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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
an accompaniment.
Not classified
11,551
Piano & keyboards
Piano, Voice
2,788
Piano solo
1,887
Piano Accompaniment
1,265
Easy Piano
506
Piano, Vocal and Guitar
310
Piano Trio: piano, violin, cello
157
Organ
143
Piano (band part)
123
C Instruments
96
1 Piano, 4 hands
84
Piano Quartet: piano, 2 violins, cello
81
Piano Quartet: piano, violin, viola, cello
16
Organ, Trumpet (duet)
13
Organ, Piano (duet)
8
2 Pianos, 4 hands
7
Piano Quintet: piano, 2 violins, viola, cello
6
2 Pianos, 8 hands
3
Accordion
3
Accordion, String(s)
1
1 Piano, 6 hands
1
+ 15 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
128
Guitar
98
Ukulele
88
Dulcimer
25
2 Guitars (duet)
21
Mandolin
19
Melody line, (Lyrics) and Chords
17
Piano, Guitar (duet)
13
Bass guitar
10
4 Guitars (Quartet)
8
3 Guitars (trio)
5
Banjo
4
2 Dulcimers (duet)
4
Guitar Ensemble
3
Mandolin, Guitar (duet)
3
2 Ukuleles
2
Guitar, Violin, Cello (trio)
2
2 Mandolins (duet)
2
Lyrics and Chords
1
Guitar (band part)
1
+ 15 instrumentations
-
Retract
Voice
Choral SATB
4,634
Choral 2-part
3,296
Choral 3-part
3,141
Vocal duet, Piano
1,617
Choral Unison
1,061
Vocal duet
407
Choral TTBB
390
Choral SSAA
144
Soprano voice, Piano
91
Tenor voice, Piano
77
Alto voice, Piano
65
High voice
41
Medium voice, Piano
39
Voice, Basso continuo
29
Baritone voice, Piano
27
Low voice, Piano
19
Voice solo
14
Tenor voice
13
Choral SSAB, Piano
12
Soli, Mixted choir and accompaniment
9
Choral SSATTB
8
Choral
6
Low voice
4
Soprano voice
3
Choral SSATBB
3
Choral SSATB
3
Mezzo-Soprano voice, Piano
2
Voix Masculines
2
Vocal duet, Organ
1
Choral SSAATTBB
1
Voice, Guitar
1
+ 26 instrumentations
-
Retract
Woodwind
Flute and Piano
1,335
Alto Saxophone and Piano
1,193
Clarinet and Piano
1,150
Oboe, Piano (duet)
740
Tenor Saxophone and Piano
608
2 Saxophones (duet)
465
Soprano Saxophone and Piano
450
Saxophone Quartet: 4 saxophones
253
Flute, Oboe, Clarinet, Bassoon
247
2 Clarinets (duet)
194
Flute, Clarinet (duet)
166
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
163
2 Flutes (duet)
162
Baritone Saxophone, Piano
125
Saxophone Quintet: 5 Saxophones
122
3 Saxophones (trio)
110
Clarinet
105
Flute
98
English horn, Piano
87
Alto Saxophone
79
Saxophone, Clarinet (duet)
66
Clarinet Quartet: 4 clarinets
63
3 Clarinets (trio)
61
2 Oboes (duet)
60
Clarinet, Violin (duet)
53
Flute, Violin, Piano
52
Oboe (band part)
52
Flute and Guitar
50
Flute Trio: 3 flutes
48
Saxophone (band part)
42
Clarinet, Trumpet (duet)
41
Tenor Saxophone
39
Bass Clarinet, Piano
35
Descant (Soprano) Recorder
32
Flute, Oboe, Clarinet (trio)
31
Saxophone ensemble
30
Saxophone and Organ
28
Oboe, Bassoon (duet)
28
Clarinet Ensemble
28
Oboe, Clarinet (duet)
27
Flute, Bassoon, and Piano
26
Flute, Violin
26
Recorder
26
Flute, Clarinet and Bassoon.
