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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
15 pages (parts)
Not classified
3,361
Piano & keyboards
Piano, Voice
612
Piano Trio: piano, violin, cello
97
1 Piano, 4 hands
54
Piano solo
44
Piano, Vocal and Guitar
26
Piano Quartet: piano, 2 violins, cello
26
Piano Quartet: piano, violin, viola, cello
25
Piano Quintet: piano, 2 violins, viola, cello
21
Easy Piano
20
2 Pianos, 4 hands
19
Organ, Trumpet (duet)
16
Piano Accompaniment
14
1 Piano, 6 hands
9
Organ
5
Organ, Piano (duet)
4
C Instruments
2
Piano (band part)
2
Harpsichord
1
2 Accordions
1
Accordion
1
Fake Book
1
Accordion ensemble
1
2 Pianos, 8 hands
1
+ 18 instrumentations
-
Retract
Guitars
2 Guitars (duet)
29
4 Guitars (Quartet)
27
Guitar notes and tablatures
22
Ukulele
14
Guitar
14
3 Guitars (trio)
11
Guitar Ensemble
7
Bass guitar
4
Guitar, Violin, Cello (trio)
3
Guitar (band part)
2
Dulcimer
2
Mandolin
1
3 Dulcimers (trio)
1
+ 8 instrumentations
-
Retract
Voice
Choral SATB
289
Choral 3-part
116
Choral 2-part
58
Choral TTBB
45
Choral SSAA
22
Choral Unison
12
Vocal duet, Piano
6
Choral SSAB a cappella
3
Vocal duet
2
Tenor voice, Piano
2
Medium voice, Piano
1
Soprano voice, Piano
1
Choral SSATB
1
Choral SSAB, Piano
1
Children choir
1
High voice
1
+ 11 instrumentations
-
Retract
Woodwind
Flute and Piano
289
Clarinet and Piano
195
Clarinet Quartet: 4 clarinets
171
Saxophone Quartet: 4 saxophones
144
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
127
Alto Saxophone and Piano
122
Flute, Oboe, Clarinet, Bassoon
96
Oboe, Piano (duet)
94
Tenor Saxophone and Piano
88
Flute Quartet: 4 flutes
78
Soprano Saxophone and Piano
66
2 Saxophones (duet)
50
2 Flutes (duet)
37
3 Saxophones (trio)
37
3 Clarinets (trio)
33
Flute, Clarinet (duet)
30
Clarinet Quintet: 5 clarinets
28
2 Clarinets (duet)
27
Clarinet Ensemble
26
Saxophone Quintet: 5 Saxophones
26
Clarinet
25
Flute Trio: 3 flutes
23
Flute ensemble
23
Flute and Guitar
23
Flute, Violin, Piano
20
Recorder Quartet
19
Flute, Clarinet, Piano (trio)
18
Baritone Saxophone, Piano
18
Saxophone (band part)
15
Saxophone ensemble
13
Piccolo, Piano
13
Oboe, Bassoon (duet)
12
2 Clarinets, Piano
12
Flute, Viola and Piano
11
Flute, Cello, Piano (trio)
11
2 Flutes, Piano
11
Bass Clarinet, Piano
10
Clarinet, Cello, Piano (trio)
10
Flute, trombone and piano
10
Clarinet, Bassoon (duet)
10
Clarinet, Violin (duet)
9
Flute, Violin and Violoncello
9
Flute, Oboe, Piano (trio)
8
Oboe, Clarinet, Bassoon (trio)
8
Flute, Bassoon, and Piano
8
English horn, Piano
8
Saxophone, Clarinet (duet)
7
Flute, Violin
7
2 Oboes (duet)
7
Flute Quintet : 5 flutes
7
Flute, Clarinet and Bassoon.
