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--INSTRUMENTS--
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Aria: \\\\\\\\
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4,245
Piano & keyboards
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5,997
Piano solo
3,482
Piano, Vocal and Guitar
1,147
Easy Piano
993
C Instruments
422
Organ
407
1 Piano, 4 hands
128
Piano Accompaniment
116
Accordion
90
Piano Trio: piano, violin, cello
73
Big Note Piano
53
2 Pianos, 4 hands
27
Piano Quartet: piano, violin, viola, cello
22
Piano Quintet: piano, 2 violins, viola, cello
21
Piano Quartet: piano, 2 violins, cello
15
Organ, Trumpet (duet)
13
Organ, Piano (duet)
7
Harpsichord
7
2 Accordions
6
Piano (band part)
6
Solo instrument and Organ
6
1 Piano, 6 hands
4
Organ, Voice
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2 Pianos, 8 hands
3
Accordion ensemble
2
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1
+ 21 instrumentations
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Retract
Guitars
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339
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318
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190
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54
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33
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19
4 Guitars (Quartet)
18
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3 Guitars (trio)
8
Guitar (band part)
5
Guitar Ensemble
5
Dulcimer
5
Electric Bass (band part)
2
Mandolin, Piano (duet)
1
Baritone Ukulele
1
Mandolin, Guitar (duet)
1
+ 14 instrumentations
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Retract
Voice
Choral SATB
1,146
Choral 3-part
474
Choral 2-part
326
Soprano voice, Piano
243
Voice solo
227
Choral TTBB
170
Vocal duet, Piano
163
Tenor voice, Piano
152
Choral SSAA
134
Vocal duet
95
High voice
91
Choral Instrumental Pak
88
Alto voice, Piano
87
Baritone voice, Piano
80
Choral
75
Choral Unison
73
Low voice, Piano
52
Mezzo-Soprano voice, Piano
45
Medium voice, Piano
28
Tenor voice
15
Choral SSATB
9
Soprano voice
9
Voice, Basso continuo
8
Choral SSATTB
6
Choral SSAATTBB
5
Low voice
5
Vocal duet, Organ
4
High voice, Piano
3
Voice, Guitar
3
Choral SSAB a cappella
2
Medium Voice
2
Choral SATTB
2
Choral SATBB
2
Soprano voice, Orchestra
1
Baritone voice
1
Choral, Organ
1
Choral SSAATB
1
+ 32 instrumentations
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Woodwind
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439
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365
Flute
356
Clarinet
327
Alto Saxophone and Piano
278
Oboe, Piano (duet)
267
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264
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
228
Alto Saxophone
204
Tenor Saxophone and Piano
198
2 Saxophones (duet)
184
Saxophone (band part)
183
Clarinet Quartet: 4 clarinets
165
Flute, Oboe, Clarinet, Bassoon
159
Soprano Saxophone and Piano
148
Tenor Saxophone
138
2 Flutes (duet)
128
Oboe (band part)
114
Saxophone
113
2 Clarinets (duet)
112
Flute Quartet: 4 flutes
96
Saxophone Quintet: 5 Saxophones
77
Clarinet (band part)
73
Clarinet Ensemble
73
Recorder
68
Baritone Saxophone, Piano
67
Saxophone ensemble
62
Flute ensemble
57
3 Saxophones (trio)
56
Flute, Clarinet (duet)
56
Flute and Guitar
55
English horn, Piano
49
Recorder Quartet
48
Oboe
35
Clarinet Quintet: 5 clarinets
32
Soprano Saxophone
29
3 Clarinets (trio)
28
3 Recorders (trio)
28
Flute (band part)
26
Bass Clarinet, Piano
26
2 Oboes (duet)
25
Flute, Violin, Piano
24
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24
Descant (Soprano) Recorder
23
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23
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20
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20
Flute, Clarinet, Piano (trio)
17
2 Clarinets, Piano
17
Flute, Oboe, Clarinet (trio)
16
Flute, Violin
16
5 Recorders
15
2 Recorders (duet)
15
Treble (Alto) Recorder, Piano
14
Eb Instruments
14
Baritone Saxophone
14
Flute, Clarinet and Bassoon.
