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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
rhythm section
Not classified
1,849
Piano & keyboards
Piano solo
240
Piano, Voice
133
C Instruments
84
Easy Piano
67
Piano, Vocal and Guitar
67
Piano (band part)
43
Organ
24
Piano Accompaniment
19
1 Piano, 4 hands
12
Piano Trio: piano, violin, cello
8
Piano Quartet: piano, violin, viola, cello
5
2 Pianos, 4 hands
3
+ 7 instrumentations
-
Retract
Guitars
Guitar (band part)
79
Guitar
39
Guitar notes and tablatures
26
Melody line, (Lyrics) and Chords
17
Bass guitar
13
4 Guitars (Quartet)
5
Mandolin
4
3 Guitars (trio)
3
2 Guitars (duet)
3
Guitar Ensemble
3
Banjo
2
Guitar, Violin, Cello (trio)
1
Band Scores
1
Ukulele
1
Piano, Guitar (duet)
1
+ 10 instrumentations
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Retract
Voice
Choral SATB
500
Choral 3-part
142
Choral 2-part
51
Choral TTBB
39
Choral SSAA
29
Choral Unison
27
Choral SSATB
5
Choral
2
Soprano voice
1
Choral SSAB, Piano
1
Vocal duet
1
Voice solo
1
Soprano voice, Piano
1
Vocal duet, Piano
1
Tenor voice, Piano
1
Choral SSATTB
1
+ 11 instrumentations
-
Retract
Woodwind
Saxophone (band part)
204
Clarinet (band part)
42
Flute (band part)
40
2 Saxophones (duet)
34
Saxophone Quartet: 4 saxophones
32
2 Flutes (duet)
28
Flute and Piano
27
2 Clarinets (duet)
23
Tenor Saxophone and Piano
19
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
19
Flute, Oboe, Clarinet, Bassoon
18
Alto Saxophone and Piano
18
Clarinet
17
Oboe (band part)
17
Flute ensemble
15
Oboe, Piano (duet)
15
Saxophone, Clarinet (duet)
15
Clarinet and Piano
15
Flute
13
Saxophone ensemble
11
Clarinet Ensemble
11
Clarinet Quartet: 4 clarinets
11
3 Saxophones (trio)
11
Clarinet, Violin (duet)
10
Flute Quartet: 4 flutes
9
Soprano Saxophone and Piano
9
Saxophone Quintet: 5 Saxophones
8
Alto Saxophone
8
3 Clarinets (trio)
8
Flute, Clarinet (duet)
8
Clarinet, Trumpet (duet)
8
Tenor Saxophone
6
Flute, Saxophone (duet)
6
Flute, Violin
6
Clarinet and Viola
6
Flute Trio: 3 flutes
6
2 Oboes (duet)
6
Oboe, Bassoon (duet)
6
Flute, Trumpet (duet)
5
Oboe, Flute
5
Oboe, Clarinet (duet)
5
Flute, Viola (duet)
4
Flute and Guitar
4
Flute, Oboe (duet)
3
Descant (Soprano) Recorder
3
Baritone Saxophone, Piano
3
Bass Clarinet, Piano
3
3 Recorders (trio)
2
Clarinet, Bassoon (duet)
2
Clarinet Quintet: 5 clarinets
2
Recorder
2
3 Oboes
1
Clarinet, Cello, Piano (trio)
1
Bass Clarinet
1
Clarinette, Viola and Piano (trio)
1
Treble (Alto) Recorder
1
Flute, Organ (duet)
1
Clarinet, Guitar (duet)
1
Flute, Violoncello
1
Flute, Violin, Piano
1
Oboe
1
Oboe, Clarinet, Bassoon (trio)
1
English horn, Piano
1
2 English horns and Pianoforte
1
Flute, Oboe, Clarinet (trio)
1
Clarinet, Cello (duet)
1
Flute, Clarinet, Horn and Bassoon (Quartet)
1
Wind ensemble
1
Saxophone and Guitar
1
Flute, Clarinet and Bassoon.
