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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
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FRENCH HORN
GUITAR
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LAP STEEL GUIT…
LUTE
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ORCHESTRA - BA…
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PERCUSSION
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VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
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Promise
Not classified
608
Piano & keyboards
Piano solo
466
Piano, Vocal and Guitar
244
Piano, Voice
173
Easy Piano
90
Piano Accompaniment
73
Organ
25
C Instruments
22
Big Note Piano
20
Piano Trio: piano, violin, cello
11
1 Piano, 4 hands
10
2 Pianos, 4 hands
4
Piano Quartet: piano, violin, viola, cello
4
Piano Quintet: piano, 2 violins, viola, cello
2
Melody line, Piano
1
Accordion
1
Piano Quartet: piano, 2 violins, cello
1
+ 11 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
51
Melody line, (Lyrics) and Chords
43
Lyrics and Chords
28
Guitar
16
Ukulele
9
Mandolin
3
Dulcimer
2
Bass guitar
2
2 Guitars (duet)
2
Guitar (band part)
1
Ukulele Ensemble
1
+ 6 instrumentations
-
Retract
Voice
Choral SATB
378
Choral Instrumental Pak
115
Choral 3-part
71
Choral Unison
42
Choral TTBB
36
Choral 2-part
35
Tenor voice, Piano
19
Choral SSAA
13
Soprano voice, Piano
11
Alto voice, Piano
8
Voice solo
6
Choral
6
Vocal duet
6
Tenor voice
5
Vocal duet, Piano
5
High voice
3
Choral SSATTB
1
Baritone voice, Piano
1
Soprano voice
1
Voice, Guitar
1
+ 15 instrumentations
-
Retract
Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
43
Saxophone Quartet: 4 saxophones
42
Flute, Oboe, Clarinet, Bassoon
39
2 Saxophones (duet)
33
Saxophone Quintet: 5 Saxophones
32
Flute and Piano
28
Oboe, Piano (duet)
28
Flute
26
Clarinet and Piano
22
Clarinet
21
Alto Saxophone
20
Alto Saxophone and Piano
20
Tenor Saxophone
18
Tenor Saxophone and Piano
17
2 Clarinets (duet)
15
2 Flutes (duet)
15
Saxophone (band part)
15
2 Oboes (duet)
12
Soprano Saxophone and Piano
12
Clarinet (band part)
11
Oboe (band part)
11
Oboe
10
Baritone Saxophone, Piano
9
Soprano Saxophone
8
Baritone Saxophone
8
Oboe, Clarinet (duet)
7
Flute, Clarinet (duet)
7
Flute (band part)
7
2 Recorders (duet)
7
3 Clarinets (trio)
6
Flute, Clarinet and Bassoon.
6
Flute, Oboe (duet)
5
3 Saxophones (trio)
5
Clarinet Quintet: 5 clarinets
5
Clarinet Quartet: 4 clarinets
5
Clarinet, Bassoon (duet)
4
Clarinet, Violin (duet)
4
Saxophone ensemble
3
Flute, Violin
3
Flute, Violoncello
3
Flute Quartet: 4 flutes
3
Flute ensemble
2
Treble (Alto) Recorder
2
Eb Instruments
2
Oboe, Bassoon (duet)
2
Flute Trio: 3 flutes
2
Oboe, Cello
2
Clarinet, Cello (duet)
2
Descant (Soprano) Recorder
2
Oboe and viola (duet)
2
Tenor Recorder
2
Oboe, Violin (duet)
2
Flute Quintet : 5 flutes
2
Flute, Viola (duet)
2
Flute, Bassoon, and Piano
1
Flute, Cello, Piano (trio)
1
Flute, Oboe, Piano (trio)
1
Flute, Violin, Piano
1
Flute, Clarinet, Piano (trio)
1
Clarinet and Viola
1
2 Flutes, Piano
1
Clarinet Ensemble
1
+ 57 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
47
Trumpet, Piano
30
Brass Quartet: 2 trumpets, horn, trombone
22
Trumpet
21
Trombone and Piano
19
Brass quartet : 2 trumpets, trombone, tuba
17
French Horn and Piano
16
French horn
16
2 Trumpets (duet)
15
Tuba
14
2 French horns (duet)
13
2 Trombones (duet)
13
Trombone
12
Tuba and Piano
