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I Like It Like That
Percussion Ensemble
Sheetmusic to print
11 sheet music found
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1
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Percussion Ensemble
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673....
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
What Universe Lies Within
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Brandon Nelson
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What Universe Lies Within
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Brandon Nelson
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelso...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelson #2907437. Published by Brandon Nelson (A0.912929). For percussion duo. Required instruments: bells, vibraphone, xylophone, temple blocks, suspended cymbals (3 sizes). General programming. Advanced Intermediate level.Commissioned by Chris Nadeau for CAn-Duo. Premiered at Colorado State University, October 16, 2016.It is common knowledge that the universe we see is composed of tiny particles known as atoms. For much of scientific history, it was thought that atoms were made up of three indivisible particles: protons, neutrons, and electrons.Thanks to contemporary advances in physics, we now know that these particles are, in fact, made up of much smaller particles and that these constituents sometimes behave in ways that confound what we thought we knew of the physical universe.In this piece, I have portrayed one type of these subatomic particles, the quark. There are six types (or flavors) of quark: up, down, charm, strange, top, and bottom. These are differentiated by the type of charge they carry and their masses.The first movement is Strange Quark. This flavor has a negative charge and is relatively light. Much like the particle, this movement often behaves in unusual ways.Top Quark, the second movement, portrays the quark flavor that is by far the heaviest. Slow and massive, this particle allowed for the study of the famous Higgs boson.The final movement, Up Quark, is light and decays quickly, much like this particle that contributes to both protons and neutrons.The universe is indeed a wonder to behold and its scale is hardly comprehensible to the human mind. And yet, it is becoming increasingly apparent that there exists an entire universe yet to uncover in the most infinitesimal pieces of matter. It is my hope that the wonder and mystery this inspires be conveyed through this piece of music.
$9.99
Gravity for Septet
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Percussion Ensemble
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ADVANCED
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Contemporary
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. ...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
En Rêve for Percussion Ensemble
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Percussion Ensemble
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EASY
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Contemporary
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Anders Wall
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En Rêve for Percussion En
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WallofSound
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.1028124 Composed by Anders Wall. 20th Century,Contemporary. Score and parts. 23 pages. WallofSou...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.1028124 Composed by Anders Wall. 20th Century,Contemporary. Score and parts. 23 pages. WallofSound #3374791. Published by WallofSound (A0.1028124). En Rêve, In Dream, was conceived when I studied composition for Tobias Broström. Every day I was commuting from Skurup to Båstad and every day I was struck by Båstads almost continental beauty; I felt like I was in France. Cobble stone roads, houses with towers and that mountain ridge close to the ocean...One day on the train, I ran into three French girls on holiday.Patiently they listened to my ideas and kindly helped me translate the tempo markings to French. The piece begins with us falling to sleep. The marimbas rocks us slowly In Dream.After sudden movements in the vibraphone we are happily strolling on the cobble stones, sun shining and children riding their bikes across the streets not noticing the rocky ride.Bells chime in the distance and the world – or the dream – vanish. As sudden as it started it is gone.The dissonance of the beginning is now gone and our sleep is peaceful and calm - or is it..? Originally a solo piece for Marimba dedicated to Kasper Grøn.Thanks to Camille, Carole, Raphaëlle for the help with the French.
$10.00
Sisyphus Phoenix
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Percussion Ensemble
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ADVANCED
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Jazz
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Contemporary
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Dalton McLaughlin
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Sisyphus Phoenix
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Dalton McLaughlin
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1011784 Composed by Dalton McLaughlin. 20th Century,Jazz. Score and parts. 95 pages. Dalton McLa...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1011784 Composed by Dalton McLaughlin. 20th Century,Jazz. Score and parts. 95 pages. Dalton McLaughlin #3452087. Published by Dalton McLaughlin (A0.1011784). This percussion ensemble, which was written for the Wisconsin Youth Symphony Orchestras Percussion ensemble, is a jazz inspired blend of the music that fascinated me when I wrote this. It is inspired by the work of Claude Debussy and Jacob Collier, because I felt like there ins't really much in the way of a percussion ensemble in that vein. It is also inspired by the idea of Sisyphus, the Greek Myth, and the idea of a phoenix burning up to become renewed.This piece works great for college percussion ensembles.
$1.99
Dandelion Wind
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Percussion Ensemble
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INTERMEDIATE
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Celtic/Irish
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Frank Pugh
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Dandelion Wind
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Frank Pugh
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.942719 Composed by Frank Pugh. Celtic,Contemporary,Standards. Score and parts. 8 pages. Frank Pu...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.942719 Composed by Frank Pugh. Celtic,Contemporary,Standards. Score and parts. 8 pages. Frank Pugh #3550781. Published by Frank Pugh (A0.942719). The title of Dandelion Wind comes from watching the white seeds blow off of a dandelion head in a strong breeze. Once in motion, the seeds travel with the wind until they come to a final resting place on the ground below. This piece flows along in that vein of a seedling's windblown journey.Although two marimbas were used in the sound file, the piece works equally well with vibraphones, xylophones, or a vibe/xylo/marimba mix. It has a slight Celtic feel to it, and it comes in at just over 1:30 if played at the minimum suggested tempo. It's a great choice for your percussion ensemble or to showcase a pair of mallet players in your program. The piece only requires one mallet per hand.If you would like to know more about me and what I do, you may locate me on LinkedIn at Frank Pugh Independent Composer / Arranger . You may also find me on Facebook at @fpughmusic . I would love to know where my music is being performed if you care to share it. Thanks!
