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703
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305
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70
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53
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20
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14
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8
Melody line, Piano
6
Piano (band part)
4
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3
Keyboard
3
Piano Quartet: piano, 2 violins, cello
2
Harpsichord
1
Organ, Trumpet (duet)
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2 Pianos, 4 hands
1
+ 14 instrumentations
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243
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88
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17
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8
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6
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2
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283
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254
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49
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49
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Choral
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11
High voice
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Alto voice, Piano
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Vocal duet, Piano
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Baritone voice, Piano
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Vocal duet
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Voice, Guitar
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Choral SSAATTBB
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Oboe
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Recorder
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5
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Clarinet, Trumpet (duet)
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Harmonica
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3 Clarinets (trio)
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4
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Flute (band part)
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3
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3
Flute, Violin
3
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2
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2
Clarinet and Viola
2
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1
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1
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1
Flute, Saxophone (duet)
1
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81
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65
French horn
53
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48
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38
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37
Trombone and Piano
35
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30
Tuba
29
Tuba and Piano
29
French Horn and Piano
27
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18
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11
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10
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9
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String Quintet: 2 violins, 2 violas, cello
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Percussion Ensemble
Sheetmusic to print
4 sheet music found
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1
Gravity for Septet
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Percussion Ensemble
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ADVANCED
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Contemporary
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. ...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
Ambrosian Wish - Percussion Ensemble with Narrator
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Percussion Ensemble
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INTERMEDIATE
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Chris Kamerling
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his website is www
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Ambrosian Wish - Percussion En
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Phantom K Music
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1012290 Composed by Chris Kamerling. Contemporary,Standards. Score and parts. 24 pages. Phantom ...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1012290 Composed by Chris Kamerling. Contemporary,Standards. Score and parts. 24 pages. Phantom K Music #6642767. Published by Phantom K Music (A0.1012290). Are you searching for something different for your percussion ensemble? Do you not have enough players to utilize keyboard percussion? Have you ever wanted to do something with narrator, but haven't had the chance? Well, I've got a piece for you! This piece is for four percussionists and a single narrator. The sound hearkens back to the beatnik poets of the 1960s! This is an exploration of sound for your percussionists, which allows them to use varied instruments from the snare drum to flower pots! I hope you enjoy Ambrosian Wish for percussion ensemble and narrator. Chris Kamerling can be found on Facebook at www.facebook.com/kamerlingcomposer; his website is www.chriskamerling.com; and his YouTube channel is www.youtube.com/user/ckamerling93. You are always welcome to contact Mr. Kamerling by email at phantomkmusic@gmail.com
$15.00
Canon In D
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Percussion Ensemble
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INTERMEDIATE
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Classical
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Johann Pachelbel
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Kate Gore
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Canon In D
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Kate G.
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1028171 Composed by Johann Pachelbel. Arranged by Kate Gore. Contemporary. Score and parts. 16 p...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1028171 Composed by Johann Pachelbel. Arranged by Kate Gore. Contemporary. Score and parts. 16 pages. Kate G. #3412151. Published by Kate G. (A0.1028171). This is an arrangement of Canon In D for a small percussion ensemble. It includes 5 parts: Piano/Synthesizer, Marimba 1, Marimba 2, Vibraphone, and Glockenspiel. I've arranged it in a way that all performers will have an interesting part. This piece, originally for a string quartet, is very popular in wedding ceremonies, and this arrangement would be very beneficial in teaching percussion ensemble students.
$12.00
En Rêve for Percussion Ensemble
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Percussion Ensemble
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EASY
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Contemporary
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Anders Wall
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I felt like I was in France
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En Rêve for Percussion En
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WallofSound
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.1028124 Composed by Anders Wall. 20th Century,Contemporary. Score and parts. 23 pages. WallofSou...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.1028124 Composed by Anders Wall. 20th Century,Contemporary. Score and parts. 23 pages. WallofSound #3374791. Published by WallofSound (A0.1028124). En Rêve, In Dream, was conceived when I studied composition for Tobias Broström. Every day I was commuting from Skurup to Båstad and every day I was struck by Båstads almost continental beauty; I felt like I was in France. Cobble stone roads, houses with towers and that mountain ridge close to the ocean...One day on the train, I ran into three French girls on holiday.Patiently they listened to my ideas and kindly helped me translate the tempo markings to French. The piece begins with us falling to sleep. The marimbas rocks us slowly In Dream.After sudden movements in the vibraphone we are happily strolling on the cobble stones, sun shining and children riding their bikes across the streets not noticing the rocky ride.Bells chime in the distance and the world – or the dream – vanish. As sudden as it started it is gone.The dissonance of the beginning is now gone and our sleep is peaceful and calm - or is it..? Originally a solo piece for Marimba dedicated to Kasper Grøn.Thanks to Camille, Carole, Raphaëlle for the help with the French.
$10.00
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