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MUSIC COURSE
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OCARINA
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ORGAN
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RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
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VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
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There\\\\\\\'s a Time
Not classified
1,736
Piano & keyboards
Piano solo
464
Piano, Voice
373
Piano, Vocal and Guitar
88
Easy Piano
74
Big Note Piano
58
Organ
43
C Instruments
17
Piano Trio: piano, violin, cello
12
Piano Accompaniment
10
2 Pianos, 4 hands
7
Piano (band part)
6
Piano Quartet: piano, violin, viola, cello
4
Piano Quintet: piano, 2 violins, viola, cello
3
Piano Quartet: piano, 2 violins, cello
3
1 Piano, 4 hands
3
2 Accordions
1
Accordion
1
Harpsichord
1
2 Pianos, 8 hands
1
Organ, Piano (duet)
1
+ 15 instrumentations
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Retract
Guitars
Guitar
76
Guitar notes and tablatures
51
2 Guitars (duet)
21
4 Guitars (Quartet)
13
Guitar (band part)
10
Ukulele
7
Bass guitar
5
3 Guitars (trio)
5
Melody line, (Lyrics) and Chords
5
Mandolin
4
Banjo
4
Guitar Ensemble
3
Mandolin, Guitar (duet)
1
Dulcimer
1
Piano, Guitar (duet)
1
+ 10 instrumentations
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Retract
Voice
Choral SATB
274
Choral 3-part
65
Choral 2-part
57
Choral TTBB
39
Choral Unison
31
Choral SSAA
30
Alto voice, Piano
25
Soprano voice, Piano
19
Tenor voice, Piano
18
Vocal duet, Piano
18
Baritone voice, Piano
16
Vocal duet
14
Voice solo
3
Low voice, Piano
3
Medium voice, Piano
2
Tenor voice
1
High voice
1
+ 12 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
326
Saxophone, Clarinet (duet)
166
2 Clarinets (duet)
146
2 Flutes (duet)
143
Flute and Piano
119
Clarinet, Violin (duet)
115
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
113
Saxophone Quintet: 5 Saxophones
99
Clarinet, Trumpet (duet)
97
Clarinet and Piano
89
Oboe, Piano (duet)
81
Pennywhistle
81
Flute, Clarinet (duet)
71
Saxophone ensemble
70
Alto Saxophone and Piano
69
2 Oboes (duet)
67
Flute, Violin
66
Clarinet
63
Flute, Saxophone (duet)
60
Oboe, Clarinet (duet)
60
Oboe, Bassoon (duet)
58
Clarinet and Viola
56
Oboe, Flute
52
Soprano Saxophone and Piano
52
Tenor Saxophone and Piano
52
Flute, Viola (duet)
49
Flute, Trumpet (duet)
49
Flute, Oboe, Clarinet, Bassoon
45
Saxophone (band part)
44
Saxophone Quartet: 4 saxophones
44
Flute
43
Clarinet Ensemble
38
English horn, Piano
34
2 Recorders (duet)
34
Baritone Saxophone, Piano
32
Oboe (band part)
32
Bass Clarinet, Piano
26
Oboe
25
Alto Saxophone
23
Flute ensemble
23
Clarinet Quartet: 4 clarinets
20
Flute and Guitar
20
Flute Quintet : 5 flutes
18
Flute Quartet: 4 flutes
14
Tenor Saxophone
11
Harmonica
8
Clarinet, Trombone (duet)
7
3 Saxophones (trio)
7
Descant (Soprano) Recorder
6
Clarinet Quintet: 5 clarinets
6
Flute (band part)
6
Clarinet, Guitar (duet)
6
Flute Trio: 3 flutes
6
Flute, Violin, Piano
5
Flute, Oboe (duet)
5
Clarinet (band part)
5
Oboe, Violin (duet)
4
Flute, Oboe, Clarinet (trio)
4
Descent (Soprano) Recorder, Piano
4
Clarinet, Harp (duet)
3
3 Clarinets (trio)
3
Oboe, Clarinet, Bassoon (trio)
3
2 Clarinets, Piano
3
Tenor Recorder
3
Clarinet, Cello (duet)
3
Soprano Saxophone
2
2 Flutes, Piano
2
Flute, Clarinet, Piano (trio)
2
Baritone Saxophone
2
Recorder Quartet
2
Flute, Clarinet and Bassoon.
