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Come By Here
Sheetmusicplus
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2,074
Piano & keyboards
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854
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598
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466
Easy Piano
309
Organ
111
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78
Piano Accompaniment
70
Big Note Piano
60
1 Piano, 4 hands
49
Piano Trio: piano, violin, cello
24
2 Pianos, 4 hands
19
Accordion
7
Piano Quartet: piano, violin, viola, cello
6
Piano Quintet: piano, 2 violins, viola, cello
6
Keyboard
3
Piano (band part)
3
Piano Quartet: piano, 2 violins, cello
2
Organ, Piano (duet)
2
2 Pianos, 8 hands
2
2 Accordions
1
Accordion ensemble
1
Fake Book
1
1 Piano, 6 hands
1
Accordion, String(s)
1
+ 19 instrumentations
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Retract
Guitars
Guitar notes and tablatures
154
Guitar
101
Ukulele
55
Melody line, (Lyrics) and Chords
36
Bass guitar
22
Lyrics and Chords
19
2 Guitars (duet)
15
4 Guitars (Quartet)
12
Mandolin
10
3 Guitars (trio)
6
Dulcimer
6
Guitar (band part)
5
Banjo
5
Piano, Guitar (duet)
3
Guitar Ensemble
2
Baritone Ukulele
2
Ukulele Ensemble
1
+ 12 instrumentations
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Voice
Choral SATB
598
Choral 3-part
215
Choral 2-part
134
Choral TTBB
91
Choral Unison
82
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52
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23
Vocal duet, Piano
20
Soprano voice, Piano
15
Vocal duet
13
Voice solo
12
High voice
11
Alto voice, Piano
10
Choral Instrumental Pak
10
Baritone voice, Piano
9
Choral
9
Low voice, Piano
6
Tenor voice
6
Mezzo-Soprano voice, Piano
3
Medium voice, Piano
3
Choral SAATB A Cappella
2
Choral SSATB
2
Soprano voice
2
Low voice
1
Baritone voice
1
+ 20 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
148
Saxophone Quartet: 4 saxophones
137
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
135
Flute and Piano
133
Flute, Oboe, Clarinet, Bassoon
106
Saxophone Quintet: 5 Saxophones
99
2 Flutes (duet)
93
Clarinet and Piano
90
Oboe, Piano (duet)
90
Saxophone ensemble
82
Flute
80
Clarinet
78
2 Clarinets (duet)
75
Clarinet Quartet: 4 clarinets
72
Alto Saxophone and Piano
70
Tenor Saxophone and Piano
64
Alto Saxophone
58
Saxophone (band part)
58
Oboe (band part)
47
Clarinet Ensemble
45
Saxophone, Clarinet (duet)
41
Soprano Saxophone and Piano
39
Flute, Clarinet (duet)
36
Flute ensemble
34
3 Saxophones (trio)
34
Tenor Saxophone
32
Baritone Saxophone, Piano
31
3 Clarinets (trio)
27
Flute Quartet: 4 flutes
27
2 Flutes, Piano
27
Clarinet, Violin (duet)
25
Clarinet (band part)
23
Flute Quintet : 5 flutes
22
2 Oboes (duet)
20
Flute and Guitar
20
Clarinet Quintet: 5 clarinets
19
Clarinet, Trumpet (duet)
18
Flute, Saxophone (duet)
16
Flute, Violin
16
Oboe, Flute
15
Flute Trio: 3 flutes
15
Oboe, Clarinet (duet)
15
Oboe, Bassoon (duet)
15
Oboe
14
Clarinet and Viola
13
English horn, Piano
12
Clarinet, Guitar (duet)
12
Flute (band part)
12
Flute, Trumpet (duet)
11
Flute, Oboe, Clarinet (trio)
11
Bass Clarinet, Piano
11
Clarinet, Bassoon (duet)
10
Recorder
10
Descant (Soprano) Recorder
9
Flute, Violin, Piano
9
Treble (Alto) Recorder
8
Treble (Alto) Recorder, Piano
7
2 Recorders (duet)
7
Harmonica
6
Recorder Quartet
6
Flute, Clarinet, Horn and Bassoon (Quartet)
6
Soprano Saxophone
6
Flute, Viola (duet)
6
Clarinet, Harp (duet)
5
Pennywhistle
5
Flute, Clarinet and Bassoon.
