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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Sing, All Men!
Sheetmusicplus
Not classified
4,911
Piano & keyboards
Piano solo
1,105
Piano, Vocal and Guitar
722
C Instruments
711
Piano, Voice
543
Easy Piano
373
Organ
100
Piano Accompaniment
94
Piano Trio: piano, violin, cello
48
1 Piano, 4 hands
45
2 Pianos, 4 hands
22
Piano Quartet: piano, violin, viola, cello
12
Piano Quartet: piano, 2 violins, cello
12
Accordion
4
Piano Quintet: piano, 2 violins, viola, cello
4
Harpsichord
4
Piano (band part)
4
Organ, Trumpet (duet)
3
Organ, Piano (duet)
2
2 Pianos, 8 hands
1
Big Note Piano
1
2 Accordions
1
+ 16 instrumentations
-
Retract
Guitars
Ukulele
283
Melody line, (Lyrics) and Chords
114
Guitar
107
Guitar notes and tablatures
103
Bass guitar
25
Dulcimer
15
2 Guitars (duet)
14
4 Guitars (Quartet)
13
Mandolin
12
Piano, Guitar (duet)
8
Banjo
7
Guitar (band part)
4
Guitar Ensemble
4
Lyrics and Chords
4
3 Guitars (trio)
2
Guitar, Orchestra
1
+ 11 instrumentations
-
Retract
Voice
Choral SATB
996
Choral Unison
450
Choral 3-part
367
Choral SSAA
258
Choral TTBB
245
Choral 2-part
167
Vocal duet, Piano
32
Alto voice, Piano
32
Soprano voice, Piano
31
Tenor voice, Piano
28
Choral Instrumental Pak
23
Baritone voice, Piano
18
Vocal duet
14
High voice
14
Medium voice, Piano
9
Voice solo
6
Low voice, Piano
4
Choral SAATB A Cappella
3
Choral SSATTB
2
Choral SSAATTBB
2
Tenor voice
2
Soli, Mixted choir and accompaniment
2
Choral
2
Voice, Guitar
1
Mezzo-Soprano voice, Piano
1
Choral SSATB
1
+ 21 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
183
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
182
Flute and Piano
181
Oboe, Piano (duet)
173
Alto Saxophone and Piano
166
Clarinet and Piano
158
Saxophone, Clarinet (duet)
121
Saxophone Quintet: 5 Saxophones
115
2 Flutes (duet)
108
Flute
106
Alto Saxophone
102
Saxophone Quartet: 4 saxophones
102
Flute, Clarinet (duet)
102
Flute, Oboe, Clarinet, Bassoon
101
Tenor Saxophone and Piano
97
Clarinet, Violin (duet)
90
Clarinet
87
2 Clarinets (duet)
81
Soprano Saxophone and Piano
77
Clarinet Quartet: 4 clarinets
76
Oboe, Bassoon (duet)
75
Oboe (band part)
69
Saxophone (band part)
65
Tenor Saxophone
63
Oboe, Clarinet (duet)
53
Clarinet, Trumpet (duet)
52
Flute, Violin
52
Clarinet and Viola
46
Oboe, Flute
43
Clarinet Ensemble
40
Flute, Viola (duet)
40
Baritone Saxophone, Piano
37
Flute and Guitar
33
Flute, Saxophone (duet)
33
Clarinet Quintet: 5 clarinets
32
Flute, Trumpet (duet)
32
Flute Quartet: 4 flutes
32
Flute ensemble
28
Clarinet, Bassoon (duet)
28
3 Saxophones (trio)
27
Oboe
27
Saxophone ensemble
25
Oboe, Cello
24
Soprano Saxophone
22
Bass Clarinet, Piano
21
3 Clarinets (trio)
21
Flute, Violoncello
20
2 Oboes (duet)
18
Flute, Violin, Piano
18
2 Recorders (duet)
18
Flute Quintet : 5 flutes
18
Descant (Soprano) Recorder
16
Clarinet, Cello (duet)
16
Flute Trio: 3 flutes
16
English Horn
15
Clarinet, Guitar (duet)
14
English horn, Piano
13
Pennywhistle
12
Flute, Trombone (duet)
12
Flute, Oboe (duet)
10
Flute, Bassoon, and Piano
10
Flute (band part)
9
Oboe, Violin (duet)
9
Recorder
9
Flute, Cello, Piano (trio)
8
Oboe and viola (duet)
8
Oboe, Clarinet, Bassoon (trio)
8
Flute, Oboe, Clarinet (trio)
8
3 Recorders (trio)
8
Flute, Clarinet, Piano (trio)
7
Recorder Quartet
7
Oboe, Guitar (duet)
6
Baritone Saxophone
6
Flute, Oboe, Piano (trio)
6
Clarinet, Cello, Piano (trio)
5
5 Recorders
5
Ocarina
5
Saxophone and Guitar
4
Clarinet, Harp (duet)
4
2 Clarinets, Piano
4
Clarinet (band part)
4
English Horn, Guitar (duet)
4
Descent (Soprano) Recorder, Piano
3
2 Flutes, Piano
3
Saxophone and Harp
3
Flute, Oboe, Bassoon
3
Wind ensemble
3
Treble (Alto) Recorder
3
Flute, Clarinet and Bassoon.
