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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
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I Was Here
Not classified
1,427
Piano & keyboards
Piano solo
739
Piano, Voice
223
Piano, Vocal and Guitar
222
C Instruments
76
Easy Piano
57
Organ
47
2 Pianos, 4 hands
35
1 Piano, 4 hands
13
Piano Trio: piano, violin, cello
12
Piano Accompaniment
8
Accordion
4
Piano Quartet: piano, 2 violins, cello
3
Big Note Piano
3
Piano Quartet: piano, violin, viola, cello
3
Organ, Piano (duet)
2
2 Pianos, 8 hands
2
Piano Quintet: piano, 2 violins, viola, cello
1
Piano (band part)
1
Keyboard
1
Organ, Trumpet (duet)
1
+ 15 instrumentations
-
Retract
Guitars
Guitar
80
Guitar notes and tablatures
61
Melody line, (Lyrics) and Chords
18
2 Guitars (duet)
15
Ukulele
11
Bass guitar
10
4 Guitars (Quartet)
8
Mandolin
6
Piano, Guitar (duet)
3
3 Guitars (trio)
3
Banjo
2
Guitar Ensemble
2
Guitar, Violin, Cello (trio)
1
Baritone Ukulele
1
Lyrics and Chords
1
Guitar, Orchestra
1
Mandolin, Guitar (duet)
1
+ 12 instrumentations
-
Retract
Voice
Choral SATB
345
Choral 3-part
60
Choral 2-part
39
Choral TTBB
31
Alto voice, Piano
30
Choral SSAA
27
Tenor voice
26
Baritone voice, Piano
26
Soprano voice
24
Voice solo
12
Choral Unison
12
Soprano voice, Piano
11
Vocal duet, Piano
9
Vocal duet
7
High voice
6
Tenor voice, Piano
3
Choral SSATTB
2
Medium voice, Piano
2
Choral SSAB, Piano
1
+ 14 instrumentations
-
Retract
Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
148
Saxophone Quintet: 5 Saxophones
110
Saxophone ensemble
74
Saxophone Quartet: 4 saxophones
64
Flute and Piano
59
Flute, Oboe, Clarinet, Bassoon
58
Clarinet Ensemble
49
Clarinet and Piano
45
Clarinet Quartet: 4 clarinets
40
2 Clarinets (duet)
39
Oboe, Piano (duet)
36
Alto Saxophone and Piano
35
Flute ensemble
35
Clarinet
35
2 Flutes (duet)
33
Flute
31
2 Saxophones (duet)
29
Alto Saxophone
26
Tenor Saxophone and Piano
24
English horn, Piano
18
Flute and Guitar
17
Flute Quintet : 5 flutes
17
Oboe (band part)
16
3 Clarinets (trio)
16
Baritone Saxophone, Piano
15
Soprano Saxophone and Piano
14
Flute Quartet: 4 flutes
13
Clarinet, Guitar (duet)
13
Tenor Saxophone
11
Saxophone, Clarinet (duet)
10
2 Oboes (duet)
9
Clarinet, Violin (duet)
9
Flute, Clarinet (duet)
9
Bass Clarinet, Piano
8
Oboe, Bassoon (duet)
7
Saxophone (band part)
7
Clarinet Quintet: 5 clarinets
7
Oboe, Guitar (duet)
6
Descant (Soprano) Recorder
6
2 Flutes, Piano
5
Recorder Quartet
5
Flute, Violin
5
Oboe, Clarinet (duet)
5
Flute, Saxophone (duet)
5
3 Saxophones (trio)
4
Recorder
4
Flute Trio: 3 flutes
4
Clarinet and Viola
4
Soprano Saxophone
4
Flute, Oboe, Clarinet (trio)
3
Flute, harp and violin
3
Clarinet, Harp (duet)
3
Flute, Viola (duet)
3
English Horn
3
Flute, Clarinet, Piano (trio)
3
English Horn, Guitar (duet)
3
Clarinet, Cello (duet)
2
Treble (Alto) Recorder
2
Saxophone
2
Descent (Soprano) Recorder, Piano
2
Ocarina
2
Saxophone and Harp
2
2 Oboes, Piano
2
Saxophone and Organ
2
Harmonica
2
Saxophone and Guitar
2
2 Clarinets, Piano
2
Oboe, Flute
2
Flute, Violin, Piano
2
Clarinet, Trumpet (duet)
2
Treble (Alto) Recorder, Piano
2
Clarinet, Trombone (duet)
2
Flute (band part)
2
Clarinet Quintet: Clarinet, String Quartet
1
2 Flutes and Harp
1
Oboe, Clarinet, Bassoon (trio)
1
Piccolo
1
Flute, Oboe (duet)
1
4 Oboes
1
2 Saxophones, Piano
1
Clarinet, Bassoon (duet)
1
Flute, Bassoon, and Piano
1
Clarinet, Cello, Piano (trio)
1
Piccolo, Piano
1
Oboe, Harp
1
2 Recorders (duet)
1
+ 81 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
125
Brass quartet : 2 trumpets, trombone, tuba
113
Trombone and Piano
37
Trumpet
35
Brass Quartet
34
Trombone ensemble
30
Brass Quartet: 2 trumpets, horn, trombone
30
Trumpet, Piano
25
Trombone
23
Trumpet ensemble
20
English horn, Piano
18
Euphonium, Piano (duet)
16
2 Trombones (duet)
16
French Horn and Piano
15
Tuba
15
French horn
13
Tuba and Piano
