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--INSTRUMENTS--
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CHORAL - VOCAL…
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Again and Again: Score
Not classified
767
Piano & keyboards
Piano solo
849
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455
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297
Easy Piano
143
Organ
81
1 Piano, 4 hands
34
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24
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13
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11
Accordion
10
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6
Big Note Piano
6
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3
Piano Quartet: piano, violin, viola, cello
2
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1
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Organ, Trumpet (duet)
1
+ 12 instrumentations
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135
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124
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102
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77
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6
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3
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94
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28
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+ 11 instrumentations
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97
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75
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72
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65
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47
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41
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31
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27
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25
2 Saxophones (duet)
23
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22
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20
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19
English horn, Piano
17
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14
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10
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10
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9
Flute and Guitar
9
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8
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7
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6
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4
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3
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3
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Recorder Quartet
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Ocarina
2
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2
Eb Instruments
2
Piccolo, Piano
2
Oboe, Flute
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Flute, Clarinet and Bassoon.
2
Saxophone, Bassoon (duet)
1
Oboe, Guitar (duet)
1
Recorder, Piano
1
Flute (band part)
1
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1
Tenor Recorder
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1
Descent (Soprano) Recorder, Piano
1
Oboe, Harp
1
Oboe, Cello
1
Flute, Violoncello
1
Saxophone and cello
1
Oboe, Clarinet, Bassoon (trio)
1
Clarinet and Viola
1
Treble (Alto) Recorder, Piano
1
Clarinet, Harp (duet)
1
2 Recorders (duet)
1
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1
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1
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1
Recorder, Guitar (duet)
1
Clarinet, Cello (duet)
1
Flute, Trombone (duet)
1
English Horn
1
Oboe and viola (duet)
1
3 Saxophones (trio)
1
Flute, Viola (duet)
1
+ 68 instrumentations
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Retract
Woodbrass
Trumpet, Piano
56
Brass quartet : 2 trumpets, trombone, tuba
54
Trombone and Piano
46
Trumpet
44
French Horn and Piano
42
Euphonium, Piano (duet)
28
Trombone
27
Brass Quintet: 2 trumpets, horn, trombone, tuba
26
English horn, Piano
17
Tuba and Piano
17
Trombone ensemble
15
Brass Quartet
9
Brass Quartet: 2 trumpets, horn, trombone
8
2 Trumpets (duet)
8
2 Trombones (duet)
8
Brass Quartet: 4 trombones
4
Trombone (band part)
4
French horn
4
Bass Clef Instruments
3
2 French horns (duet)
3
Brass Quartet: 4 horns
3
Trumpet (band part)
3
Bb Instruments
2
French horn (band part)
2
Tuba
2
Trumpet, Trombone (duet)
2
Tuba (band part)
2
2 Trumpets, Keyboard (piano or organ)
1
Euphonium, Tuba (duet)
1
3 Euphoniums
1
4 Tubas
1
Trombone, Organ
1
Trumpet, Horn (duert)
1
Trumpet, Tuba (duet)
1
Bass Trombone and Piano
1
French Horn and Harp
1
Horn, Cello (duet)
1
English Horn
1
Trumpet ensemble
1
+ 34 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
155
Cello, Piano
62
Violin and Piano
57
Viola, Piano
55
2 Cellos (duet)
35
Harp
30
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15
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15
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13
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13
Cello
11
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11
2 Harps (duet)
11
2 Violas (duet)
10
Violin (band part)
6
Viola
6
2 Violins (duet)
5
String Trio: 2 violins, cello
5
String Trio: 3 violins
3
String Trio: 2 violins, viola
3
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3
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3
Harp, Voice
3
Piano Trio: Violin, Viola, Piano
2
Viola (band part)
2
String Quintet: 2 violins, viola, cello, bass
2
String Trio: 3 cellos
2
String Trio: 3 violas
2
String quartet: 4 violins
2
Cello Ensemble
1
Harp, Flute (duet)
1
Harp, Cello (duet)
1
Harp, Violin (duet)
1
Viola and Harp
1
Viola ensemble
1
Cello, Guitar (duet)
1
Doublebass (band part)
1
Harp and Piano
1
Violin ensemble
1
4 Cellos
1
String Quintet: 2 violins, viola, 2 cellos
1
Cello, String Bass (duet)
