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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Two High
Not classified
1,073
Piano & keyboards
Piano solo
242
Organ
80
Piano, Voice
63
Easy Piano
51
Piano, Vocal and Guitar
45
2 Pianos, 4 hands
38
1 Piano, 4 hands
23
Piano Accompaniment
21
C Instruments
17
Accordion
15
Organ, Trumpet (duet)
13
Piano (band part)
12
Piano Trio: piano, violin, cello
5
Organ, Piano (duet)
5
Piano Quartet: piano, violin, viola, cello
4
1 Piano, 6 hands
2
Big Note Piano
2
Piano ensembles
1
Keyboard
1
Piano Quintet: piano, 2 violins, viola, cello
1
+ 15 instrumentations
-
Retract
Guitars
Guitar (band part)
35
Guitar notes and tablatures
23
Guitar
23
Ukulele
16
2 Guitars (duet)
15
Melody line, (Lyrics) and Chords
11
Piano, Guitar (duet)
4
4 Guitars (Quartet)
4
Mandolin
3
Baritone Ukulele
2
2 Dulcimers (duet)
2
Dulcimer
2
Guitar Ensemble
1
Mandolin, Guitar (duet)
1
Banjo
1
2 Ukuleles
1
+ 11 instrumentations
-
Retract
Voice
Choral SATB
173
Choral 2-part
147
Choral Unison
48
Choral 3-part
48
High voice
35
Choral SSAA
27
Choral TTBB
25
Vocal duet, Piano
16
Soprano voice, Piano
9
Vocal duet
9
Medium voice, Piano
8
Baritone voice, Piano
3
Tenor voice, Piano
2
Alto voice, Piano
2
Low voice, Piano
2
Choral SSAB a cappella
1
Soprano voice, Orchestra
1
Soprano voice
1
Choral
1
Mezzo-Soprano voice, Piano
1
Tenor voice
1
Voice solo
1
+ 17 instrumentations
-
Retract
Woodwind
Saxophone (band part)
100
2 Saxophones (duet)
64
2 Flutes (duet)
64
Flute and Piano
54
Saxophone Quintet: 5 Saxophones
44
Clarinet and Piano
42
2 Clarinets (duet)
40
Oboe, Piano (duet)
38
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
37
Saxophone ensemble
36
Tenor Saxophone and Piano
29
Saxophone Quartet: 4 saxophones
28
Flute, Clarinet (duet)
28
Flute Trio: 3 flutes
25
Flute, Oboe, Clarinet, Bassoon
23
Clarinet Ensemble
22
3 Clarinets (trio)
22
3 Saxophones (trio)
21
Clarinet Quartet: 4 clarinets
21
2 Recorders (duet)
18
Alto Saxophone and Piano
18
Flute
17
Clarinet
17
Soprano Saxophone and Piano
15
Flute Quartet: 4 flutes
14
Clarinet, Violin (duet)
12
Saxophone, Clarinet (duet)
11
Alto Saxophone
11
Oboe, Clarinet (duet)
11
Flute ensemble
11
Oboe (band part)
11
2 Oboes (duet)
11
Flute Quintet : 5 flutes
10
2 Flutes, Piano
10
Tenor Saxophone
9
Descant (Soprano) Recorder
9
Clarinet, Trumpet (duet)
8
Clarinet (band part)
8
Clarinet and Viola
7
Oboe, Bassoon (duet)
7
Baritone Saxophone, Piano
6
Flute, Viola (duet)
6
Flute (band part)
6
Oboe, Flute
6
English horn, Piano
6
Recorder Ensemble
5
Flute, Violin and Violoncello
5
Flute, Clarinet, Piano (trio)
5
English Horn
4
Clarinet, Bassoon (duet)
4
Oboe, Cello
4
Flute, Violoncello
4
Flute, Violin, Piano
4
Clarinet, Cello (duet)
3
Clarinet, Cello, Piano (trio)
3
Recorder Quartet
3
2 Clarinets, Piano
3
Flute, Saxophone (duet)
3
Flute, Cello, Piano (trio)
3
Flute, Clarinet and Bassoon.