13
2 Saxophones, Piano
13
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13
Clarinet, Guitar (duet)
13
Oboe, Clarinet, Bassoon (trio)
12
English Horn
12
Piccolo, Piano
12
Recorder Ensemble
12
Oboe, Clarinet (duet)
11
Clarinet, Trumpet (duet)
11
Tenor Recorder
10
2 Flutes, Piano
10
Flute, Violoncello
8
Flute, trombone and piano
8
Flute Quintet : 5 flutes
8
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8
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8
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8
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7
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7
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7
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7
Piccolo
7
Ocarina
7
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6
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6
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5
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5
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4
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4
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3
Oboe, Harp
3
Harmonica
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4 Oboes
3
Saxophone and Piano
3
Clarinet, Bassoon, Piano (trio)
2
Oboe, Cello
2
2 Oboes, Piano
2
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2
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2
Oboe, Guitar (duet)
2
Flute, Cello, Guitar
2
3 Oboes
2
English Horn, Guitar (duet)
2
2 Flutes, Basso continuo
1
Flute and String Quartet
1
Recorder, Harp
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
Flute, Basso continuo
1
Clarinet, Double bass (duet)
1
Clarinet, Organ
1
Flute, harp and violin
1
Oboe, Bassoon and Piano
1
Saxophone and cello
1
Clarinet, Saxophone, Piano
1
Treble (Alto) Recorder, Basso continuo
1
Flute, Organ (duet)
1
Flute and Strings Trio
1
Saxophone and Harp
1
+ 121 instrumentations
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Retract
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324
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264
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222
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220
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217
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171
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167
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121
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107
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89
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76
Trumpet (band part)
74
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72
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66
2 Trumpets (duet)
63
English horn, Piano
49
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48
2 Trombones (duet)
45
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43
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42
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31
French horn (band part)
25
Tuba (band part)
24
Euphonium
23
2 French horns (duet)
19
Trombone ensemble
19
Trumpet, Saxophone (duet)
18
2 Euphoniums and 2 Tubas
17
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16
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14
4 Tubas
13
Brass Quartet: 4 trumpets
13
English Horn
12
Horn Ensemble
12
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9
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9
Trumpet ensemble
9
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8
2 Tubas (duet)
6
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4
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Horn, Cello (duet)
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4
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3
2 Trumpets, Keyboard (piano or organ)
3
Trombone, Tuba (duet)
3
3 Trumpets (trio)
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Horn and Organ
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Trombone, Horn (duet)
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2
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2
French Horn and Harp
2
English Horn, Guitar (duet)
2
Trumpet, Tuba (duet)
1
Tuba ensemble
1
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1
Tuba and Organ
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2 Trombones, Piano
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French horn and Basson (duet)
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1
Trumpet, violin (duet)
1
2 Euphoniums (duet)
1
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
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Trumpet, Trombone, Piano
1
Trombone, cello (duet)
1
+ 64 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
925
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587
Violin
416
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414
Cello
325
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319
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200
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186
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161
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156
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119
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88
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82
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79
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77
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59
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57
2 Violas (duet)
56
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45
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38
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36
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30
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29
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29
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27
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26
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25
String quartet: 4 violins
17
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16
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16
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14
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14
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14
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12
String trio
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11
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10
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10
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9
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7
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7
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6
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5
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4
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2
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301
Chorus and Aria from Ariadne auf Naxos
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Classical
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne a
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Classical
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariad
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitar
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INTERMEDIATE
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Classical
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Mag...
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Overture from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Goldberg Variations: Aria, BWV 988 (Johann Sebastian Bach)
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Guitar
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Chris Richter
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Goldberg Variations: Aria, BWV
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Chris Richter
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1453153 Composed by Johann Sebastian Bach. Arranged by Chris Richter. Baroque,Classical. Individual part...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1453153 Composed by Johann Sebastian Bach. Arranged by Chris Richter. Baroque,Classical. Individual part. 3 pages. Chris Richter #1032381. Published by Chris Richter (A0.1453153). Johann Sebastian Bach's Goldberg Variations: Aria, BWV 988 arranged for solo fingerstyle guitar.
$5.99
Aria - mp3
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Guitar
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Classical
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Giambattista Martina
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John Trie
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Aria - mp3
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john Trie
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SheetMusicPlus
Guitar - Digital Download SKU: A0.1064649 Composed by Giambattista Martina. Arranged by John Trie. 20th Century,Baroque,Classical,Romantic Period. Full P...