12
2 Trumpets (duet)
12
2 French horns (duet)
9
Trumpet, Trombone (duet)
9
Brass Quartet: 4 trombones
7
Horn Ensemble
6
Trumpet, Saxophone (duet)
5
2 Trumpets, Keyboard (piano or organ)
4
2 French horns, Piano
3
Brass Quintet: 2 trumpets, horn, 2 trombones
3
Brass Quartet: 4 trumpets
3
2 Tubas (duet)
3
English Horn
3
Brass Trio
3
English Horn, Guitar (duet)
3
2 Euphoniums and 2 Tubas
2
Bass Trombone and Piano
2
3 Trombones (trio)
2
French Horn and Harp
1
Trombone, Tuba (duet)
1
Trumpet, Euphonium (duet)
1
3 French horns (trio)
1
Trombone and Orchestra
1
2 Euphoniums (duet)
1
Bass Clef Instruments
1
4 Euphoniums
1
Trumpet, Harp
1
Tuba ensemble
1
Brass Quartet: 4 horns
1
Trumpet, Trombone, Piano
1
+ 41 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
190
Violin and Piano
85
Violin
53
Cello, Piano
50
Harp
49
Cello
43
Viola, Piano
41
String Trio: violin, viola, cello
37
2 Violins (duet)
31
Violin, Cello (duet)
22
2 Harps (duet)
18
Viola ensemble
17
2 Violas (duet)
17
2 Cellos (duet)
17
String Quintet: 2 violins, viola, cello, bass
16
Violin ensemble
16
Viola
15
Violin, Viola (duet)
11
Double Bass
10
String Trio: 2 violins, cello
9
Double bass, Piano (duet)
9
Viola (band part)
9
Cello, Guitar (duet)
7
2 Violins, Piano
6
Violin, Guitar (duet)
6
4 Cellos
4
String Quintet: 2 violins, 2 violas, cello
3
Harp, Flute (duet)
3
Harp, Voice
3
2 Cellos, Piano
2
4 Double Basses
2
String quartet: 4 violins
2
String Trio: 3 violins
2
Harp, Violin (duet)
2
Viola, Cello (duet)
2
Harp, Cello (duet)
1
Harp, Trombone (duet)
1
Cello, Orchestra
1
String Quartet : 4 violas
1
String Trio: 3 violas
1
Violin (band part)
1
Piano Trio: Violin, Viola, Piano
1
Cello, Organ
1
Viola and Harp
1
Cello, String Bass (duet)
1
Viola and Bassoon
1
Viola, Guitar (duet)
1
3 Harps
1
Cello Ensemble
1
String Trio: 3 cellos
1
Violin, Clarinet, Piano (trio)
1
+ 46 instrumentations
-
Retract
Orchestra & Percussion
Concert band
163
Orchestra
96
String Orchestra
87
Brass ensemble
55
Chamber Orchestra
44
Jazz Ensemble
42
Jazz combo
26
Percussion Ensemble
14
Handbells
11
Marching band
10
Marimba
5
Vibraphone
3
Drums
3
Xylophone
1
Brass Quintet: other combinaisons
1
Piano and Orchestra
1
2 Marimbas
1
+ 12 instrumentations
-
Retract
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I Was Here
Percussion Ensemble
Sheetmusic to print
14 sheet music found
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1
Four Forces (First movement) I. Strong Forces
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Percussion Ensemble
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ADVANCED
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
TAZ
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Percussion Ensemble
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EASY
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Rick Henson and Rick Henson
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TAZ
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Rick Henson
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.942553 Composed by Rick Henson and Rick Henson. Multicultural,World. Score and parts. 19 pages. ...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.942553 Composed by Rick Henson and Rick Henson. Multicultural,World. Score and parts. 19 pages. Rick Henson #2864595. Published by Rick Henson (A0.942553). This original composition was written for the Pan Ramajay Steel Drum Festival in 2013. It harkens to an era when steel pans were hung around the neck and marched through the streets.I wasn't there, then, but this song is how I imagine a steel band would sound marching through the streets. The sound is faint at first, but soon the neighborhood is filled with the unmistakable rhythm and soaring melodies of the steel band.
$29.99
Sweet Dreams (are Made Of This)
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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The Eurythmics
