Digital Download SKU: A0.1414593 By Sara Bareilles. By Sara Bareilles. Arranged by Jason Wynn. Broadway,Music...
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Choral Choir,Choral,TTBB Chorus - Level 5 - Digital Download SKU: A0.1414593 By Sara Bareilles. By Sara Bareilles. Arranged by Jason Wynn. Broadway,Musical/Show. 11 pages. ArrangeMe #996372. Published by ArrangeMe (A0.1414593). A TTBB arrangement of Sara Bareilles' She Used to Be Mine with solo.
$3.85
She Used To Be Mine (from Waitress the Musical)
#
Choral TTBB
#
INTERMEDIATE/ADVANCED
#
Pop music
#
Sara Bareilles
#
She Used To Be Mine
#
Theo Hicks Music
#
SheetMusicPlus
TTBB - Advanced Intermediate - Digital Download By Sara Bareilles. Arranged by Theodore Hicks. Score. 10 pages. Published by Theo Hicks Music...
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TTBB - Advanced Intermediate - Digital Download By Sara Bareilles. Arranged by Theodore Hicks. Score. 10 pages. Published by Theo Hicks Music
This heartfelt ballad is from the hit Broadway production Waitress the Musical, written by Sara Bareilles. This arrangement originally premiered at the Barbershop Harmony Society's 2019 International Convention by Momma's Boys, a men's quartet, but all voicings (SSAA, TTBB, SATB) are available. This piece works well for small ensemble (quartet minimum) or a large choir.
This song is contestable in Barbershop Harmony Society contests, Sweet Adeline's International contests, and Harmony Incorporated contests.
For more information or arrangement titles from Theodore Hicks, visit www.theohicksmusic.com.
LIKE Theo Hicks Music on Facebook at https://www.facebook.com/theohicksmusic/
Learning Tracks for this arrangement can be purchased through Kohl Kitzmiller at www.kksounds.com.
For more information on Momma's Boys, visit http://mommasboysquartet.com/
$4.50
I want to be happy
#
Choral TTBB
#
INTERMEDIATE
#
Vincent Youmens/ Irving Caesar
#
Jim Shubert
#
I want to be happy
#
James W. Shubert
#
SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1403715 Composed by Vincent Youmens/ Irving Caesar. Arranged by Jim Shubert. A Cappe...
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1403715 Composed by Vincent Youmens/ Irving Caesar. Arranged by Jim Shubert. A Cappella,Barbershop. 3 pages. James W. Shubert #986924. Published by James W. Shubert (A0.1403715). 4 part Male Barbershop Arrangement. Â Intermediate level. (TT BB) Â A short, uptempo piece of music that could be used as an 'opener', or introductory piece of a quartet program, since I changed the word I to WE.
$1.99
She Used To Be Somebody's Baby
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Choral TTBB
#
INTERMEDIATE/ADVANCED
#
Larry Gatlin
#
Jay Althof
#
She Used To Be Somebody's Baby
#
Lake Avenue Studios
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.808879 By Larry Gatlin. By Larry Gatlin. Arranged by Jay Althof. A Cappella. Octavo. 12 pages. L...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.808879 By Larry Gatlin. By Larry Gatlin. Arranged by Jay Althof. A Cappella. Octavo. 12 pages. Lake Avenue Studios #4316791. Published by Lake Avenue Studios (A0.808879). Cool 4 part a cappella arrangement for male voices.
$4.75
There Used To Be A Ballpark
#
Choral TTBB
#
INTERMEDIATE
#
Joe Raposo
#
Kevin Keller
#
There Used To Be A Ballpark
#
Kevin Keller
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.816169 Composed by Joe Raposo. Arranged by Kevin Keller. 20th Century,A Cappella,Barbershop. Oct...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.816169 Composed by Joe Raposo. Arranged by Kevin Keller. 20th Century,A Cappella,Barbershop. Octavo. 3 pages. Kevin Keller #4745441. Published by Kevin Keller (A0.816169). Men's barbershop arrangement (TTBB).