3
Flute, Viola and Piano
3
Piccolo
3
Bass Clarinet
3
Oboe, Harp
3
Saxophone
3
Clarinet, Bassoon, Piano (trio)
2
Piccolo, Piano
2
Eb Instruments
2
Oboe, Bassoon and Piano
2
Harmonica
2
Clarinette, Viola and Piano (trio)
2
Treble (Alto) Recorder, Piano
2
Flute, harp and violin
2
Flute, Viola and harp
2
Flute, trombone and piano
2
Clarinet, Trombone (duet)
2
Flute, Violin and Violoncello
2
Clarinet, trumpet and piano
2
Oboe, Violin, Piano
1
Flute, Clarinet, Horn and Bassoon (Quartet)
1
Oboe, Cello and Piano
1
Clarinet, Double bass (duet)
1
Oboe, Trombone (duet)
1
2 Recorders, Piano
1
Flute, Violin, Guitar
1
Oboe, Clarinet and Piano (Trio)
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
4 Oboes
1
Recorder, Piano
1
Clarinet, Orchestra
1
Flute and Strings Trio
1
Flute, Orchestra
1
Flute, Organ (duet)
1
Tenor Recorder
1
+ 118 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
160
Trumpet, Piano
141
Trombone and Piano
132
Trumpet
108
Brass quartet : 2 trumpets, trombone, tuba
104
French Horn and Piano
98
Trumpet, Saxophone (duet)
80
Trombone
75
French horn
67
Tuba and Piano
65
Trumpet, Trombone (duet)
55
Brass Quartet: 4 trombones
45
Brass Quartet
45
Trumpet (band part)
39
Tuba
27
2 Trumpets (duet)
27
Trombone (band part)
26
Euphonium, Piano (duet)
25
2 Trombones (duet)
20
Trumpet ensemble
18
2 French horns (duet)
18
Trombone ensemble
16
English Horn
15
Brass Quartet: 2 trumpets, horn, trombone
14
English horn, Piano
13
Trumpet, Horn (duert)
12
2 Tubas (duet)
10
Brass Quartet: 4 horns
9
Brass Trio
8
Bb Instruments
6
Brass Quartet: 4 trumpets
5
Horn Ensemble
5
Trombone, Tuba (duet)
4
2 Euphoniums and 2 Tubas
4
3 Trombones (trio)
4
English Horn, Guitar (duet)
4
Trumpet, violin (duet)
4
2 Euphoniums (duet)
3
Trumpet, Cello, Piano
3
Euphonium
3
4 Tubas
3
Trumpet, Tuba (duet)
3
3 Trumpets (trio)
2
2 French horns, Piano
2
Trombone, Horn (duet)
2
Horn, Tuba (duet)
2
Trumpet, Harp
2
French horn (band part)
2
Tuba and Organ
2
Bass Clef Instruments
2
Trombone and Orchestra
2
Tuba (band part)
2
Horn, Cello (duet)
2
Bass Trombone and Piano
1
Bass Trombone
1
Brass Quartet: 2 trumpets, 2 trombones
1
Trumpet, Trombone, Piano
1
Trumpet, Bassoon (duet)
1
3 Euphoniums
1
Tuba ensemble
1
Trumpet and Guitar
1
French Horn and Harp
1
Trumpet, Euphonium (duet)
1
3 French horns (trio)
1
Trombone, Organ
1
2 Trumpets, Keyboard (piano or organ)
1
+ 61 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
456
Violin and Piano
335
Violin, Cello (duet)
204
Violin
170
Cello, Piano
161
Viola, Piano
152
Cello
128
Violin, Viola (duet)
107
Viola
86
String Trio: 2 violins, cello
71
String Trio: violin, viola, cello
70
Harp
67
Double Bass
63
2 Violins (duet)
54
String Quintet: 2 violins, viola, cello, bass
49
Double bass, Piano (duet)
43
2 Cellos (duet)
32
2 Harps (duet)
32
Viola, Cello (duet)
24
2 Violas (duet)
23
Violin, Bassoon (duet)
21
Piano Trio: Violin, Viola, Piano
17
Cello, String Bass (duet)
16
Violin, Guitar (duet)
