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It Don
Not classified
2,580
Piano & keyboards
Piano solo
1,290
Piano, Voice
1,069
Piano, Vocal and Guitar
640
Easy Piano
396
C Instruments
208
Organ
81
Piano Accompaniment
44
1 Piano, 4 hands
42
2 Pianos, 4 hands
37
Piano (band part)
33
Piano Trio: piano, violin, cello
24
Accordion
13
Harpsichord
12
Piano Quartet: piano, violin, viola, cello
7
Piano Quintet: piano, 2 violins, viola, cello
4
Big Note Piano
4
Organ, Piano (duet)
2
2 Pianos, 8 hands
2
Piano Quartet: piano, 2 violins, cello
2
1 Piano, 6 hands
1
Organ, Trumpet (duet)
1
+ 16 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
177
Guitar
143
Melody line, (Lyrics) and Chords
94
Guitar (band part)
81
Ukulele
60
Bass guitar
46
Lyrics and Chords
43
2 Guitars (duet)
12
Dulcimer
12
Mandolin
7
Piano, Guitar (duet)
6
Banjo
5
Mandolin, Guitar (duet)
4
2 Ukuleles
3
4 Guitars (Quartet)
3
2 Dulcimers (duet)
2
Baritone Ukulele
2
3 Guitars (trio)
1
Guitar, Orchestra
1
Guitar, Violin, Cello (trio)
1
Mandolin, Piano (duet)
1
Guitar Ensemble
1
+ 17 instrumentations
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Retract
Voice
Choral SATB
678
Choral 3-part
209
Choral TTBB
153
Choral 2-part
141
Choral SSAA
119
Choral Unison
47
Voice solo
19
Choral Instrumental Pak
14
Vocal duet, Piano
13
High voice
13
Vocal duet
10
Soprano voice, Piano
9
Choral
6
Tenor voice, Piano
4
Alto voice, Piano
4
Baritone voice, Piano
4
Low voice, Piano
4
Choral SSAATTBB
3
Medium voice, Piano
3
Mezzo-Soprano voice, Piano
1
Choral SSAB, Piano
1
+ 16 instrumentations
-
Retract
Woodwind
Saxophone (band part)
259
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
228
Saxophone Quartet: 4 saxophones
222
Flute and Piano
203
2 Saxophones (duet)
193
Saxophone Quintet: 5 Saxophones
161
Clarinet and Piano
160
Flute, Oboe, Clarinet, Bassoon
156
Flute
139
Alto Saxophone and Piano
130
Clarinet
124
Oboe, Piano (duet)
114
Alto Saxophone
110
Tenor Saxophone and Piano
108
2 Clarinets (duet)
84
Soprano Saxophone and Piano
82
2 Flutes (duet)
80
Tenor Saxophone
79
Clarinet Quartet: 4 clarinets
73
Saxophone ensemble
70
Baritone Saxophone, Piano
61
Oboe (band part)
61
Clarinet Ensemble
56
Saxophone
47
Flute Quartet: 4 flutes
45
2 Oboes (duet)
44
3 Saxophones (trio)
40
Clarinet Quintet: 5 clarinets
38
2 Recorders (duet)
36
Clarinet (band part)
36
English horn, Piano
33
Flute (band part)
31
3 Clarinets (trio)
29
Flute ensemble
28
Descant (Soprano) Recorder
28
Flute, Clarinet (duet)
27
Oboe
27
Baritone Saxophone
22
Soprano Saxophone
21
Flute Trio: 3 flutes
20
Flute Quintet : 5 flutes
17
Recorder
17
Recorder Quartet
15
Bass Clarinet, Piano
14
Flute and Guitar
13
Clarinet, Bassoon (duet)
12
Flute, Clarinet and Bassoon.
