Home page
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Bass accompaniment.
Sheetmusicplus
Not classified
6,018
Piano & keyboards
Piano, Voice
484
Piano solo
384
Piano Accompaniment
299
Easy Piano
100
Piano, Vocal and Guitar
83
Piano (band part)
35
C Instruments
30
Organ
26
1 Piano, 4 hands
14
Piano Trio: piano, violin, cello
4
Harpsichord
2
1 Piano, 6 hands
2
Accordion
2
Piano Quintet: piano, 2 violins, viola, cello
2
Piano Quartet: piano, violin, viola, cello
2
Organ, Piano (duet)
2
Organ, Trumpet (duet)
1
2 Pianos, 8 hands
1
+ 13 instrumentations
-
Retract
Guitars
Bass guitar
51
Guitar notes and tablatures
34
Guitar
33
2 Dulcimers (duet)
14
Melody line, (Lyrics) and Chords
7
2 Guitars (duet)
5
Guitar Ensemble
4
Ukulele
3
4 Guitars (Quartet)
2
Dulcimer
1
Mandolin, Guitar (duet)
1
Mandolin
1
Lyrics and Chords
1
Banjo
1
2 Mandolins (duet)
1
2 Ukuleles
1
Piano, Guitar (duet)
1
+ 12 instrumentations
-
Retract
Voice
Choral 2-part
1,270
Vocal duet, Piano
803
Choral SATB
611
Choral 3-part
273
Vocal duet
256
Choral TTBB
98
Low voice, Piano
48
Choral Unison
42
Choral SSAA
34
Soli, Mixted choir and accompaniment
22
Choral Instrumental Pak
17
Low voice
12
Soprano voice, Piano
11
Alto voice, Piano
7
Tenor voice, Piano
6
Choral
5
Medium voice, Piano
3
High voice
3
Tenor voice
2
Baritone voice, Piano
2
Choral SSATB
1
Voice, Guitar
1
+ 17 instrumentations
-
Retract
Woodwind
Flute, Oboe, Clarinet, Bassoon
590
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
294
Bass Clarinet, Piano
104
Clarinet Ensemble
97
Oboe, Piano (duet)
89
Flute and Piano
64
Clarinet Quartet: 4 clarinets
63
Clarinet and Piano
62
Alto Saxophone and Piano
56
Tenor Saxophone and Piano
55
Flute ensemble
49
2 Clarinets (duet)
48
Oboe, Bassoon (duet)
46
Saxophone Quintet: 5 Saxophones
44
Flute, Bassoon, and Piano
44
Flute, Clarinet and Bassoon.
43
3 Clarinets (trio)
35
Flute, Violin, Piano
32
Oboe, Clarinet, Bassoon (trio)
30
Flute, Oboe, Bassoon
26
Clarinet, Bassoon (duet)
22
Baritone Saxophone, Piano
21
Clarinet
20
Saxophone ensemble
16
2 Saxophones (duet)
16
3 Saxophones (trio)
15
2 Flutes (duet)
15
Clarinet Quintet: 5 clarinets
15
Soprano Saxophone and Piano
12
Flute, Clarinet, Horn and Bassoon (Quartet)
11
Clarinet, Bassoon, Piano (trio)
11
Saxophone Quartet: 4 saxophones
10
Flute Trio: 3 flutes
9
Recorder Quartet
8
Flute Quartet: 4 flutes
8
Flute and Guitar
7
Flute Quintet : 5 flutes
7
Saxophone (band part)
6
Recorder Ensemble
6
3 Recorders (trio)
5
Alto Saxophone
5
Flute
4
Tenor Saxophone
3
2 Oboes (duet)
3
Oboe, Bassoon and Piano
3
Clarinet (band part)
3
Saxophone, Clarinet (duet)
3
Oboe (band part)
3
Descant (Soprano) Recorder
3
2 English horns and Pianoforte
2
Clarinet, Trumpet (duet)
2
Flute, Violin
2
Bass Clarinet
2
Flute, Oboe, Clarinet (trio)
2
Flute, Violoncello
2
Clarinet, Violin (duet)
2
Clarinet, Guitar (duet)
2
2 Recorders (duet)
2
Oboe, Cello
2
Recorder
2
Saxophone
2
Treble (Alto) Recorder, Piano
2
Treble (Alto) Recorder
1
Saxophone and Guitar
1
Oboe, Clarinet (duet)
1
English Horn, Guitar (duet)
1
Flute, Cello, Piano (trio)
1
Saxophone, Bassoon (duet)
1
Flute (band part)
1
Clarinet, Cello (duet)
1
Clarinet Quintet: Clarinet, String Quartet
1
Flute, Trombone (duet)
1
Flute, Trumpet (duet)
1
Clarinet, Tuba
1
2 Clarinets, Piano
1
2 Clarinets, Bassoon
1
English horn, Piano
1
Harmonica
1
Clarinet and Viola
1
Flute, Clarinet (duet)
1
Clarinet, Double bass (duet)
1
Oboe, Flute
1
Tenor Recorder
1
Piccolo
1
Flute, Saxophone (duet)
1
Clarinet, Trombone (duet)
1
+ 81 instrumentations
-
Retract
Woodbrass
Trombone and Piano
125
Brass Quartet: 4 trombones
101
Tuba and Piano
97
Trumpet, Piano
43
French Horn and Piano
41
Brass Quintet: 2 trumpets, horn, trombone, tuba
36
Euphonium, Piano (duet)
33
Brass quartet : 2 trumpets, trombone, tuba
30
2 Trombones (duet)
23
Trombone
14