14
4 Cellos
13
Violin (band part)
13
Violin ensemble
12
Viola (band part)
11
String Trio: 3 violins
10
2 Double basses (duet)
10
Harp, Flute (duet)
10
Viola ensemble
9
Harp, Voice
9
Doublebass (band part)
8
Harp, Violin (duet)
7
Cello, Guitar (duet)
7
String Trio: 3 cellos
6
Violin, Clarinet, Piano (trio)
6
Flute, Doublebass (duet)
6
String Trio: 2 violins, viola
5
String Quartet : 4 violas
5
String quartet: 4 violins
5
String Quintet: 2 violins, viola, 2 cellos
5
Viola, Guitar (duet)
4
String Trio: 3 violas
4
Viola and Harp
3
Harp, Cello (duet)
2
Cello (band part)
2
4 Double Basses
2
Harp, String quartet
1
4 Harps
1
Violoncello, Basso continuo
1
Violin, Organ
1
Autoharp
1
Harp, Trombone (duet)
1
Violin, Trumpet and Piano
1
Viola and Bassoon
1
2 Violins, Piano
1
3 Harps
1
+ 54 instrumentations
-
Retract
Orchestra & Percussion
Concert band
774
Orchestra
251
String Orchestra
234
Jazz Ensemble
159
Handbells
135
Brass ensemble
113
Chamber Orchestra
105
Jazz combo
53
Percussion Ensemble
35
Marching band
20
Xylophone, Piano
16
Drums
14
Marimba
7
School Ensemble
5
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
4
Flexible Instrumentation
4
2 Xylophones
4
Percussion (band part)
3
Drum (band part)
3
Orchestra, Violin
2
Xylophone
2
Voice Mezzo-Soprano, Orchestra
1
Percussion
1
Piano and Orchestra
1
Vibraphone
1
2 Marimbas
1
Big band
1
+ 22 instrumentations
-
Retract
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Percussion Ensemble
Sheetmusic to print
35 sheet music found
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1
26
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
#
Percussion Ensemble
#
INTERMEDIATE
#
Instructional
#
Joshua Hauser
#
 
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673....
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Enterprising Young Men from STAR TREK
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Percussion Ensemble
#
INTERMEDIATE
#
Film/TV
#
Michael Giacchino
#
Ryan Jonker
#
Enterprising Young Men from ST
#
Ryan Jonker
#
SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.870514 Composed by Michael Giacchino. Arranged by Ryan Jonker. Film/TV. Score and parts. 34 page...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.870514 Composed by Michael Giacchino. Arranged by Ryan Jonker. Film/TV. Score and parts. 34 pages. Ryan Jonker #3662425. Published by Ryan Jonker (A0.870514). See and hear the score: https://youtu.be/Y4gTfBGLZZUSimple and fun arrangement for 2 marimbas, 2 vibraphones, 1 xylophone/glockenspiel, timpani, and 4 auxiliary percussion parts that could be doubled up or split up based on the size of the group. Could also double up on mallets if needed. Please send any questions to the arranger: ryanjonkermusic@gmail.comFor custom percussion music: https://www.patreon.com/ryanjonkermusicFor more like this: https://www.ryanjonkermusic.comSearch Sheet Music Plus for Ryan JonkerThanks for checking it out!