7
Clarinet, Guitar (duet)
6
2 Saxophones, Piano
5
Flute, Violin, Violoncello and Piano
5
Clarinette, Viola and Piano (trio)
5
Flute, Violoncello
4
5 Recorders
4
Oboe, Flute
4
Clarinet and Viola
4
Clarinet, Trumpet (duet)
4
Treble (Alto) Recorder, Piano
4
Flute, Oboe, Bassoon
4
Flute, Saxophone (duet)
4
Clarinet, Harp (duet)
4
3 Recorders (trio)
4
Flute
4
Oboe, Clarinet (duet)
4
Clarinet, trumpet and piano
3
Recorder, Piano
3
Flute, Oboe, Clarinet (trio)
3
Flute (band part)
3
Flute, Cello, Guitar
3
Flute, Trumpet (duet)
3
Saxophone and Organ
3
Descant (Soprano) Recorder
3
Tenor Saxophone
3
Recorder
3
Flute and String Quartet
3
Clarinet, Cello (duet)
3
Flute and Strings Trio
3
Tenor Recorder
3
3 Oboes
2
Oboe (band part)
2
Recorder Ensemble
2
Clarinet, Bassoon, Piano (trio)
2
Oboe, Cello and Piano
2
Descent (Soprano) Recorder, Piano
2
Clarinet Quintet: Clarinet, String Quartet
2
Clarinet (band part)
2
Oboe, Violin, Piano
2
Saxophone and Guitar
2
Oboe
2
Oboe, Harp
2
Saxophone and Harp
2
Oboe, Clarinet and Piano (Trio)
2
Alto Saxophone
2
Flute, Oboe (duet)
2
2 English horns and Pianoforte
2
Flute, Violin, Guitar
1
Flute, Trombone (duet)
1
Pennywhistle
1
Flute, Clarinet, Horn and Bassoon (Quartet)
1
Flute, Clarinet, Violin (trio)
1
Flute, Organ (duet)
1
Recorder, Harp
1
Flute, Oboe, Violin
1
Flute, Viola and Cello
1
4 Oboes
1
Oboe and viola (duet)
1
Flute, Viola (duet)
1
Clarinet, Organ
1
Oboe, Guitar (duet)
1
2 Recorders (duet)
1
English Horn
1
Clarinet, Trombone (duet)
1
Flute, harp and violin
1
Flute, Harp and Cello
1
Treble (Alto) Recorder
1
+ 113 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
349
Brass quartet : 2 trumpets, trombone, tuba
211
Trumpet, Piano
207
Trombone and Piano
116
French Horn and Piano
87
Tuba and Piano
58
Brass Quartet: 2 trumpets, horn, trombone
46
Brass Quartet: 4 trombones
32
Trumpet, Horn (duert)
24
Brass Quartet
23
Euphonium, Piano (duet)
19
Brass Quartet: 4 horns
16
Horn Ensemble
16
2 Euphoniums and 2 Tubas
16
Brass Quartet: 4 trumpets
16
Trombone ensemble
15
Trumpet, Trombone (duet)
15
Trumpet
14
4 Tubas
12
3 Trombones (trio)
12
2 French horns (duet)
12
Brass Trio
11
3 Trumpets (trio)
11
Bass Trombone and Piano
10
Trumpet, Cello, Piano
9
Trumpet (band part)
8
Trumpet, Saxophone (duet)
8
2 Euphoniums (duet)
8
2 Trombones (duet)
8
English horn, Piano
8
Trombone (band part)
7
2 Tubas (duet)
7
Euphonium, Tuba (duet)
7
Trumpet, Harp
6
French Horn and Harp
6
3 French horns (trio)
6
2 Trumpets (duet)
5
Trumpet ensemble
5
Trombone, Organ
4
Trombone
3
Cornet and Piano
3
French horn
3
Tuba and Organ
2
French horn (band part)
2
Tuba
2
Tuba (band part)
2
2 English horns and Pianoforte
2
Bass Clef Instruments
1
Horn, Trumpet, Trombone (trio)
1
Bass Saxhorn or Euphonium or Tuba and Piano
1
Brass Quartet: 2 trumpets, 2 trombones
1
Trombone, Tuba (duet)
1
Tuba ensemble
1
Bass Trombone
1
3 Tubas (trio)
1
Trumpet, Trombone, Piano
1
English Horn
1
Horn and Organ
1
2 Trumpets, Keyboard (piano or organ)
1
+ 54 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
1,822
Violin and Piano
496
Cello, Piano
394
String Trio: violin, viola, cello
200
Violin, Cello (duet)
129
Viola, Piano
122
String trio
58
String Quintet: 2 violins, viola, cello, bass
48
4 Cellos
44
Violin, Viola (duet)
41
String Trio: 2 violins, cello
37
Piano Trio: Violin, Viola, Piano
34
2 Violins (duet)
30
Violin
30
2 Cellos (duet)
26
String quartet: 4 violins
20
String Trio: 3 cellos
17
2 Harps (duet)
15
String Trio: 3 violins
14
Viola, Cello (duet)
14
2 Violins, Piano
14
Harp
13
Violin, Guitar (duet)
13
Double bass, Piano (duet)
12
Harp, Violin (duet)
11
Cello
11
Cello, Guitar (duet)
10
Violin (band part)
9
String Quartet : 4 violas
9
Harp, Flute (duet)
9
Violin, Clarinet, Piano (trio)
9
String Trio: 2 violins, viola
7
2 Cellos, Piano
7
Viola
6
2 Violas, Piano
5
2 Double basses (duet)
5
2 Violas (duet)
5
String Trio: 3 violas
5
Viola and Harp
4