1
Cello, Organ
1
2 Violins, Piano
1
+ 39 instrumentations
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Retract
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185
Orchestra
125
Drums
76
Brass ensemble
70
String Orchestra
67
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66
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52
Jazz combo
39
Chamber Orchestra
26
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15
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11
Percussion (band part)
4
Vibraphone
2
Big band
1
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Again and Again: Score
Percussion Ensemble
Sheetmusic to print
11 sheet music found
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1
See You Again from FURIOUS 7
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Percussion Ensemble
#
INTERMEDIATE
#
Pop music
#
Wiz Khalifa Feat
#
Stephen Lawhorne
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See You Again from FURIOUS 7
#
StevoPanMan
#
SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1016554 By Wiz Khalifa Feat. Charlie Puth. By Andrew Cedar, Cameron Thomaz, Charlie Puth, and Ju...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1016554 By Wiz Khalifa Feat. Charlie Puth. By Andrew Cedar, Cameron Thomaz, Charlie Puth, and Justin Franks. Arranged by Stephen Lawhorne. Pop. Score and parts. 35 pages. StevoPanMan #5803003. Published by StevoPanMan (A0.1016554). A medium steel band arrangement of this popular song. This was arranged for our virtual steel band when our schools were abruptly closed for the year in March 2020. The YouTube link from that is below. Arranged for: Lead 1, Lead 2, Doubles 1, Doubles 2, Guitar/Cello, Bass Pans, Electric Bass and Drum Set. One additional parts included: TAB electric bass.
$25.00
Koalas, Wombats and Drop Bears Too
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Percussion Ensemble
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INTERMEDIATE
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Fiona Hickie
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Koalas, Wombats and Drop Bears
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Fiona Alice Hickie
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.738088 Composed by Fiona Hickie. Classical,Contemporary,Patriotic,Rock. Score and parts. 17 page...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.738088 Composed by Fiona Hickie. Classical,Contemporary,Patriotic,Rock. Score and parts. 17 pages. Fiona Alice Hickie #4630233. Published by Fiona Alice Hickie (A0.738088). A set of 3 pieces (for 3 players). The pieces are about Australian animals.Instrumentation Glockenspiel, marimba, timpani and vibraphone (marimba can be used instead of vibraphone) 1. Koalas - A beautiful lullaby, where the glockenspiel plays the melody and the timpani comes in as a raucous koala, awake from his many hours of sleep. (Then he/she sleeps again.) 2. Wombat Waddle 3. Drop bear - a timpani solo about a mythical, carnivorous version of the koala.
$15.00
Start Over Soca
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Percussion Ensemble
#
EASY
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Adam Grim
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Start Over Soca
#
Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.939357 Composed by Adam Grim. Concert,World. Score and parts. 15 pages. Adam B. Grim #2885497. P...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.939357 Composed by Adam Grim. Concert,World. Score and parts. 15 pages. Adam B. Grim #2885497. Published by Adam B. Grim (A0.939357). Start Over Soca is a soca that features the quick hands of the lead players. Many notes are repeated to create a falling or rising effect. The moving bass line will surely sound solid and the cellos and double seconds will have a fun time with the short features they get in the transition sections of the piece. In the middle, there is a false ending, which starts the beginning over again and plays a modified finale (Hence the Start Over Soca).
$35.00
Don't Worry, Be Happy
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Percussion Ensemble
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INTERMEDIATE
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Jazz
#
Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and par...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
Judex (From Mors et Vita)
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Percussion Ensemble
#
INTERMEDIATE
#
Charles Francois Gounod
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Flávio Régis Cunha
#
Judex
#
Flavio Regis Cunha
#
SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.597220 Composed by Charles Francois Gounod. Arranged by Flávio Régis Cunha. Concert,Contem...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.597220 Composed by Charles Francois Gounod. Arranged by Flávio Régis Cunha. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and parts. 43 pages. Flavio Regis Cunha #4592917. Published by Flavio Regis Cunha (A0.597220). Mors et vita is an oratorio in three parts by Charles Gounod premiered at the Birmingham Festival in 1885. It was conceived as a sequel to La rédemption (1882). The 1886 Paris premiere again featured Jean Baptiste Faure. Gounod considered this oratorio, and its predecessor La rédemption (1882) as his greatest achievements. This arrangement is designed for a double string orchestra, harp and percussion. The sonority obtained from this arrangement is unique in its conception and can be very well received by the public. Lacking original woodwinds and brasses from Gounod's score, the string orchestra will be an excellent choice for performing in concerts, recitals, funerals and church preludes.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$40.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Percussion Ensemble
#
INTERMEDIATE
#
Instructional
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673....