$26.99
Volcano Rising
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Percussion Ensemble
#
INTERMEDIATE/ADVANCED
#
Tsoof Baras
#
Volcano Rising
#
Tsoof Baras
#
SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1013928 Composed by Tsoof Baras. Contemporary,Holiday,Patriotic,Standards. Score and parts. 37 p...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1013928 Composed by Tsoof Baras. Contemporary,Holiday,Patriotic,Standards. Score and parts. 37 pages. Tsoof Baras #6663569. Published by Tsoof Baras (A0.1013928). Players - 12Instrumentation - Drums (x12)Volcano Rising is a percussion ensemble drumming piece for 12 drummers. It draws inspiration from The Blue Man Group and aims to challenge the perception of sound. It is recommended that the piece be performed in a circle surrounding the audience or in a line to enhance the effects used.The composition works with and without the visual effect and focuses on groovy polyrhythms and moving lines across the parts. It is a challenging piece for every level of ensemble.
$60.00
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Percussion Ensemble
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ADVANCED
#
Antonio J
#
Two Dreams for solo Trombone a
#
Gordon Cherry
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages....
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Christmas Calypso for Percussion Sextet
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Percussion Ensemble
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EASY
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Christmas
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Dan Heslink
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Christmas Calypso for Percussi
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publicat...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
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Percussion Ensemble
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Christmas
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Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117...
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Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Hark The Herald Angels Sing - Score Only
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Percussion Ensemble
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BEGINNER
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Christmas
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Felix Bartholdy Mendelssohn
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Bradley Lithgow
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Hark The Herald Angels Sing -
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Bradley Lithgow
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SheetMusicPlus
Percussion Ensemble - Level 1 - Digital Download SKU: A0.1316111 By Felix Bartholdy Mendelssohn. By Felix Bartholdy Mendelssohn. Arranged by Bradley Lith...
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.1316111 By Felix Bartholdy Mendelssohn. By Felix Bartholdy Mendelssohn. Arranged by Bradley Lithgow. 21st Century,Advent,Christian,Christmas,Classical. 5 pages. Bradley Lithgow #904859. Published by Bradley Lithgow (A0.1316111). Arranged for South African Style Marimba Bands, ideally suited for The Marimba Workshop (PTY) Ltd Instruments (see: www.marimbaworkshop.co.za)I would love to hear your version, please drop me an email on bradley@marimbaworkshop.co.za.
$12.99
Unsurprisingy Yet Another Body Percussion Piece
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Tsoof Baras
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Unsurprisingy Yet Another Body
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Tsoof Baras
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1013936 Composed by Tsoof Baras. Contemporary,Standards. Score and parts. 17 pages. Tsoof Baras ...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1013936 Composed by Tsoof Baras. Contemporary,Standards. Score and parts. 17 pages. Tsoof Baras #6667779. Published by Tsoof Baras (A0.1013936). Players - 4Instrumentation - Body Percussion‘Unsurprisingly Yet Another Body Percussion Piece’ is…… well….. A body percussion piece for percussion quartet. This piece involves the playing of one’s body as an instrument. Explore the use of a very versatile percussion instrument that you play every day. For musicians, this piece is short, easy to setup, exciting for the crowd, a bit of a workout, fun to play and a challenge.
$45.00
Alexandriana for Percussion Ensemble
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Percussion Ensemble
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ADVANCED
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Dan Heslink
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Alexandriana for Percussion En
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publicat...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
Fall - Score Only
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Percussion Ensemble
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INTERMEDIATE
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Davido
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Bradley Lithgow
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Fall - Score Only
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Bradley Lithgow
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1316075 By Davido. By Abdul Nelson, Ayoola Agboola, David Adedeji Adeleke, Errol Bellot, and Gab...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1316075 By Davido. By Abdul Nelson, Ayoola Agboola, David Adedeji Adeleke, Errol Bellot, and Gabriel Kusimo. Arranged by Bradley Lithgow. 21st Century,Contemporary,Multicultural,Pop,Singer/Songwriter,World. 7 pages. Bradley Lithgow #904822. Published by Bradley Lithgow (A0.1316075). This piece has worked great for my high school students. It is arranged in the original key of F Major (with Bbs), if you would like the transposition in C, please drop me an email. It is specifically written for The Marimba Workshop (PTY) Ltd instruments with interchangeable Bbs (www.marimbaworkshop.co.za) but can be adapted. I would love to hear your version, please drop me an email on bradley@marimbaworkshop.co.za.
