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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
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MUSIC COURSE
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OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
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SYNTHESIZER K…
TROMBONE
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UKULELE
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VIOLIN - FIDDL…
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Practice
Not classified
1,787
Piano & keyboards
Piano solo
1,921
Easy Piano
1,114
C Instruments
285
Piano, Voice
152
1 Piano, 4 hands
111
Piano, Vocal and Guitar
76
Organ
42
Piano Accompaniment
36
Piano Trio: piano, violin, cello
11
2 Pianos, 4 hands
7
Piano Quintet: piano, 2 violins, viola, cello
3
Accordion
3
Piano Quartet: piano, violin, viola, cello
2
Harpsichord
1
Piano (band part)
1
Piano Quartet: piano, 2 violins, cello
1
+ 11 instrumentations
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Retract
Guitars
Bass guitar
245
Guitar
125
Guitar notes and tablatures
91
Ukulele
29
Melody line, (Lyrics) and Chords
19
2 Guitars (duet)
14
Mandolin
12
Banjo
9
Piano, Guitar (duet)
8
Dulcimer
5
2 Ukuleles
5
3 Guitars (trio)
3
Guitar (band part)
2
4 Guitars (Quartet)
2
Lyrics and Chords
1
Guitar, Violin, Cello (trio)
1
+ 11 instrumentations
-
Retract
Voice
Choral SATB
218
Choral Unison
74
Choral 3-part
45
Choral TTBB
43
Soprano voice, Piano
32
Choral 2-part
29
Alto voice, Piano
28
Tenor voice, Piano
28
Baritone voice, Piano
27
Choral SSAA
17
Voice solo
6
Voix Masculines
5
Vocal duet, Piano
2
Tenor voice
1
Choral SSAB, Piano
1
Choral SSAATTBB
1
Medium voice, Piano
1
+ 12 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
184
Clarinet
174
Alto Saxophone and Piano
146
Flute
135
Oboe, Piano (duet)
131
Saxophone Quartet: 4 saxophones
122
Flute and Piano
117
Clarinet and Piano
114
Alto Saxophone
101
2 Flutes (duet)
92
Flute, Oboe, Clarinet, Bassoon
85
Saxophone Quintet: 5 Saxophones
78
Tenor Saxophone and Piano
69
Tenor Saxophone
68
2 Clarinets (duet)
61
Soprano Saxophone and Piano
59
Saxophone (band part)
58
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
57
Baritone Saxophone, Piano
47
Oboe (band part)
46
Oboe
38
2 Oboes (duet)
37
2 Recorders (duet)
36
3 Saxophones (trio)
35
Clarinet Quartet: 4 clarinets
35
Soprano Saxophone
31
Descant (Soprano) Recorder
26
Saxophone ensemble
25
3 Clarinets (trio)
25
Flute Quartet: 4 flutes
25
Baritone Saxophone
24
Treble (Alto) Recorder
20
Flute Trio: 3 flutes
19
Flute, Clarinet (duet)
19
Recorder
15
English Horn
14
Clarinet, Bassoon (duet)
14
English horn, Piano
14
Clarinet Ensemble
12
Oboe, Clarinet, Bassoon (trio)
12
Flute, Trombone (duet)
12
3 Recorders (trio)
11
Tenor Recorder
11
Flute, Violoncello
11
Oboe, Bassoon (duet)
10
Flute, Violin
8
Flute Quintet : 5 flutes
8
Clarinet Quintet: 5 clarinets
7
Flute, Oboe (duet)
7
Flute, Viola (duet)
7
Flute, Oboe, Clarinet (trio)
6
Clarinet (band part)
6
Oboe, Clarinet (duet)
6
Oboe, Cello
6
Recorder Quartet
6
5 Recorders
6
Oboe, Flute
6
Bass Clarinet, Piano
5
Flute ensemble
5
Recorder Ensemble
4
Flute, Violin, Piano
4
Clarinet, Violin (duet)
4
Flute, Clarinet and Bassoon.
