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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
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BOOKS
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BUGLE
CHORAL - VOCAL…
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CORNET
DIDGERIDOO
DJ GEAR
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Let Popular - Dance
Not classified
500
Piano & keyboards
Piano, Voice
364
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333
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301
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159
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33
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22
Organ
12
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9
1 Piano, 4 hands
8
Accordion
4
Piano Trio: piano, violin, cello
4
2 Pianos, 4 hands
4
Melody line, Piano
1
Organ, Voice
1
Piano Accompaniment
1
Piano Quartet: piano, violin, viola, cello
1
Piano Quintet: piano, 2 violins, viola, cello
1
+ 12 instrumentations
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Guitars
Melody line, (Lyrics) and Chords
84
Guitar notes and tablatures
51
Ukulele
42
Guitar
26
2 Guitars (duet)
10
Mandolin
5
Bass guitar
2
4 Guitars (Quartet)
2
Piano, Guitar (duet)
2
Dulcimer
2
+ 5 instrumentations
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Retract
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Choral SATB
119
Choral 3-part
52
Choral TTBB
43
Choral SSAA
18
Choral 2-part
18
Vocal duet, Piano
14
Choral Unison
7
Voice solo
2
Tenor voice
1
Choral SSAB, Piano
1
Soprano voice, Piano
1
Baritone voice
1
Voice, Guitar
1
Baritone voice, Piano
1
+ 9 instrumentations
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Retract
Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
34
Flute and Piano
32
Saxophone Quartet: 4 saxophones
30
Clarinet and Piano
30
2 Saxophones (duet)
29
Alto Saxophone and Piano
25
Saxophone Quintet: 5 Saxophones
24
Clarinet Quartet: 4 clarinets
24
Saxophone ensemble
21
Oboe, Piano (duet)
21
Tenor Saxophone and Piano
20
2 Flutes (duet)
19
2 Clarinets (duet)
19
Recorder Ensemble
18
Harmonica
17
Flute Quartet: 4 flutes
16
Clarinet Ensemble
14
Flute
13
Flute, Clarinet (duet)
13
Baritone Saxophone, Piano
12
Soprano Saxophone and Piano
12
Flute, Oboe, Clarinet, Bassoon
11
Alto Saxophone
10
Clarinet
10
2 Oboes (duet)
8
Flute Quintet : 5 flutes
7
Saxophone (band part)
7
Flute ensemble
7
Descant (Soprano) Recorder
6
3 Saxophones (trio)
6
Bass Clarinet, Piano
6
Tenor Saxophone
6
Flute Trio: 3 flutes
5
English horn, Piano
5
2 Recorders (duet)
4
Saxophone, Clarinet (duet)
4
Recorder Quartet
4
3 Clarinets (trio)
3
Oboe (band part)
3
5 Recorders
3
Treble (Alto) Recorder
3
Clarinet Quintet: 5 clarinets
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Flute, Violin
3
Clarinet, Violin (duet)
3
Flute and Guitar
3
Clarinet, Guitar (duet)
2
Oboe, Guitar (duet)
2
Flute, Saxophone (duet)
2
Recorder
2
3 Recorders (trio)
2
2 English horns and Pianoforte
1
Clarinet, Cello (duet)
1
Clarinet, Harp (duet)
1
Oboe, Bassoon (duet)
1
Descent (Soprano) Recorder, Piano
1
Clarinet, Bassoon (duet)
1
Recorder, Guitar (duet)
1
Eb Instruments
1
English Horn
1
Oboe, Clarinet, Bassoon (trio)
1
Tenor Recorder
1
Soprano Saxophone
1
Pennywhistle
1
Piccolo
1
Flute, Violin, Piano
1
Clarinet, Trumpet (duet)
1
Flute (band part)
1
+ 62 instrumentations
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Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
44
Brass quartet : 2 trumpets, trombone, tuba
41
French Horn and Piano
26
Trombone and Piano
16
Trumpet, Piano
13
Trumpet
12
Trombone
11
Trombone ensemble
9
2 Trombones (duet)
8
2 Trumpets (duet)
8
Euphonium, Piano (duet)
7
Brass Quartet: 2 trumpets, horn, trombone
7
Tuba and Piano
6
Trumpet ensemble
6
English horn, Piano
5
Brass Quartet: 4 trombones
4
Brass Quartet
3
2 French horns (duet)
3
Brass Quartet: 4 horns
3
Trumpet, Trombone (duet)
2
2 Euphoniums (duet)
2
French horn
2
2 English horns and Pianoforte
1
Tuba ensemble
1
4 Tubas
1
Brass Quartet: 2 trumpets, 2 trombones
1
Trumpet (band part)
1
French horn (band part)
1
2 Tubas (duet)
1
Brass Quartet: 4 trumpets
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Horn Ensemble
1
Trumpet, Horn (duert)
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Tuba and Organ
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Bass Clef Instruments
1
English Horn
1
Euphonium, Tuba (duet)
1
3 Trombones (trio)
1
Trumpet, Saxophone (duet)
1
Trombone, Organ
1
Bb Instruments
1
+ 35 instrumentations
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Strings
String Quartet: 2 violins, viola, cello
83
Violin and Piano
37
Cello, Piano
34
Viola, Piano
27
Violin, Cello (duet)
22
Violin
21
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19
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16
String Trio: violin, viola, cello
15
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14
Harp
12
2 Violins (duet)
10
String Trio: 2 violins, cello
8
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6
2 Violas (duet)
6
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5
Violin ensemble
5
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5
4 Cellos
5
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3
Viola, Cello (duet)
3
Viola (band part)
3
Viola ensemble
3
String Trio: 3 violins
2
Cello, String Bass (duet)
2
Double Bass
2
String Trio: 3 cellos
2
Cello, Guitar (duet)
2
Viola, Guitar (duet)
2
Harp, Flute (duet)
1
Cello (band part)
1
String Trio: 3 violas
1
String quartet: 4 violins
1
Piano Trio: Violin, Viola, Piano
1
String Quintet: 2 violins, viola, cello, bass
1
2 Double basses (duet)
1
String Quartet : 4 violas