$16.99
Silent Night Prelude for percussion octet
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Percussion Ensemble
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EASY
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Christmas
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Franz Xaver Gruber
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Dan Heslink
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Silent Night Prelude for percu
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and p...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
Asian Symmetries
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Percussion Ensemble
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INTERMEDIATE
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Dan Heslink
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Asian Symmetries
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publicati...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Published by Pharaoh Publications (A0.935379). Asian Symmetries by Dan Heslink Asian Symmetries is a fanciful work which draws loosely from the musical procedures and sonic preferences of Indonesian and other Asian musical styles. It is scored for three percussionists, each with their own battery of instruments. Gamelan-like impressions might be inferred from the cyclical nature of its rhythm, using metal plates like cymbals and gongs to mark large units of rhythmic time. Also evocative are the faster moving elaborations and a preponderance of metallophones in the instrumentation. The work is medium to difficult in its demands. There are quick changes of instrument, planned to be manageable but requiring some attention to logistics Each player’s performance station must remain stationary, with all instruments in reach without moving the performer’s position. Percussion I and Percussion III players must set up next to each other so that they may share the tenor drum. A selection of mallets that allows different striking surfaces to sound good without undue picking up and setting down of mallets is suggested. Changes of meter and tempo occur, and an odd meter section sporting measures in 12/8, 6/8, 11/8 may require some additional attention. The instrumentation is selected to approximate Asian sounds with common western instruments. Performance time is 6:28. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$4.99
Another Place
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Percussion Ensemble
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ADVANCED
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Contemporary
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Adam Grim
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Another Place
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00
Clouds on the River
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Percussion Ensemble
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EASY
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Contemporary
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Derek Larson
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Clouds on the River
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Derek Larson
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.1011398 Composed by Derek Larson. 20th Century,Contemporary. Score and parts. 1 pages. Derek Lar...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.1011398 Composed by Derek Larson. 20th Century,Contemporary. Score and parts. 1 pages. Derek Larson #3395773. Published by Derek Larson (A0.1011398). Clouds on the River is an easy percussion ensemble that is pleasing to the ear and easy to accomplish. The piece requires 12 players but is easier with 13 (dividing up the marimba part between two players). The emphasis is on the mallet instruments, but there is no vibe part. The chimes part can be played on the Vibes with hard mallets if there are no chimes. The instrumentation is: Timpani, Cymbals, Gong, Glockenspiel, Xylophone, Marimba, Chimes, Congas, Snare, Bass Drum, Triangle, Rainstick.
$10.00
Don't Worry, Be Happy
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Percussion Ensemble
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INTERMEDIATE
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Jazz
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Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and par...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
Gravity for Septet
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Percussion Ensemble
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ADVANCED
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Contemporary
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. ...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
The COVID Awakening
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Adam Grim
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The COVID Awakening
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.939390 Composed by Adam Grim. 20th Century,Concert,Standards. Score and parts. 50 pages. Adam B....
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.939390 Composed by Adam Grim. 20th Century,Concert,Standards. Score and parts. 50 pages. Adam B. Grim #6210963. Published by Adam B. Grim (A0.939390). The COVID Awakening is a marimba quartet for two 5.0 octave instruments. This piece is inspired by minimalism and minimalist compositional techniques combined with layering found in West African drumming, though it is not the only source of this specific technique. It was written during the beginning of the summer of 2020, when the Coronavirus, COVID-19, had started its grips on the United States in the forms of illness, death, and economic and emotional distress. This piece reflects on these early feelings of quarantines and sheltering in place, and using the techniques listed above the listeners are pulled in to listen between the notes. These reflections are found not in the music itself, but is different with every listen. The listeners’ ears will venture as they wish, and make this piece new with every performance, even though the notes and rhythms never change. Instrumentation: Two 5.0 octave marimbas, though only one marimba needs to be the full range. Marimba 1 can be a much smaller instrument if necessary. I’d suggest using rubber/latex mallets. Unless the performance is in a reasonably dry hall, this articulation and tone benefit does wonders for this piece. Each player needs only 2 mallets.
$25.00
White Christmas
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Percussion Ensemble
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INTERMEDIATE
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Jazz
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Dave Koz & Kelly Sweet
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Michael Rennaker
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White Christmas
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Rennaker Music
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.927008 By Dave Koz & Kelly Sweet. By Irving Berlin. Arranged by Michael Rennaker. Jazz. Score an...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.927008 By Dave Koz & Kelly Sweet. By Irving Berlin. Arranged by Michael Rennaker. Jazz. Score and parts. 22 pages. Rennaker Music #3864925. Published by Rennaker Music (A0.927008). This arrangement of the popular Christmas tune is designed to facilitate a large range of skill sets to be accessible for middle/high school groups with a wide range of abilities. The timpani and percussion parts are optional additions to involve more players, but the piece works equally well with only the mallet parts. The auxiliary parts may also be augmented to add more color as seen fit by the director/performers. 4-mallet marimba parts can be covered by a single player, or split between to younger performers. At 3 minutes in duration it's the perfect addition to the Winter Concert to showcase the special talents of the percussion section. .
