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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Here We Come A
Not classified
385
Piano & keyboards
Piano solo
224
Piano, Vocal and Guitar
87
Easy Piano
66
Piano, Voice
55
Piano Accompaniment
53
Organ
25
C Instruments
23
1 Piano, 4 hands
19
Piano Trio: piano, violin, cello
4
Big Note Piano
3
2 Pianos, 4 hands
2
Piano Quartet: piano, violin, viola, cello
2
Piano Quartet: piano, 2 violins, cello
2
Solo instrument and Organ
1
Piano (band part)
1
+ 10 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
27
Guitar
18
Ukulele
13
Melody line, (Lyrics) and Chords
8
2 Guitars (duet)
3
4 Guitars (Quartet)
3
Bass guitar
3
Mandolin
2
Baritone Ukulele
2
Lyrics and Chords
2
3 Guitars (trio)
1
Piano, Guitar (duet)
1
Guitar (band part)
1
Banjo
1
+ 9 instrumentations
-
Retract
Voice
Choral SATB
140
Choral 3-part
57
Choral 2-part
26
Tenor voice, Piano
18
Choral TTBB
16
Choral Unison
13
Soprano voice, Piano
8
Choral SSAA
6
Alto voice, Piano
6
Vocal duet
5
Vocal duet, Piano
5
Choral
4
Tenor voice
4
High voice
4
Mezzo-Soprano voice, Piano
2
Voice solo
2
Low voice
1
Soprano voice
1
Low voice, Piano
1
+ 14 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
33
Flute
25
Alto Saxophone
24
2 Flutes (duet)
23
Saxophone Quartet: 4 saxophones
21
Clarinet
20
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
19
Flute and Piano
17
Alto Saxophone and Piano
16
Flute, Oboe, Clarinet, Bassoon
16
3 Saxophones (trio)
14
2 Clarinets (duet)
13
Clarinet Quartet: 4 clarinets
13
Clarinet and Piano
12
Tenor Saxophone and Piano
11
Oboe, Piano (duet)
11
Tenor Saxophone
9
Oboe (band part)
8
Saxophone (band part)
7
Flute Quartet: 4 flutes
7
Saxophone Quintet: 5 Saxophones
7
Flute, Clarinet (duet)
6
Soprano Saxophone and Piano
6
2 Oboes (duet)
6
Clarinet, Harp (duet)
5
Saxophone, Clarinet (duet)
5
Flute Trio: 3 flutes
4
Flute, Clarinet and Bassoon.
4
Flute, Oboe, Clarinet (trio)
4
Recorder
4
Descant (Soprano) Recorder
4
Flute, Harp and Cello
4
Clarinet Ensemble
3
Oboe
3
Saxophone ensemble
3
Clarinet (band part)
3
Soprano Saxophone
3
Baritone Saxophone, Piano
3
3 Clarinets (trio)
3
Bass Clarinet, Piano
3
Flute ensemble
3
Baritone Saxophone
2
Flute (band part)
2
Flute, Saxophone (duet)
2
Ocarina
2
Clarinet, Violin (duet)
2
Pennywhistle
2
Clarinet and Viola
2
Oboe, Guitar (duet)
2
Flute Quintet : 5 flutes
2
Oboe, Flute
2
Recorder Quartet
2
Clarinet, Bassoon (duet)
2
Flute, Cello, Piano (trio)
2
Flute, Violoncello
1
Descent (Soprano) Recorder, Piano
1
Oboe, Bassoon (duet)
1
3 Oboes
1
Flute, Clarinet, Piano (trio)
1
Recorder, Piano
1
Flute, Viola (duet)
1
Clarinet Quintet: 5 clarinets
1
Clarinet, Trombone (duet)
1
Oboe, Clarinet (duet)
1
Harmonica
1
Clarinet, Trumpet (duet)
1
Flute, Oboe (duet)
1
Flute, Violin
1
Flute, harp and violin
1
Flute and Guitar
1
Recorder Ensemble
1
Bass Clarinet
1
2 Flutes and Harp
1
Flute, Oboe, Bassoon
1
Flute, Trumpet (duet)
1
English horn, Piano
1
Treble (Alto) Recorder
1
+ 72 instrumentations
-
Retract
Woodbrass
Trumpet
27
Trombone
21
French horn
17
2 Trumpets (duet)
16
Brass Quintet: 2 trumpets, horn, trombone, tuba
14
Brass Quartet: 4 trombones
13
Tuba
10
Brass Quartet: 2 trumpets, horn, trombone
9
Trombone (band part)
8
2 Trombones (duet)
7
Trumpet, Trombone (duet)
7
French Horn and Piano
7
Trombone and Piano
7
Trumpet (band part)
6
2 French horns (duet)
5
Brass Quartet
4
Trumpet, Saxophone (duet)
4
Trumpet, Piano
4
Tuba and Piano
4