25
2 Recorders (duet)
24
Oboe, Flute
23
2 Clarinets, Piano
21
Flute Quartet: 4 flutes
21
Recorder, Piano
21
Flute, Trumpet (duet)
20
Clarinet and Viola
20
Flute, Saxophone (duet)
20
Flute, Clarinet, Piano (trio)
19
English Horn
16
Flute, Oboe, Piano (trio)
16
Flute, Viola (duet)
16
Flute ensemble
16
Oboe, Clarinet, Bassoon (trio)
16
2 Saxophones, Piano
16
Flute, Cello, Piano (trio)
15
2 Flutes, Piano
13
Flute, Violin and Violoncello
13
Flute Quintet : 5 flutes
13
Clarinet, Guitar (duet)
13
Flute, Violoncello
12
Clarinet, Cello, Piano (trio)
12
Oboe
10
Flute, Clarinet, Horn and Bassoon (Quartet)
10
Flute, trombone and piano
10
Eb Instruments
9
Flute, Oboe, Bassoon
9
Clarinet, Bassoon (duet)
9
Flute, Viola and Piano
9
Recorder Ensemble
8
Treble (Alto) Recorder
8
Clarinet, Cello (duet)
8
Flute, Oboe (duet)
7
Clarinet Quintet: 5 clarinets
7
Oboe, Cello
6
Flute, Violin, Violoncello and Piano
6
Clarinet, Bassoon, Piano (trio)
6
Flute, Cello, Guitar
5
3 Recorders (trio)
5
Tenor Recorder
5
English Horn, Guitar (duet)
5
Recorder Quartet
5
Clarinet, trumpet and piano
5
Flute (band part)
5
Saxophone and Guitar
4
Descent (Soprano) Recorder, Piano
4
Oboe, Clarinet and Piano (Trio)
4
Flute, Trombone (duet)
3
Flute, Organ (duet)
3
2 Oboes, Piano
2
Soprano Saxophone
2
Flute and Strings Trio
2
Clarinet, Organ
2
Baritone Saxophone
2
Treble (Alto) Recorder, Piano
2
Oboe, Bassoon and Piano
2
2 English horns and Pianoforte
2
Clarinette, Viola and Piano (trio)
2
Clarinet, Trombone (duet)
2
Piccolo
2
Flute, Oboe, Violin
1
Oboe and viola (duet)
1
Flute, Violin, Guitar
1
Bass Clarinet
1
Piccolo, Piano
1
Clarinet Quintet: Clarinet, String Quartet
1
Clarinet (band part)
1
Bagpipe
1
Clarinet, Harp (duet)
1
Flute, harp and violin
1
Harmonica
1
Oboe, Guitar (duet)
1
Oboe, Violin (duet)
1
+ 112 instrumentations
-
Retract
Woodbrass
Trumpet, Piano
943
Trombone and Piano
773
French Horn and Piano
608
Trumpet
241
Tuba and Piano
196
Brass Quintet: 2 trumpets, horn, trombone, tuba
175
2 Trumpets (duet)
151
Brass Quartet: 2 trumpets, horn, trombone
144
2 Trombones (duet)
141
Trumpet, Horn (duert)
116
Brass Quartet
98
English horn, Piano
87
2 French horns (duet)
78
Euphonium, Piano (duet)
67
Trumpet, Trombone (duet)
65
Brass quartet : 2 trumpets, trombone, tuba
63
Trombone
61
French horn
50
Trumpet, Saxophone (duet)
46
Brass Quartet: 2 trumpets, 2 trombones
39
Brass Quartet: 4 horns
24
Tuba
23
Trumpet (band part)
21
3 Trumpets (trio)
20
Brass Quartet: 4 trombones
17
Trombone, Organ
17
English Horn
16
Brass Quartet: 4 trumpets
11
Trumpet ensemble
11
Trombone ensemble
10
Tuba and Organ
10
Euphonium
10
Bass Clef Instruments
9
Horn and Organ
9
2 Tubas (duet)
9
Bass Trombone
9
Trumpet, Cello, Piano
8
Bb Instruments
8
F Instruments
7
Brass Trio
7
Trombone (band part)
6
Horn, Cello (duet)
5
English Horn, Guitar (duet)
5
Bass Trombone and Piano
5
2 Trumpets, Keyboard (piano or organ)
4
3 Trombones (trio)
4
2 Euphoniums (duet)
3
3 French horns (trio)
2
Trumpet, Tuba (duet)
2
2 Trombones, Piano
2
Horn, Tuba (duet)
2
2 English horns and Pianoforte
2
Euphonium, Tuba (duet)
2
Trombone, Horn (duet)
2
2 French horns, Piano
2
French Horn and Harp
1
Trombone, cello (duet)
1
Trumpet, Harp
1
Trumpet, Trombone, Piano
1
Trumpet, Cello (duet)
1
+ 55 instrumentations
-
Retract
Strings
Violin and Piano
1,915
Viola, Piano
1,223
Cello, Piano
1,189
String Quartet: 2 violins, viola, cello
435
Violin
207
2 Cellos (duet)
174
Double bass, Piano (duet)
163
Piano Trio: Violin, Viola, Piano
136
Violin, Cello (duet)
133
2 Violins (duet)
127
String Quintet: 2 violins, viola, cello, bass
126
Cello
125
Violin, Viola (duet)
96
String Trio: violin, viola, cello
74
2 Violas (duet)
73
Harp
63
Viola
51
String Trio: 3 violins
50
String Trio: 2 violins, cello
43
Double Bass
32
Viola, Cello (duet)
29
Viola (band part)
22
4 Cellos
19
String Trio: 3 cellos
18
2 Violins, Piano
14
String Trio: 2 violins, viola
14
Cello, Organ
13
Violin, Guitar (duet)