$19.99
The Girl - Score Only
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Percussion Ensemble
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EASY
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City And Colour
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Josh Ball
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The Girl - Score Only
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The BeatCave
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.1305692 By City And Colour. By Dallas Green. Arranged by Josh Ball. 21st Century,Pop,Rock,Singer...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.1305692 By City And Colour. By Dallas Green. Arranged by Josh Ball. 21st Century,Pop,Rock,Singer/Songwriter. 1 pages. The BeatCave #895148. Published by The BeatCave (A0.1305692). Color-coded Top 40 chart for use with Boomwhackers, Xylophones, Keyboards, and all pitched percussion instruments.
$4.99
Up the Body and Down the Page
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Tsoof Baras
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Up the Body and Down the Page
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Tsoof Baras
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1013929 Composed by Tsoof Baras. Concert,Contemporary,Instructional,Standards. Score and parts. ...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1013929 Composed by Tsoof Baras. Concert,Contemporary,Instructional,Standards. Score and parts. 16 pages. Tsoof Baras #6663587. Published by Tsoof Baras (A0.1013929). Players - 4Instrumentation - Body Percussion‘Up the Body and Down the Page’ is a body percussion piece for percussion quartet. This piece involves the playing of one’s body as an instrument. For musicians, this piece is short, easy to setup, exciting for the crowd, a bit of a workout, fun to play and a challenge.My aim for this piece was to emulate the concept of ‘seeing sounds’ by only creating sound in the light. It was a challenge to get the lighting effect that provided us with a sharp difference between light and dark.Because it is such a physical piece, I would encourage the performers to add in choreography and to exercise the power of choice in terms of sticking (‘handings’ and ‘footings’) and the choice between standing and sitting. The performers may also experiment with visual mediums like talcum powder and other sound choices like using toy hammers instead of hands and choosing extremely thick shoes.
$45.00
When The River Meets The Sea
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Contemporary
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Andrew Charles Naylor and Roma
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Jilly Cooke
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When The River Meets The Sea
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Jilly Paige Cooke
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.984036 Composed by Andrew Charles Naylor and Roma Connie Waterman. Arranged by Jilly Cooke. Cont...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.984036 Composed by Andrew Charles Naylor and Roma Connie Waterman. Arranged by Jilly Cooke. Contemporary. Score and parts. 72 pages. Jilly Paige Cooke #5797561. Published by Jilly Paige Cooke (A0.984036). Paul Williams's beloved tune from the Jim Henson Company's timeless Christmas special Emmet Otter's Jug-Band Christmas is now available as an arrangement for percussion ensemble!Originally performed in December 2019 by the University of Iowa School of Music's percussion studio, under the direction of Dr. Dan Moore, this lively, jazzy arrangement was lovingly crafted by Iowa Percussion's own Jilly Cooke, a music education major who was a junior at the time of this arrangement's premiere. As a lifelong fan of the Muppets (and a promising aspiring puppeteer herself), Cooke cleverly weaves in numerous references to various tunes and styles that have influenced her musical preferences and career (with notes in the score to bring out these musical quotes). Beginning with a faithful adaptation of the original gospel-waltz ballad feel from the TV special, the arrangement swiftly transitions into a toe-tapping, New Orleans-style second-line groove with a solo section and a witty trade-off section in the middle.Instrumentation of 8 players includes: Vibraphone 1 (preferably includes E3), Vibraphone 2, Marimba 1/Accordion (optional use of amplified Melodica), Marimba 2 (preferably includes F2), Bass Marimba (premiere performance used Bass MalletKAT, optional use of Bass Guitar and/or Keyboard Patch), Piano, Drum Set, and Auxiliary Percussion (includes Mark Tree, Suspended Cymbal, Triangle, and important gospel-style Tambourine).
