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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Maj
Not classified
1,652
Piano & keyboards
Piano solo
1,286
Piano, Voice
138
Organ
38
Piano, Vocal and Guitar
12
2 Pianos, 4 hands
7
Accordion
7
1 Piano, 4 hands
6
C Instruments
6
Piano Trio: piano, violin, cello
4
Piano Quintet: piano, 2 violins, viola, cello
3
Piano Quartet: piano, 2 violins, cello
2
Harpsichord
2
Accordion ensemble
1
Piano Accompaniment
1
Organ, Piano (duet)
1
Organ, Trumpet (duet)
1
+ 11 instrumentations
-
Retract
Guitars
Guitar
62
Guitar notes and tablatures
23
Ukulele
9
2 Guitars (duet)
5
Melody line, (Lyrics) and Chords
5
4 Guitars (Quartet)
2
Banjo
2
3 Guitars (trio)
2
Bass guitar
1
Mandolin, Piano (duet)
1
+ 5 instrumentations
-
Retract
Voice
Choral SATB
104
Choral TTBB
54
Choral 3-part
19
Soprano voice, Piano
3
High voice
3
Choral SSAA
3
Low voice, Piano
1
Soli, Mixted choir and accompaniment
1
Alto voice, Piano
1
Choral SSAATTBB
1
Vocal duet, Piano
1
Choral
1
Voice solo
1
+ 8 instrumentations
-
Retract
Woodwind
Flute
56
Clarinet
33
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
31
Flute and Piano
29
Clarinet Quartet: 4 clarinets
23
Saxophone
21
Saxophone Quartet: 4 saxophones
21
Clarinet and Piano
13
Oboe
12
Flute, Oboe, Clarinet, Bassoon
12
Recorder
11
2 Recorders (duet)
11
2 Saxophones (duet)
9
2 Clarinets (duet)
9
Harmonica
9
Clarinet Ensemble
9
3 Saxophones (trio)
8
Alto Saxophone
8
Saxophone (band part)
8
Oboe, Piano (duet)
8
Tenor Saxophone
7
Recorder, Piano
7
2 Flutes (duet)
7
Bass Clarinet, Piano
6
Soprano Saxophone and Piano
6
Tenor Saxophone and Piano
5
3 Clarinets (trio)
5
Alto Saxophone and Piano
4
2 Oboes (duet)
3
Oboe, Clarinet, Bassoon (trio)
3
Oboe (band part)
3
Flute, Orchestra
3
Clarinet, Violin (duet)
3
Flute, Clarinet and Bassoon.
3
Clarinet Quintet: 5 clarinets
3
Saxophone Quintet: 5 Saxophones
3
Flute Quartet: 4 flutes
3
Clarinet, Bassoon, Piano (trio)
3
Clarinet, Bassoon (duet)
2
English horn, Piano
2
Saxophone ensemble
2
Flute, Violin
2
Baritone Saxophone, Piano
2
Oboe, Guitar (duet)
1
2 Flutes, Basso continuo
1
Clarinet, Orchestra
1
Saxophone and Guitar
1
Treble (Alto) Recorder, Basso continuo
1
Flute, Oboe, Clarinet (trio)
1
Flute Trio: 3 flutes
1
Saxophone and cello
1
Flute, Oboe, Bassoon
1
Saxophone and Organ
1
Flute, Basso continuo
1
Clarinet Quintet: Clarinet, String Quartet
1
2 Flutes, Piano
1
Flute, Clarinet (duet)
1
Flute and Guitar
1
3 Oboes
1
Oboe, Clarinet (duet)
1
+ 55 instrumentations
-
Retract
Woodbrass
Trumpet
47
Brass Quintet: 2 trumpets, horn, trombone, tuba
37
French horn
30
Trombone and Piano
25
Trombone ensemble
18
Brass quartet : 2 trumpets, trombone, tuba
16
French Horn and Piano
15
Trombone
12
Brass Quartet: 4 trombones
12
Euphonium, Piano (duet)
11
Trumpet, Piano
9
Tuba and Piano
8
Brass Quartet
7
Tuba
7
Brass Quartet: 2 trumpets, horn, trombone
4
Bass Trombone and Piano
4
3 Trombones (trio)
4
2 Trombones (duet)
3
3 Euphoniums
3
2 Trumpets (duet)
3
Horn Ensemble
2
Euphonium
2
2 Trumpets, Keyboard (piano or organ)
2
Trumpet (band part)
2
2 French horns (duet)
2
English horn, Piano
2
Trombone and Orchestra
2
Brass Quartet: 4 trumpets
2
Brass Quartet: 4 horns
1
2 Euphoniums and 2 Tubas
1
Trumpet, Trombone, Piano
1
+ 26 instrumentations
-
Retract
Strings
Violin
173
String Quartet: 2 violins, viola, cello
106
Cello
79
Violin and Piano
67
Violin, Cello (duet)
57
Viola
50
String Trio: violin, viola, cello
37
Cello, Piano
34
Harp
14
Double Bass
10
2 Violins (duet)
9
Violin, Guitar (duet)
8
Viola, Piano
8
Cello, Guitar (duet)
7
Violin, Viola (duet)
6
2 Cellos (duet)
6
Violin (band part)
5
Double bass, Piano (duet)
4
Harp, Violin (duet)
4
4 Cellos
4
Viola (band part)
4
String Trio: 3 cellos
4
Viola, Cello (duet)
3
Harp, Violin, Violoncello
2
Cello (band part)
2
String Trio: 2 violins, cello
2
String quartet: 4 violins
2
2 Violas (duet)