1
Cello Ensemble
1
+ 34 instrumentations
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Retract
Orchestra & Percussion
Concert band
135
Handbells
47
Orchestra
46
String Orchestra
39
Brass ensemble
20
Chamber Orchestra
15
Marching band
14
Jazz Ensemble
11
Drums
8
Percussion Ensemble
6
Xylophone, Piano
3
Marimba
3
Percussion (band part)
2
Jazz combo
2
Percussion
1
Vibraphone and Marimba
1
Piano and Orchestra
1
Brass Quintet: other combinaisons
1
2 Marimbas
1
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Let Popular - Dance
Percussion Ensemble
Sheetmusic to print
6 sheet music found
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1
Alexandriana for Percussion Ensemble
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Percussion Ensemble
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ADVANCED
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Dan Heslink
#
 
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Alexandriana for Percussion En
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Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publicat...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
A MIGHTY FORTRESS - PERCUSSION ENSEMBLE
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Percussion Ensemble
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EASY
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Sacred music
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Martin Luther
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Glen Poehlmann
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A MIGHTY FORTRESS - PERCUSSION
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arrangements by GPoehlmann
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.807170 Composed by Martin Luther. Arranged by Glen Poehlmann. Christian,Sacred. Score and parts....
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.807170 Composed by Martin Luther. Arranged by Glen Poehlmann. Christian,Sacred. Score and parts. 11 pages. Arrangements by GPoehlmann #6472225. Published by arrangements by GPoehlmann (A0.807170). A MIGHTY FORTRESS - PERCUSSION ENSEMBLEA medium-easy arrangement of the popular hymn. Scored for 3 Mallets (suggest Glockenspiel, Xylophone & Marimba), Timpani, Percussion 1 (Snare Drum, Bass Drum, Cymbal) and Percussion 2 (Triangle, Tambourine & Wood Block).61 measures. Performance Time approx 2:00. Medium Easy (Grade 2)Key: C. Meter: 4/4. PDF parts included: Score, Mallet 1, Mallet 2, Mallet 3, Timpani, Percussion 1 (Snare Drum, Bass Drum, Cymbals), & Percussion 2 (Wood Bolock, Triangle & Tambourine).
$5.00
Christmas Calypso for Percussion Sextet
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Percussion Ensemble
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EASY
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Christmas
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Dan Heslink
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Christmas Calypso for Percussi
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Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publicat...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
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Percussion Ensemble
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Christmas
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Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117...
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Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Silent Night Prelude for percussion octet
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Percussion Ensemble
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EASY
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Christmas
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Franz Xaver Gruber
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Dan Heslink
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Silent Night Prelude for percu
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and p...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
White Christmas
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Percussion Ensemble
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INTERMEDIATE
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Jazz
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Dave Koz & Kelly Sweet
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Michael Rennaker
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White Christmas
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Rennaker Music
#
SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.927008 By Dave Koz & Kelly Sweet. By Irving Berlin. Arranged by Michael Rennaker. Jazz. Score an...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.927008 By Dave Koz & Kelly Sweet. By Irving Berlin. Arranged by Michael Rennaker. Jazz. Score and parts. 22 pages. Rennaker Music #3864925. Published by Rennaker Music (A0.927008). This arrangement of the popular Christmas tune is designed to facilitate a large range of skill sets to be accessible for middle/high school groups with a wide range of abilities. The timpani and percussion parts are optional additions to involve more players, but the piece works equally well with only the mallet parts. The auxiliary parts may also be augmented to add more color as seen fit by the director/performers. 4-mallet marimba parts can be covered by a single player, or split between to younger performers. At 3 minutes in duration it's the perfect addition to the Winter Concert to showcase the special talents of the percussion section. .
$19.99
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