5
Baritone Saxophone
5
Clarinet, Cello (duet)
5
Saxophone and Guitar
4
Flute, Clarinet, Piano (trio)
4
Saxophone
4
Flute, Harp and Cello
4
Flute, Violoncello
4
Clarinet, Trombone (duet)
4
Oboe, Guitar (duet)
4
Oboe, Clarinet, Bassoon (trio)
3
3 Recorders (trio)
3
Flute, Oboe, Bassoon
3
Recorder Ensemble
3
Descent (Soprano) Recorder, Piano
3
Flute, Oboe (duet)
3
Tenor Recorder
3
2 Saxophones, Piano
3
English Horn, Guitar (duet)
3
Flute, Cello, Piano (trio)
3
English Horn
2
Flute, Viola and Piano
2
Bagpipe
2
Ocarina
2
Flute, Trombone (duet)
2
2 Clarinets, Piano
2
5 Recorders
2
Flute, Violin, Violoncello and Piano
2
Flute, Oboe, Piano (trio)
1
Clarinet Quintet: Clarinet, String Quartet
1
Recorder, Guitar (duet)
1
3 Oboes
1
2 Recorders, Guitar
1
Bass Clarinet
1
Oboe, Cello
1
Oboe ensemble
1
2 Flutes and Harp
1
Recorder, Piano
1
Saxophone, Bassoon (duet)
1
Clarinet, Organ
1
Piccolo, Piano
1
Clarinet, Cello, Piano (trio)
1
Flute, harp and violin
1
Flute, trombone and piano
1
Eb Instruments
1
+ 105 instrumentations
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Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
172
Brass quartet : 2 trumpets, trombone, tuba
116
Trumpet
80
Trombone and Piano
68
Trombone
60
Trumpet, Piano
55
French horn
52
Brass Quartet
51
Trumpet ensemble
50
French Horn and Piano
48
2 Trumpets (duet)
39
Brass Quartet: 2 trumpets, horn, trombone
38
Brass Quartet: 4 trombones
35
Trombone (band part)
34
Trumpet (band part)
31
Tuba
30
Trombone ensemble
30
Trumpet, Saxophone (duet)
28
Trumpet, Trombone (duet)
27
2 Trombones (duet)
25
Tuba and Piano
22
Euphonium, Piano (duet)
15
French horn (band part)
12
English horn, Piano
12
2 French horns (duet)
10
Horn Ensemble
10
Tuba (band part)
8
Brass Quartet: 4 horns
7
Brass Quartet: 4 trumpets
5
Brass Trio
4
3 Trumpets (trio)
4
2 Euphoniums and 2 Tubas
4
2 Tubas (duet)
4
Trumpet, Horn (duert)
3
4 Tubas
3
Tuba and Organ
3
Horn, Tuba (duet)
3
English Horn, Guitar (duet)
3
English Horn
2
Euphonium, Tuba (duet)
2
Brass Quartet: 2 trumpets, 2 trombones
2
3 French horns (trio)
2
Trumpet, Bassoon (duet)
2
3 Trombones (trio)
2
Trumpet, Cello, Piano
2
Bb Instruments
1
Tuba ensemble
1
Trombone, Organ
1
Euphonium
1
Trumpet, violin (duet)
1
Bass Trombone
1
Trumpet, Euphonium (duet)
1
Trumpet, Tuba (duet)
1
Horn, Cello (duet)
1
Trombone, Violin (duet)
1
Trombone, Tuba (duet)
1
Clarinet, Horn (duet)
1
+ 52 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
335
Violin and Piano
198
Violin
119
Cello, Piano
114
2 Violins (duet)
96
Harp
95
Viola, Piano
86
Cello
82
Violin, Cello (duet)
78
String Trio: violin, viola, cello
70
2 Cellos (duet)
55
Viola
47
String Quintet: 2 violins, viola, cello, bass
37
Violin, Viola (duet)
36
2 Violas (duet)
36
String Trio: 2 violins, cello
32
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26
Double bass, Piano (duet)
21
2 Harps (duet)
19
Viola (band part)
17
Violin (band part)
13
Viola ensemble
13
Violin ensemble
12
Doublebass (band part)
11
Harp, Flute (duet)
11
Viola, Cello (duet)
11
String Trio: 3 violins
10
4 Cellos
10
Cello, Guitar (duet)
8
Violin, Guitar (duet)
7
String Quartet : 4 violas
6
String quartet: 4 violins
6
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5
2 Double basses (duet)
5
String trio
5
Harp, Voice
5
2 Violins, Piano
5
Piano Trio: Violin, Viola, Piano
4
String Trio: 3 violas
4
Cello, Organ
3
String Trio: 3 cellos
3
Cello (band part)
3
Harp, Violin (duet)
3
String Quintet: 2 violins, 2 violas, cello
3
Harp and Piano
2
Viola and Bassoon
2
Violin, Bassoon (duet)
2
Cello Ensemble
2
String Trio: 2 violins, viola
1
4 Double Basses
1
Cello, Orchestra
1
Viola, Guitar (duet)
1
Violin, Cello, Clarinet
1
Violin, Clarinet, Piano (trio)
1
+ 49 instrumentations
-
Retract
Orchestra & Percussion
Concert band
436
Orchestra
162
String Orchestra
153
Handbells
82
Chamber Orchestra
80
Brass ensemble
68
Jazz Ensemble
67
Marching band
32
Jazz combo
28
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13
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12
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10
Drums
7
Xylophone
6
School Ensemble
5
Percussion
3
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3
Xylophone, Piano
3
Timpani (band part)
3
Vibraphone
3
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
Brass Quintet: other combinaisons
2
