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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
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BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
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Here We Come
Not classified
397
Piano & keyboards
Piano solo
232
Piano, Vocal and Guitar
90
Easy Piano
68
Piano, Voice
62
Piano Accompaniment
53
Organ
28
C Instruments
26
1 Piano, 4 hands
19
Piano Trio: piano, violin, cello
4
Big Note Piano
3
Piano Quartet: piano, violin, viola, cello
2
Piano Quartet: piano, 2 violins, cello
2
2 Pianos, 4 hands
2
Solo instrument and Organ
1
Piano (band part)
1
+ 10 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
28
Guitar
18
Ukulele
13
Melody line, (Lyrics) and Chords
9
4 Guitars (Quartet)
3
Bass guitar
3
2 Guitars (duet)
3
Baritone Ukulele
2
Lyrics and Chords
2
Mandolin
2
Banjo
1
Guitar (band part)
1
Piano, Guitar (duet)
1
3 Guitars (trio)
1
+ 9 instrumentations
-
Retract
Voice
Choral SATB
147
Choral 3-part
57
Choral 2-part
26
Tenor voice, Piano
18
Choral Unison
16
Choral TTBB
16
Soprano voice, Piano
8
Alto voice, Piano
6
Choral SSAA
6
Choral
5
Tenor voice
5
Vocal duet
5
High voice
5
Vocal duet, Piano
5
Voice solo
2
Mezzo-Soprano voice, Piano
2
Low voice
1
Soprano voice
1
Low voice, Piano
1
+ 14 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
33
Flute
25
Alto Saxophone
24
2 Flutes (duet)
23
Saxophone Quartet: 4 saxophones
23
Clarinet
20
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
19
Flute and Piano
18
Flute, Oboe, Clarinet, Bassoon
16
Alto Saxophone and Piano
16
Clarinet Quartet: 4 clarinets
14
3 Saxophones (trio)
14
2 Clarinets (duet)
13
Clarinet and Piano
12
Saxophone (band part)
11
Oboe, Piano (duet)
11
Tenor Saxophone and Piano
11
Tenor Saxophone
9
Oboe (band part)
9
Saxophone Quintet: 5 Saxophones
7
Clarinet (band part)
7
Flute Quartet: 4 flutes
7
2 Oboes (duet)
6
Soprano Saxophone and Piano
6
Flute, Clarinet (duet)
6
Clarinet, Harp (duet)
5
Saxophone, Clarinet (duet)
5
Flute, Harp and Cello
4
Flute, Oboe, Clarinet (trio)
4
Recorder
4
Flute Trio: 3 flutes
4
Descant (Soprano) Recorder
4
Flute, Clarinet and Bassoon.
4
3 Clarinets (trio)
3
Saxophone ensemble
3
Bass Clarinet, Piano
3
Baritone Saxophone, Piano
3
Flute ensemble
3
Soprano Saxophone
3
Flute (band part)
3
Oboe
3
Clarinet Ensemble
3
Clarinet, Bassoon (duet)
2
Ocarina
2
Pennywhistle
2
Flute Quintet : 5 flutes
2
Clarinet and Viola
2
Baritone Saxophone
2
Clarinet, Violin (duet)
2
Oboe, Flute
2
Oboe, Guitar (duet)
2
Flute, Cello, Piano (trio)
2
Recorder Quartet
2
Flute, Saxophone (duet)
2
Clarinet Quintet: 5 clarinets
1
Flute, Oboe, Bassoon
1
English horn, Piano
1
Flute, Violoncello
1
Flute and Guitar
1
Recorder Ensemble
1
Bass Clarinet
1
Oboe, Clarinet (duet)
1
Flute, Clarinet, Piano (trio)
1
Flute, Oboe (duet)
1
Recorder, Piano
1
3 Oboes
1
Treble (Alto) Recorder
1
Flute, harp and violin
1
Clarinet, Trombone (duet)
1
2 Flutes and Harp
1
Harmonica
1
Flute, Viola (duet)
1
Clarinet, Trumpet (duet)
1
Descent (Soprano) Recorder, Piano
1
Flute, Trumpet (duet)
1
Flute, Violin
1
Oboe, Bassoon (duet)
1
+ 72 instrumentations
-
Retract
Woodbrass
Trumpet
27
Trombone
21
French horn
17
Brass Quintet: 2 trumpets, horn, trombone, tuba
16
2 Trumpets (duet)
16
Brass Quartet: 4 trombones
13
Trombone (band part)
11
Tuba
10
Brass Quartet: 2 trumpets, horn, trombone
9
Trumpet (band part)
7
Trombone and Piano
7
2 Trombones (duet)
7
Trumpet, Trombone (duet)
7
French Horn and Piano
7
2 French horns (duet)
5
Brass Quartet
4
Tuba and Piano
4
Trumpet, Saxophone (duet)
4
Trumpet, Piano
