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--INSTRUMENTS--
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BANJO
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BOOKS
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BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
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OCARINA
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PERCUSSION
PIANO
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Sheetmusicplus
Not classified
969
Piano & keyboards
Piano solo
315
Easy Piano
169
Piano, Voice
102
Piano, Vocal and Guitar
78
Piano Accompaniment
73
Organ
50
1 Piano, 4 hands
31
C Instruments
28
Piano Trio: piano, violin, cello
6
Piano Quartet: piano, violin, viola, cello
5
Big Note Piano
2
2 Pianos, 4 hands
2
Organ, Piano (duet)
1
Harpsichord
1
Accordion
1
1 Piano, 6 hands
1
Piano ensembles
1
Piano Quartet: piano, 2 violins, cello
1
Organ, Trumpet (duet)
1
+ 14 instrumentations
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Retract
Guitars
Guitar notes and tablatures
48
Ukulele
19
Guitar
17
Bass guitar
5
Melody line, (Lyrics) and Chords
5
4 Guitars (Quartet)
2
Dulcimer
1
2 Guitars (duet)
1
2 Ukuleles
1
Mandolin
1
+ 5 instrumentations
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Voice
Choral SATB
557
Choral Unison
226
Choral 3-part
220
Choral 2-part
174
Choral SSAA
82
Choral TTBB
51
Vocal duet
13
Voice solo
8
Vocal duet, Piano
8
Choral
6
Choral SSATTB
5
Alto voice, Piano
3
High voice
3
Choral Instrumental Pak
2
Medium voice, Piano
2
Low voice, Piano
2
Soprano voice, Piano
2
Choral SAATB A Cappella
2
Baritone voice, Piano
1
Choral SATBB
1
Choral SSATB
1
Tenor voice
1
+ 17 instrumentations
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Retract
Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
49
Flute and Piano
46
Clarinet Quartet: 4 clarinets
42
Alto Saxophone and Piano
41
Clarinet and Piano
35
Flute, Oboe, Clarinet, Bassoon
34
Flute
32
Saxophone Quartet: 4 saxophones
32
Clarinet
31
2 Flutes (duet)
30
2 Clarinets (duet)
28
2 Saxophones (duet)
28
Oboe, Piano (duet)
27
Alto Saxophone
26
Tenor Saxophone and Piano
20
Saxophone Quintet: 5 Saxophones
17
Flute Quartet: 4 flutes
17
Oboe (band part)
16
Flute, Clarinet (duet)
16
Flute Trio: 3 flutes
15
Soprano Saxophone and Piano
14
3 Clarinets (trio)
13
Tenor Saxophone
13
Clarinet Quintet: 5 clarinets
11
Clarinet (band part)
9
Flute ensemble
8
Baritone Saxophone, Piano
7
Pennywhistle
7
Saxophone ensemble
7
Clarinet Ensemble
6
3 Saxophones (trio)
6
English horn, Piano
5
Clarinet, Bassoon (duet)
5
Bass Clarinet, Piano
5
Descant (Soprano) Recorder
4
Flute, Oboe (duet)
4
Saxophone (band part)
4
Clarinet, Violin (duet)
3
Oboe
3
Flute Quintet : 5 flutes
3
2 Recorders (duet)
3
Recorder
2
Flute, Clarinet, Piano (trio)
2
Recorder Quartet
2
Saxophone, Clarinet (duet)
2
Wind ensemble
2
Bass Clarinet
2
Flute (band part)
2
Oboe, Clarinet (duet)
2
Flute, Violin
2
Oboe, Flute
2
Flute, Harp and Cello
1
Clarinet, Cello (duet)
1
Flute, Violin, Piano
1
2 Oboes (duet)
1
5 Recorders
1
Oboe, Clarinet, Bassoon (trio)
1
Oboe, Bassoon (duet)
1
Clarinet, Trumpet (duet)
1
2 Flutes, Piano
1
Clarinet and Viola
1
Flute, Oboe, Clarinet (trio)
1
Flute, Violin and Violoncello
1
2 Clarinets, Piano
1
Flute, Violoncello
1
Flute, harp and violin
1
Clarinet, Harp (duet)
1
Ocarina
1
Recorder Ensemble
1
Flute and Guitar
1
Tenor Recorder
1
+ 66 instrumentations
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Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
56
Trombone and Piano
33
Trumpet
32
Trumpet, Piano
27
Brass Quartet: 4 trombones
27
French Horn and Piano
25
Brass quartet : 2 trumpets, trombone, tuba
22
Trombone
22
Brass Quartet: 4 horns
14
2 Trumpets (duet)
14
French horn
13
Trumpet (band part)
12
2 Trombones (duet)
11
Brass Quartet: 2 trumpets, horn, trombone
11
Tuba and Piano
9
2 French horns (duet)
9
Brass Trio
7
Trombone (band part)
7
Brass Quartet
6
English horn, Piano
5
French horn (band part)
5
Euphonium, Piano (duet)
4
Trombone ensemble
4
Tuba
4
Tuba (band part)