Piano and Orchestra
1
2 Marimbas
1
+ 19 instrumentations
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Retract
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Come By Here
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Percussion Ensemble
Sheetmusic to print
13 sheet music found
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1
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2 (Strings, Harp, Timpani, Pe
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Percussion Ensemble
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ADVANCED
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James Nathaniel Holland
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The Satyricon, A Balletic Roma
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James Nathaniel Holland
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 page...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathaniel Holland #4800780. Published by James Nathaniel Holland (A0.730494). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 2 (Strings, Harp, Timpani and Percussion). Piano Score, Full Orchestral Score, Individual Parts (Part 1) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$34.95
Come To Me
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Bjork Gudmundsdottir
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David R
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Come To Me
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Bluesilhouettes Music
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,P...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 87 pages. Bluesilhouettes Music #935388. Published by Bluesilhouettes Music (A0.1350568). If you had a day, and all you listened to was Björk, you’d have a fascinating day. The experience would be marked by a kaleidoscope of varying styles from pop, avant-garde, or jazz. Is it mainstream - probably not. But, the artist is definitely recognizable (as a name), appearing across multiple genres. As a source of background to her song ‘Come to Me,’ I borrowed a palindromic idea exploited by Radiohead in their ‘Pyramid song...’ if we truly expand a swing feel to a twelve-eight meter and extend the pattern across two measures - the eighth notes would provide a total of twenty-four possibilities - and as in this work you get four, five, six, five, four a palindrome on 45654 that (when added) equals twenty-four.This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of dance, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Full mock-up digital audio: available here
$34.99
Dandelion Wind
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Percussion Ensemble
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INTERMEDIATE
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Celtic/Irish
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Frank Pugh
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Dandelion Wind
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Frank Pugh
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.942719 Composed by Frank Pugh. Celtic,Contemporary,Standards. Score and parts. 8 pages. Frank Pu...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.942719 Composed by Frank Pugh. Celtic,Contemporary,Standards. Score and parts. 8 pages. Frank Pugh #3550781. Published by Frank Pugh (A0.942719). The title of Dandelion Wind comes from watching the white seeds blow off of a dandelion head in a strong breeze. Once in motion, the seeds travel with the wind until they come to a final resting place on the ground below. This piece flows along in that vein of a seedling's windblown journey.Although two marimbas were used in the sound file, the piece works equally well with vibraphones, xylophones, or a vibe/xylo/marimba mix. It has a slight Celtic feel to it, and it comes in at just over 1:30 if played at the minimum suggested tempo. It's a great choice for your percussion ensemble or to showcase a pair of mallet players in your program. The piece only requires one mallet per hand.If you would like to know more about me and what I do, you may locate me on LinkedIn at Frank Pugh Independent Composer / Arranger . You may also find me on Facebook at @fpughmusic . I would love to know where my music is being performed if you care to share it. Thanks!