2
Flute, Oboe, Bassoon
2
Recorder Ensemble
2
Flute, Violoncello
2
Treble (Alto) Recorder, Piano
2
Clarinet, Bassoon (duet)
2
Piccolo, Piano
2
Oboe, Guitar (duet)
2
Flute, Bassoon, and Piano
1
English Horn, Guitar (duet)
1
Oboe ensemble
1
Saxophone and Guitar
1
2 Oboes, Piano
1
Flute, Oboe, Piano (trio)
1
Recorder, Piano
1
English Horn
1
Saxophone and Organ
1
Flute, harp and violin
1
+ 83 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
133
Trumpet, Saxophone (duet)
120
Brass quartet : 2 trumpets, trombone, tuba
88
Trombone and Piano
76
2 Trombones (duet)
70
Trumpet, Trombone (duet)
70
2 Trumpets (duet)
67
Trumpet, Piano
62
Trumpet
56
French Horn and Piano
53
Trumpet ensemble
49
Trombone
42
Euphonium, Piano (duet)
37
English horn, Piano
34
Trombone (band part)
33
French horn
32
Brass Quartet: 2 trumpets, horn, trombone
29
Tuba and Piano
27
Tuba
25
Trombone ensemble
25
Trumpet (band part)
23
Brass Quartet
16
2 Euphoniums (duet)
8
Brass Trio
6
Horn Ensemble
5
Brass Quartet: 4 trombones
5
Brass Quartet: 4 horns
4
3 Trombones (trio)
4
French horn (band part)
4
3 Trumpets (trio)
3
2 French horns (duet)
3
Tuba (band part)
3
Brass Quartet: 4 trumpets
2
4 Tubas
1
English Horn, Guitar (duet)
1
Brass Quartet: 2 trumpets, 2 trombones
1
Trumpet, Euphonium (duet)
1
3 Euphoniums
1
Bass Trombone
1
English Horn
1
2 French horns, Piano
1
2 Euphoniums and 2 Tubas
1
Trumpet, Horn (duert)
1
+ 38 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
274
Violin, Cello (duet)
216
Violin
158
String Trio: violin, viola, cello
149
Violin and Piano
102
Viola, Piano
81
Violin, Viola (duet)
79
2 Violins (duet)
76
Cello, Piano
74
2 Violas (duet)
66
2 Cellos (duet)
63
Cello
52
String Quintet: 2 violins, viola, cello, bass
46
Viola
41
Harp
28
String Trio: 2 violins, cello
20
Violin ensemble
15
Viola ensemble
14
Violin (band part)
11
Double Bass
11
Viola (band part)
10
Double bass, Piano (duet)
10
Doublebass (band part)
9
4 Cellos
8
String Trio: 2 violins, viola
4
String Quintet: 2 violins, 2 violas, cello
4
Viola, Cello (duet)
3
Piano Trio: Violin, Viola, Piano
3
2 Harps (duet)
3
Harp, Flute (duet)
3
Harp, Voice
3
Violin, Guitar (duet)
2
String Quintet: 2 violins, viola, 2 cellos
2
2 Violas, Piano
2
Cello (band part)
2
String Quartet : 4 violas
2
Cello, Guitar (duet)
2
Cello, Orchestra
1
String quartet: 4 violins
1
4 Double Basses
1
String Trio: 3 cellos
1
Violin, Clarinet, Piano (trio)
1
2 Violins, Piano
1
Violoncello, Basso continuo
1
Cello Ensemble
1
+ 40 instrumentations
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Retract
Orchestra & Percussion
Concert band
181
String Orchestra
166
Orchestra
64
Jazz Ensemble
58
Brass ensemble
50
Handbells
29
Chamber Orchestra
22
Jazz combo
15
Percussion Ensemble
12
Marching band
7
Drum (band part)
6
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
4
Drums
3
Percussion (band part)
2
Marimba
1
Piano and Orchestra
1
School Ensemble
1
2 Marimbas
1
Brass Quintet: other combinaisons
1
Percussion
1
Bodhran
1
+ 16 instrumentations
-
Retract
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There\\\\\\\'s a Time
Percussion Ensemble
Sheetmusic to print
12 sheet music found
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1
A Swingin' Safari
#
Percussion Ensemble
#
Contemporary
#
Billy Vaughn
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JohnBeale
#
A Swingin' Safari
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John Beale
#
SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.984904 By Billy Vaughn. By Bert Kaempfert. Arranged by JohnBeale. Contemporary. Score and parts. 68 pages....