$2.99
She Used To Be Mine from WAITRESS THE MUSICAL
#
Choral TTBB
#
Broadway
#
Sara Bareilles
#
She Used To Be Mine from WAITR
#
Simon Arnott
#
SheetMusicPlus
TTBB - Digital Download By Sara Bareilles. 7 pages. Published by Simon Arnott
TTBB - Digital Download By Sara Bareilles. 7 pages. Published by Simon Arnott
$1.99
I Vow To Thee My Country (with "America") (for TTB)
#
Choral TTBB
#
EASY
#
Gustav Holst, Traditional
#
Stephen DeCesare
#
I Vow To Thee My Country
#
Exultet Music
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.624062 Composed by Gustav Holst, Traditional. Arranged by Stephen DeCesare. Concert,Folk,Graduat...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.624062 Composed by Gustav Holst, Traditional. Arranged by Stephen DeCesare. Concert,Folk,Graduation,Holiday,Patriotic. Octavo. 9 pages. Exultet Music #4626251. Published by Exultet Music (A0.624062). Two of the most widely used patriotic songs have been combined together into one anthem and is scored for TTB with Piano accompaniment. Accessible and appropriate for any school, concert or church setting. Can be used on many occasions.
$3.99
Ode To Music for Men's Chorus
#
Choral TTBB
#
INTERMEDIATE
#
Sy Brandon
#
Ode To Music for Men's Chorus
#
Sy Brandon
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.755225 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Sacred. Octavo. 6 pages. Sy Bra...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.755225 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Sacred. Octavo. 6 pages. Sy Brandon #3422731. Published by Sy Brandon (A0.755225). This setting can be used for worship or concert. There are three verses that use unison singing, harmonization, and counterpoint.
$1.99
I Vow To Thee My Country (with "God Save The Queen") (for TTB)
#
Choral TTBB
#
EASY
#
Gustav Holst, Traditional
#
Stephen DeCesare
#
I Vow To Thee My Country
#
Exultet Music
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.624061 Composed by Gustav Holst, Traditional. Arranged by Stephen DeCesare. Concert,Graduation,P...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.624061 Composed by Gustav Holst, Traditional. Arranged by Stephen DeCesare. Concert,Graduation,Patriotic,Standards,World. Octavo. 9 pages. Exultet Music #4626253. Published by Exultet Music (A0.624061). Two British Patriotic songs have been combined together into one anthem and is scored for TTB with Piano accompaniment. Accessible and appropriate for any school, concert or church setting. Can be used on many occasions.
$3.99
Pippo Non Lo Sa
#
Choral TTBB
#
INTERMEDIATE
#
Giuseppe Rastelli, Gorni Krame
#
Bacco Baccanels
#
Pippo Non Lo Sa
#
Bacco Baccanels
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1264702 Composed by Giuseppe Rastelli, Gorni Kramer, and Mario Panzeri. Arranged by Bacco Baccan...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1264702 Composed by Giuseppe Rastelli, Gorni Kramer, and Mario Panzeri. Arranged by Bacco Baccanels. 20th Century,A Cappella,Jazz. Octavo. 6 pages. Bacco Baccanels #857536. Published by Bacco Baccanels (A0.1264702). TTBB Version of the great song by Gorni Kramer.The arrangement is quite basic and is not barbershop like: there is one voice for the main melody (Tenor1) and three voices emulating the armonic infrastructure.(I made also a richer SAATTB version with additional staffs taken from a Pasquale Amico vocal arrangement).TTBB voices follow a simple arrangement: Soprano does the main melody and Tenor, Baritone and Bass do accompaniment: an easy bass line and two voices for the chords.Baritone and Bass often play upbeat in the first bars of most of the phrases (pretending to be guitars or trumpets) and turn to straight beat in the final measures.Tempo is fast, thus singing those upbeat at the right speed can be challenging: bear in mind slowing them down produces a global weakening of the entire song: I suggest Tenor2 and Baritone drink some coffee before singing...To add movement to an otherwise great and funny but simple structure, I added few bars to the original work, starting from bar 79 (F mark); here, pay attention to sing in sync, since the section is very rhythmic.Some background information about the song: written in 1939 under the fascist regime, Kramer was accused of making fun of the fascist hierarch Achille Starace, who used to walk upright in a black shirt, arousing the hilarity of the population. The song thus had to face the censorship of the regime, given that the allusion appeared quite clear.Many years after the composition, Gorni Kramer declared that the piece was inspired not by Starace but by the maestro Pippo Barzizza, with whom, in 1939, Kramer had had an argument during a performance at the Kursaal in Viareggio.