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David R
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Sweet Dreams
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Bluesilhouettes Music
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1324084 By The Eurythmics. By Annie Lennox and David Stewart. Arranged by David R. Peoples. Clas...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1324084 By The Eurythmics. By Annie Lennox and David Stewart. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 100 pages. Bluesilhouettes Music #912276. Published by Bluesilhouettes Music (A0.1324084). Annie Lennox and David Stewart had recently ended their relationship and disbanded their band. They still worked together - and built this song in a tiny warehouse using whatever technology they could get their hands on. In a day where most music was produced in the large studios backed by industry money - they pioneered a hit without the big studio. Securing a loan, they procured essential equipment—a compact setup comprising an 8-track tape recorder, mixer, effects processors, synthesizers, a drum computer, and a compact dynamic microphone. Some of the emotions from their lives went into the song - a fresh start on the heels of emotional events. Reflecting on that period, Lennox candidly remarked, “I was feeling very vulnerable. The song was an expression of how I felt: hopeless and nihilistic.â€This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of dance, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Listen to mockup offsite
$34.99
Don't Worry, Be Happy
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Percussion Ensemble
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INTERMEDIATE
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Jazz
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Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and par...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
Vivaldi Medley for Marimba Band - Score Only
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Classical
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Joan Lithgow
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Joan Lithgow
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Vivaldi Medley for Marimba Ban
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Joan Lithgow Music
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1295814 By Joan Lithgow. By Antonio Vivaldi. Arranged by Joan Lithgow. Baroque,Children,Contempo...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1295814 By Joan Lithgow. By Antonio Vivaldi. Arranged by Joan Lithgow. Baroque,Children,Contemporary,Multicultural,World. 12 pages. Joan Lithgow Music #886140. Published by Joan Lithgow Music (A0.1295814). This piece is ideally suited for the Marimba Workshop (Pty) Ltd marimbas.www.marimbaworkshop.co.za  It was arranged for the Goede Hoop Marimba Band to be performed at the 2016 Education Africa International Marimba & Steelpan Festival in the Strictly Classical Category where the composer for this category for that year was Antonio Vivaldi. This performance has gone viral on YouTube. These young girls were aged between 11 and 13 at the time. It is written for African diatonic marimbas in C with an African feel but can be played on a variety of different instruments. Feel free to roll (measured or unmeasured) on the long notes.Whenever I teach this arrangement my students fall in love with Vivaldi and his music. The medley consists of music from Vivaldi's Four Seasons: Spring and Winter and his famous Gloria. There is a joy and wonder as the harmonies and patterns are revealed to them through my unique methodology I use to teach them.I hope you have fun learning this arrangement.I would love to hear your version of this piece. Please email:  joan@marimbaworkshop.co.za.