$4.99
Another Place
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Percussion Ensemble
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ADVANCED
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Contemporary
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Adam Grim
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Another Place
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00
A Swingin' Safari
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Percussion Ensemble
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Contemporary
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Billy Vaughn
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JohnBeale
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A Swingin' Safari
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John Beale
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SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.984904 By Billy Vaughn. By Bert Kaempfert. Arranged by JohnBeale. Contemporary. Score and parts. 68 pages....
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Percussion Ensemble - Digital Download SKU: A0.984904 By Billy Vaughn. By Bert Kaempfert. Arranged by JohnBeale. Contemporary. Score and parts. 68 pages. John Beale #6442233. Published by John Beale (A0.984904). For over 40 years I have arranged music for my school's musicians to come together and perform in school concerts. They were mostly grades 1-3. I tried to arrange the parts to be meaningful but at the same time maintaining an effective, complete and pleasing sound. I often arranged parts with individuals in mind. The piano part is there for support and filling in. Not a difficult piece and very repetitive and catchy. I have arranged this piece for a school orchestra made up of pupils of grades 1-3. I suggest a solo for the first 4 bars (I did with a recorder). At F there is a ‘jazz’ style solo. Choose your instrument. Once I did with a recorder. A second time with a trumpet. Beware you won’t get the tune out of your head!!
$49.99
The Little Drummer Boy - Score Only
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Percussion Ensemble
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EASY
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Kathrine Kennicott Davis
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William R Parker III
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The Little Drummer Boy - Score
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William Parker
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.1321460 Composed by Kathrine Kennicott Davis. Arranged by William R Parker III. Children,Christm...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.1321460 Composed by Kathrine Kennicott Davis. Arranged by William R Parker III. Children,Christmas,Holiday. 3 pages. William Parker #909919. Published by William Parker (A0.1321460). This is a fun piece for Elementary School drums. Using the glockenspiel, resonance bells, boom whackers, hand drums, tambourine, and triangle, students will be able to work together to play a holiday classic at an acheiveable level! The piece is only 32 bars but can be easily modified to fit your needs. If you want it longer... repeat. If not, than play it as is. There is a spark in the eyes of students when they realize that they are working as a team to make a song come to life. Please enjoy!!