2
Viola and orchestra
1
Harp, Flute (duet)
1
Cello, Orchestra
1
Cello, String Bass (duet)
1
String Quintet: 2 violins, viola, cello, bass
1
String Quartet : 4 violas
1
String Trio: 3 violas
1
String Trio: 3 violins
1
Piano Trio: Violin, Viola, Piano
1
Violoncello, Basso continuo
1
+ 33 instrumentations
-
Retract
Orchestra & Percussion
Orchestra
147
String Orchestra
53
Chamber Orchestra
43
Concert band
34
Brass ensemble
18
Jazz Ensemble
12
Percussion Ensemble
6
Handbells
2
Marimba
2
Jazz combo
1
Piano and Orchestra
1
Percussion
1
+ 7 instrumentations
-
Retract
Others
Instruments
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DOBRO - GUI…
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DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
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VIBRAPHONE
VIELLE A RO…
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VIOLA DA GA…
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Percussion Ensemble
Sheetmusic to print
6 sheet music found
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1
Germain, An Opera in 4 Acts, INSTRUMENT PARTS 2 (STRINGS, HARP, TIMPANI and PERCUSSION)
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Percussion Ensemble
#
ADVANCED
#
James Nathaniel Holland
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Germain, An Opera in 4 Acts, I
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James Nathaniel Holland
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.730497 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 36...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.730497 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 368 pages. James Nathaniel Holland #5021025. Published by James Nathaniel Holland (A0.730497). INDIVIDUAL INSTRUMENT PARTS 2 (2 of 2) STRINGS, HARP, TIMPANI, PERCUSSIONFull Orchestral Score (Concert Pitch), Vocal Score, Instrument Parts 1 (Woodwinds and Brass) all sold separatelyINDIVIDUAL INSTRUMENT PARTS 2 (2 of 2) STRINGS, HARP, TIMPANI, AND PERCUSSION Full Orchestral Score (Concert Pitch), Vocal Score, Instrument Parts 2 (Strings, Harp, and Percussion)OPERA SYNOPSIS:A mythical country, somewhere lost in time and space; two factions, the minority have and the majority have-not’s, are in constant violent conflict to rule the country. Germain, a young man with mysterious origins, and for neither side,by fate meets the the prime minister and hopes for personal love. But this is not to be a happy ending. The leader of the have-not’s takes this perfect opportunity to assassinate the PM.When the attempt fails, the blame falls on Germain and leads him to his imprisonment and eventual death.GERMAIN, A Dreamer (Lyric Baritone)CHERYL, A tavern owner and girlfriend to Talleyrand (Soprano, Coloratura)TALLEYRAND, Minister of District Thirteen, Secret leader of the Dissidents (Bass)ALEXANDER, The newly elected Prime Minister of Timbaksha (Tenor)TAMINA, Alexander’s wife (Soprano)NADINE, Minister of District Five (Alto)URCHIN, A Young Teen (Male or Female Voice)WALLACE, Minister of District Nine (Baritone)OFFICER (Baritone)CHORUS: DISSIDENT, GUESTS, SERVANTS, CROWD, OFFICERSComplete Instrumentation: picc, fl12, ob, eh, cl12, tensax, bsn, hrn12, tpt12, trm12, tba, timpani, perc, hrp, strgs
$75.95
Concerto a Capriccio (Concerto on a Lark) for Piano and Orchestra (Complete Full Score and Instrume
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Percussion Ensemble
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ADVANCED
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Contemporary
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Richard St
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Concerto a Capriccio
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Richard St. Clair