$19.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Percussion Ensemble
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673....
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Come To Me
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Bjork Gudmundsdottir
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David R
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Come To Me
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Bluesilhouettes Music
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,P...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 87 pages. Bluesilhouettes Music #935388. Published by Bluesilhouettes Music (A0.1350568). If you had a day, and all you listened to was Björk, you’d have a fascinating day. The experience would be marked by a kaleidoscope of varying styles from pop, avant-garde, or jazz. Is it mainstream - probably not. But, the artist is definitely recognizable (as a name), appearing across multiple genres. As a source of background to her song ‘Come to Me,’ I borrowed a palindromic idea exploited by Radiohead in their ‘Pyramid song...’ if we truly expand a swing feel to a twelve-eight meter and extend the pattern across two measures - the eighth notes would provide a total of twenty-four possibilities - and as in this work you get four, five, six, five, four a palindrome on 45654 that (when added) equals twenty-four.This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of dance, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Full mock-up digital audio: available here
$34.99
Fanfare for the Uncommon Student
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Percussion Ensemble
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ADVANCED
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David Berlin
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font: 12.0px Helvetica
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Fanfare for the Uncommon Stude
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David Berlin
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.958075 Composed by David Berlin. 20th Century,Graduation,Instructional,Standards. Score and part...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.958075 Composed by David Berlin. 20th Century,Graduation,Instructional,Standards. Score and parts. 44 pages. David Berlin #2988815. Published by David Berlin (A0.958075). P.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #232323} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #1255cc} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #232323; min-height: 15.0px} span.s1 {text-decoration: underline} In collaboration with the Philadelphia Classical Symphony and director, Karl Middleman and Partners in Distance Learning, a music composition project was launched in 2005 for students in Pennsylvania. I created an instructional web site called HOW TO WRITE A FANFARE. Students from around the state worked through the program and sent us their final projects. The committee selected the best ones submitted and we brought the students and their families to Philadelphia where the Philadelphia Classical Symphony performed their pieces on a public concert. The web site is still on line and the student's pieces can be heard. at: http://tozier.net/dberlin/fanfare/index.htm/ Please feel free to use this website in conjunction with my printed score and recording for yourself, students or your circle of friends. This score and recording was my contribution to the concert. It is 90 seconds long at 120 BPM.
$3.99
Four Forces (Second movement) II. Weak Forces
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Percussion Ensemble
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ADVANCED
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Sisyphus Phoenix
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Percussion Ensemble
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ADVANCED
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Jazz
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Contemporary
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Dalton McLaughlin
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Sisyphus Phoenix
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Dalton McLaughlin
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1011784 Composed by Dalton McLaughlin. 20th Century,Jazz. Score and parts. 95 pages. Dalton McLa...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1011784 Composed by Dalton McLaughlin. 20th Century,Jazz. Score and parts. 95 pages. Dalton McLaughlin #3452087. Published by Dalton McLaughlin (A0.1011784). This percussion ensemble, which was written for the Wisconsin Youth Symphony Orchestras Percussion ensemble, is a jazz inspired blend of the music that fascinated me when I wrote this. It is inspired by the work of Claude Debussy and Jacob Collier, because I felt like there ins't really much in the way of a percussion ensemble in that vein. It is also inspired by the idea of Sisyphus, the Greek Myth, and the idea of a phoenix burning up to become renewed.This piece works great for college percussion ensembles.
