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WERE YOU THERE
Not classified
557
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88
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36
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+ 10 instrumentations
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Retract
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Retract
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Tenor voice
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Retract
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27
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26
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3 Clarinets (trio)
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3 Saxophones (trio)
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Clarinet Quintet: 5 clarinets
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Oboe
3
Clarinet, Bassoon (duet)
3
Flute Trio: 3 flutes
2
Treble (Alto) Recorder, Piano
2
2 Clarinets, Piano
2
Baritone Saxophone
2
Clarinet, Cello (duet)
2
2 Saxophones, Piano
2
Flute, Violoncello
2
Bass Clarinet, Piano
2
Oboe, Violin (duet)
1
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1
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1
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1
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1
Recorder
1
Ocarina
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1
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1
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1
Recorder Quartet
1
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1
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1
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1
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1
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1
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1
Oboe, Cello
1
Flute, Cello, Piano (trio)
1
Saxophone and Organ
1
+ 76 instrumentations
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Retract
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58
Trumpet, Trombone (duet)
36
Brass quartet : 2 trumpets, trombone, tuba
35
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31
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29
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25
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25
2 Trumpets (duet)
24
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16
Trumpet
15
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14
Trombone
9
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7
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7
Trombone ensemble
7
Tuba and Piano
7
Trumpet (band part)
5
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5
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4
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4
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4
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4
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3
Trumpet ensemble
3
Brass Quartet: 4 horns
3
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3
2 Tubas (duet)
3
Euphonium
2
4 Tubas
2
3 Trumpets (trio)
2
Tuba
2
2 Trumpets, Keyboard (piano or organ)
1
Trombone (band part)
1
Brass Quartet: 4 trumpets
1
+ 29 instrumentations
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Retract
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47
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39
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32
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String Trio: violin, viola, cello
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2
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2
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2
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1
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1
Violin, Bassoon (duet)
1
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1
4 Double Basses
1
Cello, Organ
1
2 Violins, Piano
1
Viola and Harp
1
+ 37 instrumentations
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WERE YOU THERE
Choral TTBB
Sheetmusic to print
11 sheet music found
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1
Were You There?
#
Choral TTBB
#
Gospel/Spiritual
#
Jazz
#
Traditional
#
Jan Mulder
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Were You There?
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John Miller Publishing
#
SheetMusicPlus
By Traditional. Arranged by Jan Mulder. Men's Choir. For TTBB choir. Spiritual. Text language: English. 1 pages. Published by John Miller Publishing ...
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By Traditional. Arranged by Jan Mulder. Men's Choir. For TTBB choir. Spiritual. Text language: English. 1 pages. Published by John Miller Publishing
$1.32
Were You There? (TTBB)
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Choral TTBB
#
INTERMEDIATE
#
Traditional
#
Jared Rodehorst
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Were You There?
#
Adis Publishing
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1020715 Composed by Traditional. Arranged by Jared Rodehorst. Easter,Gospel,Sacred,Spiritual. Oc...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1020715 Composed by Traditional. Arranged by Jared Rodehorst. Easter,Gospel,Sacred,Spiritual. Octavo. 4 pages. Adis Publishing #6201487. Published by Adis Publishing (A0.1020715). An unaccompanied setting of a classic Lenten spiritual. The questions in this song ask us to remember the crucifixion as well as the horrors of the African-American slave experience that gave birth to the spiritual.
$2.25
Were you there? Spiritual
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Choral TTBB
#
INTERMEDIATE
#
David Ellender
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Were you there? Spiritual
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David Ellender
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.546136 Composed by David Ellender. A Cappella,Easter,Sacred. Octavo. 7 pages. David Ellender #15...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.546136 Composed by David Ellender. A Cappella,Easter,Sacred. Octavo. 7 pages. David Ellender #156234. Published by David Ellender (A0.546136). Men's chorus.
$1.99
There is a Happy Land
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Choral TTBB
#
EASY
#
Andrew Young, b
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Giorgio Navarini
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There is a Happy Land
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Giorgio Navarini
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1184776 Composed by Andrew Young, b. 1838. Arranged by Giorgio Navarini. 19th Century,A Cappella...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1184776 Composed by Andrew Young, b. 1838. Arranged by Giorgio Navarini. 19th Century,A Cappella,Barbershop,Christian,Religious. Octavo. 3 pages. Giorgio Navarini #784434. Published by Giorgio Navarini (A0.1184776). A TTBB setting of the Sacred Harp Hymn. Elements of this hymn were used in Han's Zimmer's score for Prince of Egypt.