1
Recorder Ensemble
1
Treble (Alto) Recorder, Piano
1
+ 67 instrumentations
-
Retract
Woodbrass
Trombone (band part)
181
Trumpet (band part)
134
French horn (band part)
40
Brass Quintet: 2 trumpets, horn, trombone, tuba
36
Tuba (band part)
34
Trumpet, Piano
22
2 Trombones (duet)
21
Trombone and Piano
20
Brass quartet : 2 trumpets, trombone, tuba
18
Trumpet
13
2 Trumpets (duet)
10
Trumpet, Saxophone (duet)
10
Trombone ensemble
10
Euphonium, Piano (duet)
9
Trombone
9
Brass Quartet: 4 trombones
8
Trumpet, Trombone (duet)
8
French Horn and Piano
6
French horn
6
Brass Quartet: 2 trumpets, 2 trombones
5
2 Tubas (duet)
5
Brass Quartet: 2 trumpets, horn, trombone
5
Brass Quartet: 4 horns
4
Tuba and Piano
4
Brass Quartet
3
Tuba
2
Bb Instruments
2
3 Trombones (trio)
2
Bass Trombone
1
2 French horns (duet)
1
3 Trumpets (trio)
1
2 Euphoniums and 2 Tubas
1
Euphonium, Tuba (duet)
1
3 Euphoniums
1
Euphonium
1
English horn, Piano
1
2 English horns and Pianoforte
1
Trumpet ensemble
1
Tuba and Organ
1
4 Tubas
1
+ 35 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
100
Doublebass (band part)
63
Violin (band part)
48
Violin and Piano
31
Violin, Cello (duet)
22
Cello, Piano
21
2 Violins (duet)
20
Viola (band part)
17
Viola, Piano
16
Violin
14
2 Cellos (duet)
13
String Trio: violin, viola, cello
13
Cello
11
Cello (band part)
10
2 Violas (duet)
9
Violin, Viola (duet)
9
Harp
7
String Trio: 2 violins, cello
4
Double bass, Piano (duet)
4
String Trio: 3 violins
3
Double Bass
3
String Trio: 2 violins, viola
3
Cello, String Bass (duet)
2
2 Harps (duet)
2
String Trio: 3 violas
2
Piano Trio: Violin, Viola, Piano
1
Violin, Clarinet, Piano (trio)
1
4 Cellos
1
Viola, Cello (duet)
1
Violin, Bassoon (duet)
1
Harp and mandolin
1
Viola
1
4 Double Basses
1
2 Double basses (duet)
1
Cello Ensemble
1
+ 30 instrumentations
-
Retract
Orchestra & Percussion
Concert band
917
Jazz Ensemble
573
Orchestra
335
String Orchestra
215
Jazz combo
210
Handbells
71
Brass ensemble
56
Drum (band part)
42
Percussion Ensemble
25
Marching band
25
Chamber Orchestra
21
Percussion (band part)
13
Drums
12
Marimba
5
Piano and Orchestra
3
Big band
2
Vibraphone
2
Percussion
1
Bodhran
1
2 Xylophones
1
Xylophone, Piano
1
Flexible Instrumentation
1
+ 17 instrumentations
-
Retract
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Percussion Ensemble
Sheetmusic to print
25 sheet music found
<
1
Pop'n for Steel Band
#
Percussion Ensemble
#
BEGINNER
#
Instructional
#
Tyler Swick
#
Pop'n for Steel Band
#
Tin Can Publishing
#
SheetMusicPlus
Percussion Ensemble - Level 1 - Digital Download SKU: A0.890313 Composed by Tyler Swick. Instructional. Score and parts. 19 pages. Tin Can Publishing #29...
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.890313 Composed by Tyler Swick. Instructional. Score and parts. 19 pages. Tin Can Publishing #2964211. Published by Tin Can Publishing (A0.890313). Feature your rhythm section with built in windows for riffing and soloing!https://www.youtube.com/watch?v=btbSvgR1hXk
$10.00
Brick
#
Percussion Ensemble
#
INTERMEDIATE/ADVANCED
#
Rock
#
Ben Folds Five
#
Vern Weygandt
#
Brick
#
Vern Weygandt
#
SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.983301 By Ben Folds Five. By Ben Folds and Darren Jessee. Arranged by Vern Weygandt. Pop,Rock. S...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.983301 By Ben Folds Five. By Ben Folds and Darren Jessee. Arranged by Vern Weygandt. Pop,Rock. Score and parts. 46 pages. Vern Weygandt #5988611. Published by Vern Weygandt (A0.983301). Arranged for four trombones, percussion ensemble, and rhythm section.