$4.00
The Story Of Reuben Clamzo & His Strange Daughter
#
Choral TTBB
#
EASY
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo & H
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Blood Red Roses
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Choral TTBB
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EASY
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Traditional Sea Shanty
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John Sandford
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Blood Red Roses
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John A Sandford
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.972803 Composed by Traditional Sea Shanty. Arranged by John Sandford. Folk,World. Octavo. 5 page...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.972803 Composed by Traditional Sea Shanty. Arranged by John Sandford. Folk,World. Octavo. 5 pages. John A Sandford #6261425. Published by John A Sandford (A0.972803). The sea shanty is to be sung by male voices. The performance notes state that the shanty is to be sung with great gusto. However, there is room for artistic choice in the rhythm patterns of the verses and the amount of rubato used. Always be guided by the words is the general maxim to be observed. The first tenor part could be a soloist in keeping with the 'call and response' nature of the song or by a few voices.https://www.facebook.com/NoStringsAttached/videos/751426595497632
$1.99
Det förlorade paradiset
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Choral TTBB
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Kjell Perder
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Det förlorade paradiset
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB chorus and reciter - Digital Download SKU: BJ.1427 Das verlorene Paradies. Composed by Kjell Perder. A paradise lost – A choral work i...
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SATB chorus and reciter - Digital Download SKU: BJ.1427 Das verlorene Paradies. Composed by Kjell Perder. A paradise lost – A choral work in honour of Beethoven. Secular. Octavo. 24 pages. Bo Ejeby Forlag - Digital #1427. Published by Bo Ejeby Forlag - Digital (BJ.1427). 8.27 x 11.7 inches.In the symphony popularly known as the Pastoral, Beethoven delineates his deep love for nature, for the peace of the countryside along with the drama of a thunderstorm. Little could he know how industrialism, urbanisation, exploitation and a general lack of respect would come to be a threat to Mother Earth. When we hear the nightingale, the cuckoo, and the rumbling of thunder in Beethoven's sixth symphony, the aim of the composer is to express his emotions with regard to these sounds of nature rather than imitate them (Mehr Empfindung als Malerei!). Yet the Pastoral Symphony became a model for 19th century programme music composers who wished to renew the symphonic format with storytelling and a freer artistic idiom. The vocal work Det forlorade paradiset (The lost paradise) makes reference to Beethoven's ontologically anchored love for Creation, but also to the fundamental tension between the idyllic and encroaching threats, the very factors that give the Pastoral Symphony its richness and inevitability. The lyrics have nothing to do with John Milton's famous epos Paradise Lost, they foretell an approaching apocalypse created by mankind in this age of pollution and climate change. The choral text consists of fragments of Schiller's Ode an die Freude (used by LvB in his 9th Symphony). A few quotes by Beethoven will be recited as well.The basic principal of this composition is to present soothing parallel - tonally based - streams of nature sounds and idyllic surroundings with the gathering of ominous clouds of approaching disaster: ferocious fires, torrents of rain and stormy winds (where the singers make use of clusters, chanting, growl, stamping their feet, etc). Doch mehr Empfindung als Malerei! (emotion rather than mere imitation). A nod or two to Mr. Beethoven by way of droning and using chromatic runs. The performance can be choreographed for extra impact, but it is equally possible to perform the music as a concert piece. - Kjell Perder.
$6.40
On Christmas Day - TTBB divisi Ensemble
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Choral TTBB
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INTERMEDIATE
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Christmas
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English Folk Song, Henry Wadsw
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Mark R Lewis
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On Christmas Day - TTBB divisi
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Mark R Lewis
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1169893 Composed by English Folk Song, Henry Wadsworth Longfellow, and John Baptiste Calkin. Arr...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1169893 Composed by English Folk Song, Henry Wadsworth Longfellow, and John Baptiste Calkin. Arranged by Mark R Lewis. Christmas,Folk,Holiday,Religious,Traditional. Octavo. 23 pages. Mark R Lewis #770258. Published by Mark R Lewis (A0.1169893). On Christmas Day is a medley of I Heard the Bells on Christmas Day and I Saw Three Ships by Mark R Lewis. John Baptiste Calkin wrote the music for I Heard the Bells in 1872 as an adaptation of the earlier poem Christmas Bells by Henry Wadsworth Longfellow. I Saw Three Ships is an English carol thought to originate from the 17th century, though the lyrics used is most modern arrangements come from later published versions.This arrangement is intended to be performed by TTBB divisi choir and accompanied by a 3-5 octave handbell choir. All four voice parts pass the melody back and forth and are featured at different times and explore different vocal and accompaniment styles throughout the piece. Most intermediate choirs should be able to perform this piece, although the bass 2s should be able to sing down to a D2 (there are optional notes if this is too low). The handbell part is not particularly difficult but is active across the whole ensemble and uses mallets through one of the middle verses. There are also several key changes that will require quick bell changes or sharing of bells. It is also worth noting that I Heard the Bells is in 4/4 and I Saw Three Ships is in 6/8.This download includes a piano and choir score for when handbells are not an option as well as the handbell sheet music. Handbells are the preferred accompaniment, although it will still sound good with just piano.