10
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10
Flute, Oboe (duet)
10
Piccolo
9
Treble (Alto) Recorder, Piano
9
Oboe, Bassoon (duet)
9
Recorder Ensemble
9
English Horn
8
Treble (Alto) Recorder
8
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8
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5 Recorders
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7
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7
Flute, Violin
6
3 Recorders (trio)
5
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5
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4
Recorder, Piano
4
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4
Descent (Soprano) Recorder, Piano
3
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3
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2
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2
4 Oboes
2
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2
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2
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2
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2
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2
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2
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2
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2
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2
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2
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2
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1
Harmonica
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1
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1
2 Saxophones, Piano
1
Pennywhistle
1
Clarinet, Trumpet (duet)
1
Oboe, Cello
1
Flute, Saxophone (duet)
1
Clarinet and Viola
1
2 Flutes, Piano
1
Clarinet, Harp (duet)
1
Flute, Cello, Guitar
1
Oboe, Flute
1
Oboe, Clarinet, Bassoon (trio)
1
Saxophone, Tuba (duet)
1
+ 96 instrumentations
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332
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218
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188
Trumpet (band part)
171
Trumpet
155
Brass quartet : 2 trumpets, trombone, tuba
138
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131
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125
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103
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99
French horn
82
Tuba
77
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69
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62
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59
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59
2 Trombones (duet)
56
2 French horns (duet)
48
Euphonium, Piano (duet)
41
Brass Quartet
39
French horn (band part)
35
English horn, Piano
33
Tuba (band part)
31
2 Tubas (duet)
22
Brass Quartet: 4 horns
18
Trumpet, Trombone (duet)
17
Trumpet, Horn (duert)
13
Brass Quartet: 4 trumpets
12
Trumpet ensemble
12
2 Euphoniums and 2 Tubas
11
3 Trombones (trio)
10
Bass Trombone
10
4 Tubas
9
English Horn
8
Euphonium
7
Bass Trombone and Piano
6
Brass Trio
5
Trombone, Tuba (duet)
5
Horn Ensemble
5
Trombone, Horn (duet)
4
Bass Clef Instruments
4
Trumpet, Saxophone (duet)
4
3 Trumpets (trio)
4
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Tuba and Organ
2
Trombone, Organ
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Trumpet, Tuba (duet)
2
Horn, Tuba (duet)
2
English Horn, Guitar (duet)
2
3 Tubas (trio)
2
2 Euphoniums (duet)
1
Brass Quartet: 2 trumpets, 2 trombones
1
Trombone, Violin (duet)
1
Trumpet, Harp
1
3 Euphoniums
1
Horn and Organ
1
3 French horns (trio)
1
French Horn and Harp
1
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
1
2 Trumpets, Keyboard (piano or organ)
1
Tuba ensemble
1
Euphonium, Tuba (duet)
1
+ 57 instrumentations
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Strings
String Quartet: 2 violins, viola, cello
472
Violin
177
Violin and Piano
172
Cello, Piano
148
Cello
134
Viola, Piano
112
2 Violins (duet)
83
Viola
80
String Trio: violin, viola, cello
70
String Quintet: 2 violins, viola, cello, bass
68
Violin, Cello (duet)
65
Doublebass (band part)
60
2 Cellos (duet)
56
Double bass, Piano (duet)
55
Double Bass
50
2 Violas (duet)
49
Harp
41
Violin, Viola (duet)
40
Violin (band part)
30
Viola (band part)
28
String Trio: 2 violins, cello
21
2 Double basses (duet)
16
Harp, Flute (duet)
14
Viola, Cello (duet)
14
4 Cellos
13
String quartet: 4 violins
10
Cello, String Bass (duet)
10
String Quartet : 4 violas
9
String Trio: 3 violins
9
String Trio: 3 cellos
8
String Trio: 3 violas
7
2 Harps (duet)
7
Violin ensemble
6
Piano Trio: Violin, Viola, Piano
6
Viola ensemble
6
Cello (band part)
5
Violin, Guitar (duet)
4
Harp, Violin (duet)
4
String Quintet: 2 violins, 2 violas, cello
4
Cello, Guitar (duet)
3
Cello Ensemble
3
String Trio: 2 violins, viola
3
Harp (band part)
2
Harp, Voice
2
Viola and Bassoon
2
4 Double Basses
2
Harp and Piano
2
4 Harps
2
Viola and Harp
2
Violin, Organ
1
Harp, Cello (duet)
1
String trio
1
Cello, Orchestra
1
2 Violins, Piano
1
Harp, Trombone (duet)
1
Violin, Bassoon (duet)
1
Harp and mandolin
1
+ 52 instrumentations
-
Retract
Orchestra & Percussion
Concert band
769
Jazz combo
334
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283
Orchestra
253
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177
String Orchestra
140
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63
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53
Marching band
53
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39
Drums
26
Percussion (band part)
18
Percussion Ensemble
16
Vibraphone
5
Xylophone
3
Marimba
3
Xylophone, Piano
1
Orchestra, Violin
1
Percussion
1
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Percussion Ensemble
Sheetmusic to print
16 sheet music found
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1
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Percussion Ensemble
#
INTERMEDIATE
#
Instructional
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673....