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Guitar - Digital Download SKU: A0.1064649 Composed by Giambattista Martina. Arranged by John Trie. 20th Century,Baroque,Classical,Romantic Period. Full Performance. Duration 92. John Trie #37289. Published by john Trie (A0.1064649). Aria by Giambattista Martina. Guitar arrangement by John Trie.
$1.99
Aria from Suite No. 3. Johann Sebastian Bach. Arrangement for Guitar.
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Guitar
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Classical
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Johann Sebastian Bach
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Valery Dzyabenko
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Aria from Suite No. 3. Johann
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Valery Dzyabenko
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SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.978117 Composed by Johann Sebastian Bach. Arranged by Valery Dzyabenko. Baroque,Country,Instructional,Standards,Wo...
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Solo Guitar - Digital Download SKU: A0.978117 Composed by Johann Sebastian Bach. Arranged by Valery Dzyabenko. Baroque,Country,Instructional,Standards,World. Individual part. 5 pages. Valery Dzyabenko #5347755. Published by Valery Dzyabenko (A0.978117). The graceful famous aria from Suite No. 3 (Air) by Johann Sebastian Bach. Convenient arrangement for classical guitar in the key of C major. For the educational section polyphony in children's music schools. 4-5 grades. Duration 3:07
$4.50
In Bulgarian Mood
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Guitar
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INTERMEDIATE/ADVANCED
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Folkloric/Traditional
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Plamen Petrov
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Plamen Petrov
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In Bulgarian Mood
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Plamen Petrov
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1135932 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Folk. Individual part. 5 pages. P...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1135932 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Folk. Individual part. 5 pages. Plamen Petrov #735957. Published by Plamen Petrov (A0.1135932). An expressive piece for solo guitar with Bulgarian folk motifs.
$5.00
Bulgarian Colours
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Guitar
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INTERMEDIATE/ADVANCED
#
Folkloric/Traditional
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Plamen Petrov
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Plamen Petrov
#
Bulgarian Colours
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Plamen Petrov
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1133356 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Folk. Individual part. 5 pages. P...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1133356 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Folk. Individual part. 5 pages. Plamen Petrov #733509. Published by Plamen Petrov (A0.1133356). Guitar solo. Bulgarian Folk nuanses.
$5.00
Three Bulgarian Legends
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Guitar
#
INTERMEDIATE/ADVANCED
#
Plamen Petrov
#
Plamen Petrov
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Three Bulgarian Legends
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Plamen Petrov
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1311810 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Classical,Folk. Individual part. ...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1311810 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Classical,Folk. Individual part. 6 pages. Plamen Petrov #900745. Published by Plamen Petrov (A0.1311810). Mystical and lovely music with bulgarian folk motives .
$4.00
Bulgarian Suite
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Guitar
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ADVANCED
#
Folkloric/Traditional
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Plamen Petrov
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Plamen Petrov
#
Bulgarian Suite
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Plamen Petrov
#
SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1136502 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Folk. Individual part. 6 pages. P...
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Solo Guitar - Level 5 - Digital Download SKU: A0.1136502 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Folk. Individual part. 6 pages. Plamen Petrov #736501. Published by Plamen Petrov (A0.1136502). A lovely piece for guitar solo with Bulgarian national sound.
$5.00
2 HUNGARIAN RHAPSODIES
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Guitar
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INTERMEDIATE
#
Mihajlo Vihula
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2 HUNGARIAN RHAPSODIES
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Mihajlo Vihula
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.993077 Composed by Mihajlo Vihula. 20th Century,Contemporary,Folk,World. Individual part. 23 pages. Miha...
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Solo Guitar - Level 3 - Digital Download SKU: A0.993077 Composed by Mihajlo Vihula. 20th Century,Contemporary,Folk,World. Individual part. 23 pages. Mihajlo Vihula #6326963. Published by Mihajlo Vihula (A0.993077). 2 HUNGARIAN RHAPSODY with TAB notation, 24 pages |Difficulty: Medium. I.Hungaria Rhapsody op.124 dedicated to hungarian /italian guitarist Monika Minár. .