$1.99
Auld Lang Syne
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Choral TTBB
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INTERMEDIATE/ADVANCED
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Traditional
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Stephen Smith
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Auld Lang Syne
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Stephen Smith
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.1354419 Composed by Traditional. Arranged by Stephen Smith. Celtic,Christmas,Classical,Ho...
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Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.1354419 Composed by Traditional. Arranged by Stephen Smith. Celtic,Christmas,Classical,Holiday,Irish,Traditional. 7 pages. Stephen Smith #939138. Published by Stephen Smith (A0.1354419). This concert arrangement for male choir uses the broad and heartfelt melody that Robert Burns originally intended to be paired with his Auld Lang Syne lyric. From a gentle and pensive opening, the arrangement steadily builds -- as the poem extols the virtues of brotherhood, friendship, and faithfulness -- to a truly stirring conclusion. The piano part in this piano-choral score may be used as the sole accompaniment in performances of the work; or the piano may be replaced by a chamber ensemble of flute, clarinet, French horn, violin, cello, and contrabass. It is actually this chamber ensemble version of the piece -- or at least a MIDI approximation of it -- that is heard in the accompanying audio preview. Should you wish to perform the arrangement in this version, please email  the composer at smithstephen@shaw.ca to obtain a full score and parts.
$2.49
Scooby Doo, Where Are You?
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Choral TTBB
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INTERMEDIATE
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Ben Raleigh and David Monk
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Alex Frank
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Scooby Doo, Where Are You?
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Alex Frank
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.997249 Composed by Ben Raleigh and David Monk. Arranged by Alex Frank. A Cappella. Octavo. 5 pag...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.997249 Composed by Ben Raleigh and David Monk. Arranged by Alex Frank. A Cappella. Octavo. 5 pages. Alex Frank #5218187. Published by Alex Frank (A0.997249). This arrangement is a unique take on the Scooby Doo theme song, as it is to be sung by just 4 voices together in close harmony in the style of Barbershop, a type of A Capella music. It is designed for an all-male barbershop quartet to sing at competitions, shows, parties, and many other kinds of gatherings. It may be sung by a larger Barbershop chorus, with 4 distinct parts and multiple people on each part, but works best when sung as a quartet. The arrangement is based off of the theme song to a Saturday morning animated cartoon series titled Scooby Doo, Where Are You!, which debuted in 1969 and ran actively until 1976. The premise of the show is a gang of five mystery-solving teenagers and their Great Dane dog, Scooby Doo investigating the various spooky occurrences in the area caused by supernatural creatures that terrorize the people in the area. While the gang is overall very intelligent and adept at finding clues which always leads to success at apprehending any suspects involved, their key to success lies in Scooby-Doo, whom the gang depends on for his waggish nature and the tricks he plays on the monsters or villains. While Scooby Doo is often filled with trepidation at the thought of being near any monsters or haunted houses, he often overcomes that fear when his team needs it the most, especially when his favorite treat is promised for coming through: Scooby Snacks. The theme song seeks to instill this message that the main character comes through when needed most. Contact me for any further questions at frankalexander92@gmail.com.
$12.99
What Shall He Have That Killed the Deer?
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Choral TTBB
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EASY
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Contemporary
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Robert Chamberlin
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What Shall He Have That Killed
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Robert Chamberlin
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.917261 Composed by Robert Chamberlin. Contemporary. Octavo. 5 pages. Robert Chamberlin #4780825....
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.917261 Composed by Robert Chamberlin. Contemporary. Octavo. 5 pages. Robert Chamberlin #4780825. Published by Robert Chamberlin (A0.917261). This is arrangement is for two tenors and two basses. It was written to be used in a production of Shakespeare's As You Like It. It can also be done with a larger ensemble as a concert piece. The score calls for a conch shell tuned to the pitch A. If a conch shell is not available, any horn that can produce an A (any octave) will work.