$12.99
Four Forces (First movement) I. Strong Forces
#
Percussion Ensemble
#
ADVANCED
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
#
Percussion Ensemble
#
ADVANCED
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Alexandriana for Percussion Ensemble
#
Percussion Ensemble
#
ADVANCED
#
Dan Heslink
#
#
Alexandriana for Percussion En
#
Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publicat...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
The Hammer & Anvil
#
Percussion Ensemble
#
INTERMEDIATE
#
Jake Garratt
#
The Hammer & Anvil
#
J Garratt Composer
#
SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1029072 Composed by Jake Garratt. Contemporary,Folk,Standards,World. Score and parts. 1 pages. J...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1029072 Composed by Jake Garratt. Contemporary,Folk,Standards,World. Score and parts. 1 pages. J Garratt Composer #4615943. Published by J Garratt Composer (A0.1029072). 'The Hammer & Anvil' is the piece that adorns the balustrade of the band stand in Parade Gardens, Bath, UK. The band stand was forged by the National Heritage Ironwork Group as a gift to the city during their 2018 'BathIron' festival. The piece is written for 2 treble clef parts and a bass clef part and can be performed by any group of instruments. For the original performance it was performed on 2 Bb Clarinets and a Bass Clarinet.About the piece:'The Hammer & Anvil' is derived from the melody of an English folk song about a blacksmith (ironworker) which has been adapted and augmented to be used as a melodic foundation throughout the piece, similar to an isorhythm in medieval compositions. The piece is in two sections: the A section where the folk melody is confined to the bass and the B section where the melody is split between all three parts. A repeated rhythmic motif, representative of an ironworker using his hammer and anvil, is used to accompany and/or decorate this melody.
$2.99
Zona Centro (Downtown)
#
Percussion Ensemble
#
INTERMEDIATE/ADVANCED
#
Reggae
#
Luis Carlos Diaz
#
Luis Carlos Diaz
#
Zona Centro
#
azdi
#
SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1029902 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Hi...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1029902 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Hip-Hop,World. Score and parts. 119 pages. Azdi #5983083. Published by azdi (A0.1029902). Downtown area Musical work, for chamber orchestra, which recreates the atmospheres experienced when walking through the streets of the downtown area of ​​my city (Tijuana). Using the popular urban rhythms that can be heard live, performed by all the city's musicians, such as: Rap hip hop). The most popular and booming genre among young people in this city in particular and throughout Mexico in general. Jazz, which since the 1960s has been played on the legendary Av. Revolución. Aztec Dance (Mexica) that is still practiced by various circles of the city and the country, preserving ancient cultures. Reggae. Music of conscience and positive message, which is the most listened to and performed by numerous local and independent bands from the northern border. Divided into three parts, it begins with a melody or main theme, such as the bass line used on rap tracks, played first by the trombone, the double bass, and later also by the other instruments, on a rhythmic basis in the section of percussions with a characteristic rhythm of rap music at a speed of 90 bpm.
$33.00
Gravity for Septet
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Percussion Ensemble
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ADVANCED
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Contemporary
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. ...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
Christmas Calypso for Percussion Sextet
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Percussion Ensemble
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EASY
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Christmas
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Dan Heslink
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Christmas Calypso for Percussi
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publicat...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
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Percussion Ensemble
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Christmas
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Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117...
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Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Percussion Ensemble
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ADVANCED
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages....
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Quartet #9
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Percussion Ensemble
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INTERMEDIATE
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Contemporary
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Jeff Tincher
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Quartet #9
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Jeff Tincher
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.584697 Composed by Jeff Tincher. Contemporary. Score and parts. 52 pages. Jeff Tincher #6019477....