Harp, Cello (duet)
4
Doublebass (band part)
4
Cello Ensemble
4
Viola (band part)
4
Violin, Organ
3
Viola, Guitar (duet)
2
3 Harps
2
Cello, Orchestra
1
Violin, Bassoon (duet)
1
Harp, Voice
1
Violin, Trumpet and Piano
1
Flute, Doublebass (duet)
1
Double Bass
1
Cello (band part)
1
Harp and Piano
1
String Quintet: 2 violins, 2 violas, cello
1
4 Double Basses
1
Harp and mandolin
1
Cello, String Bass (duet)
1
+ 53 instrumentations
-
Retract
Orchestra & Percussion
String Orchestra
327
Brass ensemble
243
Concert band
187
Orchestra
168
Chamber Orchestra
96
Jazz Ensemble
82
Percussion Ensemble
76
Marching band
34
Jazz combo
32
Handbells
12
Woodwind Quintet
7
Drums
5
Woodwind Quartet: any 4 woodwinds
4
Drums-Marching band
3
Vibraphone
3
Vibraphone (band part)
2
Drum (band part)
2
Brass Quintet: other combinaisons
2
School Ensemble
1
3 Percussions
1
Woodwind Trio: any 3 woodwinds
1
Marimba
1
Percussion (band part)
1
+ 18 instrumentations
-
Retract
Others
Musical course - Solfege
4
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--INSTRUMENTS--
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CHORAL - VOCAL…
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14 sheet music found
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1
Moves Like Jagger
#
Guitar
#
INTERMEDIATE
#
Maroon 5 Featuring Christina A
#
TopDots Orchestrations
#
Moves Like Jagger
#
TopDots Orchestrations
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.496393 By Maroon 5 Featuring Christina Aguilera. By Adam Levine, Ammar Malik, Benjamin Levin, and Shellb...
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Solo Guitar - Level 3 - Digital Download SKU: A0.496393 By Maroon 5 Featuring Christina Aguilera. By Adam Levine, Ammar Malik, Benjamin Levin, and Shellback. Arranged by TopDots Orchestrations. Contemporary,Pop. Individual part. 15 pages. TopDots Orchestrations #110597. Published by TopDots Orchestrations (A0.496393). Key Gm. NOTE: DOWN 4 SEMITONES FROM ORIGINAL RECORDED KEY Tempo 128bpm Based upon the live recording, this classic song has been faithfully reproduced, playable by an ensemble of 4 rhythm section players, 4 front line players plus singers – lead and group. * Our Professional Arranger series includes parts of the highest quality and are note-for-note accurate to the original recording. All solos are meticulously and faithfully recreated so that bands and ensembles can authentically reproduce the sound of the original. All audio examples are produced ONLY from the musical parts contained in this arrangement. As a professional product, our audio examples do not include the vocal melody of the song. *Additional parts to supplement and augment this arrangement are included in the Educational Edition of this work. Separate Xtra Packs are available for this song. (Also available in keys of Bm and Em).
$4.99
Canon in D (Guitar Trio)
#
Guitar
#
INTERMEDIATE
#
Classical
#
Johann Pachelbel
#
John A
#
Canon in D
#
John A. Dempsey
#
SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1076277 Composed by Johann Pachelbel. Arranged by John A. Dempsey. Baroque,Christmas,Classical,Traditional,We...
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Guitar - Level 3 - Digital Download SKU: A0.1076277 Composed by Johann Pachelbel. Arranged by John A. Dempsey. Baroque,Christmas,Classical,Traditional,Wedding. 15 pages. John A. Dempsey #680431. Published by John A. Dempsey (A0.1076277). A celebrated Baroque work, Pachelbel's Canon in D exudes warmth, beauty, and serenity, all in a stylishly flowing, timeless way. Â A favorite for concerts, recitals and especially weddings (as a prelude, unity candle music, a bridal march, bridesmaid processional or wedding recessional), this peaceful arrangement is a guitar trio. Â Also recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music. Â 11 pages of music (includes score and parts for guitar 1, guitar 2 and guitar 3).