13
Harp, Flute (duet)
12
Violin (band part)
11
Violin, Clarinet, Piano (trio)
11
2 Cellos, Piano
10
String Trio: 3 violas
9
2 Violas, Piano
8
Cello, Guitar (duet)
8
Violin ensemble
8
String quartet: 4 violins
8
Viola ensemble
6
String Quartet : 4 violas
6
2 Double basses (duet)
6
Violin, Bassoon (duet)
5
Viola and Bassoon
5
Doublebass (band part)
5
Harp, Violin (duet)
5
Harp, Voice
4
String Quintet: 2 violins, 2 violas, cello
4
Viola, Guitar (duet)
4
Cello, String Bass (duet)
3
Viola, Organ
3
Violoncello, Basso continuo
3
Cello (band part)
2
Violin, Organ
2
Viola and Harp
2
2 Harps (duet)
1
Cello, Orchestra
1
Harp, Cello (duet)
1
+ 51 instrumentations
-
Retract
Orchestra & Percussion
Concert band
487
Handbells
293
String Orchestra
172
Brass ensemble
136
Orchestra
130
Chamber Orchestra
48
Jazz combo
45
Jazz Ensemble
42
Xylophone, Piano
26
Percussion Ensemble
15
Drums
11
Marching band
9
School Ensemble
5
Marimba
5
Flexible Instrumentation
4
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
3
2 Xylophones
3
Percussion (band part)
3
Vibraphone
2
Marimba, Piano (duet)
1
Xylophone
1
Piano and Orchestra
1
Marimba or Xylophone and Piano
1
Percussion
1
Vibraphone and Marimba
1
Conga
1
+ 21 instrumentations
-
Retract
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Percussion Ensemble
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15 sheet music found
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1
The Ballad of Reading Gaol, an Accompanied Reading
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Percussion Ensemble
#
INTERMEDIATE
#
Contemporary
#
Paul Burnell
#
The Ballad of Reading Gaol, an
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Paul Burnell
#
SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.835743 Composed by Paul Burnell. Contemporary. Score and parts. 23 pages. Paul Burnell #511043. ...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.835743 Composed by Paul Burnell. Contemporary. Score and parts. 23 pages. Paul Burnell #511043. Published by Paul Burnell (A0.835743). Composed 2010, revised 2014. One of a series of fourteen accompaniments to texts published between 1886-1899. Text: ‘The Ballad of Reading Gaol’, Oscar Wilde (1854-1900). For narrator (amplified if necessary), flutes (and/or tenor/bass recorders), clarinets, muted strings, percussion. Programme note: ‘The Ballad of Reading Gaol’ was written by Oscar Wilde in France on release from Reading Gaol in 1897 after being sentenced to two years hard labour. During his imprisonment Charles Thomas Wooldridge, who had been convicted of murdering his wife, was hanged. The poem was published in 1898 under the name C.3.3., which stood for cell block C, landing 3, cell 3. The text is a mixture of the first and second versions of Wilde’s poem.
$1.99
The Yellow Wallpaper (Excerpt), an Accompanied Reading
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Percussion Ensemble
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Contemporary
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Paul Burnell
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The Yellow Wallpaper
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Paul Burnell
#
SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.835740 Composed by Paul Burnell. Contemporary. Score and parts. 7 pages. Paul Burnell #511023. Published b...
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Percussion Ensemble - Digital Download SKU: A0.835740 Composed by Paul Burnell. Contemporary. Score and parts. 7 pages. Paul Burnell #511023. Published by Paul Burnell (A0.835740). Composed 2015. One of a series of fourteen accompaniments to texts published between 1896-1899. Duration 7:30 approx. For vibraphone or cimbalom or other instruments, 3 gongs, bass drum and narrator. The piece may be performed without narrator. Narrator text, from 'The Yellow Wallpaper' by Charlotte Perkins Gilman, pubished in 1892.