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.584697 Composed by Jeff Tincher. Contemporary. Score and parts. 52 pages. Jeff Tincher #6019477. Published by Jeff Tincher (A0.584697). This composition is a Bolero in 12/8. It begins with the initial rhythm that is played throughout the piece. The piece begins at ppp and increases in volume as each instrument plays the melody section. As each instrument enters, it forms a round of the same melody. The bridge begins with the continuing rhythm with each instrument adding their own note with the same rhythm until the complete quartet is playing the same rhythm in a chord. The bridge leads to the climax section where the initial rhythm continues with the third instrument imitates a tympani while the upper two instruments play the melody in harmony at fff volume. The finale is a repeat of the layering bridge to a single accented chord. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 6:43. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
Asian Symmetries
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Percussion Ensemble
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INTERMEDIATE
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Dan Heslink
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Asian Symmetries
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publicati...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Published by Pharaoh Publications (A0.935379). Asian Symmetries by Dan Heslink Asian Symmetries is a fanciful work which draws loosely from the musical procedures and sonic preferences of Indonesian and other Asian musical styles. It is scored for three percussionists, each with their own battery of instruments. Gamelan-like impressions might be inferred from the cyclical nature of its rhythm, using metal plates like cymbals and gongs to mark large units of rhythmic time. Also evocative are the faster moving elaborations and a preponderance of metallophones in the instrumentation. The work is medium to difficult in its demands. There are quick changes of instrument, planned to be manageable but requiring some attention to logistics Each player’s performance station must remain stationary, with all instruments in reach without moving the performer’s position. Percussion I and Percussion III players must set up next to each other so that they may share the tenor drum. A selection of mallets that allows different striking surfaces to sound good without undue picking up and setting down of mallets is suggested. Changes of meter and tempo occur, and an odd meter section sporting measures in 12/8, 6/8, 11/8 may require some additional attention. The instrumentation is selected to approximate Asian sounds with common western instruments. Performance time is 6:28. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$4.99
3x3 for Percussion Trio (all parts)
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Contemporary
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Jared Rountree
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3x3 for Percussion Trio
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Jared Rountree
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.928500 Composed by Jared Rountree. Contemporary. Score and parts. 11 pages. Jared Rountree #6857...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.928500 Composed by Jared Rountree. Contemporary. Score and parts. 11 pages. Jared Rountree #6857559. Published by Jared Rountree (A0.928500). 3x3 is a trio for snare and bass drums written for the Southern Oregon University Percussion Ensemble. It features numerous sections that contain contrapuntal exchanges and complex rhythmic patterns between groups of 2 or 3 players. There is an open solo section followed by a contrasting soft section played with soft timpani mallets. It ends with a unison section that is restated in increasingly quick tempos that build tension until the final decrescendo into nothing. (approx. 5’30’)
$19.99
Quartet #5
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Percussion Ensemble
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INTERMEDIATE
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Contemporary
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Jeff Tincher
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Quartet #5
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Jeff Tincher
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.584693 Composed by Jeff Tincher. Contemporary. Score and parts. 45 pages. Jeff Tincher #6019467....
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.584693 Composed by Jeff Tincher. Contemporary. Score and parts. 45 pages. Jeff Tincher #6019467. Published by Jeff Tincher (A0.584693). This composition begins with a 4/4 March. I wanted to write a composition that started with a simple chord. As the march progresses I added a mote here and there. Each note added continues until a complete musical composition is formed. But it doesn't stop there. Once the composition is formed it progresses to a solemn, smooth 5/4 section. This section then breaks apart to where each instrument has a solo. Then the solos are combined before it returns to the original rhythm with a different chord. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 6:57. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Coruscations, op. 83
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Michael A Yenny
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Coruscations, op. 83
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Michael A Yenny
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.938772 Composed by Michael A Yenny. 20th Century,Concert,Contemporary,Standards. Score and parts...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.938772 Composed by Michael A Yenny. 20th Century,Concert,Contemporary,Standards. Score and parts. 90 pages. Michael A Yenny #50387. Published by Michael A Yenny (A0.938772). A highly attractive work for percussion ensemble! Coruscations are sudden, brief points of light. Score outline played here. Db major. Features mixed meters, tuneful melodies, and flowing accompaniment in the B section. Tuneful melodies also accompany a syncopated and driving rhythmic motor in the A sections. Easier to play than it appears; easily accessible for any college ensemble. Instrumentation: Marimba 1, 2, 3, xylophone, bells, chimes, crotales, timpani (5), SD/BD, sus/cr cymbal, triangle, wind chimes. Duration: 3 minutes 30 seconds. C) 2002. Level: Late intermediate+ Score and parts complete available.
$9.95
African Village for Marimba
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Percussion Ensemble
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Wayne Liesching
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African Village for Marimba
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Wayne Liesching
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SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.981000 Composed by Wayne Liesching. African,Folk,World. Score and parts. 21 pages. Wayne Liesching #387804...