$9.99
Summertime
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Dorothy Heyward, Du Bose Heywa
#
Roger Wallace
#
Summertime
#
Roger Wallace
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1289186 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Rog...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1289186 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Roger Wallace. Blues,Broadway,Film/TV,Jazz,Musical/Show. Individual part. 15 pages. Roger Wallace #879957. Published by Roger Wallace (A0.1289186). Guitar Solo with Piano Accompaniment in A Minor. Blues Ballad. From Porgy and Bess.Solo parts included in this set:Piano & Voice: SopranoVoice: SopranoFlute/Oboe/Violin/VibraphoneClarinet/Soprano Sax/Trumpet Alto SaxGuitarNOTE: Audio sample clip begins at pickup to Letter A.A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$4.99
Summertime
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Dorothy Heyward, Du Bose Heywa
#
Roger Wallace
#
Summertime
#
Roger Wallace
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1289606 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Rog...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1289606 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Roger Wallace. Blues,Broadway,Film/TV,Jazz,Musical/Show. Individual part. 15 pages. Roger Wallace #880315. Published by Roger Wallace (A0.1289606). Guitar Solo with Piano Accompaniment in A Minor. Blues Ballad. From Porgy and Bess.Solo parts included in this set:Piano & Voice: TenorVoice: TenorBass Clarinet/Tenor Sax/TromboneBaritone SaxBassoon/Trombone/CelloGuitarNOTE: Audio sample clip begins at pickup to Letter A.A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$4.99
Love Hurts
#
Guitar
#
BEGINNER
#
Contemporary
#
Ernesto Nazareth
#
Derek Hasted
#
Love Hurts
#
Derek Hasted
#
SheetMusicPlus
Guitar - Level 1 - Digital Download SKU: A0.797695 By Ernesto Nazareth. By Boudleaux Bryant. Arranged by Derek Hasted. 20th Century,Classical. 15 pages. ...
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Guitar - Level 1 - Digital Download SKU: A0.797695 By Ernesto Nazareth. By Boudleaux Bryant. Arranged by Derek Hasted. 20th Century,Classical. 15 pages. Derek Hasted #3550449. Published by Derek Hasted (A0.797695). LOVE HURTS - GUITAR QUARTET/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This gloriously punchy piece has been performed by The Everly Brothers, Jim Capaldi, Roy Orbison and many more!I originally arranged this for my Guitar Workshop and it’s proved a real crowd pleaser at concerts, being easy, upbeat and well-known. The parts lock together securely and even an inexperienced ensemble can play this without a conductor. Yes, this really has been tried and tested in concert many times!A more experienced ensemble will enjoy playing this in a full-length concert - it offers a rewarding sound for little effort and takes away some of the pressure that comes from playing a varied concert!I hope you enjoy performing this piece!
$4.99
One Last Wish
#
Guitar
#
INTERMEDIATE
#
Film/TV
#
Soundtrack
#
Derek Hasted
#
One Last Wish
#
Derek Hasted
#
SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1317820 By Soundtrack. By James Horner. Arranged by Derek Hasted. 20th Century,Comedy,Film/TV. 15 pages. Dere...
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Guitar - Level 3 - Digital Download SKU: A0.1317820 By Soundtrack. By James Horner. Arranged by Derek Hasted. 20th Century,Comedy,Film/TV. 15 pages. Derek Hasted #906510. Published by Derek Hasted (A0.1317820). ONE LAST WISH (from Casper) - 3 GUITARS or LARGE ENSEMBLEFor Classical Guitar - also suits Acoustic GuitarDerek Hasted writes A haunting melody (pardon the pun!) is interspersed with lush & uplifting phrases and exotic chromatic passages. It’s an unusual and delightful piece that makes a refreshing and unexpected concert item.Guitar 3 is tuned to 6=D.I’ve fingered some of the more complex chord shapes, mainly as an aide-memoire, because the key signature and the accidentals combine to make some of the chords hard to read - for example there are F major and F# minor arpeggios looking (at first sight) identical on the page. Some of the more complex chromatic movement is actually gloriously straightforward because of the way I’ve arranged the music to use shapes that slide down the neck. Here and there I’ve chosen enharmonic equivalents to make the music easier on the eye.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
Tasty Tango for Guitar Quartet
#
Guitar
#
EASY
#
Tango
#
David Burndrett
#
Tasty Tango for Guitar Quartet
#
David Burndrett
#
SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.558527 Composed by David Burndrett. Contemporary. Individual part. 15 pages. David Burndrett #3462375. P...