Brass quartet : 2 trumpets, trombone, tuba
3
2 Euphoniums and 2 Tubas
2
Horn, Tuba (duet)
2
French horn (band part)
2
Trumpet, Horn (duert)
2
2 Tubas (duet)
2
4 Tubas
1
Trombone ensemble
1
Brass Quartet: 4 trumpets
1
Trumpet, Euphonium (duet)
1
Bass Clef Instruments
1
Tuba (band part)
1
English horn, Piano
1
+ 27 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
60
Violin
36
Violin and Piano
30
Cello
23
2 Violins (duet)
23
Harp
21
Cello, Piano
20
String Trio: violin, viola, cello
13
Violin, Cello (duet)
12
Viola, Piano
11
Viola
11
2 Cellos (duet)
9
Violin, Viola (duet)
7
2 Violas (duet)
7
String Quintet: 2 violins, viola, cello, bass
6
2 Harps (duet)
6
Double Bass
5
Double bass, Piano (duet)
5
Harp, Flute (duet)
5
String Trio: 2 violins, cello
4
2 Double basses (duet)
4
Harp, Voice
4
Viola (band part)
4
Cello, Guitar (duet)
2
Viola, Cello (duet)
2
Violin (band part)
2
String quartet: 4 violins
2
4 Cellos
2
Piano Trio: Violin, Viola, Piano
2
Harp, Violin (duet)
2
2 Violins, Piano
2
Cello, Organ
2
String Trio: 3 violas
1
Violin, Cello, Clarinet
1
Viola ensemble
1
Harp and Piano
1
4 Double Basses
1
String trio
1
String Trio: 3 cellos
1
Violin, Guitar (duet)
1
Violin ensemble
1
Doublebass (band part)
1
String Quartet : 4 violas
1
Cello, String Bass (duet)
1
String Trio: 3 violins
1
+ 40 instrumentations
-
Retract
Orchestra & Percussion
Concert band
68
Orchestra
35
Brass ensemble
26
Chamber Orchestra
23
String Orchestra
15
Handbells
15
Jazz Ensemble
10
Percussion Ensemble
3
Percussion (band part)
2
Jazz combo
2
Marching band
1
Vibraphone
1
Piano and Orchestra
1
2 Marimbas
1
+ 9 instrumentations
-
Retract
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You've selected:
Here We Come A
Percussion Ensemble
Sheetmusic to print
3 sheet music found
<
1
Come To Me
#
Percussion Ensemble
#
INTERMEDIATE/ADVANCED
#
Bjork Gudmundsdottir
#
David R
#
Come To Me
#
Bluesilhouettes Music
#
SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,P...
(+)
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 87 pages. Bluesilhouettes Music #935388. Published by Bluesilhouettes Music (A0.1350568). If you had a day, and all you listened to was Björk, you’d have a fascinating day. The experience would be marked by a kaleidoscope of varying styles from pop, avant-garde, or jazz. Is it mainstream - probably not. But, the artist is definitely recognizable (as a name), appearing across multiple genres. As a source of background to her song ‘Come to Me,’ I borrowed a palindromic idea exploited by Radiohead in their ‘Pyramid song...’ if we truly expand a swing feel to a twelve-eight meter and extend the pattern across two measures - the eighth notes would provide a total of twenty-four possibilities - and as in this work you get four, five, six, five, four a palindrome on 45654 that (when added) equals twenty-four.This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of dance, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Full mock-up digital audio: available here
$34.99
Four Forces (First movement) I. Strong Forces
#
Percussion Ensemble
#
ADVANCED
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
(+)
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
#
Percussion Ensemble
#
ADVANCED
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
(+)
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
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1
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