$4.99
Asian Symmetries
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Percussion Ensemble
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INTERMEDIATE
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Dan Heslink
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Asian Symmetries
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publicati...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Published by Pharaoh Publications (A0.935379). Asian Symmetries by Dan Heslink Asian Symmetries is a fanciful work which draws loosely from the musical procedures and sonic preferences of Indonesian and other Asian musical styles. It is scored for three percussionists, each with their own battery of instruments. Gamelan-like impressions might be inferred from the cyclical nature of its rhythm, using metal plates like cymbals and gongs to mark large units of rhythmic time. Also evocative are the faster moving elaborations and a preponderance of metallophones in the instrumentation. The work is medium to difficult in its demands. There are quick changes of instrument, planned to be manageable but requiring some attention to logistics Each player’s performance station must remain stationary, with all instruments in reach without moving the performer’s position. Percussion I and Percussion III players must set up next to each other so that they may share the tenor drum. A selection of mallets that allows different striking surfaces to sound good without undue picking up and setting down of mallets is suggested. Changes of meter and tempo occur, and an odd meter section sporting measures in 12/8, 6/8, 11/8 may require some additional attention. The instrumentation is selected to approximate Asian sounds with common western instruments. Performance time is 6:28. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$4.99
The Man Who Laughs
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Percussion Ensemble
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ADVANCED
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the end of this section, the a
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Jehad Choate
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The Man Who Laughs
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Jehad Choate
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. ...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Jehad Choate #4781401. Published by Jehad Choate (A0.1025413). The Man Who Laughs is a musical portrait of Batman’s greatest adversary, the Joker (Detective Comics). This piece draws inspiration from both comic book sources and live-action performances on film and television. It features five continuous sections:One Bad Day: (Page 1) A prelude showcasing a lush melodic theme that ascribes the derangement of a normal man to the dramatic events of one bad day.How I Got These Scars: (Page 10) Introduces additional thematic material at a frantically energized pace to contrive an identity from a mind fragmented by hitting rock bottom.Why So Serious: (Page 17) Punctuates the Joker’s aggressive resolutions with a reoccurring two note motif.A Dance with the Devil: (Page 33) A fleshed-out unity of previous materials in a romantic waltz-like style.Giggling in a Corner and Bleeding: (Page 47) A dynamic and provocative bout of hysteria that challenges the speed and dexterity of a player in the same way the Joker challenges the ideological resolve of Batman. By the end of this section, the audience might feel like they have been attacked by the Joker, influenced by him, or may have actually been the Joker all along.
$10.00
Up the Body and Down the Page
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Tsoof Baras
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Up the Body and Down the Page
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Tsoof Baras
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1013929 Composed by Tsoof Baras. Concert,Contemporary,Instructional,Standards. Score and parts. ...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1013929 Composed by Tsoof Baras. Concert,Contemporary,Instructional,Standards. Score and parts. 16 pages. Tsoof Baras #6663587. Published by Tsoof Baras (A0.1013929). Players - 4Instrumentation - Body Percussion‘Up the Body and Down the Page’ is a body percussion piece for percussion quartet. This piece involves the playing of one’s body as an instrument. For musicians, this piece is short, easy to setup, exciting for the crowd, a bit of a workout, fun to play and a challenge.My aim for this piece was to emulate the concept of ‘seeing sounds’ by only creating sound in the light. It was a challenge to get the lighting effect that provided us with a sharp difference between light and dark.Because it is such a physical piece, I would encourage the performers to add in choreography and to exercise the power of choice in terms of sticking (‘handings’ and ‘footings’) and the choice between standing and sitting. The performers may also experiment with visual mediums like talcum powder and other sound choices like using toy hammers instead of hands and choosing extremely thick shoes.
$45.00
The Nurse's Tale, by P. Tchaikovsky for Percussion Ensemble (arr. Rodrigo Teodoro)
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Percussion Ensemble
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INTERMEDIATE
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Classical
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Peter Ilyich Tchaikovsky
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Rodrigo Teodoro
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The Nurse's Tale, by P. Tchaik
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Rodrigo Teodoro
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.920004 Composed by Peter Ilyich Tchaikovsky. Arranged by Rodrigo Teodoro. Children,Christmas,Hol...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.920004 Composed by Peter Ilyich Tchaikovsky. Arranged by Rodrigo Teodoro. Children,Christmas,Holiday,Romantic Period. Score and parts. 20 pages. Rodrigo Teodoro #6345177. Published by Rodrigo Teodoro (A0.920004). 10 Parts, although one person can play multiple percussion parts.Full Part List-Glockenspiel -Vibraphone -Xylophone -Marimba-Snare Drum-Bass Drum-Triangle-Tambourine-Cymbals-TimpaniThe Nurse's Tale, for Percussion EnsembleA solo piano piece orchestrated for percussion ensemble.In a letter, the composer wrote: A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann's. This piece is part of a cycle of 24 piano pieces composed between May and July 1878.Contact Info:e-mail: rodrigororiz7@gmail.com
$8.99
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