3
Trumpet, Horn (duert)
3
Trumpet ensemble
2
Trumpet, Saxophone (duet)
2
Brass Quartet: 2 trumpets, 2 trombones
2
Brass Quartet: 4 trumpets
1
Horn Ensemble
1
2 Tubas (duet)
1
3 French horns (trio)
1
Euphonium
1
Tuba ensemble
1
3 Trombones (trio)
1
3 Trumpets (trio)
1
2 Euphoniums and 2 Tubas
1
Tuba and Organ
1
Horn, Trumpet, Trombone (trio)
1
2 Trumpets, Keyboard (piano or organ)
1
Trumpet, Trombone (duet)
1
+ 37 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
124
Violin and Piano
61
Violin
45
Cello, Piano
31
Viola, Piano
30
String Trio: violin, viola, cello
29
Harp
29
2 Violins (duet)
29
Cello
27
Violin, Cello (duet)
23
Violin, Viola (duet)
14
Viola
13
String Trio: 2 violins, cello
12
Violin (band part)
12
2 Cellos (duet)
11
Viola, Cello (duet)
11
2 Violas (duet)
9
Double bass, Piano (duet)
8
2 Harps (duet)
7
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6
Viola (band part)
6
2 Double basses (duet)
5
String Trio: 3 violins
5
Double Bass
3
Doublebass (band part)
3
4 Cellos
3
Harp, Flute (duet)
3
Cello (band part)
2
Autoharp
2
String Trio: 3 cellos
2
String Trio: 2 violins, viola
2
Violin, Bassoon (duet)
1
String quartet: 4 violins
1
String Quintet: 2 violins, viola, 2 cellos
1
2 Violins, Piano
1
Piano Trio: Violin, Viola, Piano
1
Viola ensemble
1
Violin ensemble
1
String Quartet : 4 violas
1
+ 34 instrumentations
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Orchestra & Percussion
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214
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127
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59
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58
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34
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Drums
3
Xylophone, Piano
2
Marimba
1
Flexible Instrumentation
1
Jazz combo
1
Drum (band part)
1
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Percussion Ensemble
Sheetmusic to print
4 sheet music found
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1
Hark The Herald Angels Sing - For Orff Ensemble
#
Percussion Ensemble
#
BEGINNER
#
Classical
#
Felix Bartholdy Mendelssohn
#
Yvonne Johnson
#
Hark The Herald Angels Sing -
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Yvonne Johnson
#
SheetMusicPlus
Percussion Ensemble - Level 1 - Digital Download SKU: A0.767883 Composed by Felix Bartholdy Mendelssohn. Arranged by Yvonne Johnson. Christmas,Instructio...
(+)
Percussion Ensemble - Level 1 - Digital Download SKU: A0.767883 Composed by Felix Bartholdy Mendelssohn. Arranged by Yvonne Johnson. Christmas,Instructional,Standards. Score and parts. 16 pages. Yvonne Johnson #2890917. Published by Yvonne Johnson (A0.767883). A fairly easy arrangement of this lovely carol by Mendelssohn, with some dotted quarter note, eighth note rhythms. In this arrangement Alto Met performs dual roles, at times providing the bass part and at other times joining in with the melody or harmony.
$3.95
Christmas Calypso for Percussion Sextet
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Percussion Ensemble
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EASY
#
Christmas
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Dan Heslink
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Christmas Calypso for Percussi
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Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publicat...
(+)
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
#
Percussion Ensemble
#
Christmas
#
Dan Heslink
#
Christmas Calypso for Marimba
#
Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117...
(+)
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Silent Night Prelude for percussion octet
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Percussion Ensemble
#
EASY
#
Christmas
#
Franz Xaver Gruber
#
Dan Heslink
#
 
#
Silent Night Prelude for percu
#
Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and p...
(+)
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
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