$2.00
Give Me Jesus
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Choral TTBB
#
Christopher Aspaas
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Give Me Jesus
#
Aspen Hill Music - Digital
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SheetMusicPlus
TTBB choir and soloist a cappella - Moderately Difficult - Digital Download SKU: MQ.AHM-11-E Composed by Christopher Aspaas. 12 pages. Aspen Hill Music -...
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TTBB choir and soloist a cappella - Moderately Difficult - Digital Download SKU: MQ.AHM-11-E Composed by Christopher Aspaas. 12 pages. Aspen Hill Music - Digital #AHM-11-E. Published by Aspen Hill Music - Digital (MQ.AHM-11-E). English.This sonorous a cappella setting gives everyone a chance at the traditional and memorable melody. The arrangement takes the singer through “dark midnight†and weaves in a moment of another favorite Spiritual, Were you there while exploring the full range of dynamics.
$2.65
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
#
EASY
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo & H
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Anonymous: Were You There? - choir (TTBB: tenor, bass)
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Choral TTBB
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INTERMEDIATE
#
Contemporary
#
Anonymous
#
Virtualsheetmusic
Instantly printable sheet music by Anonymous for choir (TTBB: tenor, bass) of MEDIUM skill level. / lawson gould choral
Instantly printable sheet music by Anonymous for choir (TTBB: tenor, bass) of MEDIUM skill level. / lawson gould choral
$6.23
In My Room
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Choral TTBB
#
INTERMEDIATE/ADVANCED
#
The Beach Boys
#
Donald A
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In My Room
#
Donald A Mills
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A C...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
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On Bethlehem's Silent Plain : TTBB Acapella
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Choral TTBB
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M
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On Bethlehem's Silent Plain :
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Vocal Works
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SheetMusicPlus
Choral Choir (TTBB) - Digital Download SKU: A0.741930 Composed by M. Ryan Taylor. A Cappella,Christian,Christmas,Folk,Sacred,Spiritual. Octavo. 6 pages. ...
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Choral Choir (TTBB) - Digital Download SKU: A0.741930 Composed by M. Ryan Taylor. A Cappella,Christian,Christmas,Folk,Sacred,Spiritual. Octavo. 6 pages. Vocal Works #484815. Published by Vocal Works (A0.741930). Live performance video: https://www.youtube.com/watch?v=KfUmiJdfVwM 1. On Bethlehem's silent plain, The stars shone bright, While faithful shepherds watched Their flocks by night. And as they watching lay Upon the ground, A glory came from heaven, And shone around. 2. The simple shepherds' hearts Were filled with fear: For lo! an angel stood Among them there. Fear not, the angel said, Good news I bring, This night to you is born A Saviour King. 3. In swaddling clothes the babe Shall be arrayed, And you shall find Him in A manger laid. And lo! a shining host Was with Him there, And filled with songs of praise, The midnight air. 4. And now on Christmas Eve, When stars are bright, We sing with joy the song They sung that night; Glad tidings of great joy Proclaim again; Of peace upon the earth Good will to men.
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A Song of Canute (male voice choir and piano)
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Choral TTBB
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INTERMEDIATE
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Contemporary
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Alan Bullard
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A Song of Canute
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Colne Edition / BullardMusic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1050201 Composed by Alan Bullard. 20th Century,Classical. Octavo. 31 pages. Colne Edition / Bull...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1050201 Composed by Alan Bullard. 20th Century,Classical. Octavo. 31 pages. Colne Edition / BullardMusic #654578. Published by Colne Edition / BullardMusic (A0.1050201). These three dramatic but humorous episodes in the life of the great king, to texts by Thackeray and the composer, tell us first of all how the elderly King Canute was tiring of life as, no longer young, he even yawned while his favourite male voice choir was performing. The second movement tells of all the victories he had won - but, as the third movement tells us, there was one thing left to do - conquer the sea!  Sadly, however, the sea disobeyed his commands, and 'King Canute is dead and gone, but the legend still lives on'. The story is untrue, of course, but if it happened, though it probably didn't, it would have been in the vicinity of the Battle of Ashingdon, near to the town of South Woodham Ferrers, Essex, UK - where the songs were first performed by the South Woodham Ferrers Male Voice Choir. A specimen copy of the songs is available at www.alanbullard.co.uk Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
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