11
Brass Quartet
10
Trumpet, Trombone (duet)
8
Trumpet (band part)
8
French horn (band part)
6
Trombone (band part)
6
2 Tubas (duet)
6
Trumpet, Tuba (duet)
3
Euphonium, Piano (duet)
3
Trumpet, Horn (duert)
3
Trumpet, Cello, Piano
2
Tuba (band part)
2
Trombone, Tuba (duet)
2
Brass Quartet: 4 horns
1
Bass Clef Instruments
1
Trumpet, Cello (duet)
1
Horn, Cello (duet)
1
Trumpet, Bassoon (duet)
1
Bb Instruments
1
French horn and Basson (duet)
1
+ 28 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
77
Violin and Piano
44
String Quintet: 2 violins, viola, cello, bass
36
Cello, Piano
25
Violin
24
Viola, Piano
23
Cello
22
Violin, Cello (duet)
19
Viola
19
2 Cellos (duet)
16
2 Violins (duet)
15
2 Violas (duet)
13
Violin, Viola (duet)
11
Harp
11
String Trio: 2 violins, cello
11
Double Bass
10
Violin (band part)
8
Double bass, Piano (duet)
8
2 Double basses (duet)
6
Violin, Bassoon (duet)
5
String Trio: violin, viola, cello
5
4 Cellos
4
Viola (band part)
3
Piano Trio: Violin, Viola, Piano
3
Cello (band part)
2
Viola, Cello (duet)
2
Doublebass (band part)
2
String Quintet: 2 violins, 2 violas, cello
2
Cello, String Bass (duet)
1
Violin, Clarinet, Piano (trio)
1
Viola and Harp
1
Harp, Trombone (duet)
1
Harp, Voice
1
+ 28 instrumentations
-
Retract
Orchestra & Percussion
Concert band
58
Orchestra
53
Handbells
39
String Orchestra
18
Drums
17
Jazz Ensemble
12
Percussion (band part)
9
Chamber Orchestra
7
Marching band
4
Jazz combo
3
Brass ensemble
2
Marimba
1
Brass Quintet: other combinaisons
1
Timpani (band part)
1
Vibraphone
1
+ 10 instrumentations
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Retract
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You've selected:
Promise
Guitar
Sheetmusic to print
16 sheet music found
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1
Missouri Uncompromised
#
Guitar
#
Jazz
#
Pat Metheny
#
Missouri Uncompromised
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Pat Metheny. C Instruments. Jazz. Leadsheet (melody/chords only). 1 pages. Published by Hal Leonard - Digital Sheet Music...
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By Pat Metheny. C Instruments. Jazz. Leadsheet (melody/chords only). 1 pages. Published by Hal Leonard - Digital Sheet Music
$1.99
Oh Promise Me for Fingerstyle Guitar
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Guitar
#
EASY
#
FERNANDO LUIZ NEVES
#
FERNANDO LUIZ NEVES
#
Oh Promise Me for Fingerstyle
#
Fernando Neves
#
SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1181372 By FERNANDO LUIZ NEVES. By FERNANDO LUIZ NEVES. Arranged by FERNANDO LUIZ NEVES. Broadway,Christ...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1181372 By FERNANDO LUIZ NEVES. By FERNANDO LUIZ NEVES. Arranged by FERNANDO LUIZ NEVES. Broadway,Christian,Film/TV,Musical/Show,Praise & Worship,Wedding. Individual part. 2 pages. Fernando Neves #781213. Published by Fernando Neves (A0.1181372). Oh Promise Me is a popular song written by Reginald De Koven with lyrics by Clement Scott. It was composed in 1887 for the operetta Robin Hood, which was first performed in Chicago. The song quickly became a popular and beloved standard, and has been recorded by many different artists over the years. Its enduring popularity has led to its use in numerous films, TV shows, and other media. This song is perfect for weddings, reflection moments, services or solo guitar shows. Score with Tablature, Fingering and Chords. 2 pages.