$7.00
Hungarian Rhapsody
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Guitar
#
INTERMEDIATE/ADVANCED
#
Mihajlo Vihula
#
Hungarian Rhapsody
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Mihajlo Vihula
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.993059 Composed by Mihajlo Vihula. 20th Century,Folk. Individual part. 13 pages. Mihajlo Vihula #3877435...
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Solo Guitar - Level 4 - Digital Download SKU: A0.993059 Composed by Mihajlo Vihula. 20th Century,Folk. Individual part. 13 pages. Mihajlo Vihula #3877435. Published by Mihajlo Vihula (A0.993059). Hungaria Rhapsody op.124 for guitar by Mihajlo Vihula and dedicated to Monika Minár classical guitarist. .
$8.40
BACH – Two Cantata's Arias – BWV140-208 | Guitar | PDF
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Guitar
#
INTERMEDIATE/ADVANCED
#
Johann Sebastian Bach
#
Maël Fauvy
#
BACH – Two Cantata's Arias
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Mfp Éditions
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1458179 Composed by Johann Sebastian Bach. Arranged by Maël Fauvy. Baroque,Classical,Sacred. Individual...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1458179 Composed by Johann Sebastian Bach. Arranged by Maël Fauvy. Baroque,Classical,Sacred. Individual part. 12 pages. Mfp Éditions #1037154. Published by Mfp Éditions (A0.1458179). Composer : Johann Sebastian BachArrangement & fingerings : Maël FauvyLevel : Advanced - Grades III & highterTwo pieces : Zion Hört Die Wächter Singen, Schafe Können Sicher Weiden — 10 pagesTwo great cantata arias arranged for solo guitar.Zion Hört Die Wächter Singen:6th string in D – (Capo I). From cycle II.Schafe Können Sicher Weiden:6th string in C.
$30.00
2 Arias
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Guitar
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EASY
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Christoph Graupner
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Roberto GarcÃa
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GWV 821
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2 Arias
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apt4guitar
#
SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.789455 Composed by Christoph Graupner (1683 - 1760). Arranged by Roberto GarcÃa. Baroque,Instructiona...
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Solo Guitar - Level 2 - Digital Download SKU: A0.789455 Composed by Christoph Graupner (1683 - 1760). Arranged by Roberto GarcÃa. Baroque,Instructional,Standards. Individual part. 4 pages. Apt4guitar #4793595. Published by apt4guitar (A0.789455). Contents: Arias GWV 810 & GWV 821
$3.50
Tremelo Variation of Romanza
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Guitar
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Contemporary
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Dennis Greensmith
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Tremelo Variation of Romanza
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Dennis Greensmith
#
SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.954716 Composed by Dennis Greensmith. Contemporary. Individual part. 2 pages. Dennis Greensmith #6642593. Publishe...
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Solo Guitar - Digital Download SKU: A0.954716 Composed by Dennis Greensmith. Contemporary. Individual part. 2 pages. Dennis Greensmith #6642593. Published by Dennis Greensmith (A0.954716). This is a variation of the first section (the A section) of Romanza in E minor incorporating Tremelo technique. You can add this after playing the normal A section to create a new version the done. This variation incorporates a new karmic structure to give a much fuller texture and an interesting variation. The level is Advanced finger style guitar playing.
$8.00
LISZT - Hungarian Rhapsody 11.
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Guitar
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ADVANCED
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Classical
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Franz Liszt
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Mihajlo Vihula
#
LISZT - Hungarian Rhapsody 11.
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Mihajlo Vihula
#
SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.993051 Composed by Franz Liszt. Arranged by Mihajlo Vihula. Romantic Period. Individual part. 7 pages. M...
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Solo Guitar - Level 5 - Digital Download SKU: A0.993051 Composed by Franz Liszt. Arranged by Mihajlo Vihula. Romantic Period. Individual part. 7 pages. Mihajlo Vihula #3674211. Published by Mihajlo Vihula (A0.993051). Ferenc Liszt: Hungarian Rhapsody 11. .
$9.99
Hungarian Dance No. 5
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Guitar
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EASY
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Classical
#
Johannes Brahms
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Martin Hegel
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Hungarian Dance No. 5
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Schott Music - Digital
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SheetMusicPlus
Guitar - easy - Digital Download SKU: S9.Q44850 From: 21 Hungarian dances. Composed by Johannes Brahms. Arranged by Martin Hegel. This edition: Sh...