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Percussion Ensemble - Digital Download SKU: A0.981000 Composed by Wayne Liesching. African,Folk,World. Score and parts. 21 pages. Wayne Liesching #3878043. Published by Wayne Liesching (A0.981000). African Village for Marimba - (Duration 2.37) Advanced. School Ensemble. Five marimbas: bass, tenor, alto, 2 sopranos. African marimba style piece where the rhythmic patterns can be challenging - polyrhythms in sections. Definite concert repertoire. SAMRO, CAPASSO https://drooble.com/wayne.liesching/ https://www.facebook.com/thecomposerman/ www.thecomposerman.compsallo.academyofmusic@gmail.com
$15.00
Heads, Shoulders, Knees & Blues (for Body Percussion & Bass)
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Percussion Ensemble
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Blues
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Jazz
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Isabelle Ryder
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Heads, Shoulders, Knees & Blue
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Isabelle Ryder
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SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.1001581 Composed by Isabelle Ryder. Blues,Jazz. Score and parts. 56 pages. Isabelle Ryder #6480345. Publis...
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Percussion Ensemble - Digital Download SKU: A0.1001581 Composed by Isabelle Ryder. Blues,Jazz. Score and parts. 56 pages. Isabelle Ryder #6480345. Published by Isabelle Ryder (A0.1001581). This piece is the result of a 2020 lockdown commission by Heswall Concert Band, which needed a piece to work on that didn't involve its members playing wind and brass instruments! The instrumentation consists of a Rhythm Core of Hand Brush, Hip Tap, Clap, and Stamp; and 3 Sections: Shoulders, Knees, and Bellies; and a bass (acoustic or electric). Ideally, the Shoulders, Knees and Bellies sections should each have several members; the Rhythm Core should have 1 or 2 members on each part. Some light choreography is suggested in the score, but the bandleader may indulge their own creativity in this regard.Please watch the accompanying video for a demo. You may also contact the composer (https://isabellerydermusic.weebly.com) to request a training video.
$69.99
Bingo - For Orff Ensemble
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Percussion Ensemble
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BEGINNER
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Traditional
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Yvonne Johnson
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Bingo - For Orff Ensemble
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Yvonne Johnson
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SheetMusicPlus
Percussion Ensemble - Level 1 - Digital Download SKU: A0.767894 Composed by Traditional. Arranged by Yvonne Johnson. Folk,Instructional,Standards. Score ...
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.767894 Composed by Traditional. Arranged by Yvonne Johnson. Folk,Instructional,Standards. Score and parts. 14 pages. Yvonne Johnson #2891229. Published by Yvonne Johnson (A0.767894). A fun and easy arrangement for the younger Orff performers using basic rhythms. The 2nd section has some glissandi bars in the Alto Met and there are some broken chord passages. The 1st section could be played without the 2nd half if needed.
$3.95
Power Line for Two or More Energetic Drummers)
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Percussion Ensemble
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BEGINNER
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Brian Monroe
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Power Line for Two or More Ene
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BLM Music Publications
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SheetMusicPlus
Percussion Ensemble - Level 1 - Digital Download SKU: A0.1012689 Composed by Brian Monroe. Instructional,Standards. Score and parts. 9 pages. BLM Music P...
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.1012689 Composed by Brian Monroe. Instructional,Standards. Score and parts. 9 pages. BLM Music Publications (https://brianmonroemusic.com) #6890089. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1012689). Power Line: for 2 or More Energetic Percussionists is a two part ensemble for first year percussionist.  Performed on a drum pad, the work explores the sound a percussionist can make by playing on the head and rim of the pad and the metal stand on which the pad sits, and stick clicks  In addition, there are also vocal effects.  The performs say tzzzz imitating the sound or an electrical arc.  Rhythms include quarter note and eighth note patterns and a few instances of four sixteenth notes grouped into one beat (1e&a).  The performs are also asked to play flams, paradiddles and multi bounce rolls.  Finally there is a small section which features a drum to drum section where the performers will play on the pads on each side of the performer.  This is a fun and exciting work for your first year percussionist!  Enjoy!