$2.00
Shenandoah
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Choral TTBB
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INTERMEDIATE
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American Folk Song
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Brad Meader
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Shenandoah
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Brad Meader
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.927218 Composed by American Folk Song. Arranged by Brad Meader. A Cappella,Folk,Patriotic,Tradit...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.927218 Composed by American Folk Song. Arranged by Brad Meader. A Cappella,Folk,Patriotic,Traditional,World. Octavo. 6 pages. Brad Meader #3545597. Published by Brad Meader (A0.927218). An all-male (TTBB with divisi) a cappella arrangement of the American Folk Song Oh Shenandoh. This piece will be perfect for any group. Dissonance is used to create a shimmering feel, while staggered ascending and descending lines create the impression of a river in the echo-filled Shenandoah Valley. A full demo of the arrangement can be found at https://soundcloud.com/brad-meader/shenandoah-american-folk-song-a-cappella-cover-demo. Individual, part-by-part learning tracks can be provided upon purchase by emailing bradmeadermusic@gmail.com.
$4.99
Alleluia, Sing With Joy
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Choral TTBB
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INTERMEDIATE/ADVANCED
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Donald A
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Alleluia, Sing With Joy
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928969 Composed by Donald A. Mills, 2018. A Cappella,Christian,Christmas,Sacred. Octavo. 4 pages...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928969 Composed by Donald A. Mills, 2018. A Cappella,Christian,Christmas,Sacred. Octavo. 4 pages. Donald A Mills #3692823. Published by Donald A Mills (A0.928969). An original composition by Donald A. Mills in the style of the old church choirs. This composition is TTBB a cappella. It may be used as a piece for Christmas or as a stand-alone piece for a church service or aconcert venue any time of the year. The words are easy, the music is of mid-level complexity with overlapping musical sentences and a higher level of breath control. There are a few disonances to be aware of along the way.Your choir and your congregation will be pleased with this new Alleluia. FINALLY, a NEW Alleluia.
$3.39
Ecce Quam Bonum (piano/vocal score)
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Choral TTBB
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WR Editions
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Ecce Quam Bonum
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WR Editions
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SheetMusicPlus
Choral Choir (TTBB) - Digital Download SKU: A0.866699 Composed by WR Editions. Christian,Contemporary,Jewish,Sacred. Octavo. 17 pages. WR Editions #57760...
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Choral Choir (TTBB) - Digital Download SKU: A0.866699 Composed by WR Editions. Christian,Contemporary,Jewish,Sacred. Octavo. 17 pages. WR Editions #5776003. Published by WR Editions (A0.866699). This piano/vocal score may be used in preparing the chorus for performance with orchestra or as a performance with chorus and piano. It is to be played by two pianists at one keyboard, the loser staff played by secundo and the upper staff by the primo.
$5.00
Joy!
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Choral TTBB
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INTERMEDIATE
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Beethoven, Traditional
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EDDY CLEMENT
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Joy!
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Eddy Clement
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.927824 Composed by Beethoven, Traditional. Arranged by EDDY CLEMENT. A Cappella,Christmas,Sacred...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.927824 Composed by Beethoven, Traditional. Arranged by EDDY CLEMENT. A Cappella,Christmas,Sacred,Spiritual. Octavo. 13 pages. Eddy Clement #5857239. Published by Eddy Clement (A0.927824). With an eternally timely message of Peace (These our nations once divided, now rejoined in unity. Let us build a world of union. Peace for all humanity.), this compilation song explodes with hope and Joy! Skillfully intertwining two Traditional Christmas Carols: How Great Our Joy and Joy to the World around the texture of Beethoven's beloved Ode to Joy, this arrangement is innovative and clever. Strong sectional writing highlights all voices as each song is introduced, then smartly used to layer contrapuntal effects until the climax when all three songs happening simultaneously. As the centerpiece, an a cappella chorale of Ode to Joy is presented reverently, with original German text, English translation or alternate common text options. Men's choruses of moderate and above skill level (some divisi) will shine with this work. Small Instrumental ensemble (Fl or Ob, Hp, StrBs, Perc) can be added to this Piano part, if desired [Instrumental Pack available on sheetmusicplus.com].