Bass Trombone
12
Bass Trombone and Piano
12
Tuba
11
Trumpet
11
2 French horns (duet)
10
Bass Clef Instruments
8
Trombone ensemble
8
3 Trumpets (trio)
6
2 Tubas (duet)
5
Euphonium, Tuba (duet)
4
Brass Quartet: 2 trumpets, horn, trombone
4
Trumpet, Trombone (duet)
4
Brass Quartet: 4 horns
4
2 Trumpets (duet)
4
Euphonium
3
Trombone (band part)
3
Trumpet (band part)
2
Tuba and Organ
2
2 English horns and Pianoforte
2
2 Euphoniums (duet)
2
Brass Quartet
2
Trumpet, Saxophone (duet)
2
3 Trombones (trio)
2
2 Euphoniums and 2 Tubas
2
Trumpet ensemble
2
Horn Ensemble
1
English Horn, Guitar (duet)
1
French horn
1
Trumpet, Trombone, Piano
1
Brass Quartet: 2 trumpets, 2 trombones
1
English horn, Piano
1
Trumpet and Guitar
1
French horn and Basson (duet)
1
Trumpet, Bassoon (duet)
1
+ 39 instrumentations
-
Retract
Strings
Double bass, Piano (duet)
476
String Quintet: 2 violins, viola, cello, bass
215
String Quartet: 2 violins, viola, cello
107
Cello, Piano
99
Violin and Piano
96
Viola, Piano
70
Double Bass
66
Violin
45
Cello
27
Doublebass (band part)
24
Harp
20
String Trio: violin, viola, cello
16
Cello, String Bass (duet)
16
2 Double basses (duet)
15
Violin, Bassoon (duet)
13
2 Cellos (duet)
12
String Quintet: 2 violins, 2 violas, cello
9
Viola and Bassoon
9
Violin, Guitar (duet)
7
Violin, Cello (duet)
7
String Trio: 3 violins
6
String Trio: 2 violins, cello
6
Violin (band part)
5
4 Cellos
5
String Trio: 3 violas
4
2 Violins (duet)
4
Violin, Viola (duet)
4
Violoncello, Basso continuo
4
Harp, Flute (duet)
3
Viola
3
2 Harps (duet)
3
Cello, Guitar (duet)
3
2 Violas (duet)
3
Harp, Cello (duet)
3
4 Double Basses
2
Harp, Violin (duet)
2
Viola ensemble
2
Piano Trio: Violin, Viola, Piano
2
Flute, Doublebass (duet)
2
Violin ensemble
2
Harp, Voice
2
Cello (band part)
2
Viola (band part)
1
2 Violins, Piano
1
String Trio: 3 cellos
1
String Trio: 2 violins, viola
1
2 Cellos, Piano
1
Cello, Organ
1
Cello, Orchestra
1
Viola and Harp
1
+ 45 instrumentations
-
Retract
Orchestra & Percussion
Concert band
385
Orchestra
97
String Orchestra
95
Handbells
86
Jazz combo
58
Chamber Orchestra
52
Jazz Ensemble
39
Brass ensemble
29
Drums
13
Xylophone, Piano
11
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
11
Percussion Ensemble
9
School Ensemble
6
Vibraphone
3
Flexible Instrumentation
3
Marching band
3
Marimba
2
Percussion (band part)
1
+ 13 instrumentations
-
Retract
Others
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
3
Digital Sheet Music
9
Sheet Music Books
0
Music Equipment
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Active criteria:
Bass accompaniment.
SheetMusicPlus
Percussion Ensemble
Sheetmusic to print
9 sheet music found
<
1
EPISODE for Percussion Ensemble with Electric Bass
#
Percussion Ensemble
#
INTERMEDIATE/ADVANCED
#
Jason Sullivann
#
EPISODE for Percussion Ensembl
#
Green Bicycle Music
#
SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.951093 Composed by Jason Sullivann. 20th Century,Contest,Festival. Score and parts. 34 pages. Gr...
(+)
Percussion Ensemble - Level 4 - Digital Download SKU: A0.951093 Composed by Jason Sullivann. 20th Century,Contest,Festival. Score and parts. 34 pages. Green Bicycle Music #6382267. Published by Green Bicycle Music (A0.951093). Concert piece for Percussion Ensemble. This piece uses an arch form and features melodic interplay between the marimba and vibraphone. The mallet parts are featured in a solo/accompaniment texture. The bass part is more nuanced than most in an ensemble setting.
$30.00
Heads, Shoulders, Knees & Blues (for Body Percussion & Bass)
#
Percussion Ensemble
#
Blues
#
Jazz
#
Isabelle Ryder
#
Heads, Shoulders, Knees & Blue
#
Isabelle Ryder
#
SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.1001581 Composed by Isabelle Ryder. Blues,Jazz. Score and parts. 56 pages. Isabelle Ryder #6480345. Publis...