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Percussion Ensemble - Digital Download SKU: A0.984904 By Billy Vaughn. By Bert Kaempfert. Arranged by JohnBeale. Contemporary. Score and parts. 68 pages. John Beale #6442233. Published by John Beale (A0.984904). For over 40 years I have arranged music for my school's musicians to come together and perform in school concerts. They were mostly grades 1-3. I tried to arrange the parts to be meaningful but at the same time maintaining an effective, complete and pleasing sound. I often arranged parts with individuals in mind. The piano part is there for support and filling in. Not a difficult piece and very repetitive and catchy. I have arranged this piece for a school orchestra made up of pupils of grades 1-3. I suggest a solo for the first 4 bars (I did with a recorder). At F there is a ‘jazz’ style solo. Choose your instrument. Once I did with a recorder. A second time with a trumpet. Beware you won’t get the tune out of your head!!
$49.99
Don't Worry, Be Happy
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Percussion Ensemble
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INTERMEDIATE
#
Jazz
#
Bobby McFerrin
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Ricardo Matosinhos
#
Don't Worry, Be Happy
#
Ricardo Matosinhos
#
SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and par...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
Quartet #8
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Percussion Ensemble
#
INTERMEDIATE
#
Jeff Tincher
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Quartet #8
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Jeff Tincher
#
SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.584696 Composed by Jeff Tincher. Blues,Contemporary. Score and parts. 20 pages. Jeff Tincher #60...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.584696 Composed by Jeff Tincher. Blues,Contemporary. Score and parts. 20 pages. Jeff Tincher #6019475. Published by Jeff Tincher (A0.584696). Blues in 18/8. That is this composition. A good description of this piece is a structured improvisation-style piece in an odd time signature in the key of D. Right before the key change to B there is a 12/8 measure. At measure 55 there is one measure of 9/8 before we D.C. back to the beginning. There is a lot of glissandos in this piece as well. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 5:30. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Alexandriana for Percussion Ensemble
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Percussion Ensemble
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ADVANCED
#
Dan Heslink
#
#
Alexandriana for Percussion En
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Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publicat...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
Another Place
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Percussion Ensemble
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ADVANCED
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Contemporary
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Adam Grim
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Another Place
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Adam B. Grim
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00
Vivaldi Medley for Marimba Band - Score Only
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Classical
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Joan Lithgow
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Joan Lithgow
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Vivaldi Medley for Marimba Ban
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Joan Lithgow Music
#
SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1295814 By Joan Lithgow. By Antonio Vivaldi. Arranged by Joan Lithgow. Baroque,Children,Contempo...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1295814 By Joan Lithgow. By Antonio Vivaldi. Arranged by Joan Lithgow. Baroque,Children,Contemporary,Multicultural,World. 12 pages. Joan Lithgow Music #886140. Published by Joan Lithgow Music (A0.1295814). This piece is ideally suited for the Marimba Workshop (Pty) Ltd marimbas.www.marimbaworkshop.co.za  It was arranged for the Goede Hoop Marimba Band to be performed at the 2016 Education Africa International Marimba & Steelpan Festival in the Strictly Classical Category where the composer for this category for that year was Antonio Vivaldi. This performance has gone viral on YouTube. These young girls were aged between 11 and 13 at the time. It is written for African diatonic marimbas in C with an African feel but can be played on a variety of different instruments. Feel free to roll (measured or unmeasured) on the long notes.Whenever I teach this arrangement my students fall in love with Vivaldi and his music. The medley consists of music from Vivaldi's Four Seasons: Spring and Winter and his famous Gloria. There is a joy and wonder as the harmonies and patterns are revealed to them through my unique methodology I use to teach them.I hope you have fun learning this arrangement.I would love to hear your version of this piece. Please email:  joan@marimbaworkshop.co.za.