$3.95
How Can You Mend A Broken Heart
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Choral TTBB
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Bee Gees
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Ruby Rhea
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How Can You Mend A Broken Hear
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Ken Potter
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SheetMusicPlus
Choral Choir (TTBB) - Digital Download SKU: A0.888087 By Bee Gees. By Barry Gibb and Robin Gibb. Arranged by Ruby Rhea. Dance,Disco. Octavo. 6 pages. Ken...
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Choral Choir (TTBB) - Digital Download SKU: A0.888087 By Bee Gees. By Barry Gibb and Robin Gibb. Arranged by Ruby Rhea. Dance,Disco. Octavo. 6 pages. Ken Potter #6500599. Published by Ken Potter (A0.888087). This arrangement for male quartet was originally written by Ruby Rhea. I (Ken Potter) am acting on behalf of, with permission from the family, of the now deceased Ruby Rhea. As curator of her arrangements, I am posting to legally clear the chart for quartets and choruses to use. Please observe all copyright laws and contest rules for clearance. Ruby wanted her charts to be used by the public legally. Please note that I do not receive compensation for managing her charts. Contact me directly if you need to speak to me (Ken) about Ruby Rhea's material. (310-702-5285). This arrangement includes a modified tag, which Ruby Rhea would approve of. .
$1.99
Wade In the Water....ttbb w/bass solo
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Choral TTBB
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INTERMEDIATE/ADVANCED
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Traditional Negro Spiritual, c
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Donald A
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Wade In the Water....ttbb w/ba
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928993 Composed by Traditional Negro Spiritual, composer unknown. Arranged by Donald A. Mills, 2...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928993 Composed by Traditional Negro Spiritual, composer unknown. Arranged by Donald A. Mills, 2020. A Cappella,African,Classical,Folk,Spiritual. Octavo. 6 pages. Donald A Mills #5307775. Published by Donald A Mills (A0.928993). This old traditional Negro Spiritual is part of a group of songs that were used to guide the slaves wanting freedom how and when to leave for the north. In this case, the song's directions were to get into the water of the stream or river to travel so that their scents could not be followed by the slave owners bloodhounds. This arrangement is for a men's quintet or chorus. The arrangement needs a level of experience and expertise at the intermediate to high level. It is a cappella, sung as the slaves would have sung it, with no instruments.
$2.99
Do You Really Love Me
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Choral TTBB
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INTERMEDIATE
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Pop music
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Ruby Rhea/Ken Potter
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Ruby Rhea, Ken Potter
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Do You Really Love Me
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Ken Potter
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.888082 Composed by Ruby Rhea/Ken Potter. Arranged by Ruby Rhea, Ken Potter. Pop. Octavo. 4 pages...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.888082 Composed by Ruby Rhea/Ken Potter. Arranged by Ruby Rhea, Ken Potter. Pop. Octavo. 4 pages. Ken Potter #6460921. Published by Ken Potter (A0.888082). This arrangement originally for female quartet (SAI) was originally written by Ruby Rhea. This is a TTBB version of that song. I (Ken Potter) am acting on behalf of, with permission from the family, of the now deceased Ruby Rhea. As curator of her arrangements, I am posting to legally clear the chart for quartets and choruses to use. Please observe all copyright laws and contest rules for clearance. Ruby wanted her charts to be used by the public legally. Please note that I do not receive compensation for managing her charts. Contact me directly if you need to speak to me about Ruby Rhea's material. (310-702-5285). .
$5.00
Wade In the Water....ttbb plus bass solo
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Choral TTBB
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INTERMEDIATE/ADVANCED
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Composer Unknown: Traditional
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Donald A
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Wade In the Water....ttbb plus
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928995 Composed by Composer Unknown: Traditional Negro Spiritual. Arranged by Donald A. Mills. A...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928995 Composed by Composer Unknown: Traditional Negro Spiritual. Arranged by Donald A. Mills. A Cappella,Concert,Folk,Gospel,Spiritual,Traditional. Octavo. 5 pages. Donald A Mills #5355171. Published by Donald A Mills (A0.928995). This old traditional Negro Spiritual is part of a group of songs called map songs, that were used to guide the slaves wanting freedom how and when to leave for the north. In this case, the song's directions were to get into the water of the stream or river to travel so that their scents could not be followed by the slave-owners bloodhounds. This arrangement is for a bass solo and a men's quartet or a men's chorus. The arrangement needs a level of experience and expertise at the intermediate to high level. It is a cappella, sung as the slaves would have sung it, with no instruments. Your singing group and audiences will surely love the beautiful words and harmonies.
$2.29
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