$1.99
The Horla (Excerpt), an Accompanied Reading
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Percussion Ensemble
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INTERMEDIATE
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Contemporary
#
Paul Burnell
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The Horla
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Paul Burnell
#
SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.835781 Composed by Paul Burnell. Contemporary. Score and parts. 6 pages. Paul Burnell #3222647. ...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.835781 Composed by Paul Burnell. Contemporary. Score and parts. 6 pages. Paul Burnell #3222647. Published by Paul Burnell (A0.835781). Composed 2015. One of a series of fourteen accompaniments to texts published between 1886-1899 Duration 4:45 approx. For percussion (three players) and narrator Narrator text - from 'Le Horla' by Guy de Maupassant (1850 - 1893), published 1887. English translation by Jonathan Sturges (1864–1911) published 1890. Guy de Maupassant was a French writer, remembered as a master of the short story. It has been suggested that the word horla is a blending of the French words hors (outside) and là (there) and the title can be interpreted as the what’s out there. Percussion: Wind wand or bullroarer and two guiros (or similar). Players read from the score. Narrator cues are shown in the score in boxed text and below in square brackets. Between rehearsal letters [D] and [H] the percussionists maintain tempo; the narrator cues are for guidance only.
$1.99
Bucket Drum Fun with String Orchestra
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Percussion Ensemble
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EASY
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Don Hicks
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Bucket Drum Fun with String Or
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Don Hicks
#
SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.844043 Composed by Don Hicks. Children,Instructional. Score and parts. 18 pages. Don Hicks #3386...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.844043 Composed by Don Hicks. Children,Instructional. Score and parts. 18 pages. Don Hicks #3386937. Published by Don Hicks (A0.844043). This is an elementary level piece for bucket drums and string orchestra. The MP3 audio file, can be used as an accompaniment for either a separate bucket drum group or any of the strings.All string parts have fingering included. The bucket drum part has counting help below each note.
$8.99
Four Forces (First movement) I. Strong Forces
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Percussion Ensemble
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ADVANCED
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Percussion Ensemble
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ADVANCED
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Bouncin' in 3 - Xylophone Solo
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Percussion Ensemble
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INTERMEDIATE
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Ben Garraway
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Bouncin' in 3 - Xylophone Solo
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Music Lesson Downloads
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.892595 Composed by Ben Garraway. Concert,Contemporary,Instructional,Standards. Score and parts. ...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.892595 Composed by Ben Garraway. Concert,Contemporary,Instructional,Standards. Score and parts. 1 pages. Music Lesson Downloads #6212909. Published by Music Lesson Downloads (A0.892595). Especially written to show off the character of the instrument this 3/4 dance is perfect for students to play unaccompanied. For Xylophone or Marimba, the melody is played in the right hand and the left hand plays mostly an accompaniment. Lots of arpeggios and scales and constant movement throughout makes this grade 4.
$2.99
Bouncin' in 4 - Xylophone Solo
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Percussion Ensemble
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INTERMEDIATE
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Ben Garraway
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Bouncin' in 4 - Xylophone Solo
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Music Lesson Downloads
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.892597 Composed by Ben Garraway. Concert,Contemporary,Film/TV,Instructional. Score and parts. 1 ...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.892597 Composed by Ben Garraway. Concert,Contemporary,Film/TV,Instructional. Score and parts. 1 pages. Music Lesson Downloads #6212913. Published by Music Lesson Downloads (A0.892597). Especially written to show off the character of the instrument this 3/4 dance is perfect for students to play unaccompanied. For Xylophone or Marimba, the melody is played in the right hand and the left hand plays mostly an accompaniment. Lots of arpeggios and scales and constant movement throughout makes this grade 4. (There is also a 3/4 solo called ‘Bouncin' in 3’ in a similar style.)