$24.99
The Hammer & Anvil
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Percussion Ensemble
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INTERMEDIATE
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Jake Garratt
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The Hammer & Anvil
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J Garratt Composer
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1029072 Composed by Jake Garratt. Contemporary,Folk,Standards,World. Score and parts. 1 pages. J...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1029072 Composed by Jake Garratt. Contemporary,Folk,Standards,World. Score and parts. 1 pages. J Garratt Composer #4615943. Published by J Garratt Composer (A0.1029072). 'The Hammer & Anvil' is the piece that adorns the balustrade of the band stand in Parade Gardens, Bath, UK. The band stand was forged by the National Heritage Ironwork Group as a gift to the city during their 2018 'BathIron' festival. The piece is written for 2 treble clef parts and a bass clef part and can be performed by any group of instruments. For the original performance it was performed on 2 Bb Clarinets and a Bass Clarinet.About the piece:'The Hammer & Anvil' is derived from the melody of an English folk song about a blacksmith (ironworker) which has been adapted and augmented to be used as a melodic foundation throughout the piece, similar to an isorhythm in medieval compositions. The piece is in two sections: the A section where the folk melody is confined to the bass and the B section where the melody is split between all three parts. A repeated rhythmic motif, representative of an ironworker using his hammer and anvil, is used to accompany and/or decorate this melody.
$2.99
33 Tears (for percussion trio)
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Contemporary
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Paul SanGregory
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33 Tears
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Distant Engraver Music
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.977040 Composed by Paul SanGregory. Contemporary. Score and parts. 18 pages. Distant Engraver Mu...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.977040 Composed by Paul SanGregory. Contemporary. Score and parts. 18 pages. Distant Engraver Music #3539349. Published by Distant Engraver Music (A0.977040). (For this piece, both score and parts are included in a single PDF file.)This quietly beautiful music began as a simple piano piece in memory of the composer’s late wife. Because her ‘English’ name, Sansan, sounds like the number 33 in Mandarin Chinese, the piece is based on the numbers 3, 33 and various multiples of them. The numbers were used to shape all aspects of the music, but in performance the piece still flows simply and naturally. It is technically not difficult for performers, but they do need good ears for color and balance, and they must work carefully as an ensemble. Instrumentation:Perc. 1: vibraphone and crotales (or glockenspiel)Perc. 2: vibraphonePerc. 3: Marimba (with low C)
$8.00
Four Minutes - Four Daydreams
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Percussion Ensemble
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EASY
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Contemporary
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Paul Burnell
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Four Minutes - Four Daydreams
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Paul Burnell
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.835744 Composed by Paul Burnell. 20th Century,Contemporary. Score and parts. 3 pages. Paul Burne...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.835744 Composed by Paul Burnell. 20th Century,Contemporary. Score and parts. 3 pages. Paul Burnell #548979. Published by Paul Burnell (A0.835744). Composed 2000. Duration: 4:00. For ensemble with instruments in C, Bb, F Eb, voices and percussion as directed in the score. The music is presented as a performing score. Where no clef is given, play with as if with a clef as directed in the score text (see Minute two). Transposing instruments play as written and do not transpose. It is allowed, however, for special transposed parts to be created in order to ensure an even distribution of the intended chordal harmony where this would otherwise be missing. There should be a few seconds silence between each of the four sections. During Minute one players other than the soloist strum their fingers rapidly on the body of their instruments, chairs etc., very quietly - producing an almost imperceptible dull sound (not 'tinny' or 'bright'). Programme Note: 'Four Minutes - Four Daydreams' was composed by Paul Burnell in 2000. It was first performed by the London CoMA Ensemble, conductor Simon Foxley, at Morley College, London on the 29th October 2000. The piece has four distinct sections, each 1 minute long. Like an extended daydream each section is progressively more developed. The piece was included on the 2013 album 'Cabbage Heads'.
$1.99
Hallelujah - Score Only
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Percussion Ensemble
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BEGINNER
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Leonard Cohen
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Josh Ball
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Hallelujah - Score Only
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The BeatCave
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SheetMusicPlus
Percussion Ensemble - Level 1 - Digital Download SKU: A0.1304685 By Leonard Cohen. By Leonard Cohen. Arranged by Josh Ball. 20th Century,Pop,Singer/Songw...
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.1304685 By Leonard Cohen. By Leonard Cohen. Arranged by Josh Ball. 20th Century,Pop,Singer/Songwriter,Standards. 1 pages. The BeatCave #894125. Published by The BeatCave (A0.1304685). Color-coded Top 40 chart for use with Boomwhackers, Xylophones, Keyboards, and all pitched percussion instruments.
$4.99
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