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.939795 Composed by Richard St. Clair. 20th Century. Score and parts. 231 pages. Richard St. Clai...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.939795 Composed by Richard St. Clair. 20th Century. Score and parts. 231 pages. Richard St. Clair #3896021. Published by Richard St. Clair (A0.939795). This 15-minute light-hearted piano concerto for full-size symphony orchestra was composed in sketch form in 1970 and the orchestration was finalized in 2018. Listeners will undoubtedly hear references to the neoclassical music of the earlier part of the 20th century, which was a major influence on the composer in the late 1960s and early 1970s. The full score and complete parts are for sale all contained on the provided PDF file, and a Finale-generated MP3 sound clip is provided here.
$60.00
A Minor Op. 3 No. 1
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Percussion Ensemble
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ADVANCED
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Davide Carnevale
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A Minor Op. 3 No. 1
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Davide Carnevale
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1025328 Composed by Davide Carnevale. 20th Century,Classical,Instructional,Standards. Score and ...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1025328 Composed by Davide Carnevale. 20th Century,Classical,Instructional,Standards. Score and parts. 9 pages. Davide Carnevale #4628151. Published by Davide Carnevale (A0.1025328). This is a trio with a glockenspiel and flute accompanying the piano. The piece is in A minor, but modulates to A major towards the middle of the piece in the piano solo, then returns to A minor for the end.
$6.50
One Hour to Madness
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Percussion Ensemble
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ADVANCED
#
Contemporary
#
Dan Heslink
#
#
One Hour to Madness
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Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Published by Pharaoh Publications (A0.935385). One Hour to Madness for percussion septet. by Dan Heslink From its opening motto to its bold closing summation, One Hour to Madness explores a high degree of musical energy. The title is loosely inspired by Walt Whitman’s marvelous poem, One Hour to Madness and Joy (Leaves of Grass). The music presents a dark and exciting expression couched in pervasive contrapuntal development. A high degree of dissonance is contrasted with the second theme’s clear Bb major tonality. The work’s contrapuntal nature is distilled into a fugato in the second half. Predominantly a mallet ensemble composition, scoring is for orchestra bells (2 mallets), xylophone (2 mallets), vibraphone (4 mallets), 3 marimbas (each with 2 mallets) and timpani. The timpani part is best performed on the standard set of 4 drums (23-24, 25-26, 28-29, 32-30). The marimba 1 part requires the standard range of 3 ½ or 4 octaves; the marimba 2 part can be executed on the standard 4-octave instrument by omitting a few octave doublings, or on a 5-octave instrument if one is available; marimba 3 requires a 5-octave instrument. The composer assigns a difficulty level of advanced. It will serve any concert or recital very well. Audiences and performers alike will enjoy the flashy passage work and musical impetus afforded by One Hour to Madness. Duration is 3:41. The composer, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
Four Forces (First movement) I. Strong Forces
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Percussion Ensemble
#
ADVANCED
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Percussion Ensemble
#
ADVANCED
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
(+)
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
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