$9.99
Apparent Promises
#
Guitar
#
INTERMEDIATE
#
Ron Patton
#
Apparent Promises
#
Twintastic Music
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.987325 Composed by Ron Patton. Film/TV,Holiday,Pop,Wedding. Individual part. 6 pages. Twintastic Music #...
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Solo Guitar - Level 3 - Digital Download SKU: A0.987325 Composed by Ron Patton. Film/TV,Holiday,Pop,Wedding. Individual part. 6 pages. Twintastic Music #1921031. Published by Twintastic Music (A0.987325). Apparent Promises is an acoustic guitar composition celebrating the discovery of the apparent promises love offers to all those willing to take a chance on it.
$3.99
Promise
#
Guitar
#
ADVANCED
#
Contemporary
#
Yvonne Bloor
#
Promise
#
Les Productions d\'OZ - Digital
#
SheetMusicPlus
Composed by Yvonne Bloor. Score. 17 pages. Les Productions d\'OZ - Digital #DZ 4013. Published by Les Productions d\'OZ - Digital ...
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Composed by Yvonne Bloor. Score. 17 pages. Les Productions d\'OZ - Digital #DZ 4013. Published by Les Productions d\'OZ - Digital
$9.95
Les 100 de Roland Dyens - Terre promise
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Guitar
#
EASY
#
Roland Dyens
#
Les 100 de Roland Dyens - Terr
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
By Roland Dyens (1955-). For solo guitar. Level 2. 4 pages. Published by Les Productions d'OZ - Digital ...
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By Roland Dyens (1955-). For solo guitar. Level 2. 4 pages. Published by Les Productions d'OZ - Digital
$3.95
The Promised Land
#
Guitar
#
Elvis Presley
#
The Promised Land
#
Hal Leonard - Digital
#
SheetMusicPlus
Easy Guitar (no TAB) - Digital Download SKU: HX.1291215 By Elvis Presley. This edition: scorch. Country,Pop,Rock. Score. 2 pages. Hal Leonard - Digital #...
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Easy Guitar (no TAB) - Digital Download SKU: HX.1291215 By Elvis Presley. This edition: scorch. Country,Pop,Rock. Score. 2 pages. Hal Leonard - Digital #672005. Published by Hal Leonard - Digital (HX.1291215).
$2.99
Heartbeats
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Jose Gonzalez
#
Pablo Alcázar
#
Heartbeats
#
Pablo Alcázar
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1268428 By Jose Gonzalez. By Karin Dreijer Andersson and Olof Dreijer. Arranged by Pablo Alcázar. 21s...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1268428 By Jose Gonzalez. By Karin Dreijer Andersson and Olof Dreijer. Arranged by Pablo Alcázar. 21st Century,Pop,Singer/Songwriter,Wedding. Individual part. 6 pages. Pablo Alcázar #860970. Published by Pablo Alcázar (A0.1268428). Arrangement for solo guitar of the famous song Heartbeats. This arrange by Pablo Alcázar, professional guitarist arranger and composer, is for intermediate players that want a challenge to play or for professional guitarist that want some new repertoire for wedding gigs or concerts. It includes the full voice melody line aswell as the full guitar line from the original song. This arrangement uses the 3º string on F# and the 6º string on D and the reading doesn't include the real notes you are playing but the translation of a normal tuning reading to make things easier. Also you can check the strings on the tablature in case you need to play in different positions.This is the Lyrics of the song:One night to be confusedOne night to speed up truthWe had a promise, babeFour hands and then awayBoth under influenceWe had divine senseTo know what to sayMind is a razor bladeTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noOne night of magic rushThe start a simple touchOne night to push and screamAnd then reliefTen days of perfect huesThe colors red and blueWe had a promise, babeWe were in loveTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noTo call for hands of aboveTo lean onWouldn't be good enoughAnd youYou knew the hand of the devilAnd youKept us awake with wolves teethSharing different heartbeatsIn one nightTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noTo call for hands of aboveTo lean onWouldn't be good enough.
$4.99
Ain't Always The Cowboy
#
Guitar
#
INTERMEDIATE
#
Jon Pardi
#
Kyle Pudenz
#
Ain't Always The Cowboy
#
ViolinVagabond Music
#
SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1320099 By Jon Pardi. By Brandon Kinney and Josh Thompson. Arranged by Kyle Pudenz. 21st Century,Contemporary...