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Don't Worry, Be Happy
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Percussion Ensemble
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INTERMEDIATE
#
Jazz
#
Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
#
Ricardo Matosinhos
#
SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and par...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
DON´T FEAR THE PIEPER / MORE COWBELL (Don´t Fear The Reaper)
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Percussion Ensemble
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INTERMEDIATE
#
Contemporary
#
Timm Pieper
#
DON´T FEAR THE PIEPER / MORE
#
marchingmusic.de
#
SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.859997 Composed by Timm Pieper. Contemporary. Score and parts. 12 pages. Marchingmusic.de #62957...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.859997 Composed by Timm Pieper. Contemporary. Score and parts. 12 pages. Marchingmusic.de #6295721. Published by marchingmusic.de (A0.859997). This cowbell extravaganza is based on „Don‘t Fear The Reaper as performed by Blue Öyster Cult / written by Buck Dharma Arrangement & add. Compositions by Timm PieperPlayable with 7-22 Players (or even more).The Sheet music comes with detailed information and tipps about cowbell choice, movements and playing techniques (in english). It also contains information about possible numbers of players and how to split the parts.Score, Set of Parts and Performance Video are included.
$29.95
Don't You Want Me
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Percussion Ensemble
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BEGINNER
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Film/TV
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The Human League
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Stephen Lawhorne
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Don't You Want Me
#
StevoPanMan
#
SheetMusicPlus
Percussion Ensemble - Level 1 - Digital Download SKU: A0.1016555 By The Human League. By Adrian Wright, Jo Callis, and Phil Oakey. Arranged by Stephen La...
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.1016555 By The Human League. By Adrian Wright, Jo Callis, and Phil Oakey. Arranged by Stephen Lawhorne. Film/TV. Score and parts. 31 pages. StevoPanMan #5803329. Published by StevoPanMan (A0.1016555). Your audiences will LOVE this classic 80's throwback! The original groove and flavor is maintained, while using soca and reverse soca beats to give it a Caribbean flair. Arranged for: Lead, Doubles, Guitar/Cello, Bass Pans, Electric Bass and Drum Set. One additional part included: TAB electric bass.
$25.00
Confused - Snare Drum - Percussion
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Percussion Ensemble
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EASY
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Contemporary
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Adrian Esmerio
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Confused - Snare Drum - Percus
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Adrian Esmerio
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.1031402 Composed by Adrian Esmerio. Contemporary. Score and parts. 1 pages. Adrian Esmerio #3257...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.1031402 Composed by Adrian Esmerio. Contemporary. Score and parts. 1 pages. Adrian Esmerio #3257905. Published by Adrian Esmerio (A0.1031402). 1 - Easy to learn sheet music. Learn and Challenge your friends!2 - Drum to Music. Drum to your favorite song while trying to enjoy both3 - Perform it. Don't let any note fall out of place, keep it in the pocket4 - Change it up, Suite your needs. This is just a guideline, add your own personality
$2.33
Dance of the Wind-Up Toys - Percussion Part
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Percussion Ensemble
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INTERMEDIATE
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Contemporary
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James Siddons
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Dance of the Wind-Up Toys - Pe
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James Siddons Music and Writings
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.972637 Composed by James Siddons. 20th Century,Contemporary. Score and parts. 4 pages. James Sid...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.972637 Composed by James Siddons. 20th Century,Contemporary. Score and parts. 4 pages. James Siddons Music and Writings #3025021. Published by James Siddons Music and Writings (A0.972637). This is the percussion part for Dance of the Wind-Up Toys by James Siddons. It shows the hi-hat, cymbal, and snare drum. This part may be played by one, two, or three percussionists, and is to be used in conjunction with the full score, for clarinet, cello, mime or dancer(s), and this percussion part. For full score, see SMP item number SO 200939.