4
Brass quartet : 2 trumpets, trombone, tuba
4
French horn (band part)
3
2 Tubas (duet)
2
Trumpet, Horn (duert)
2
Horn, Tuba (duet)
2
Tuba (band part)
2
2 Euphoniums and 2 Tubas
2
English horn, Piano
1
Trumpet, Euphonium (duet)
1
Bass Clef Instruments
1
Trombone ensemble
1
4 Tubas
1
Brass Quartet: 4 trumpets
1
+ 27 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
65
Violin
36
Violin and Piano
30
2 Violins (duet)
23
Cello
23
Harp
21
Cello, Piano
20
String Trio: violin, viola, cello
13
Violin, Cello (duet)
12
Viola
11
Viola, Piano
11
2 Cellos (duet)
9
Violin, Viola (duet)
8
2 Violas (duet)
7
2 Harps (duet)
7
Harp, Flute (duet)
6
String Quintet: 2 violins, viola, cello, bass
6
Double Bass
5
Double bass, Piano (duet)
5
Viola (band part)
4
String Trio: 2 violins, cello
4
2 Double basses (duet)
4
Harp, Voice
4
4 Cellos
2
2 Violins, Piano
2
Piano Trio: Violin, Viola, Piano
2
String quartet: 4 violins
2
Harp, Violin (duet)
2
Violin (band part)
2
Viola, Cello (duet)
2
Cello, Guitar (duet)
2
Cello, Organ
2
String trio
1
Violin ensemble
1
String Trio: 3 violins
1
Cello, String Bass (duet)
1
4 Double Basses
1
String Trio: 3 cellos
1
Harp and Piano
1
Doublebass (band part)
1
Violin, Guitar (duet)
1
String Trio: 3 violas
1
Viola ensemble
1
String Quartet : 4 violas
1
Violin, Cello, Clarinet
1
+ 40 instrumentations
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Retract
Orchestra & Percussion
Concert band
71
Orchestra
35
Brass ensemble
26
Chamber Orchestra
25
Handbells
16
String Orchestra
15
Jazz Ensemble
10
Percussion Ensemble
3
Percussion (band part)
3
Jazz combo
3
Percussion
1
2 Marimbas
1
Vibraphone
1
Piano and Orchestra
1
Marching band
1
Timpani (band part)
1
+ 11 instrumentations
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Retract
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You've selected:
Here We Come
Percussion Ensemble
Sheetmusic to print
3 sheet music found
<
1
Come To Me
#
Percussion Ensemble
#
INTERMEDIATE/ADVANCED
#
Bjork Gudmundsdottir
#
David R
#
Come To Me
#
Bluesilhouettes Music
#
SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,P...
(+)
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 87 pages. Bluesilhouettes Music #935388. Published by Bluesilhouettes Music (A0.1350568). If you had a day, and all you listened to was Björk, you’d have a fascinating day. The experience would be marked by a kaleidoscope of varying styles from pop, avant-garde, or jazz. Is it mainstream - probably not. But, the artist is definitely recognizable (as a name), appearing across multiple genres. As a source of background to her song ‘Come to Me,’ I borrowed a palindromic idea exploited by Radiohead in their ‘Pyramid song...’ if we truly expand a swing feel to a twelve-eight meter and extend the pattern across two measures - the eighth notes would provide a total of twenty-four possibilities - and as in this work you get four, five, six, five, four a palindrome on 45654 that (when added) equals twenty-four.This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of dance, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Full mock-up digital audio: available here
$34.99
Four Forces (First movement) I. Strong Forces
#
Percussion Ensemble
#
ADVANCED
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
(+)
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
#
Percussion Ensemble
#
ADVANCED
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
(+)
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
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1
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