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Guitar - Level 3 - Digital Download SKU: A0.1320099 By Jon Pardi. By Brandon Kinney and Josh Thompson. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Pop,Wedding. Chords/Lyrics. 6 pages. ViolinVagabond Music #908657. Published by ViolinVagabond Music (A0.1320099). Just here doing my part to help my fellow musician by providing lead sheets and instrumental adaptations of those slightly obscure tunes by famous artists that your next wedding or cocktail hour client just CAN'T live without hearing. Bear in mind that I am, in fact, a professional arranger so I can promise you that if nothing else this arrangement comes with the following guarantees.This chart is 3 things:- ACCURATE (nobody got time for incorrect transcriptions)- UNIVERSAL (you'll get lead sheets with AND without guitar chords and lyrics, in order to best fit your ensemble's needs)- SIGHT READABLEOh, and most importantly, it's cheap. So for the low low price of 5 bucks, save yourself a couple hours of headache transcribing this tune yourself and proceed to your gig with confidence. Consider this my small act of paying it forward to the next poor sap who unexpectedly finds this tune on a set list.Vocal version (with guitar chords) and instrumental version (treble clef) included. And yes, I tabbed out the fiddle leads for you :).
$4.99
Chorus and Aria from Ariadne auf Naxos
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Guitar
#
INTERMEDIATE/ADVANCED
#
Classical
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne a
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitar
#
INTERMEDIATE/ADVANCED
#
Classical
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariad
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitar
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INTERMEDIATE
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Classical
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Mag...
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Overture from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Wellerman
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Guitar
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INTERMEDIATE/ADVANCED
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Nathan Evans
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Adam Bilchik
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Wellerman
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Adam Bilchik
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1322703 By Nathan Evans. By Alexander Oriet, David Phelan, and Nathan Evans. Arranged by Adam Bilchik. C...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1322703 By Nathan Evans. By Alexander Oriet, David Phelan, and Nathan Evans. Arranged by Adam Bilchik. Classical,Folk,Pop,Traditional. Individual part. 1 pages. Adam Bilchik #910984. Published by Adam Bilchik (A0.1322703). This arrangement is for solo classical and fingerstyle guitar and is based on the Nathan Evans performance.  Played in the original key of C minor, this arrangment showcases the character of this viral sea shanty with the elegance and grace of classical guitar.  It also features detailed tablature and chord diagrams.The Wellerman song is a traditional New Zealand sea shanty dating back to the mid 19th century. It was traditionally sung by sailors while they worked aboard ships to boost morale and coordinate tasks. Wellerman speifically refers to the supply ships that brought essential provisions such as tea, sugar and rum to whaling ships in the South Pacific.  Perfect for intermediate to advance players, this sheet music arrangement promises an engaging musical journey that will elevate your repertoire and captivate audiences.
$6.99
India Arie Simpson: Promises - guitar solo
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Guitar
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EASY
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Rock
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India Arie Simpson
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Virtualsheetmusic
Instantly printable sheet music by India Arie Simpson for guitar solo of EASY skill level. / pop,rock,children
Instantly printable sheet music by India Arie Simpson for guitar solo of EASY skill level. / pop,rock,children
$5.97
R. Kelso Carter: Standing On The Promises - guitar solo (ChordBuddy system)
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Guitar
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INTERMEDIATE
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Christian contemporary
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R. Kelso Carter
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Virtualsheetmusic
Instantly printable sheet music by R. Kelso Carter for guitar solo (ChordBuddy system) of MEDIUM skill level. / christian,gospel,sacred,hymn
Instantly printable sheet music by R. Kelso Carter for guitar solo (ChordBuddy system) of MEDIUM skill level. / christian,gospel,sacred,hymn
$2.97
Promises
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Guitar
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Rock
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India
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Promises
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By India.Arie. By India Arie Simpson and Paige Lackey. For Easy Guitar. Pop/Rock. 4 pages. Published by Alfred Music - Digital Sheet Music ...
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By India.Arie. By India Arie Simpson and Paige Lackey. For Easy Guitar. Pop/Rock. 4 pages. Published by Alfred Music - Digital Sheet Music
$2.99
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