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Solo Guitar - Level 2 - Digital Download SKU: A0.558527 Composed by David Burndrett. Contemporary. Individual part. 15 pages. David Burndrett #3462375. Published by David Burndrett (A0.558527). This piece works well as a concert piece or just for fun!Download includes the score and all of the parts.
$8.95
"Odeon" & "Apanhei-te, Cavaquinho", for guitar and piano duo.
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Guitar
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Ernesto Nazareth
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João Balducci
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"Odeon" & "Apanhei-te, Cavaqui
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João Balducci
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SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.1177140 Composed by Ernesto Nazareth. Arranged by João Balducci. 20th Century,Classical,Latin,Multicultural,Pat...
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Solo Guitar - Digital Download SKU: A0.1177140 Composed by Ernesto Nazareth. Arranged by João Balducci. 20th Century,Classical,Latin,Multicultural,Patriotic,World. Individual part. 15 pages. João Balducci #777149. Published by João Balducci (A0.1177140). Arranjo das obras-primas de Nazareth para violão e piano. Partes do piano e violão separadas inclusas no PDF. Arrangement of Ernesto Nazareth's masterpieces for guitar and piano. Separate piano and guitar parts included in the PDF.
$10.99
Cornucopia (Guitar Part)
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Guitar
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INTERMEDIATE
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Rock
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Brad Powell
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Cornucopia
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Geofonica Artistworks
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.948709 Composed by Brad Powell (The Candlelight Guitarist). Folk,Holiday,Jazz,Latin. Individual part. 5 ...
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Solo Guitar - Level 3 - Digital Download SKU: A0.948709 Composed by Brad Powell (The Candlelight Guitarist). Folk,Holiday,Jazz,Latin. Individual part. 5 pages. Geofonica Artistworks #6855841. Published by Geofonica Artistworks (A0.948709). Cornucopia is the recent single release by The Candlelight Guitarist (Brad Powell)...featuring an ensemble of guitar, mandolin, string bass, and percussion, in a contemporary bossa-nova style. The instrumental parts for GUITAR (this part), mandolin, and string bass are each available here separately. (Renown percussionist Ms. Bobbye Hall recorded using a bass part for her reference.) These instrumental parts are fairly straightforward (easy to intermediate) professional jazz level. The video (linked herein) shows each performing playing their respective parts. Brad plays both the classical guitar part and mandolin part. The string bassist is Frank Sanchez (original bassist for Weird Al Yankovic), and the percussionist is Ms. Bobbye Hall (with dozens of hit songs to her credit, with many famous artists).ABOUT: Bradley Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. Brad is also the classical guitarist for Disney's Princess Breakfast Adventuire at Disneyland's Grand Californian Resort. When not making music, Brad is often out hiking with his dogs.
$3.99
Chorus and Aria from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitar
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INTERMEDIATE
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Classical
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Mag...
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Overture from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
In Motion - for Guitar Orchestra
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Guitar
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INTERMEDIATE
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Contemporary
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Britt Andrew Burns
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In Motion - for Guitar Orchest
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Indie Classical Publications
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.971811 Composed by Britt Andrew Burns. Contemporary. Score and parts. 24 pages. Indie Classic...
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.971811 Composed by Britt Andrew Burns. Contemporary. Score and parts. 24 pages. Indie Classical Publications #3141393. Published by Indie Classical Publications (A0.971811). IN MOTION was written in the Summer of 2017 as a result of a friend's suggestion. This is the first time I have attempted to compose for a guitar orchestra ensemble, which has only emerged in recent years. This somewhat syncopated work is meant to be both fun for the performers and the audience. The 5th Guitar 's sixth string must be tuned down to drop-D tuning. The rest of the guitars are in standard tuning. It is recommended to double each part with at least three guitarists if possible. The key signatures represent A Dorian and F Lydian. Level: grade 4 (intermediate). Duration: About 2 minutes, 5 seconds. Instrumentation: Five Nylon-String Guitars (15 players or more).
$25.00
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