3
Clarinet and Viola
3
Saxophone
3
Harmonica
2
2 English horns and Pianoforte
2
Bagpipe
2
Oboe, Violin (duet)
2
4 Oboes
2
Flute, Oboe, Bassoon
2
Flute and Strings Trio
2
Clarinet, Trombone (duet)
2
Recorder, Piano
2
Bass Clarinet
2
Treble (Alto) Recorder, Piano
2
Pennywhistle
2
Flute and Guitar
2
Clarinet, Cello (duet)
2
Eb Instruments
2
Oboe, Cello and Piano
1
Descent (Soprano) Recorder, Piano
1
English horn, Harp (duet)
1
Clarinet, Bassoon, Piano (trio)
1
Flute, Tuba (duet)
1
Flute, Bassoon, and Piano
1
Clarinette, Viola and Piano (trio)
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
Oboe and viola (duet)
1
3 Oboes
1
Flute, Clarinet, Piano (trio)
1
Flute (band part)
1
Clarinet, Cello, Piano (trio)
1
Oboe, Violin, Piano
1
Flute, Violin and Violoncello
1
Flute, Cello, Piano (trio)
1
Oboe, Clarinet and Piano (Trio)
1
Oboe, Bassoon and Piano
1
+ 93 instrumentations
-
Retract
Woodbrass
Trumpet
184
Trombone
117
French horn
94
Trumpet, Piano
86
Tuba
83
French Horn and Piano
82
Trombone and Piano
79
Brass Quintet: 2 trumpets, horn, trombone, tuba
75
Tuba and Piano
65
2 Trombones (duet)
52
2 Trumpets (duet)
46
2 French horns (duet)
45
Brass quartet : 2 trumpets, trombone, tuba
37
Brass Quartet: 2 trumpets, horn, trombone
33
Trumpet, Trombone (duet)
25
2 Tubas (duet)
22
Brass Quartet
18
English Horn
14
English horn, Piano
14
Trumpet (band part)
14
Brass Quartet: 4 trombones
11
Euphonium
11
Trumpet ensemble
10
Horn Ensemble
9
Trumpet, Horn (duert)
9
Brass Quartet: 4 trumpets
7
Trombone (band part)
6
Trombone, Horn (duet)
5
Brass Trio
5
Euphonium, Piano (duet)
5
4 Tubas
5
Trumpet, Tuba (duet)
4
Brass Quartet: 4 horns
4
Trombone, Tuba (duet)
4
Trombone ensemble
4
Bass Trombone
4
Euphonium, Tuba (duet)
3
3 Tubas (trio)
3
Tuba and Organ
3
3 Trombones (trio)
3
Bass Clef Instruments
3
French horn (band part)
2
Bb Instruments
2
2 English horns and Pianoforte
2
Trumpet, Cello (duet)
2
Trombone, Viola (duet)
1
English horn, Harp (duet)
1
Brass Quintet: 2 trumpets, horn, 2 trombones
1
Trumpet, Trombone, Piano
1
Horn, Tuba (duet)
1
Tuba (band part)
1
3 Trumpets (trio)
1
3 French horns (trio)
1
4 Euphoniums
1
+ 49 instrumentations
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Retract
Strings
Violin
302
String Quartet: 2 violins, viola, cello
296
Violin and Piano
208
Violin, Cello (duet)
189
String Trio: violin, viola, cello
151
Cello
143
Cello, Piano
141
2 Harps (duet)
118
Viola
109
Viola, Piano
97
Harp
77
2 Violins (duet)
69
Double Bass
63
2 Cellos (duet)
58
String Quintet: 2 violins, viola, cello, bass
54
2 Violas (duet)
53
Violin, Viola (duet)
47
Double bass, Piano (duet)
45
Viola (band part)
28
2 Double basses (duet)
21
Viola, Cello (duet)
20
Violin, Bassoon (duet)
16
String Trio: 3 cellos
15
Violin (band part)
15
4 Cellos
10
String Trio: 2 violins, cello
9
String Trio: 3 violins
9
String Trio: 3 violas
9
String Quartet : 4 violas
8
Doublebass (band part)
7
Cello, String Bass (duet)
6
String quartet: 4 violins
6
Piano Trio: Violin, Viola, Piano
5
String Quintet: 2 violins, 2 violas, cello
5
String Trio: 2 violins, viola
5
Harp, Flute (duet)
4
String Quintet: 2 violins, viola, 2 cellos
4
Cello (band part)
3
4 Double Basses
3
Violin, Guitar (duet)
2
Violin, Clarinet, Piano (trio)
1
Violin, Tuba (duet)
1
Viola, Guitar (duet)
1
Viola and Bassoon
1
Harp and mandolin
1
Violin ensemble
1
Autoharp
1
2 Violins, Piano
1
4 Harps
1
+ 44 instrumentations
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Retract
Orchestra & Percussion
String Orchestra
171
Concert band
126
Drums
61
Orchestra
30
Brass ensemble
29
Handbells
22
Marching band
21
Jazz Ensemble
19
Chamber Orchestra
12
Percussion Ensemble
9
Vibraphone
7
Jazz combo
7
Marimba
3
Snare drums
2
Drum (band part)
1
Flexible Instrumentation
1
Percussion
1
Percussion (band part)
1
Xylophone, Piano
1
Xylophone
1
2 Marimbas
1
+ 16 instrumentations
-
Retract
Others
Musical course - Solfege
1
Music Theory
1
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Percussion Ensemble
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9 sheet music found
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1
Swingin' Silent Night - for Percussion Ensemble
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Percussion Ensemble
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Christmas
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Franz Xaver Gruber
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Patrick Glenn Harper
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Swingin' Silent Night - for Pe
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Patrick Glenn Harper
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SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.751194 Composed by Franz Xaver Gruber. Arranged by Patrick Glenn Harper. Christian,Christmas,Jazz,Sacred. ...
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Percussion Ensemble - Digital Download SKU: A0.751194 Composed by Franz Xaver Gruber. Arranged by Patrick Glenn Harper. Christian,Christmas,Jazz,Sacred. Score and parts. 32 pages. Patrick Glenn Harper #3358837. Published by Patrick Glenn Harper (A0.751194). 2017 Holiday Contest This is an easily attainable, fun addition to your holiday concert that puts a swingin’ spin on the traditional Christmas standard. It can be prepared in just a few rehearsals, and is a great way to practice simple 8th note swing.