$2.99
The Three-Minute Waltz - for mallet keyboard percussion trio
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Percussion Ensemble
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ADVANCED
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Classical
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Samuel Stokes
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The Three-Minute Waltz - for m
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SamuelStokesMusic.com
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.562082 Composed by Samuel Stokes. Concert,Contemporary. Score and parts. 16 pages. SamuelStokesM...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.562082 Composed by Samuel Stokes. Concert,Contemporary. Score and parts. 16 pages. SamuelStokesMusic.com #5199889. Published by SamuelStokesMusic.com (A0.562082). This fun and hilarious percussion trio is a show piece for the xylophone player with vibraphone and marimba parts playing an accompaniment role. The piece begins as a very simplistic waltz, but with each successive variation, the tempo increases and the xylophone part gets more and more technically challenging. A great show piece that is certain to keep the audience engaged. Learn more about the composer Samuel Stokes at https://www.SamuelStokesMusic.com
$6.99
Silent Night Prelude for percussion octet
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Percussion Ensemble
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EASY
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Christmas
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Franz Xaver Gruber
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Dan Heslink
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Silent Night Prelude for percu
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and p...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
Toil and Trouble
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Percussion Ensemble
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BEGINNER
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Jayne Groves, Matt Moore
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Toil and Trouble
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M Moore & J Groves
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SheetMusicPlus
Percussion Ensemble - Level 1 - Digital Download SKU: A0.862017 Composed by Jayne Groves, Matt Moore. Children,Contemporary,Halloween,Instructional. Scor...
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.862017 Composed by Jayne Groves, Matt Moore. Children,Contemporary,Halloween,Instructional. Score and parts. 18 pages. M Moore & J Groves #2998787. Published by M Moore & J Groves (A0.862017). Players: 12+ Duration: 3:20Commissioned in 2016 by SCEGGS Darlinghurst for their ‘Shakespeare 400’ concert, Toil and Trouble is an atmospheric and visually engaging performance piece for large junior percussion ensemble. 12 or more players (Witches) play on plastic barrels (cauldrons) with rhythms based on the Witches’ spell from Shakespeare’s Macbeth. An eerie accompaniment is provided by a trio of experienced players. Toil and Trouble provides an enriching group experience, in both the learning process, and the performance.
$30.00
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Percussion Ensemble
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ADVANCED
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages....
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
EPISODE for Percussion Ensemble with Electric Bass
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Jason Sullivann
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EPISODE for Percussion Ensembl
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Green Bicycle Music
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.951093 Composed by Jason Sullivann. 20th Century,Contest,Festival. Score and parts. 34 pages. Gr...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.951093 Composed by Jason Sullivann. 20th Century,Contest,Festival. Score and parts. 34 pages. Green Bicycle Music #6382267. Published by Green Bicycle Music (A0.951093). Concert piece for Percussion Ensemble. This piece uses an arch form and features melodic interplay between the marimba and vibraphone. The mallet parts are featured in a solo/accompaniment texture. The bass part is more nuanced than most in an ensemble setting.
$30.00
A Caribbean Christmas
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Percussion Ensemble
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ADVANCED
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Christmas
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George Frideric Handel, James
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Aaron G
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A Caribbean Christmas
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Aaron G. Railey
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.891828 Composed by George Frideric Handel, James Chadwick, James Pierpont, and Thomas Oliphant. ...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.891828 Composed by George Frideric Handel, James Chadwick, James Pierpont, and Thomas Oliphant. Arranged by Aaron G. Railey. Christmas. Score and parts. 28 pages. Aaron G. Railey #6607247. Published by Aaron G. Railey (A0.891828). A Caribbean Christmas is a thrilling adventure through the most famous and recognizable Christmas holiday songs of all time. Written in a Caribbean Soca rhythmic style and including three key changes, this is an advanced arrangement that will feature and challenge your best musicians. Each section of the ensemble has the opportunity to perform the melody in this arrangement. Often, students on the accompaniment instruments are stuck playing repeated chords with little to no motion or challenge. I found it important as an educator that each student gets challenged and has the opportunity to feel important to the contribution of the ensemble. Every ensemble that has ever performed this has received a standing ovation. It is thrilling, exciting, challenging, recognizable, and just fun to play. I hope that you enjoy this and it brings holiday spirit to your community! .
$39.99
Love at Christmas for Percussion Ensemble and Guitar
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Percussion Ensemble
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INTERMEDIATE
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Christmas
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Nancy J
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Love at Christmas for Percussi
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Nancy Brammer
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.945646 Composed by Nancy J. Brammer. Christmas. Score and parts. 10 pages. Nancy Brammer #606461...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.945646 Composed by Nancy J. Brammer. Christmas. Score and parts. 10 pages. Nancy Brammer #6064617. Published by Nancy Brammer (A0.945646). Love at Christmas is an arrangement for mostly tuned percussion including, Xylophone, Marimba, Piano and Sleigh Bells accompanied by Guitar. The words are included if they were needed for display during a program. Or a singer could sing the melody along with the xylophone and marimba.
$5.50
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