$5.99
Shores
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Contemporary
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Graeme Culpepper
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Shores
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Graeme Culpepper
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1028164 Composed by Graeme Culpepper. Contemporary. Score and parts. 44 pages. Graeme Culpepper ...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1028164 Composed by Graeme Culpepper. Contemporary. Score and parts. 44 pages. Graeme Culpepper #3407713. Published by Graeme Culpepper (A0.1028164). This piece is for 4 percussionists with an optional Harp part that can be played on piano. Shores is a very calming piece that is sure to soothe your audience. Starting in a very mellow manner shores utilizes the unique sound of the ocean drum to achieve a very subdue effect. The B section is more rhythmically involved and ends with a short canon that leads back into the A theme.This was premiered, performed, and recorded by the South Carolina Governor's School for the Arts and Humanities Percussion Ensemble
$12.25
A Caribbean Christmas
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Percussion Ensemble
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ADVANCED
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Christmas
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George Frideric Handel, James
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Aaron G
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A Caribbean Christmas
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Aaron G. Railey
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.891828 Composed by George Frideric Handel, James Chadwick, James Pierpont, and Thomas Oliphant. ...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.891828 Composed by George Frideric Handel, James Chadwick, James Pierpont, and Thomas Oliphant. Arranged by Aaron G. Railey. Christmas. Score and parts. 28 pages. Aaron G. Railey #6607247. Published by Aaron G. Railey (A0.891828). A Caribbean Christmas is a thrilling adventure through the most famous and recognizable Christmas holiday songs of all time. Written in a Caribbean Soca rhythmic style and including three key changes, this is an advanced arrangement that will feature and challenge your best musicians. Each section of the ensemble has the opportunity to perform the melody in this arrangement. Often, students on the accompaniment instruments are stuck playing repeated chords with little to no motion or challenge. I found it important as an educator that each student gets challenged and has the opportunity to feel important to the contribution of the ensemble. Every ensemble that has ever performed this has received a standing ovation. It is thrilling, exciting, challenging, recognizable, and just fun to play. I hope that you enjoy this and it brings holiday spirit to your community! .
$39.99
Rasputin
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Percussion Ensemble
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INTERMEDIATE
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Boney M
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S Welburn
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Rasputin
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S J Welburn
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.984525 By Boney M. By Frank Farian, Fred Jay, and George Reyam. Arranged by S Welburn. Dance,Dis...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.984525 By Boney M. By Frank Farian, Fred Jay, and George Reyam. Arranged by S Welburn. Dance,Disco. Score and parts. 41 pages. S J Welburn #4634143. Published by S J Welburn (A0.984525). Arrangement of the 1978 hit single, by German / Caribbean Euro-Disco group Boney M. Taken from their third album Nightflight to Venus, the song was released in August of 1978 and reached No.1 in 5 countries, and peaked at No.2 in the UK.A cover of the song was released in 2007, by Finnish Folk Metal band Turisas. After years of playing it as part of their live shows, they decided to put it to record as a special edition EP in the wake of the success of their second full length album.KEY: G MinorDIFFICULTY: IntermediateThe piece makes use of several repeated rhythmic motifs, so once familiarised it is relatively easy to master. In a couple of spots their are short solo passages, but on the whole instruments work together in their subsections and are little exposed.
$19.95
New Resources
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Percussion Ensemble
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Contemporary
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Andrew Ardizzoia
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New Resources
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Heartland Marimba
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SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.1099614 Composed by Andrew Ardizzoia. Contemporary. Score and parts. 57 pages. Heartland Marimba #703447. ...
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Percussion Ensemble - Digital Download SKU: A0.1099614 Composed by Andrew Ardizzoia. Contemporary. Score and parts. 57 pages. Heartland Marimba #703447. Published by Heartland Marimba (A0.1099614). New Resources is an exploration of the compositional techniques commonly found in African drumming. A simple four-bar pattern is subjected to a number of processes and permutations, creating increasingly complex polyrhythms and a sense of large-scale acceleration. These passages, which are played on wood instruments, are interrupted by shorter sections that involve skin and metal timbres. Composed in 1999, New Resources is one of the few pieces from my undergraduate that still sees the light of day. In 2004, my collaborative partner Lisa Rie used the music to accompany a dance piece entitled Delta Eco, which celebrates the rich flora and fauna of California’s San Joaquin River Delta. New Resources has had performances throughout California and Arizona, and in 2005 it was played by William Moersch and the University of Illinois Percussion Ensemble. ~A.A.
$33.00
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