3
Flute, Oboe, Clarinet (trio)
3
Flute, Violin
3
Flute, Oboe, Piano (trio)
2
Bagpipe
2
2 Saxophones, Piano
2
Flute and Guitar
2
Flute, Trumpet (duet)
2
Pennywhistle
2
Oboe and viola (duet)
2
Flute, Viola and Piano
2
Treble (Alto) Recorder, Piano
2
Oboe, Clarinet, Bassoon (trio)
2
Flute, trombone and piano
2
Bass Clarinet, Piano
2
Treble (Alto) Recorder
2
2 English horns and Pianoforte
1
Oboe, Violin (duet)
1
5 Recorders
1
Flute, Trombone (duet)
1
Clarinette, Viola and Piano (trio)
1
Melodica
1
Saxophone and Guitar
1
Saxophone
1
Flute, Bassoon, and Piano
1
Recorder, Piano
1
Descent (Soprano) Recorder, Piano
1
Clarinet Quintet: 5 clarinets
1
Saxophone and Organ
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
Harmonica
1
Flute, harp and violin
1
Oboe ensemble
1
Clarinet, trumpet and piano
1
Flute and Strings Trio
1
Flute, Cello, Guitar
1
Wind ensemble
1
English horn, Harp (duet)
1
Recorder
1
Oboe
1
+ 94 instrumentations
-
Retract
Woodbrass
Trombone (band part)
104
Brass Quintet: 2 trumpets, horn, trombone, tuba
78
Trumpet (band part)
71
Brass quartet : 2 trumpets, trombone, tuba
44
2 Trumpets (duet)
26
Trombone and Piano
23
2 Trombones (duet)
23
Trombone ensemble
22
Brass Quartet: 2 trumpets, horn, trombone
22
Trumpet, Piano
22
Trumpet
18
Brass Quartet
18
Trumpet ensemble
14
Trombone
12
Trumpet, Trombone (duet)
11
2 French horns (duet)
9
Euphonium, Piano (duet)
9
French Horn and Piano
8
Brass Quartet: 4 trombones
7
French horn (band part)
6
2 Tubas (duet)
6
English horn, Piano
6
Trumpet, Saxophone (duet)
5
Horn Ensemble
5
English Horn
4
Brass Quartet: 4 horns
4
Tuba (band part)
4
French horn
4
2 Trumpets, Keyboard (piano or organ)
4
Brass Quartet: 4 trumpets
3
Tuba
3
Trumpet, Horn (duert)
3
Brass Trio
3
Euphonium
3
Tuba and Piano
2
Trumpet, Cello (duet)
2
3 Trombones (trio)
2
2 Euphoniums (duet)
2
Brass Quartet: 2 trumpets, 2 trombones
2
Trumpet, Bassoon (duet)
2
2 English horns and Pianoforte
1
French horn and Basson (duet)
1
3 French horns (trio)
1
Bass Trombone
1
Trombone, Tuba (duet)
1
2 Euphoniums and 2 Tubas
1
Trombone, Organ
1
3 Trumpets (trio)
1
Trumpet and Guitar
1
Trumpet, violin (duet)
1
English horn, Harp (duet)
1
Trumpet, Cello, Piano
1
+ 47 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
115
Harp
64
Violin and Piano
64
2 Violins (duet)
62
Viola, Piano
44
Violin, Cello (duet)
40
Cello, Piano
32
2 Cellos (duet)
32
Violin
32
String Trio: 2 violins, cello
31
2 Violas (duet)
29
String Trio: violin, viola, cello
26
Doublebass (band part)
22
Cello
18
Violin, Viola (duet)
17
String Quintet: 2 violins, viola, cello, bass
16
Viola
9
Violin (band part)
9
Violin ensemble
9
Double bass, Piano (duet)
6
Viola ensemble
6
2 Violins, Piano
6
Violin, Guitar (duet)
6
Harp, Violin (duet)
5
Viola, Cello (duet)
5
4 Cellos
5
Viola (band part)
5
String trio
4
Cello (band part)
4
2 Cellos, Piano
4
2 Harps (duet)
4
String Trio: 3 cellos
3
Harp, Flute (duet)
3
String Trio: 3 violins
3
String Trio: 2 violins, viola
3
String quartet: 4 violins
2
Double Bass
2
String Quintet: 2 violins, 2 violas, cello
2
Cello, Guitar (duet)
2
Harp and Piano
2
Piano Trio: Violin, Viola, Piano
2
Cello, String Bass (duet)
2
Viola, Guitar (duet)
1
Autoharp
1
Flute, Doublebass (duet)
1
String Quartet : 4 violas
1
Harp, Voice
1
String Trio: 3 violas
1
Violin, Bassoon (duet)
1
2 Double basses (duet)
1
4 Double Basses
1
+ 46 instrumentations
-
Retract
Orchestra & Percussion
Concert band
253
Jazz Ensemble
111
Brass ensemble
58
String Orchestra
52
Orchestra
48
Handbells
29
Jazz combo
26
Chamber Orchestra
25
Drum (band part)
17
Percussion Ensemble
10
Percussion (band part)
8
Marimba
4
Drums
3
Marching band
3
Timpani (band part)
2
Vibraphone and Marimba
1
School Ensemble
1
Xylophone
1
Piano and Orchestra
1
Orchestra, Violin
1
3 Percussions
1
+ 16 instrumentations
-
Retract
Others
Instruments
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BLANK SHEET…
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BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
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10 sheet music found
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1
Four Forces (First movement) I. Strong Forces
#
Percussion Ensemble
#
ADVANCED
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
#
Percussion Ensemble
#
ADVANCED
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
(+)
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Christmas Calypso for Percussion Sextet
#
Percussion Ensemble
#
EASY
#
Christmas
#
Dan Heslink
#
Christmas Calypso for Percussi
#
Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publicat...