(+)
Guitar - easy - Digital Download SKU: S9.Q44850 From: 21 Hungarian dances. Composed by Johannes Brahms. Arranged by Martin Hegel. This edition: Sheet music. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q44850. Published by Schott Music - Digital (S9.Q44850). Digital publication of the piece found in the following print music collection: Classical Music for Children - 58 Easy Pieces for Guitar.
$2.99
Rhapsody on a Theme of Paganini, Op. 43, Variation 18 (Sergei Rachmaninoff)
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Guitar
#
INTERMEDIATE
#
Classical
#
Sergei Rachmaninoff
#
Chris Richter
#
Rhapsody on a Theme of Paganin
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Chris Richter
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1438321 Composed by Sergei Rachmaninoff. Arranged by Chris Richter. Classical,Romantic Period. Individua...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1438321 Composed by Sergei Rachmaninoff. Arranged by Chris Richter. Classical,Romantic Period. Individual part. 3 pages. Chris Richter #1018344. Published by Chris Richter (A0.1438321). Sergei Rachmaninoff's Rhapsody on a Theme of Paganini, Op. 43, Variation 18: Andante cantabile (D♭ major) arranged for solo fingerstyle guitar.
$5.99
Auld Lang Syne - Variation 3 - mp3
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Guitar
#
Charles Grobe
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John Trie
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Auld Lang Syne - Variation 3 -
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john Trie
#
SheetMusicPlus
Guitar - Digital Download SKU: A0.1064616 Composed by Charles Grobe. Arranged by John Trie. 20th Century,Classical,Folk,Romantic Period,World. Full Perfo...
(+)
Guitar - Digital Download SKU: A0.1064616 Composed by Charles Grobe. Arranged by John Trie. 20th Century,Classical,Folk,Romantic Period,World. Full Performance. Duration 79. John Trie #36547. Published by john Trie (A0.1064616). Auld Lang Syne - Variation 3 by Charles Grobe. Guitar arrangement by John Trie.
$1.99
Theme and Variation (from 4 Easy Pieces)
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Guitar
#
INTERMEDIATE
#
Classical
#
Johann Kaspar Mertz
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Johann Kaspar Mertz
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Theme and Variation
#
A. J. Cornell Publications
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1221823 Composed by Johann Kaspar Mertz. Arranged by Johann Kaspar Mertz. Romantic Period. Individual pa...
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1221823 Composed by Johann Kaspar Mertz. Arranged by Johann Kaspar Mertz. Romantic Period. Individual part. 2 pages. A. J. Cornell Publications #818114. Published by A. J. Cornell Publications (A0.1221823). Mertz’s “Theme and Variation†(from 4 Easy Pieces) for solo classical guitar.
$1.99
"Ave Maria" for solo guitar
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Guitar
#
INTERMEDIATE
#
Classical
#
Franz Schubert
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Keith W
#
"Ave Maria" for solo guitar
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Keith Gehle
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1397100 Composed by Franz Schubert (1797 - 1828). Arranged by Keith W. Gehle. 19th Century,Christmas,Rel...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1397100 Composed by Franz Schubert (1797 - 1828). Arranged by Keith W. Gehle. 19th Century,Christmas,Religious,Sacred,Wedding. Individual part. 3 pages. Keith Gehle #980436. Published by Keith Gehle (A0.1397100). Composed three years before his death in 1828, Franz Schubertâ??s â??Ave Mariaâ? is by far one of his most popular works. Pieces entitled â??Ave Mariaâ? (or Hail Mary) are traditional Roman Catholic prayers in honor of Mary, the mother of Jesus. For that reason, they are very popular during the Christmas season and often used in traditional wedding services. This PDF includes detailed fingerings and insightful interpretation in standard notation. Thereâ??s also a version available with TAB on this site.
$2.99
Ave Maria
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Guitar
#
INTERMEDIATE
#
Classical
#
Bach,Gounod
#
Ave Maria
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
Ave Maria (Intermediate/Advanced Level, Solo Guitar)
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Guitar
#
INTERMEDIATE/ADVANCED
#
Classical
#
Sacred music
#
Schubert
#
Ave Maria
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
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