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Judex (from Mors et Vita)
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Percussion Ensemble
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INTERMEDIATE
#
Charles Francois Gounod
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Flávio Régis Cunha
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Judex
#
Flavio Regis Cunha
#
SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.597224 Composed by Charles Francois Gounod. Arranged by Flávio Régis Cunha. Concert,Contem...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.597224 Composed by Charles Francois Gounod. Arranged by Flávio Régis Cunha. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and parts. 47 pages. Flavio Regis Cunha #4595365. Published by Flavio Regis Cunha (A0.597224). Mors et vita is an oratorio in three parts by Charles Gounod premiered at the Birmingham Festival in 1885. It was conceived as a sequel to La rédemption (1882). The 1886 Paris premiere again featured Jean Baptiste Faure. Gounod considered this oratorio, and its predecessor La rédemption (1882) as his greatest achievements. JUDEX is a part of this important work and now you have it in a friendlier tonality (G) than the original written by Gounod (the key of Gb). The music remains unchanged. It is a beautiful work, very accessible and suitable for concerts openings, service preludes, recitals. It is an important work of the orchestral repertoire and your orchestra needs to play it at some point along the way. You and your orchestra will enjoy playing this work of unique beauty.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$40.00
Gravity for Septet
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Percussion Ensemble
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ADVANCED
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Contemporary
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. ...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
Quartet #3
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Percussion Ensemble
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INTERMEDIATE
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Jeff Tincher
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Quartet #3
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Jeff Tincher
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.584691 Composed by Jeff Tincher. Contemporary,Rock. Score and parts. 22 pages. Jeff Tincher #601...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.584691 Composed by Jeff Tincher. Contemporary,Rock. Score and parts. 22 pages. Jeff Tincher #6019463. Published by Jeff Tincher (A0.584691). This composition begins with a 12/8 rock tempo. Although it is written in C, the composition is begins in D Minor. The Marimba keeps the 12/8 going while the other three become punctuations. The punctuation continues while the Glockenspiel plays the melody. At measure 15 the song moves into a 6/8 feel. At measure 34 the song returns to the original 12/8 feel. The composition then splits to where the Vibraphone takes on harmony in the 12/8 feel while the Glockenspiel and Xylophone take on a 6/8 countermelody. A short bridge is created by stacking the other 2 on top of the Vibraphone and Marimba 12/8 feel. Then it splits again to where the Xylophone stays with the Vibraphone and Marimba pattern and the Glockenspiel goes off on it's own. During this time the Glockenspiel folds in the 6/8 melody, creating a pleasant conflict. The song D.C.'s to the original 12/8 content. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 6:14. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Motions by the Hour
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Percussion Ensemble
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ADVANCED
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Contemporary
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Steven Richard Moncado
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Motions by the Hour
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Steven Moncado
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.510466 Composed by Steven Richard Moncado. Contemporary. Score and parts. 21 pages. Steven Monca...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.510466 Composed by Steven Richard Moncado. Contemporary. Score and parts. 21 pages. Steven Moncado #5302763. Published by Steven Moncado (A0.510466). As an hour goes by, emotions can carry on and adapt into something more. They develop and grow, sometimes returning over and over again with a new layer of anxiety or turmoil. This piece exudes just that in a not so typical way. .
$9.99
Quartet #7
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Percussion Ensemble
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INTERMEDIATE
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Jeff Tincher
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Quartet #7
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Jeff Tincher
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.584695 Composed by Jeff Tincher. Blues,Contemporary. Score and parts. 25 pages. Jeff Tincher #60...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.584695 Composed by Jeff Tincher. Blues,Contemporary. Score and parts. 25 pages. Jeff Tincher #6019473. Published by Jeff Tincher (A0.584695). This composition shows how triads and quad chords work as melody. The prelude of this composition is a slow 4/4 pop feel before it moves into the main body of the song, a 12/8 blues motif. The quad chord bridge moves into a different melody with the 12/8 signature. The second bridge is two measures reminiscent of the opening slow section before it goes into a musical accented war between the instruments. The song, once again, moves into the remembrance of the slow 4 section remaining in the 12/8 time. A three measure battle returns back to the original 12/8 section. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 6:39. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
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