$22.99
We Three Kings Swing - for Percussion Ensemble
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Percussion Ensemble
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BEGINNER
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Christmas
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John Henry Hopkins Jr
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Patrick Glenn Harper
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We Three Kings Swing - for Per
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Patrick Glenn Harper
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SheetMusicPlus
Percussion Ensemble - Level 1 - Digital Download SKU: A0.751197 Composed by John Henry Hopkins Jr. Arranged by Patrick Glenn Harper. Christian,Christmas,...
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.751197 Composed by John Henry Hopkins Jr. Arranged by Patrick Glenn Harper. Christian,Christmas,Jazz,Sacred. Score and parts. 36 pages. Patrick Glenn Harper #3638871. Published by Patrick Glenn Harper (A0.751197). 2018 Holiday Contest EntryBeginning with a catchy hook, this unique arrangement of We Three Kings will be a holiday concert favorite! This piece can be easily prepared in a few rehearsals, and contains very easy auxiliary percussion parts that allow newcomers to percussion ensemble music to get involved. It is also a great way to practice simple 8th-note swing.
$24.95
[McCandless] Pile Driver
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Percussion Ensemble
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Contemporary
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Richard McCandless
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[McCandless] Pile Driver
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American Composers Alliance Inc.
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SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.953236 Composed by Richard McCandless. Contemporary. Score and parts. 46 pages. American Composers Allianc...
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Percussion Ensemble - Digital Download SKU: A0.953236 Composed by Richard McCandless. Contemporary. Score and parts. 46 pages. American Composers Alliance Inc. #4729411. Published by American Composers Alliance Inc. (A0.953236). Scored for percussion quartet - PDF download includes score and parts.Percussion needed: 2 high metal instruments, 2 low metal instruments, 2 sets of bongos, 4 pedal bass drums, 2 concert bass drums, 8 tom-toms (10 tom-toms if optional performance practice is followed. See Special Notes Regarding Measures 277 through 326, paragraph number 2).
$25.95
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Percussion Ensemble
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673....
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Four Forces (First movement) I. Strong Forces
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Percussion Ensemble
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ADVANCED
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Percussion Ensemble
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ADVANCED
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Tap-Accent-Tap // [DRUMLINE EXERCISE]
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Percussion Ensemble
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BEGINNER
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Instructional
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Justin Bowe
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Tap-Accent-Tap // [DRUMLINE EX
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Bowe Percussion
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SheetMusicPlus
Percussion Ensemble - Level 1 - Digital Download SKU: A0.1013128 Composed by Justin Bowe. Instructional. Score and parts. 3 pages. Bowe Percussion #59976...
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.1013128 Composed by Justin Bowe. Instructional. Score and parts. 3 pages. Bowe Percussion #5997605. Published by Bowe Percussion (A0.1013128). What better way to get your drumline students on the same page than with a jammin' two-heights exercise? This warm-up will work your drumline's accent-tap skills while also helping them tap into the groove that will tune them in for rehearsal, and more importantly, to their inner musicianship.INCLUDED:pdf score (portrait)FREE AUDIO RESOURCES:master audio files of the exercise at 100, 115, and 130 bpm, looped 3 times for personal practice.e-mail bowe.justin@gmail.com for audio files.Listen to the entire piece here:soundcloud.com/justin-bowe/tap-accent-tapWant this piece for FREE? Visit the following site:https://www.teacherspayteachers.com/Product/Tap-Accent-Tap-DRUMLINE-WARM-UP-Easy-5687304
$1.99
Zona Centro (Downtown)
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Reggae
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Luis Carlos Diaz
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Luis Carlos Diaz
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Zona Centro
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azdi
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1029902 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Hi...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1029902 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Hip-Hop,World. Score and parts. 119 pages. Azdi #5983083. Published by azdi (A0.1029902). Downtown area Musical work, for chamber orchestra, which recreates the atmospheres experienced when walking through the streets of the downtown area of ​​my city (Tijuana). Using the popular urban rhythms that can be heard live, performed by all the city's musicians, such as: Rap hip hop). The most popular and booming genre among young people in this city in particular and throughout Mexico in general. Jazz, which since the 1960s has been played on the legendary Av. Revolución. Aztec Dance (Mexica) that is still practiced by various circles of the city and the country, preserving ancient cultures. Reggae. Music of conscience and positive message, which is the most listened to and performed by numerous local and independent bands from the northern border. Divided into three parts, it begins with a melody or main theme, such as the bass line used on rap tracks, played first by the trombone, the double bass, and later also by the other instruments, on a rhythmic basis in the section of percussions with a characteristic rhythm of rap music at a speed of 90 bpm.
$33.00
Alexandriana for Percussion Ensemble
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Percussion Ensemble
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ADVANCED
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Dan Heslink
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Alexandriana for Percussion En
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publicat...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
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