$2.00
Dance of the Wind-Up Toys
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Contemporary
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James Siddons
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Dance of the Wind-Up Toys
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James Siddons Music and Writings
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.972638 Composed by James Siddons. 20th Century,Concert,Contemporary. Score and parts. 14 pages. ...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.972638 Composed by James Siddons. 20th Century,Concert,Contemporary. Score and parts. 14 pages. James Siddons Music and Writings #3025013. Published by James Siddons Music and Writings (A0.972638). Dance of the Wind-Up Toys is for one clarinet in Bb, one cello, percussionist(s), and mime dancer(s). This work may be performed by instruments only; the percussion part being performed by one, two, or three performers.If a mime performer, or one or more dancers, also perform, the instrumental ensemble must be on the stage with them. The mime or dancer(s) enter the stage at measure 20 and either 1) perform until the end (m. 91), or 2) perform from m. 20 to m. 41, then leave the stage, and then return at m. 67. Costumes: the instrumentalists may be in costume as well as the performers, if desired. See the title page for suggestions. This piece is meant to be energetic, theatrical, and fun to perform as well as to watch.Program Note Dance of the Wind-Up Toys was composed in April-May 1968, when composer James Siddons was 19 years old. It was inspired by mime performers as well as the mechanical toys common in the early twentieth century.
$10.00
What Universe Lies Within
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Brandon Nelson
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What Universe Lies Within
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Brandon Nelson
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelso...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelson #2907437. Published by Brandon Nelson (A0.912929). For percussion duo. Required instruments: bells, vibraphone, xylophone, temple blocks, suspended cymbals (3 sizes). General programming. Advanced Intermediate level.Commissioned by Chris Nadeau for CAn-Duo. Premiered at Colorado State University, October 16, 2016.It is common knowledge that the universe we see is composed of tiny particles known as atoms. For much of scientific history, it was thought that atoms were made up of three indivisible particles: protons, neutrons, and electrons.Thanks to contemporary advances in physics, we now know that these particles are, in fact, made up of much smaller particles and that these constituents sometimes behave in ways that confound what we thought we knew of the physical universe.In this piece, I have portrayed one type of these subatomic particles, the quark. There are six types (or flavors) of quark: up, down, charm, strange, top, and bottom. These are differentiated by the type of charge they carry and their masses.The first movement is Strange Quark. This flavor has a negative charge and is relatively light. Much like the particle, this movement often behaves in unusual ways.Top Quark, the second movement, portrays the quark flavor that is by far the heaviest. Slow and massive, this particle allowed for the study of the famous Higgs boson.The final movement, Up Quark, is light and decays quickly, much like this particle that contributes to both protons and neutrons.The universe is indeed a wonder to behold and its scale is hardly comprehensible to the human mind. And yet, it is becoming increasingly apparent that there exists an entire universe yet to uncover in the most infinitesimal pieces of matter. It is my hope that the wonder and mystery this inspires be conveyed through this piece of music.
$9.99
Gravity for Septet
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Percussion Ensemble
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ADVANCED
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Contemporary
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. ...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
'Round About
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Don Wilkins
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'Round About
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Noddington Music - ASCAP
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.987520 Composed by Don Wilkins. 20th Century,Standards. Score and parts. 6 pages. Noddington Mus...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.987520 Composed by Don Wilkins. 20th Century,Standards. Score and parts. 6 pages. Noddington Music - ASCAP #883. Published by Noddington Music - ASCAP (A0.987520). 'Round About is a short, showcase for Brass Quintet with optional Timpani and Percussion. It contains soloistic interplay for each Brass player, inter-mixed with precision ensemble passages. Designed with percussion support, it presents equally well as a brass quintet. While moderately demanding, and a bit unconventional, this piece is a crowd pleaser with a dynamic finish.