$19.99
Silent Night Prelude for percussion octet
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Percussion Ensemble
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EASY
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Christmas
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Franz Xaver Gruber
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Dan Heslink
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#
Silent Night Prelude for percu
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and p...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
Asian Symmetries
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Percussion Ensemble
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INTERMEDIATE
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Dan Heslink
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Asian Symmetries
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publicati...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Published by Pharaoh Publications (A0.935379). Asian Symmetries by Dan Heslink Asian Symmetries is a fanciful work which draws loosely from the musical procedures and sonic preferences of Indonesian and other Asian musical styles. It is scored for three percussionists, each with their own battery of instruments. Gamelan-like impressions might be inferred from the cyclical nature of its rhythm, using metal plates like cymbals and gongs to mark large units of rhythmic time. Also evocative are the faster moving elaborations and a preponderance of metallophones in the instrumentation. The work is medium to difficult in its demands. There are quick changes of instrument, planned to be manageable but requiring some attention to logistics Each player’s performance station must remain stationary, with all instruments in reach without moving the performer’s position. Percussion I and Percussion III players must set up next to each other so that they may share the tenor drum. A selection of mallets that allows different striking surfaces to sound good without undue picking up and setting down of mallets is suggested. Changes of meter and tempo occur, and an odd meter section sporting measures in 12/8, 6/8, 11/8 may require some additional attention. The instrumentation is selected to approximate Asian sounds with common western instruments. Performance time is 6:28. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$4.99
Holiday Bolero for Percussion Ensemble
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Percussion Ensemble
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Dan Heslink
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Holiday Bolero for Percussion
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.935382 Arranged by Dan Heslink. Christian,Christmas,Contemporary. Score and parts. 27 pages. Pharaoh Publi...
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Percussion Ensemble - Digital Download SKU: A0.935382 Arranged by Dan Heslink. Christian,Christmas,Contemporary. Score and parts. 27 pages. Pharaoh Publications #5212785. Published by Pharaoh Publications (A0.935382). Holiday Bolero for percussion ensemble arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the percussion ensemble arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment, particularly in the snare drum part. All of the keyboard parts require only two mallets per player, with the exception of the vibe part’s necessity of 3 or 4 mallets. There are no key changes, or mallet and hand independence. Pedaling on the vibes for the most part is suggested by the harmonic rhythm and is not notated. Setup of the general percussion part in the manner of a multiple percussion solo, where all playing surfaces are comfortably accessible. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$9.99
Christmas Calypso for Percussion Sextet
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Percussion Ensemble
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EASY
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Christmas
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Dan Heslink
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Christmas Calypso for Percussi
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publicat...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
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Percussion Ensemble
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Christmas
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Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117...
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Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Holiday Bolero for Keyboard Percussion
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Percussion Ensemble
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EASY
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Pharaoh Publications
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Holiday Bolero for Keyboard Pe
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935380 Arranged by Pharaoh Publications. Christian,Christmas,Contemporary,Spiritual. Score and p...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935380 Arranged by Pharaoh Publications. Christian,Christmas,Contemporary,Spiritual. Score and parts. 14 pages. Pharaoh Publications #5212781. Published by Pharaoh Publications (A0.935380). Holiday Bolero for keyboard percussion arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas, and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the mallet quintet arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment. All of the keyboard parts require only two mallets; some passages unfold as double stops. Mallets for the marimbas should be chosen to maximize the blend of individual parts into a unified chord. There are no key changes, or mallet and hand independence. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
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