$5.99
Four Forces (First movement) I. Strong Forces
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Percussion Ensemble
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ADVANCED
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Percussion Ensemble
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ADVANCED
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Quartet #3
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Percussion Ensemble
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INTERMEDIATE
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Jeff Tincher
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Quartet #3
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Jeff Tincher
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.584691 Composed by Jeff Tincher. Contemporary,Rock. Score and parts. 22 pages. Jeff Tincher #601...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.584691 Composed by Jeff Tincher. Contemporary,Rock. Score and parts. 22 pages. Jeff Tincher #6019463. Published by Jeff Tincher (A0.584691). This composition begins with a 12/8 rock tempo. Although it is written in C, the composition is begins in D Minor. The Marimba keeps the 12/8 going while the other three become punctuations. The punctuation continues while the Glockenspiel plays the melody. At measure 15 the song moves into a 6/8 feel. At measure 34 the song returns to the original 12/8 feel. The composition then splits to where the Vibraphone takes on harmony in the 12/8 feel while the Glockenspiel and Xylophone take on a 6/8 countermelody. A short bridge is created by stacking the other 2 on top of the Vibraphone and Marimba 12/8 feel. Then it splits again to where the Xylophone stays with the Vibraphone and Marimba pattern and the Glockenspiel goes off on it's own. During this time the Glockenspiel folds in the 6/8 melody, creating a pleasant conflict. The song D.C.'s to the original 12/8 content. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 6:14. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Koalas, Wombats and Drop Bears Too
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Percussion Ensemble
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INTERMEDIATE
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Fiona Hickie
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Koalas, Wombats and Drop Bears
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Fiona Alice Hickie
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.738088 Composed by Fiona Hickie. Classical,Contemporary,Patriotic,Rock. Score and parts. 17 page...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.738088 Composed by Fiona Hickie. Classical,Contemporary,Patriotic,Rock. Score and parts. 17 pages. Fiona Alice Hickie #4630233. Published by Fiona Alice Hickie (A0.738088). A set of 3 pieces (for 3 players). The pieces are about Australian animals.Instrumentation Glockenspiel, marimba, timpani and vibraphone (marimba can be used instead of vibraphone) 1. Koalas - A beautiful lullaby, where the glockenspiel plays the melody and the timpani comes in as a raucous koala, awake from his many hours of sleep. (Then he/she sleeps again.) 2. Wombat Waddle 3. Drop bear - a timpani solo about a mythical, carnivorous version of the koala.
$15.00
Sisyphus Phoenix
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Percussion Ensemble
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ADVANCED
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Jazz
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Contemporary
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Dalton McLaughlin
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Sisyphus Phoenix
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Dalton McLaughlin
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1011784 Composed by Dalton McLaughlin. 20th Century,Jazz. Score and parts. 95 pages. Dalton McLa...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1011784 Composed by Dalton McLaughlin. 20th Century,Jazz. Score and parts. 95 pages. Dalton McLaughlin #3452087. Published by Dalton McLaughlin (A0.1011784). This percussion ensemble, which was written for the Wisconsin Youth Symphony Orchestras Percussion ensemble, is a jazz inspired blend of the music that fascinated me when I wrote this. It is inspired by the work of Claude Debussy and Jacob Collier, because I felt like there ins't really much in the way of a percussion ensemble in that vein. It is also inspired by the idea of Sisyphus, the Greek Myth, and the idea of a phoenix burning up to become renewed.This piece works great for college percussion ensembles.
$1.99
Ojo for percussion quintet
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Joe W
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Ojo for percussion quintet
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JWMIII Compositions
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1086633 Composed by Joe W. Moore III. 20th Century,Contemporary,Latin,Multicultural,World. Score...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1086633 Composed by Joe W. Moore III. 20th Century,Contemporary,Latin,Multicultural,World. Score and parts. 82 pages. JWMIII Compositions #690841. Published by JWMIII Compositions (A0.1086633). Ojo (evil eye) was written in 2018 for the UTRGV Percussion ensemble. The inspiration for the piece comes from Latin American folklore “mal de ojo†which is essentially staring or looking on someone with envy or praising them without touching them. It is believed that your spirit will haunt the person you’ve looked at with a desire to touch but didn’t. This is the goal of the piece; to keep the audience engaged throughout the work with quick passages, rhythmic variety, and timbre changes, giving the performers ojo because there is no other option but to watch and listen intently.
$50.00
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