$9.95
Four Forces (First movement) I. Strong Forces
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Percussion Ensemble
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ADVANCED
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Percussion Ensemble
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ADVANCED
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Four Minutes - Four Daydreams
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Percussion Ensemble
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EASY
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Contemporary
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Paul Burnell
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Four Minutes - Four Daydreams
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Paul Burnell
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.835744 Composed by Paul Burnell. 20th Century,Contemporary. Score and parts. 3 pages. Paul Burne...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.835744 Composed by Paul Burnell. 20th Century,Contemporary. Score and parts. 3 pages. Paul Burnell #548979. Published by Paul Burnell (A0.835744). Composed 2000. Duration: 4:00. For ensemble with instruments in C, Bb, F Eb, voices and percussion as directed in the score. The music is presented as a performing score. Where no clef is given, play with as if with a clef as directed in the score text (see Minute two). Transposing instruments play as written and do not transpose. It is allowed, however, for special transposed parts to be created in order to ensure an even distribution of the intended chordal harmony where this would otherwise be missing. There should be a few seconds silence between each of the four sections. During Minute one players other than the soloist strum their fingers rapidly on the body of their instruments, chairs etc., very quietly - producing an almost imperceptible dull sound (not 'tinny' or 'bright'). Programme Note: 'Four Minutes - Four Daydreams' was composed by Paul Burnell in 2000. It was first performed by the London CoMA Ensemble, conductor Simon Foxley, at Morley College, London on the 29th October 2000. The piece has four distinct sections, each 1 minute long. Like an extended daydream each section is progressively more developed. The piece was included on the 2013 album 'Cabbage Heads'.
$1.99
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Percussion Ensemble
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ADVANCED
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages....
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Einmal möcht' Ich so verliebt sein (from Beautiful Galathea)
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Percussion Ensemble
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Franz von Suppe
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Flávio Régis Cunha
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Einmal möcht' Ich so verliebt
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Flavio Regis Cunha
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SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.597222 Composed by Franz von Suppe. Arranged by Flávio Régis Cunha. Concert,Opera,Romantic Period,St...
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Percussion Ensemble - Digital Download SKU: A0.597222 Composed by Franz von Suppe. Arranged by Flávio Régis Cunha. Concert,Opera,Romantic Period,Standards. Score and parts. 16 pages. Flavio Regis Cunha #4593577. Published by Flavio Regis Cunha (A0.597222). Die schöne Galathée (The Beautiful Galatea) is an operetta in two acts by Franz von Suppé to a German libretto by the composer and 'Poly Henrion' (the pseudonym of Leonhard Kohl von Kohlenegg). This arrangement of Einmal möcht' Ich so verliebt sein (one aria of the operetta) for orchestra and soprano voice is a very good Encore or an orchestral piece for your repertoire.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunhaIn the early 1860s, French operettas by Jacques Offenbach were first presented in Vienna. Franz von Suppé was obliged to compete with them by taking the time-honored traditions of Vienna and combining it with the new style of Offenbach. Die schöne Galathée was Franz von Suppé's first critical success. The sculptor Pygmalion has fallen madly in love with his statue of Galathée and accordingly does not want to sell it to Mydas, a patron of the arts. Instead he prays to Venus, the goddess of the love, that the statue be brought to life. The wish is granted but Galathée turns out to be a very independent-minded creature. She is unfaithful to Pygmalion with his servant Ganymed (because he is much more pleasing to her than Pygmalion) and does not reject Mydas, who offers her jewelry. When Pygmalion catches Galathée in a compromising situation, he successfully implores Venus to turn her back into stone. The jewelry offered by Mydas is also turned into stone, but the whole statue is sold to him.
$20.00
Asian Symmetries
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Percussion Ensemble
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INTERMEDIATE
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Dan Heslink
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Asian Symmetries
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publicati...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Published by Pharaoh Publications (A0.935379). Asian Symmetries by Dan Heslink Asian Symmetries is a fanciful work which draws loosely from the musical procedures and sonic preferences of Indonesian and other Asian musical styles. It is scored for three percussionists, each with their own battery of instruments. Gamelan-like impressions might be inferred from the cyclical nature of its rhythm, using metal plates like cymbals and gongs to mark large units of rhythmic time. Also evocative are the faster moving elaborations and a preponderance of metallophones in the instrumentation. The work is medium to difficult in its demands. There are quick changes of instrument, planned to be manageable but requiring some attention to logistics Each player’s performance station must remain stationary, with all instruments in reach without moving the performer’s position. Percussion I and Percussion III players must set up next to each other so that they may share the tenor drum. A selection of mallets that allows different striking surfaces to sound good without undue picking up and setting down of mallets is suggested. Changes of meter and tempo occur, and an odd meter section sporting measures in 12/8, 6/8, 11/8 may require some additional attention. The instrumentation is selected to approximate Asian sounds with common western instruments. Performance time is 6:28. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$4.99
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