(+)
Percussion Ensemble - Digital Download SKU: A0.1001581 Composed by Isabelle Ryder. Blues,Jazz. Score and parts. 56 pages. Isabelle Ryder #6480345. Published by Isabelle Ryder (A0.1001581). This piece is the result of a 2020 lockdown commission by Heswall Concert Band, which needed a piece to work on that didn't involve its members playing wind and brass instruments! The instrumentation consists of a Rhythm Core of Hand Brush, Hip Tap, Clap, and Stamp; and 3 Sections: Shoulders, Knees, and Bellies; and a bass (acoustic or electric). Ideally, the Shoulders, Knees and Bellies sections should each have several members; the Rhythm Core should have 1 or 2 members on each part. Some light choreography is suggested in the score, but the bandleader may indulge their own creativity in this regard.Please watch the accompanying video for a demo. You may also contact the composer (https://isabellerydermusic.weebly.com) to request a training video.
$69.99
The Ballad of Reading Gaol, an Accompanied Reading
#
Percussion Ensemble
#
INTERMEDIATE
#
Contemporary
#
Paul Burnell
#
The Ballad of Reading Gaol, an
#
Paul Burnell
#
SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.835743 Composed by Paul Burnell. Contemporary. Score and parts. 23 pages. Paul Burnell #511043. ...
(+)
Percussion Ensemble - Level 3 - Digital Download SKU: A0.835743 Composed by Paul Burnell. Contemporary. Score and parts. 23 pages. Paul Burnell #511043. Published by Paul Burnell (A0.835743). Composed 2010, revised 2014. One of a series of fourteen accompaniments to texts published between 1886-1899. Text: ‘The Ballad of Reading Gaol’, Oscar Wilde (1854-1900). For narrator (amplified if necessary), flutes (and/or tenor/bass recorders), clarinets, muted strings, percussion. Programme note: ‘The Ballad of Reading Gaol’ was written by Oscar Wilde in France on release from Reading Gaol in 1897 after being sentenced to two years hard labour. During his imprisonment Charles Thomas Wooldridge, who had been convicted of murdering his wife, was hanged. The poem was published in 1898 under the name C.3.3., which stood for cell block C, landing 3, cell 3. The text is a mixture of the first and second versions of Wilde’s poem.
$1.99
The Yellow Wallpaper (Excerpt), an Accompanied Reading
#
Percussion Ensemble
#
Contemporary
#
Paul Burnell
#
The Yellow Wallpaper
#
Paul Burnell
#
SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.835740 Composed by Paul Burnell. Contemporary. Score and parts. 7 pages. Paul Burnell #511023. Published b...
(+)
Percussion Ensemble - Digital Download SKU: A0.835740 Composed by Paul Burnell. Contemporary. Score and parts. 7 pages. Paul Burnell #511023. Published by Paul Burnell (A0.835740). Composed 2015. One of a series of fourteen accompaniments to texts published between 1896-1899. Duration 7:30 approx. For vibraphone or cimbalom or other instruments, 3 gongs, bass drum and narrator. The piece may be performed without narrator. Narrator text, from 'The Yellow Wallpaper' by Charlotte Perkins Gilman, pubished in 1892.
$1.99
Two Dreams for solo Trombone and 8-part Percussion Ensemble
#
Percussion Ensemble
#
ADVANCED
#
Antonio J
#
Two Dreams for solo Trombone a
#
Gordon Cherry
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages....
(+)
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Game Of Thrones
#
Percussion Ensemble
#
INTERMEDIATE
#
Film/TV
#
Ramin Djawadi
#
Flávio Régis Cun
#
Game Of Thrones
#
Flavio Regis Cunha
#
SheetMusicPlus
Piano Accompaniment, Flute, Violin, Viola, Cello, Double Bass, Timpani, Drums, Multi- Percussion, Percussion Ensemble, Voice, Soprano Voice, Alto Voice...
(+)
Piano Accompaniment, Flute, Violin, Viola, Cello, Double Bass, Timpani, Drums, Multi- Percussion, Percussion Ensemble, Voice, Soprano Voice, Alto Voice, Tenor Voice, Bass Voice, Choir, 2 flutes, percussion, Choir, harpsichord (piano optional) and strings - Intermediate - Digital Download By Ramin Djawadi. Arranged by Flávio Régis Cunha. Score, Set of Parts. 55 pages. Published by Flavio Regis Cunha
This is a powerful arrangement of Game of Thrones for a small and pliable ensemble of two flutes, percussion, Choir, harpsichord (piano optional) and strings. You can use it to make a big impact on weddings, business presentations, parties, celebrations, and music concerts. Your group will vibrate with the vibrancy and great impact that this music can cause on the public. The level is intermediate and quite affordable.
Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$49.99
Four Forces (First movement) I. Strong Forces
#
Percussion Ensemble
#
ADVANCED
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
(+)
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
#
Percussion Ensemble
#
ADVANCED
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
(+)
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
<
1