(+)
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
#
Percussion Ensemble
#
Christmas
#
Dan Heslink
#
Christmas Calypso for Marimba
#
Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117...
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Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
March of the Three Kings - Percussion Ensemble
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Christmas
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Traditional French Carol
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Roger K
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March of the Three Kings - Per
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Roger K. Myers
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.922116 Composed by Traditional French Carol. Arranged by Roger K. Myers. Christian,Christmas,Ins...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.922116 Composed by Traditional French Carol. Arranged by Roger K. Myers. Christian,Christmas,Instructional,Standards. Score and parts. 68 pages. Roger K. Myers #4346147. Published by Roger K. Myers (A0.922116). March of the Three Kings incorporates a Janissary Band sound to present this less frequently heard carol in a new and appealing way. A fine choice for High School and College holiday concerts.Requires two 4.3 octave or larger marimbas with one instrument shared by two players.Player 1 - Bells, Player 2 - Xylophone, Player 3 - Vibraphone, Player 4 - Marimba 1, Player 5 - Marimba 2, Player 6 - Marimba 3 (Bass clef), Player 7 - Chimes, Player 8 - Timpani (4), Player 9 - Marching Drum, Player 10 - Bass Drum & Cymbals, Player 11 - Bass Drum, Player 12 - Sistrum, Tambourine, Finger Cymbals, Suspended Cymbal, Player 13 - Triangle & Gong, Player 14 - Piano, Player 15 - Bass
$12.95
7 Bucket Series - Back To The Basics
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Percussion Ensemble
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BEGINNER
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Harvey Minchin
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7 Bucket Series - Back To The
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Harvey Minchin
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SheetMusicPlus
Percussion Ensemble - Level 1 - Digital Download SKU: A0.881289 Composed by Harvey Minchin. Instructional,Standards. Score and parts. 9 pages. Harvey Min...
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.881289 Composed by Harvey Minchin. Instructional,Standards. Score and parts. 9 pages. Harvey Minchin #3506323. Published by Harvey Minchin (A0.881289). The 7 Bucket Series contains percussion pieces written for groups playing on a variety of plastic buckets. Back To The Basics was written for two levels of beginner players and is perfect for concerts and group lessons. The high and medium bucket parts include quarter and eighth notes and rests while the low and bass bucket parts include only quarter notes and rests. Players experience performing as part of an ensemble and learn how to concentrate on their part while listening to the other players. Along with ensemble playing, players gain experience with stick accuracy on multiple buckets (or drums) and playing at a variety of dynamic levels.
$9.95
Excerpts from Grande Tarantelle
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Percussion Ensemble
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EASY
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Classical
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Louis Moreau Gottschalk
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Ross Birdsall
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Excerpts from Grande Tarantell
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Ross Birdsall
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.921977 Composed by Louis Moreau Gottschalk. Arranged by Ross Birdsall. Romantic Period. Score an...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.921977 Composed by Louis Moreau Gottschalk. Arranged by Ross Birdsall. Romantic Period. Score and parts. 20 pages. Ross Birdsall #6069539. Published by Ross Birdsall (A0.921977). Louis Moreau Gottschalk's Grande Tarantelle - arranged for five players on two 4.3 octave (low A) marimbas. This piece is a fun, fast-paced journey exploring ideas in 6/8 time with a few quick position changes to keep your performers and audience on their toes.Originally premiered by the Coleman middle school percussion ensemble at the 2019 University of South Florida Marimba Festival, this piece is perfect for an advanced middle school ensemble or an early high school group.
$14.99
Duel for 2 Marching Percussionists
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Percussion Ensemble
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INTERMEDIATE
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Contemporary
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Adam Grim
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Duel for 2 Marching Percussion
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.939385 Composed by Adam Grim. Contemporary. Score and parts. 17 pages. Adam B. Grim #6200499. Pu...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.939385 Composed by Adam Grim. Contemporary. Score and parts. 17 pages. Adam B. Grim #6200499. Published by Adam B. Grim (A0.939385). The Duel for 2 Marching Percussionists was written in 2015 and premiered at Ohio Northern University. It features two players, each with a number of marching percussion (drumline) instruments in front of them. Both players use a snare drum and mounted cymbal while one player plays 5 tonal bass drums and the other plays the tenors (for 5 drums). It is for advanced high school or college level players, and is very entertaining to watch. It includes stick tricks and moves that are neat to see and do. All the tricks are fairly well known, so you could easily see them on YouTube. If not, then contact me directly and I would be happy to explain!
$15.00
Another Place
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Percussion Ensemble
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ADVANCED
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Contemporary
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Adam Grim
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Another Place
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00
Gravity for Septet
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Percussion Ensemble
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ADVANCED
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Contemporary
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. ...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
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