$1.99
What Universe Lies Within
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Brandon Nelson
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What Universe Lies Within
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Brandon Nelson
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelso...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelson #2907437. Published by Brandon Nelson (A0.912929). For percussion duo. Required instruments: bells, vibraphone, xylophone, temple blocks, suspended cymbals (3 sizes). General programming. Advanced Intermediate level.Commissioned by Chris Nadeau for CAn-Duo. Premiered at Colorado State University, October 16, 2016.It is common knowledge that the universe we see is composed of tiny particles known as atoms. For much of scientific history, it was thought that atoms were made up of three indivisible particles: protons, neutrons, and electrons.Thanks to contemporary advances in physics, we now know that these particles are, in fact, made up of much smaller particles and that these constituents sometimes behave in ways that confound what we thought we knew of the physical universe.In this piece, I have portrayed one type of these subatomic particles, the quark. There are six types (or flavors) of quark: up, down, charm, strange, top, and bottom. These are differentiated by the type of charge they carry and their masses.The first movement is Strange Quark. This flavor has a negative charge and is relatively light. Much like the particle, this movement often behaves in unusual ways.Top Quark, the second movement, portrays the quark flavor that is by far the heaviest. Slow and massive, this particle allowed for the study of the famous Higgs boson.The final movement, Up Quark, is light and decays quickly, much like this particle that contributes to both protons and neutrons.The universe is indeed a wonder to behold and its scale is hardly comprehensible to the human mind. And yet, it is becoming increasingly apparent that there exists an entire universe yet to uncover in the most infinitesimal pieces of matter. It is my hope that the wonder and mystery this inspires be conveyed through this piece of music.
$9.99
Moonlight - Beautiful Insanity (Elijah Jones/ Various)
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Percussion Ensemble
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INTERMEDIATE
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Elijah Jones, Razilee Blackmon
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Moonlight - Beautiful Insanity
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Elijah Jones
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.930451 Composed by Elijah Jones, Razilee Blackmon. Contemporary,Dance,Pop. Score and parts. 7 pa...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.930451 Composed by Elijah Jones, Razilee Blackmon. Contemporary,Dance,Pop. Score and parts. 7 pages. Elijah Jones #6036119. Published by Elijah Jones (A0.930451). Meaning - You feel trapped and alone, you realize there is no way to escape and soon you feel you must give up entirely. Moonlight is about that light you have to hold onto when you know your already lost in the dark. I wrote this song after running around with my best friend in town. There were nights, such as Halloween when we nearly got lost but had to find away to get back home, that was the symbolization to the song.
$7.99
Beat it! Untuned percussion ensemble piece for 7 players.
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Percussion Ensemble
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BEGINNER
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Contemporary
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Neil Scott
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Beat it! Untuned percussion en
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Neil Scott
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SheetMusicPlus
Composed by Neil Scott. Contemporary. Score and parts. 18 pages. Neil Scott #6284809. Published by Neil Scott ...
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Composed by Neil Scott. Contemporary. Score and parts. 18 pages. Neil Scott #6284809. Published by Neil Scott
Beat it! is a piece for 7 musicians using untuned percussion. I was finding it hard to find ensemble pieces for mixed ability groups so decided to write my own. Within the piece you will find parts suitable for very new players alongside some for the more experienced musicians. The instruments involved should be easy to find in most band room environments but, as the parts are all non-melodic, they lend themselves easily to replacement instruments and duplicating parts for additional players. There is a strong focus on groove and interplay between musicians, perfect for developing cohesion in your ensemble. The piece has been well received in national festivals within the UK.
$11.99
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